WATCH: Lizzy Long, “Final Curtain”

Artist: Lizzy Long
Hometown: Lincolnton, Georgia
Song: “Final Curtain”
Album: Dreaming Again
Release Date: May 1, 2020
Label: Vine Records

In Their Words: “‘Final Curtain’ is one of my favorite songs on my new Dreaming Again project. I made a special trip to Santa Barbara, California, with my producer, Wayne Haun, so we could write a few tunes with the great Joel Lindsey. Writing with Joel and Wayne is pure magic for me. This song is a metaphor for the ending of a relationship and ironically I like to close my concerts with it.” — Lizzy Long


Photo credit: Jeremy Ryan

WATCH: Trae Sheehan, “Paris”

Artist: Trae Sheehan
Hometown: Martinsburg, West Virginia
Song: “Paris”
Album: Postcards from the Country
Release Date: September 18, 2020
Label: Half Moon Records

In Their Words: “Somewhere in a hazy, black & white, overcast New York City full of briefcases and energy is where I found ‘Paris.’ It was a song I wanted to write for a while but I didn’t know how to approach it. The first line was with me for a few days before I sat down to write, and by the time I was at the kitchen table with my notebook and guitar, all I could see in my head was SoHo in New York City in this strange 1950s kind of way. I mixed that imagery with how out of place someone can feel in the dating world and that’s where the song lives. It’s probably my favorite song on the record.” — Trae Sheehan


Photo credit: Misty Sheehan

WATCH: The Ghost of Paul Revere, “Diving Bell”

Artist: The Ghost of Paul Revere
Hometown: Portland, Maine
Song: “Diving Bell”
Album: Good at Losing Everything
Release Date: August 28, 2020
Label: GOPR Records

In Their Words: “‘Diving Bell’ was written to process a painful decision made with best intent. At the time I was struggling with partnership, and more honestly, the general concept of connectivity. It was around this period that I heard Nate DiMeo’s historical narrative on the construction of the Brooklyn Bridge called “Below, From Above.” His piece, inspired by David McCullough’s The Great Bridge, put a humanistic element on the lengths we can go to, physically and metaphorically, to bridge gaps. I became fixated on the idea that the most grueling and necessary work to complete that connection, was done in a vacuum, at the bottom of the East River.” — Max Davis, The Ghost of Paul Revere


Photo credit: Lauryn Hottinger

WATCH: Bruce Robison & Kelly Willis, “Tennessee Blues”

Artist: Bruce Robison & Kelly Willis
Hometown: Austin, Texas
Song: “Tennessee Blues”
Release Date: August 27, 2020
Label: The Next Waltz

In Their Words: “Nikki Lane mentioned ‘Tennessee Blues’ to me probably four years ago and that was the first time I heard of Bobby Charles. I realized I had heard the song by Doug Sahm over the years. It is one of those tunes that after first listen you know it would be incredible for harmonies, and it is. I think the greatest songs are effortless to play and even easier to sing. ‘Tennessee Blues’ is that. Bobby Charles is an artist that should be much better known, but occasionally discovering those artists and songs is about my second favorite thing in life.” — Bruce Robison


Photo credit: Todd V. Wolfson

WATCH: Adam Chaffins, “Who I Am” (Live)

Artist: Adam Chaffins
Hometown: 10 years+ Nashvillian (Eastern Kentucky native, from Louisa, Kentucky)
Song: “Who I Am” (Live)
Album: Some Things Won’t Last
Label: Chaffins Music

In Their Words: “A lot of my influence as a songwriter comes from torch songs. Keith Whitley sang a lot of them, like ‘I’ll Be Your Stepping Stone’ with J.D. Crowe & the New South. Songs of eternal pining for a love. ‘Who I Am’ is a torch song with a lot more brutal honesty to the torcheé. I started playing this version supporting John Hiatt on the road in 2019. It’s as bare-bones as a song can get.” — Adam Chaffins


