Yasmin Williams Shows Her Innovative Guitar Work in These 5 Must-Watch Videos

With only about ten days left in October, we’re spending each available moment we have remaining to continue spotlighting our Artist of the Month, Yasmin Williams. An impressive and innovative guitarist, Williams pulls seemingly impossible compositions, tones, licks, and endless originality from her instruments with ease and artfulness. Her brand new album, Acadia, demonstrates the instrumentalist has reached a new creative plane, one where limitless universes of creativity and collaboration are at her disposal.

Already this month we’ve shared our Essential Yasmin Williams Playlist, we featured an exclusive interview with the guitarist about her new project, and the incredible Jackie Venson – fellow guitarist and musical trailblazer – considered Williams’ approach to their shared instrument in a heartfelt op-ed. Now, we want to cap our AOTM coverage with this quick but mighty primer, a list that will immediately catch up our readers – from the uninitiated to the longtime fans – on exactly why Williams is a once-in-a-generation picker and musician. Check out these 5 must-watch videos from our Artist of the Month, Yasmin Williams.

Tiny Desk (Home) Concert

There’s almost no better way to introduce oneself to a new artist than through a Tiny Desk Concert. Even during the height of the COVID pandemic, when NPR pivoted their hit video series to Tiny Desk (Home) Concerts, the performances still carried the characteristic appeal and charm of performing behind the fabled Tiny Desk. That’s certainly true for Williams’ stunning performance, which features a handful of tracks from her critically-acclaimed 2021 album, Urban Driftwood. Listeners get a tantalizing preview of Williams’ multi-instrumental approach as well, with percussion by her tap shoes and a kalimba fastened to the face of her guitar, too.

“Restless Heart” for NPR

Even before Urban Driftwood became a breakout moment for Williams, she was on the radar of NPR and their Tiny Desk as far back as 2018, when she was a stand-out entrant in their Tiny Desk Contest. Her Night Owl performance of “Restless Heart” – a track from her 2018 debut project, Unwind – showcases still more bespoke techniques Williams employs, transitioning from tapping the fretboard while bowing the strings with a violin or viola bow, then laying the instrument flat in her lap to continue in her signature tapping style. She adds percussion with her knuckles and the heel of her right hand striking the top of the guitar, building an ornate and resplendent track that never sounds solo.

“Mombasa” with Tommy Emmanuel

Who better to collaborate with Williams than Chet Atkins acolyte and “CGP” Tommy Emmanuel? Williams appeared on his 2023 duet album, Accomplice Two, on the track “Mombasa.” They begin with tender guitar and kalimba in duet, before building into full time and loping through the Emmanuel-penned melody, a classic in his repertoire. Williams employs a guitar thumb pick while tapping, complementing Emmanuel’s relatively traditional flatpicking approach. They meld seamlessly, two bold voices on the instrument working in tandem and striking harmony. Before you know it, Williams has switched back to kalimba again, multi-tracking enabling what we know she can do analog, as well.

“Urban Driftwood” Featuring Amadou Kouyate

The title track from her most recent album before the just-released Acadia, “Urban Driftwood” features musician, percussionist, and kora player Amadou Kouyate. This composition feels especially lush, broad, and fully-realized. It has cinematic touches over its languid and relaxed melodic arc, but it’s also trance-like and meditative. You can sense how Williams and her collaborators seek and find a riff, phrase, or lick to lean into and explore all of its textures and variations. Relax, enjoy, and drift away on the musical sea like your own bit of urban driftwood.

“Through the Woods”

Another track from Urban Driftwood, “Through the Woods” demonstrates even more techniques that Williams employs in her music making. This time, she’s once again affixed a kalimba to her guitar top, while using a dulcimer hammer to elicit tones similar to a piano or a harpsichord, striking the strings close to the bridge for a brighter, crisper, more tight tone. She’s donned tap shoes, using a small board beneath her feet to supply even more sounds and percussion. Watching her limbs work with total autonomy and of one accord simultaneously is jaw-dropping. Somehow, she makes all of these complicated approaches to the instrument feel intuitive, organic, and infinitely listenable.

Want more? Watch our BGS exclusive Shout & Shine livestream from 2020 and continue exploring our AOTM coverage of Yasmin Williams here.


Photo Credit: Ebru Yildiz

The Best of Sitch Sessions: 13 Must-See Musical Moments

As we enter the new year, we look back on our favorite moments shared with some of our favorite artists in 2018. Check out our top Sitch Sessions, filmed in Los Angeles, Nashville, Philadelphia, and beyond.


“Ain’t That Fine” – I’m With Her

Fresh off the release of their debut full-length album See You Around in February, Sara Watkins, Aoife O’Donovan, and Sarah Jarosz serenaded us among the palms of the Fairmont Park Horticultural Center in Philadelphia.



 “Mal Hombre” – Rhiannon Giddens

Rhiannon Giddens brought Tejano to East Nashville with her powerful version of the legendary Lydia Mendoza’s classic “Mal Hombre.”



 “Long Gone Out West Blues” – Joe Mullins & the Radio Ramblers

Traditional bluegrass proselytes Joe Mullins & the Radio Ramblers joined us in Nashville, gearing up for the return of Huck Finn Jubilee in Southern California last October.



“The Traveling Kind” – Rodney Crowell and Emmylou Harris

Looking back on their 40+ years of friendship and collaboration, with no intention of stopping, Rodney Crowell and Emmylou Harris claim to be members of an “elite group” of those from their generation still traveling, touring, and performing. They laugh, “We’ve traveled so far, it became a song, at last”.



