This week, Z. Lupetin speaks with British-born folk-rock rebel and underground guitar icon, Richard Thompson.
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With his signature grimace, that seems to dare you to look at his album covers, his salty slam poet vocal delivery, his slashing fingerpicked guitar style, and imposing black beret — which makes him look more like a hardened revolutionary than a kindly grandpa who just turned 70 — Richard Thompson is a true icon of rock and folk music.
They’ve each had distinguished careers as songwriters and musicians in American roots music, but together they’re especially sublime.
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Buddy and Julie Miller met in Austin in the 70s and pursued careers in New York and Los Angeles before moving to Nashville almost 30 years ago. Both of their prior duo albums were deemed best of the by the Americana Music Association. Now, following a remarkably busy period for Buddy, the two found their way back to working together, and the result is the new Breakdown On 20th Ave. South from New West Records. It will be one of the landmarks of 2019, and Craig sat down at the Millers’ home to talk about two magical, interwoven lives in music.
In this episode, host Z. Lupetin speaks with Peter Rowan, the affable elder-statesman of roots music, who was there at the crucible beginnings of bluegrass and has joyfully jaunted across a plethora of folk music styles over the course of his five decade-long career.
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These days, despite it getting harder for him to get around, he’s still on the road constantly, and you can see him at Telluride Bluegrass Festival, Red Wing Roots, Rockygrass, and wherever young folks and old folks are still gathering around whatever stew folk music is cooking these days. Stick around to the end of the episode to hear Peter set up outside in the sun with his Free Mexican Airforce Band to perform a sweet Tejano tune under the trees.
In the 1970s Nick Lowe carved out a place on the thoughtful side of punk and pop in England, landing “Cruel To Be Kind” on the charts with his band Rockpile, but doing so much more besides.
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He produced Elvis Costello’s first five albums and wrote the anthem “(What’s So Funny ‘Bout) Peace, Love and Understanding?” In the late 90s, he reinvented himself with a new focus on his mellifluous voice, starting a run of songwriting that’s up there with anybody’s. And it was all based in a passion for American roots, from Tin Pan Alley to country to rock and roll. Lowe has recently released another EP in a stretch of work with the band Los Straitjackets. Also this hour, the emotionally charged and luxurious roots pop of Dylan LeBlanc.
This week, Z. shares a conversation with The War and Treaty.
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In just a few short years, the rapidly rising folk-soul duo has gone from playing high school auditoriums to opening for Al Green at Radio City Music Hall, singing with Mumford & Sons in Nashville, and recording with Emmylou Harris. In the process, they have put together one of the hottest touring bands tearing through the US.
This week’s show is split between two string instrument masters who have little in common save for a lifelong commitment to nurturing traditional music while allowing it to grow and adapt to the times.
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Byron Berline is an Oklahoma-based fiddler who’s a hero in bluegrass music, but who also led the way in the country-rock movement out of Los Angeles for 25 years. He recently had a setback when his famous and beloved Double Stop Fiddle Shop in Guthrie, OK burned down and with it a huge loss of valuable instruments. Also in the show, Andy Statman talks about how and why he mastered the bluegrass mandolin and the Klezmer clarinet. He’s released more than 30 exceptional albums, his latest being Monroe Bus, a tribute to Bill Monroe instrumentals that took on unexpected range and dimension.
This week, Z. speaks with Chris Shiflett, a renegade guitar slinger who has spent 20 years prowling stages around the world with the Foo Fighters and has become a soulful songwriter in his own right.
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His new record, Hard Lessons, is coming out June 14, and he talked with Z. about the vulnerability of striking out on his own, the whiplash jump from rocking Madison Square Garden one night and a rowdy bar the next, and how growing up with three brothers in Santa Barbara helped him navigate becoming a dad to three young sons of his own.
For those about rock, we advise you listen to this man. He’s been to the mountaintop and has had to start over more than once, but most of all, he can write rock ‘n’ roll songs that make you roll the window down and sing at the top of your lungs.
Only five artists or acts have been inducted into both the Country Music and Bluegrass Music halls of fame, and only one is actively touring and shaping the dialogue around roots music generally. And that’s 64-year-old Ricky Skaggs.
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As a fiddler, mandolinist, singer, and band leader he’s bridged the country/bluegrass divide more deftly than any artist alive, and he still does it with sets that split the difference as his band can shift gears on a dime. In a full-hour feature interview, Skaggs reflects on two key periods of his career – the 1970s when as a twentysomething he worked with epic bands like the Country Gentlemen, J.D. Crowe and the New South, and Boone Creek, which he started with a young Jerry Douglas. And we talk about the 2000s, when he turned his full attention back to bluegrass and quickly dominated the industry with awards and era-shaping records.
Z. speaks to Hot Club Of Cowtown — the genre-defining Western swing trio that has quietly crafted over thirteen records, and has traveled a quarter of a century on the road together.
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On this episode, Z. was lucky enough to record two live performances from Hot Club Of Cowtown, and is there anything better than guitar, fiddle, and bass going full tilt around one mic? Both tunes are included, as well as an enlightening discussion about the scariest hotel room they’ve ever stayed in, playing together for over twenty years, and what it was like to tour with Willie Nelson and Bob Dylan…on the same tour.
Honky tonk maestro Dale Watson grew up in Pasadena, TX, just on the Galveston Bay side of Houston. With a father and brother who played country music, he was playing professionally by his early teens. In 1988, alt-country pioneer Rosie Flores convinced him to move to Los Angeles, where he became integral to the scene at the Palomino Club. Then it was on to Austin, a debut album on Hightone Records and a long run of critical and popular acclaim as one of the proudest, silkiest voices carrying the torch for country music. Now he’s putting down new roots in Memphis TN. He’s the new owner of a legendary south Memphis road house called Hernando’s Hideaway, which he’ll reopen after renovations this summer. He’s taken his concept of Ameripolitan music to new heights with a growing Memphis festival and an awards show that just wrapped its sixth edition. And he made his new album there – his 32nd release. So there’s a lot to talk about.
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Also, getting to know English folk singer and master guitarist John Smith, whose new album Hummingbird blends a few originals with a collection of age-old English ballads.
