BGS 5+5: Rebecca Porter

Artist: Rebecca Porter
Hometown: Harrisonburg, Virginia
Latest Release: “Happy Go Lucky”
Personal Nicknames (or rejected band names): Becca

What’s your favorite memory from being on stage?

RP: One of my most favorite memories from being on stage is a recent one – singing on stage with The Steel Wheels at Red Wing Roots Music Festival. This was my first year performing at the festival. A couple weeks prior to its tenth year celebration, The Steel Wheels’ fiddle player reached out and invited me to join them as part of a folk choir for their song “Till No One Is Free.” After a couple run-throughs with the band and The Honey Dewdrops backstage, it seemed The Steel Wheels’ set flew by and before I knew it, I walked out on stage with them. I faced the largest crowd I’d ever performed for, shoulder to shoulder with the founders of the festival. So many smiles and festival goers welcomed us all into their hearts with open arms as they sang along with our makeshift folk choir. While the air was filled with countless voices, a calm silence of comfort fell over my heart.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Visual arts impact my music by allowing me to observe and participate in the artist’s work, their vision, their experience. I may not be directly involved in the work’s creation, but the role of observing and appreciating a work, determining if and how it informs my thoughts, feelings, beliefs. All of those things are very similar to how I write, create and listen to music. A couple of my favorite artists include Cai Guo-Qiang, a Chinese artist who works in gunpowder drawings and explosives. The mere ability to utilize materials, typically connected to death and destruction, and repurpose them into visual wonders for peace, understanding and justice is beautiful. Kara Walker, an American contemporary who works in multiple mediums, creates mind-bending silhouettes that question and investigate race, gender, sexuality, and violence.

What was the first moment that you knew you wanted to be a musician?

I was known to dance on the family room coffee table to Billy Ray Cyrus’ “Achy Breaky Heart” a time or two, but the very first time I knew I wanted to be a musician was when I was four years old. I was watching an episode of Sally Jessy Raphael and a young girl sang “I Will Always Love You.” I still remember crying as I watched her sing and feeling a connection, a sort of sense of belonging.

If you had to write a mission statement for your career, what would it be?

Craft honest stories through lyrics, music and voice that foster and create connections. Utilize the power of song to build and inhabit spaces where individuals are safe to process, celebrate or escape themselves and the world around them. As with “Happy Go Lucky,” I want people to know it is okay, many times quite necessary, to feel the feels – do the shitty work for yourself – in order to move on and be at peace or replenish your happy-go-lucky when it starts to run out.

What has been the best advice you’ve received in your career so far?

If music is what you want, take it. Seize the moment, keep strumming. Go wherever your songs take you and then some.


Photo Credit: Heather Goodloe

MIXTAPE: The Steel Wheels’ Music for Your Community Gathering

Building community is part of what music, and all good art, does. It brings us together. Music is a common rhythm, a poetic notion, an underlying common language for us all. A good mixtape grabs hold of that commonality and builds on it, with a few surprises along the way. As a band, The Steel Wheels curate a music festival each year, and a mixtape, or playlist, is kind of the digital version of that venture. So, let’s stop talking about it, and start building community with a PERFECT mix. – Trent Wagler, The Steel Wheels

Fruit Bats* – “Humbug Mountain Song”

Let’s start with a groove anyone can get behind. It’s accessible for the pop music lovers who wandered into this gathering — they didn’t know they liked the banjo at all until the second half of this intro kicks in. But now they’re engaged. And why can’t the piano, banjo, and drums live together in harmony? Stop closing your mind.

Kristin Andreassen* – “Get Together”

A good mixtape needs to establish that everyone is included. Loading things up with all your favorite new and rare songs isn’t always inviting. A cover song is common language at the very best. A little freshening up of a classic song will get us all swaying together in time. And what better theme than coming together? Now we’ve got everyone in the room in tune and we can introduce more variance in the mix.

The Wood Brothers* – “Sing About It”

The foundation of community is the strength we have together. Nothing better exemplifies this than the tight grooves and sweet harmonies of the Wood Brothers. And their message here is spot on. No matter where we are in our journey of pain, loss, trouble, or fear, singing a song just might help it pass.

