WATCH: Andrew VanNorstrand, “Boy With Gray Eyes”

Artist: Andrew VanNorstrand
Hometown: Central New York
Song: “Boy With Gray Eyes”
Album: That We Could Find a Way to Be

In Their Words: “There’s this moment when you realize something; when it finally clicks and the clouds part and you see things as they are. It feels like you’re just… hovering. Suspended between worlds. That moment when you first face a truth, but before you know what happens next. Before you know what it really means. There is so much life in those moments. They are brief, rare, terrifying and beautiful. May we be better than we’ve been. And everyone said ‘Amen.'” — Andrew VanNorstrand


Photo credit: Louise Bichan

LISTEN: Nora Brown, “Buck Creek Girls”

Artist: Nora Brown
Hometown: Brooklyn, New York
Song: “Buck Creek Girls”
Album: Cinnamon Tree
Release Date: October 25, 2019
Label: Jalopy Records

In Their Words: “‘Buck Creek Girls’ is a square dance tune from Kentucky that goes by different names depending on the source you get it from. Though [it doesn’t have] many words, the tune has a driving tempo and surprises the listener with each turn of the A to the B part. I learned this tune from the late John Cohen in his living room, from his interpretation of his recording of Banjo Bill Cornett. It’s exciting to listen to this tune because it seems like every time I hear it there is some note or emphasis I missed. For me, the tune never gets old because there’s always something new about it.” — Nora Brown


Photo credit: Benton Brown

LISTEN: Dominique Arciero, “I Wait”

Artist: Dominique Arciero
Hometown: Manhattan, New York
Song: “I Wait”
Album: Saturday Songs
Release Date: September 27, 2019
Label: Middle Sister Music

In Their Words: “Saturday Songs is a new series of singles I’m releasing on (you guessed it) Saturdays. Self-produced and featuring some of LA’s greatest (Sean Watkins, Tyler Chester, James McAlister and Rich Hinman) these very personal songs come straight from my house to yours. Releasing a new song weekly is my attempt to approach the process of making art in a way that has otherwise been touch and go ever since my band of sisters (country trio The Lunabelles) disbanded in 2012. To confidently bear my stories, record them, let them loose… and start again.” — Dominique Arciero


Photo credit: Devin Pedde

LISTEN: Bill Scorzari, “Treat Me Kind”

Artist: Bill Scorzari
Hometown: Huntington, New York
Song: “Treat Me Kind”
Album: Now I’m Free
Release Date: September 20, 2019

In Their Words: “Knowing I had a good number of sad/slow songs for this record, I set out to write some uptempo songs to balance things out, and ‘Treat Me Kind’ is the first one that came to me. I could feel some of the old 1970s ‘country rock’ (Marshall Tucker Band, Charlie Daniels Band…) influences from my youth welling up and flowing out and that made writing this song a whole lot of fun. Brent Burke played Dobro on my last record, Through These Waves (2017), and I asked him to come back and play some more for the 2019 album, Now I’m Free. That’s him warming up before the song starts. When the band kicks in, it’s me on acoustic guitar and vocals, Will Kimbrough on slide and electric guitar, Juan Solórzano on electric guitar, Michael Rinne on electric bass, and producer Neilson Hubbard on drums.” — Bill Scorzari


Photo credit: Lauren Johoda

WATCH: Nick Panken, “In the Manner That It Came”

Artist: Nick Panken (of Spirit Family Reunion)
Hometown: Accord, New York
Song: “In The Manner That It Came”
Album: Consequential Breach

In Their Words: “I wrote this song while I was working as a gardener in lower Manhattan, transplanting flowers from little plastic pots to those small plots of soil that interrupt the pavement. Songs tend to come to me after I’ve spent some time examining my thoughts and then they start to fade into more abstract notions. Gardening presents a lot of time for this kind of activity, and this is the best work I did at that job.

“The chorus seems to be built with salvaged parts from a couple of old gospel songs sung by Mississippi John Hurt and Joseph Spence. As someone who doesn’t intend to preach about spiritual matters, I want the conclusions in my songs to be both vague and meaningful, and ‘receive it in the manner that it came’ felt appropriate along the lines of ‘the answer is blowin’ in the wind.’ The final line I wrote to finish the song was ‘we come so far to be so far gone.'” — Nick Panken

Westerly Sound Archives: Nick Panken “In the Manner That it Came” from Sean W Spellman on Vimeo.


About the video series: The Westerly Sound Archives are a series of videos and recordings by artist/musician Sean W Spellman in which he has invited friends and acquaintances into his spacious studio in Westerly, Rhode Island, for quick, off-the-cuff performances. Spellman has curated a music series, festival, and independent label that crosses the paths of his contemporaries in both the music and visual art community.

BGS 5+5: Spirit Family Reunion

Artist: Spirit Family Reunion
Hometown: Brooklyn, New York
Personal nicknames (or rejected band names): Mag, Kendo, Pank, Zuba, the Stiv.

What’s your favorite memory from being on stage?

There are many treasured stage moments to choose from, like collaborating with some of the biggest inspirations for our band, but probably the most transformational moment was our first performance at the Newport Folk Fest on Sunday morning 2012. It’s hard to put into words what made that moment so special, but it was as if all these enormous things like years of passion, dedication, exhaustion, the music, which has a life of its own, the history of that festival, and so many more elements were all being crystalized into what felt like one single moment that was so extraordinarily palpable. It was a genuinely special moment that revealed the power in music. Both fleeting and eternally memorable.