Photo credit: Melissa Stillwell

WATCH: Zoe & Cloyd, “Where Do You Stand”

Artist: Zoe & Cloyd
Hometown: Asheville, North Carolina
Song: “Where Do You Stand”
Label: Organic Records

In Their Words: “‘Where Do You Stand’ is a commentary on the state of our national discourse. We had the idea for the line, ‘When all that’s left is left, right, or wrong’ in regards to the hyper-polarization we’ve been seeing for a while and we built the song from there. We wanted the song and video to be thought provoking and a call to action. Some people will always attempt to pit us against one another for personal and political gain but we can’t let divisive, inflammatory rhetoric win the day. For us to move forward, we must find common ground on which to build a path toward a just and sustainable future.

“We filmed the video not far from our house in Fairview, North Carolina, outside of Asheville. The old building with the painted tree is right along the road and we thought it was a quirky rural spot that contrasted nicely with the political imagery. The other location was an abandoned ball court that had some interesting delineated grass with a sort of ‘line in the sand’ vibe. It also looked a bit post-apocalyptic. The fence shots represent several concerns such as the border wall, the lack of voice and access in certain communities, and feelings of powerlessness to change the status quo.” — John Cloyd Miller


Photo credit: Sandlin Gaither

WATCH: Jeremy Squires, “Cast Spells”

Artist: Jeremy Squires
Hometown: New Bern, North Carolina
Song: “Cast Spells”
Album: Many Moons
Release Date: August 28, 2020
Label: Blackbird Record Label

In Their Words: “When I wrote ‘Cast Spells,’ I had originally intended for it to be an acoustic song and a duet. Over time I felt the song could be opened up more and I started playing around with different soundscapes and textures. Ultimately the song evolved into what it is now. ‘Cast Spells’ is one of my favorite songs on the record and tells a poetic truth from a haunting perspective.” — Jeremy Squires


Photo credit: Shelley Squires

WATCH: The Alex Leach Band, “Take the Long Way Home”

Artist: The Alex Leach Band
Hometown: Jacksboro, Tennessee
Song: “Take the Long Way Home”
Release Date: May 15, 2020
Label: Mountain Home Music Company

In Their Words: “After writing the song, my wife and I had a vision of how we thought the video would look. With plenty of help from our Mountain Home family and our band, we were able to make our vision a reality; complete with a ’60s, bright orange VW Microbus and bell-bottoms for all! Each of us got to unleash a bit of our inner, free spirit for the video, and we think the outcome gives off the perfect vibe. We hope you enjoy this groovy journey with us as we ‘Take the Long Way Home.'” — Alex Leach


Photo credit: Sandlin Gaither

WATCH: Cinder Well, “Queen of the Earth, Child of the Skies”

Artist: Cinder Well
Hometown: Santa Cruz, California, but now Ennis, Ireland
Song: “Queen of the Earth, Child of the Skies”
Album: No Summer
Release Date: July 24, 2020
Label: Free Dirt Records

In Their Words: “This tune is an American version of an Irish set dance called ‘The Blackbird.’ I derived my own interpretation from a 1947 field recording of West Virginian fiddler Eden Hammons. Hammons used an interesting fiddle tuning, DDAD, which I also used here. Erynn Marshall draws the connection between the American and Irish versions of this tune in her book Music in the Air Somewhere: The Shifting Borders of West Virginia’s Fiddle and Song Traditions.

“Being from America and living in Ireland, I have been really interested in fiddle tunes that are found in both traditions. When I found this tune, I set out to reimagine it, led by this idea that if this tune has been making its way around the world for hundreds of years, why not keep interpreting it? I aimed to do this with all the songs, both original and traditional on No Summer, to get to the core of them and express them in the most relevant and honest way possible.

“This video was shot in the back room of Lucas’s bar in Ennis, Ireland, amongst empty tables, but where, in a different time, you have a nice quiet pint next to a fire.” — Cinder Well


Photo credit: Jim Ghedi