Kaia Kater* – “New Colossus”

Now that we’re all in this, let’s tie the knots tighter. This song is like a sweet honey that helps stick us tightly. The way the melody veers and twists through literary verses encourages your conversations to dig a little deeper.

Jerry Garcia & David Grisman – “Russian Lullaby”

I think it’s more than nostalgia that brings me back to these late Garcia recordings, when he teamed up with longtime friend and musical pioneer David Grisman. The loose nature of these recordings makes you want to sit crisscross applesauce and share most embarrassing moments with a new acquaintance. If the ice wasn’t broken earlier, Jerry will rockabye you, baby. Collaborations are community building at their core.

River Whyless* – “All of My Friends”

Now that we’re all floating together in a musical high, don’t pull away. Leave the phones in your pocket. Let’s be here together fully. River Whyless is a band that simultaneously indicts and playfully dances with the information-overwhelmed age we live in.

Cedric Burnside* – “Hard To Stay Cool”

What is more true blue than these dyed in the wool Burnside family blues. Cedric Burnside’s whole album is full of these tasty grooves. It’s not hard for him to stay cool.

Tim O’Brien* & Darrell Scott – “With a Memory Like Mine”

Here’s another one of my favorite collaborations. The album Real Time by Tim and Darrell has had such a musical impact on me. To hear two great songwriters, who sing and play any instrument they pick up with such mastery, is humbling and inspiring.

Bahamas – “No Wrong”

I’m obsessed with Bahamas’ music right now. The guitar, the groove, and the vocals. The presence of this recording is also so immediate and direct. When you’re among your people, it feels like you can do no wrong.

The Steel Wheels* – “Road Never Ends”

I couldn’t help but include one from our new record. The love and joy of the road is bittersweet. This song puts words to the difficulties of transience while acknowledging the beauty of the strange kind of mobile community it creates.

Ana Egge – “Rock Me (Divine Mother)”

There are few songwriters who tap into deep spiritual depths without cliché like Ana Egge. She’s a treasure. And this song has slayed me every single time I’ve ever heard it.

Tinariwen – “Imidiwan Win Sahara” (feat. Tunde Adebimpe)

All music conjures up a sense of place. Tinariwen was introduced to me by our drummer, Kevin Garcia, and I’ve regularly wanted to go to where their sound takes me. As a songwriter and specifically a lyricist, it’s helpful to reset your listening ear and turn off the language centers of your brain by listening to music with lyrical content in a language you do not speak.

Dr. Dog – “Listening In”

A good mixtape has some curveballs. Dr. Dog has been a sonic companion for me since I first saw them live 10 years ago at Bristol Rhythm and Roots. The lyrical tapestry is so full and always connects through some kind of thought-lightning striking through your brain. I love the line, “I can hear the fear in me…talking.”

David Wax Museum – “Time Will Not Track Us Down”

We’re getting towards the end of our little mixtape. Like the Sunday afternoon lazy picnic, we are starting to wind it all down. David Wax is known for his high energy original Latin-inspired masterpieces, but this simple paired down guitar/vocal really calms my spirit and prepares us to part.

Robert Ellis & Courtney Hartman* – “Up On The Hill Where They Do The Boogie”

One more cover song for good measure. Let’s celebrate the most wacky and wonderful souls among us, and let’s boogie like John Hartford.

Josh Ritter – “Homecoming”

Remember that curating music for your gathering is a privilege. You are setting the sonic table for everyone in your presence. It’s also a responsibility. Everyone wants to feel at home at the end of the day. Everyone wants be at their best and be reminded that they are capable of their best. Music replenishes the various ways daily life drags us down. A mixtape is a good refuge and stand-in for when music festival season is slow.


Photo credit: Josh Saul

*2019 Red Wing performers. Red Wing Roots Music Festival takes place in Mt. Solon, Virginia, on July 12-14, and is hosted by The Steel Wheels

IBMA Special Awards and Momentum Awards Nominees Announced

The International Bluegrass Music Association (IBMA) announced the nominees for this year’s Special Awards and Momentum Awards.

The Special Awards nominees are selected by specially appointed committees made up of bluegrass music professionals who possess significant knowledge of that field. The recipient of each award is decided on by the Panel of Electors, an anonymous group of over 200 veteran bluegrass music professionals selected by the IBMA Board of Directors.