What was the first moment that you knew you wanted to be musicians?

We had been screwing around playing some haphazard late-night sets at a bar that a couple of us worked at. One weekend this guy Frankie from the bar invited us up to Saugerties, New York, to a big house he was looking after which belonged to the guy from Swans. We gathered some instruments and he put a microphone in front of us, and I think that was the first time we heard ourselves recorded. We maybe had one or two original songs at the time, but it gave us enough encouragement to put some real effort into this thing. We got a few more songs and a few more musicians, and all of a sudden we had ourselves a band.

What rituals do you have, either in the studio or before a show?

We usually eat a meal together before whatever is next. When our band was beginning we used to get together pretty regularly to make big family feasts. On the road a good meal can reach legendary status, and over the years we’ve gathered up some favored spots we always try to return to. A good meal has a special way of bringing people together.

If you had to write a mission statement for your career, what would it be?

Our band has always been guided by the social nature of music. We want to convey the energy and attitude of the good old stuff that pre-dates the record industry, while being genuine and relevant to ourselves today. The danger of looking back is to fetishize either through absolute preservation or appropriation. We are drawn to the raw, communal, rebellious spirit of the old music we love, and we want to translate that into our own original expression that is vibrant and alive right now. We want people to sing and dance who have no idea of the old stuff we’re referencing, and we want traditionalists to recognize that familiar essence in the music we’re making today.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

When we got to open for Pete Seeger in 2013 the organizer of the show said Pete requested Chinese food and asked if that was OK with us. We said whatever Pete wants is fine by us, but I think we were far too nervous to eat anything before the show that evening. Pete Seeger has always been a guiding light for our band and it was an unbelievable honor to join with him that night, cold leftovers and all.


Photo credit: Rakel Stammer

LISTEN: Ashley Sofia, “Adirondack Dreams”

Artist: Ashley Sofia
Hometown: Ticonderoga, New York
Song: “Adirondack Dreams”
Album: Shades of Blue
Release Date: September 6, 2019

In Their Words: “I grew up a quarter mile down the road from my grandparents’ apple orchard in the heart of the Adirondack Mountains. I was built by that landscape — raised running wild — and like an old pastoral poem, I felt I needed to honor my home. My dad is a big conservationist and he taught me how to play guitar on our back porch. During those sessions, John Denver was a staple, especially his wilderness songs.

“Then when I came to Nashville, I got incredibly homesick. I was completely unprepared for the oppressive summer heat, I didn’t know a single fishing hole, and I certainly didn’t know what kind of snakes I needed to be worrying about. And most of all, I missed my family. I’d close my eyes all the time and daydream about those mountains.

“One night I was alone in my apartment, desperately missing home, and I was flooded with the imagery and feelings of what it would be like to get back there. I recorded everything I felt, and I knew by the end of it I was tipping my cap to John Denver, my dad, and the mountains that raised me. Playing it felt like going home.” — Ashley Sofia


Photo credit: Josh Doke

WATCH: Jon LaDeau, “Call My Name” (Feat. Hayley Thompson-King)

Artist: Jon LaDeau
Hometown: Brooklyn, New York
Song: “Call My Name” (feat. Hayley Thompson-King)
Album: Roads
Album release date: October 11, 2019

In Their Words: “‘Call My Name’ is the first single from my new album, Roads. It’s a duet with Hayley Thompson-King. I wanted to get the feeling across that a strong relationship with a close friend or family member or partner is such a special thing to have. You can always call on this person and they’ll be there. And they can call on you, no matter what.” — Jon LaDeau


Photo of Jon LaDeau by Brian Geltner
Album cover image credit: Jon LaDeau, Brian Geltner, Alyssa Kriner

LISTEN: Charlie and the Rays, “Away For The Weekend”

Artist: Charlie and the Rays
Hometown: New York, New York
Song: “Away For The Weekend”
Album: That’s Where You Were Born
Release Date: July 5, 2019

In Their Words: “We had just gotten back from a small tour out to Montana [when] Rebecca heard about a protest in Seattle where some people had been tear-gassed by police. Like so much of the news today, it was deeply upsetting that this event didn’t circulate through the public like we thought it would. This song is the reaction to a seemingly futile social and political atmosphere and our confusion about the best way to create momentum surrounding important civil rights issues. It may seem like a song about heartbreak, because it is. We are heartbroken that school children are continuously being shot up in our country, and that the color of someone’s skin dictates the likelihood of being shot and killed by those who are supposed to be protecting us. We don’t know the answers, but we hope this song can spur conversation and motivate change.” — Jordan Stobbe, Charlie and the Rays


Photo credit: Anna Letson

LISTEN: Ruby Landen, “Rock”

Artist: Ruby Landen
Hometown: Brooklyn, New York
Song: “Rock”
Album: Meditation Sounds (EP)
Release Date: June 21, 2019

In Her Words: “I recently unearthed the lyrics to this song and put them to music. I wrote this after a breakup and then couldn’t play it for a few years because of feelings and stuff. At the time, I was feeling all kinds of guilt for not being able to be what this particular person thought I was and should be. [I] was expected to be unconditionally supportive without reciprocation, which is where the whole rock metaphor started. In other words, it’s a breakup song — but I learned a lot about rocks in the process.” — Ruby Landen


Photo credit: Angela Scileppi