“Islands in the Stream” – Love Canon

How can you not smile from this bluegrass-inspired version of this Kenny Rogers and Dolly Parton classic?



“Rygar” – Julian Lage and Chris Eldridge

The duo gifted us with the building, joyous “Rygar”, off their album Mount Royal, which they describe as being comprised of “experiments” — songs that allowed them to explore their own capabilities and push the boundaries of what can be done on the acoustic guitar.



“The Restless” – The Lone Bellow

With this stunningly stripped-down rendition of “The Restless,” The Lone Bellow reminded us to keep our heads up and our hearts open in the face of adversity, something to hold on to for a fresh start in the new year.



“Alison” – Jamie Drake

Gearing up to release her solo album Everything’s Fine in 2019, alt-folk singer/songwriter Jamie Drake joined us in Los Angeles and regaled us with her immaculate tune “Alison.”



“Different, I Guess” – Lilly Hiatt

Lilly Hiatt, in the way only she can, ponders the dangers and glories of being vulnerable and allowing yourself to fall in love.



 “Coming Down the Mountain” – Mipso

Mipso muses on retreating from the madness of society in this beautiful song, taken from their 2017 album of the same name.



“Took You Up” – Courtney Marie Andrews

Courtney Marie Andrews’ breathtaking vocals stunned us once again in a solo acoustic version of this track from her latest album May Your Kindness Remain.



“Thirty” – The Weather Station

The Weather Station (AKA Tara Lindeman) gave us the haunting and tense, yet fluid, “Thirty” from their self-titled album. They met us to perform the song at BOK, a historic Philadelphia trade school, closed five years ago, now re-purposed for its space to be used by the community for small businesses, job training, non-profits, and more.



“Firestarter” – Andrew Combs

And to close out the year, we have singer/songwriter Andrew Combs with a solo acoustic performance of this captivating, previously unreleased tune.


 

10 Young Banjo Players You Aren’t Paying Enough Attention To

We don’t blame you. Banjo is typically all about praising the masters, mimicking their technique, and playing “it” — whatever tune, song, lick, or fill — exactly the way the heroes did it. Of course it’s easy to overlook up-and-coming pickers who are innovating the instrument and letting their own personalities shine through their playing. Rest assured, we’ve been keeping up with a panoply of younger banjo player virtuosos for you, just in case you’ve overlooked ’em.

Gina Clowes

The most recent addition to Chris Jones and the Night Drivers, Gina Clowes’ debut album, True Colors, is a surprising departure for anyone who might be expecting songs along the lines of the more traditional-leaning material of the Night Drivers, but Gina’s playing refuses to be pigeonholed.

Catherine “BB” Bowness

BB has a chameleon-like ability to deftly shape her playing to fit any number of styles. With her Boston-based bluegrass band, Mile Twelve, she tends to lean into a more traditional approach, hard driving and uncompromising. In other contexts, she demonstrates she’s as progressive and outside-the-box as any Fleck/Pikelny acolytes out there.

Tabitha Agnew

Based in Northern Ireland, Tabitha Agnew and her two brothers tour and perform as Cup O’Joe. The subliminal transatlantic touches through her playing are like Easter eggs, keeping listeners on their toes, never quite sure what’s coming next.

Victor Furtado

Typically on banjo, when your aim is speed and intensity you give up some measure of precision and nuance. Not Victor Furtado. Whether he’s playing an emotive, pensive tune, or a foot-stomper like this, he never sacrifices any of his intricate, unexpected musical ideas. Oh, and remember Gina Clowes? Victor and Gina are siblings. Go figure.

Matthew Davis

There are plenty of young banjoists out there in the world right now who are obsessed with learning and transcribing every note they can from progressive trailblazers like Béla Fleck and Noam Pikelny. (And rightly so!) However, National Banjo Champion Matthew Davis (of new acoustic, bluegrassy string band Circus No. 9) is one of very few whose own imaginative voice on the instrument comes through louder than any of his influences, which gives his playing a remarkable maturity.

Little Nora Brown

This ain’t your usual, “aw this kid is playing an instrument as big as they are!” cutesy sh*t. It is a compelling case for reincarnation, though. It almost sounds like Little Nora Brown has a host of roots music legends pouring out of her fingertips and through her lips. Leave it to the young people to remind all of us that old-time music is relevant in any context, but especially poignant and transformative when it’s allowed to be in the present.

Steven Moore

A two-time National Banjo Champion, Steven Moore is a career biochemist who plays the banjo with downright effortless command, combining modern styles with classic, timeless licks and tricks. The moral of the story here is that when a banjo player plays an utterly stunning Don Reno cover, you oughta pay attention.

Uma Peters

She may be stoic, quiet, and generally shy, but Uma Peters is not one to overlook. At 11 years old, her old-time banjo skill level is already so high we can hardly imagine the heights to which she’ll take it. Again, this music stands for a whole lot more than just cuteness. Uma Peters for President.

Gabe Hirshfeld

More than just a bluegrass meme master, Gabe Hirshfeld is another example of a banjo player who refuses to let his playing style fit neatly into any of the molds already set forth by bluegrass forebears. On the five-string he can be unflinchingly traditional, totally off-the-wall, borderline insane, and/or all of the above all at once.

Alex Leach

Playing an arch-top banjo player in the Clinch Mountain Boys is quite the mantle to take on, but Alex Leach does it with ease and aplomb. The world needs more right hands backed up against bridges, more raised heads, and more playing and filling while singing lead. Just follow Alex’s example.


Lede image: courtesy of Mountain Home Music Company