The 2018 Special Awards nominees are:

Graphic Design

Drew Bolen & Whitney Beard: Old Salt Union by Old Salt Union
Lou Everhart: A Heart Never Knows by The Price Sisters
Richard Hakalski: Portraits and Fiddles by Mike Barnett
Corey Johnson: Sounds of Kentucky by Carolina Blue
Karen Key: Big Bend Killing: The Appalachian Ballad Tradition by Various Artists

Liner Notes

Craig Havighurst: The Story We Tell by Joe Mullins & The Radio Ramblers
Steve Martin: The Long Awaited Album by Steve Martin & The Steep Canyon Rangers
Joe Mullins: Sounds of Kentucky Grass by Carolina Blue
Ted Olson: Big Bend Killing: The Appalachian Ballad Tradition by Various Artists
Peter Wernick: Carter Stanley’s Eyes by Peter Rowan

Bluegrass Broadcaster of the Year

Larry Carter
Michelle Lee
Steve Martin
Alan Tompkins
Kris Truelsen

Print Media Person of the Year

Derek Halsey
Chris Jones
Ted Lehmann
David Morris
Neil Rosenberg

Songwriter of the Year

Becky Buller
Thomm Jutz
Jerry Salley
Donna Ulisse
Jon Weisberger

Event of the Year

Bluegrass on the Green – Frankfort, Illinois
County Bluegrass – Fort Fairfield, Maine
Emelin Theatre – Mamaroneck, New York
Flagler Museum’s Bluegrass in the Pavilion – Palm Beach, Florida
FreshGrass Festival – North Adams, Massachusetts

Sound Engineer of the Year

Dave Sinko
Stephen Mougin
Gary Paczosa
Tim Reitnouer
Ben Surratt

The Momentum Awards recognize both musicians and bluegrass industry professionals who, in the early stages of their careers, are making significant contributions to or are having a significant influence upon bluegrass music. These contributions can be to bluegrass music in general, or to a specific sector of the industry. The Mentor Award, in contrast to the other Momentum Awards, recognizes a bluegrass professional who has made a significant impact on the lives and careers of newcomers to the bluegrass industry.

Starting with recommendations from the IBMA membership, nominees are chosen through a multi-stage process by committees made up of respected musicians and industry leaders in the bluegrass world.

The 2018 Momentum Award nominees are:

Festival/Event/Venue

Anderson Bluegrass Festival – South Carolina
Farm & Fun Time – Virginia
Hovander Homestead Bluegrass Festival – Washington
Red Wing Roots Music Festival – Virginia
SamJam Bluegrass Festival – Ohio

Industry Involvement

Megan Lynch Chowning and Adam Chowning
Justin Hiltner
Kris Truelsen

Mentor

Daniel Boner
Cathy Fink
Scott Napier
Jon Weisberger
Pete Wernick

Band

Cane Mill Road – Nort Carolina
Man About a Horse – Pennsylvania
Midnight Skyracer – United Kingdom
The Trailblazers – North Carolina
Wood Belly – Colorado

Vocalist

Ellie Hakanson (Jeff Scroggins & Colorado, Greg Blake Band)
Will Jones (Terry Baucom & the Dukes of Drive)
AJ Lee (AJ Lee & Blue Summit)
Evan Murphy (Mile Twelve)
Daniel Thrailkill (The Trailblazers)

Instrumentalist [three are chosen in this category]

Tabitha Agnew (Midnight Skyracer)
David Benedict (Mile Twelve)
Catherine (“BB”) Bowness (Mile Twelve)
Thomas Cassell (Circus No. 9)
Hasee Ciaccio (Molly Tuttle Band)
Matthew Davis (Circus No. 9)
Bronwyn Keith-Hynes (Mile Twelve)
Aynsley Porchak (Carolina Blue)
Trajan Wellington (Cane Mill Road)

The 2018 Special Awards are sponsored by the California Bluegrass Association and Homespun Music Instruction, while the 2018 Momentum Awards are sponsored by the Bluegrass Situation.

The recipients of the 2018 Momentum Awards will be presented with their awards at a luncheon on Wednesday, September 26, and the recipients of the 2018 Special Awards will be presented with their awards at a luncheon on Thursday, September 27 in Raleigh, North Carolina, as part of IBMA’s World of Bluegrass event.