The Foreign Landers Celebrate the Banjo in Ireland & Northern Ireland

The five-string banjo is often associated with Appalachian music, but its reach has always extended beyond one place. In Ireland, the banjo is traditionally heard as the four-string tenor banjo, a cornerstone of Irish folk music. This playlist celebrates the banjo in Ireland and Northern Ireland, but focuses instead on five-string banjo players, highlighting Irish and Northern Irish artists who are bringing bluegrass banjo into folk, Americana, and contemporary acoustic settings. The tracks here feature musicians working across traditions and genres, using the banjo as a bridge rather than a boundary.

For us, The Foreign Landers, this playlist is closely tied to our own story. Our songs, woven throughout the playlist, reflect life lived between Northern Ireland and the U.S., and the relationships, faith, and sense of distance that shape that experience. In a small way, that mirrors the five-string banjo’s own journey across time and place. Our new album, Made to Wonder, is our expression of these ideas; including our music alongside these other innovative artists helps frame our transatlantic sound within a much larger conversation.

Alongside our music, you’ll hear boundary-pushing banjo work from artists like Flook, JigJam, Damien O’Kane, Ron Block, I Draw Slow, Brian Finnegan, and NÁVA, each offering a different answer to the same question: What does bluegrass banjo become when it’s rooted in Irish soil?

The result is a playlist that honors tradition while continuing to move forward. We hope you enjoy. – The Foreign Landers

“Made to Wonder” – The Foreign Landers

The title track from our new album, this banjo-centric song is about stepping away from noise and busy-ness to find true rest and belonging in Christ, whose yoke is easy and burden light. Featuring Tristan Clarridge (Crooked Still) on cello, adding depth and resonance.

“Road to Errogie” – Flook

There’s something infectious about Flook’s craftsmanship and energy – especially when five-string banjo enters the mix, played by the incredible Leon Hunt of the UK. A major influence on our sound.

“Gold Mine” – I Draw Slow

Irish-based and deeply rooted in both Appalachian and Irish traditions, this clawhammer-driven track blends heritage with heart.

“Johnny’s Peacock / The Red-Tailed Hawk” – The Foreign Landers

Two original tunes deeply informed by Tabitha’s heritage, joined by John Doyle, Brian Finnegan, and Cathal Murphy, bringing Irish tradition and bluegrass energy together.

“John D. McGurk’s (The Heartbeat of St. Louis)” – JigJam

JigJam seamlessly bridge U.S. and Irish folk scenes. Irish banjoist Daithí Melia delivers powerful five-string work on this fun, high-energy track.

“Mario Kart Rides Again” – Ron Block & Damien O’Kane

Two banjos – five-string and four-string – done right. Ron Block of Alison Krauss & Union Station and Damien O’Kane of the Kate Rusby band make for an unxpected delightful pairing. Here is a playful, virtuosic track from their album Banjovial that’s near to Mario Kart-loving hearts.

“Pictures” – The Foreign Landers

Led vocally by David with Tabitha on banjo, this original song draws on our own experience of long-distance dating. “Pictures” captures the quiet weight of distance – and how old photographs can briefly collapse time and place. The unconventional role of banjo on this track is one of our favorite sounds on the new album.

“Marga’s” – Brian Finnegan

A must-include from the County Armagh master himself, featuring Crooked Still with Greg Lizst on five-string banjo. Both four-string and five-string banjo shine in this expansive, genre-blurring piece.

“The Thrifty Wife” – Ron Block & Damien O’Kane

Another Ron and Damien double-banjo banger. Their three collaboration albums are essential listening when talking about banjo in Irish music. Bonus mando moments from Sierra Hull seal the deal.

“Traveler”– The Foreign Landers

Narrated from the perspective of Tabitha’s parents back in Northern Ireland, “Traveler” reflects on growing older, separation, and the tenderness of loving someone from afar. Another unconventional banjo track that we loved making.

“Magic Box” – Nava

Irish Americana and folk meet Persian influences, led by Ireland’s Paddy Kiernan on five-string banjo. A rich example of cross-cultural musical exploration.

“Hope” – Cup O’Joe

Featuring Tabitha’s two brothers (alongside David and Tabitha), this title track from Why Live Without blends Northern Irish roots with progressive Americana.


Photo Credit: Nicole Davis, Storied Artisan Photography

WATCH: Mark Bishop, “Like a Songbird That Has Fallen”

Artist: Mark Bishop
Hometown: Irvine, Kentucky
Song: “Like a Songbird That Has Fallen”
Album: Some Distant Mountain
Release Date: September 24, 2021
Label: Sonlite Records

In Their Words: “I was speaking with a friend about the album we were recording, and she had me go looking for this song. I fell in love with not just the mountain melody, but I also fell in love with the unconventional lyrics that sound more like poetry than song lyrics. You really have to listen. Musically, the song encapsulates the entire album. It’s a mixture of instruments from across the sea as they first meet the instruments of the Appalachian mountains. Add to that the harmony vocals by my friend Ally Griggs and it is just an absolutely captivating song to hear.” — Mark Bishop


Photo credit: Sandlin Gaither

WATCH: Aoife O’Donovan, “Transatlantic” (Feat. Kris Drever)

Artist: Aoife O’Donovan (featuring Kris Drever)
Hometown: Newton, Massachusetts
Single: “Transatlantic”
Release Date: March 17, 2021
Label: Yep Roc Records

In Their Words: “I started writing ‘Transatlantic’ many years ago after one of my frequent trips across the pond. The lyric started as a classic love song, but when I dusted it off to complete it for this project with the Irish Arts Center, it became something different. I felt strangely moved by the nostalgia and longing for camaraderie, innocently described by my pre-pandemic self. As I finished the tune in January of this year — feeling certain of nothing but the uncertainty of these times — I immediately began to hear the voice of Kris Drever, a friend based in Glasgow. Kris enlisted his trio mates Euan Burton and Louis Abbott to be the rhythm section, and layered the recording with the inimitable strings of Jeremy Kittel. The refrain references the old classic ‘Loch Lomond,’ a ‘song from another time.’ Raise a glass. We will be together again.” — Aoife O’Donovan


Photo credit: Rich Gilligan

LISTEN: Karen Matheson, “Glory Demon”

Artist: Karen Matheson
Hometown: Oban, Argyll, Scotland
Song: “Glory Demon”
Album: Still Time
Release Date: February 12, 2021
Label: Compass Records

In Their Words: “‘The Glory Demon’ is a phrase taken from Brewer’s Dictionary of Phrase and Fable. It means war. It’s essentially an anti-war song, about how we never seem to learn and how it just goes on and on (life and afterlife) endlessly repeating itself. I thought also about how the phrase might fit the hubris, megalomania and idiocy of certain politicians.” — Karen Matheson


Photo courtesy of Compass Records