My little brother and best friend, Clay Hollis, is my guest on Only Vans today! Of course we talk about what he’s been up to and his latest song, and then dig deep into… our live sound rigs!? I hope this episode gives you a ton of new insight into the high level of knowledge that’s needed to tour like we do as independent artists, but (full disclosure) the second half might go right over your head if you’re not interested in the audio nitty gritty. Enjoy!
Editor’s Note: Only Vans with Bri Bagwell is the latest addition to the BGS Podcast Network! Read more about the podcast coming on board here. Find our episode archive here.
Amy Helm has had one of the most fascinating lives that any person can have. As you might have guessed from her famous last name, she comes from roots music royalty. Amy is the daughter of Levon Helm, the beloved late drummer for the incredible groundbreaking Canadian-American group The Band. She also continues to run The Barn, a music venue and recording studio built by her dad and Garth Hudson, which served as Levon Helm Studios.
In her own career, she has created a new lineage of musical tradition, family, great songwriting, poetry, and a feminine power that emanates off of her. We’re talking about her new album, Silver City, but we’re also talking about songwriting. We’re talking about grief. We’re talking about single parenthood. We’re talking about family. We’re talking about being on the road. We’re talking about how our bodies change over time and how that changes us as a vocalist and as an artist.
Looking back at her wildly successful and always adventurous career up to this point, it feels inevitable that Lisa Loeb was always going to be a songwriter. But young Lisa probably could have done any creative job well. She grew up surrounded by music, yes, but she also had a passion for theater and got her degree in comparative literature. It was her theater and film side hustles that led Lisa to her first big break. Lisa’s friend Ethan Hawke shared her song “Stay” with Ben Stiller, who included the song in the soundtrack for the film Reality Bites. “Stay” was a massive hit and Lisa was the first-ever artist to have a Number 1 hit on the Billboard charts without a recording contract.
The second act of Loeb’s career is the main focus of our Basic Folk conversation. This chapter in the book of Lisa Loeb is all about… children’s music! As her latest album, That’s What It’s All About, demonstrates, Loeb has managed to keep playfulness and curiosity at the center of her life well into adulthood. She has figured out the delicate balance of making music for kids that adults can relate to as well. Happy memories of music from her own childhood, as well as nods to her elders, make this new record a sonic storybook that listeners of all ages will enjoy.
One of my favorite people on earth, Dallas Burrow, stopped by for this new episode of Only Vans to talk about owning a music venue, shamans, Charley Crockett, having a complicated past, and all the good vibes!
Editor’s Note: Only Vans with Bri Bagwell is the latest addition to the BGS Podcast Network! Read more about the podcast coming on board here. Find our episode archive here.
The names Bruce Molsky and Darol Anger have come up more often than not when talking to fiddlers on Basic Folk. The pair have single-handedly mentored hundreds of our favorites in fiddle music at Berklee College of Music in Boston, Darol’s online music school, music camps, festivals, and more. The pair joined us on the occasion of their newest folk music collab, their new album Lockdown Breakdown. Folk music has often been associate with nerdiness, so we get right into their nerdy roots with Bruce’s love of fountain pens, his background in mechanical engineering, and all facts about American roots music, bluegrass, and fiddle music you can stand.
Both talk about their origins: Bruce in the Bronx and Darol in Northern California, which eventually led him to become a co-founding member of the David Grisman Quintet. We discuss the social aspect of the old time and bluegrass world and how that has translated into the way they each approach socializing. Then, we get into the thousands of fiddle lessons they’ve given younger players and why they like to mentor younger generations.
And of course, we chat about the album, which was recorded live in a Nashville studio in just a few days. Darol and Bruce talk about what the energy was like in the room for all their live takes during the session. It was a pleasure to speak with these two very funny, very influential musicians! They are doing incredible and important work.
Welcome to another edition of Folk Debate Club, our occasional debate series! To discuss ambition vs. acceptance, we welcome our panel: music journalist Kim Ruehl, Basic Folk boss Cindy Howes, and yours truly Lizzie No. We would like to extend a very warm welcome to our special guests singer-songwriter Michaela Anne and producer Aaron Shafer-Haiss, also hosts of The Other 22 Hours podcast. In our lively conversation we work through thoughts and feelings about the definition of ambition: a strong desire to do or to achieve something, typically requiring determination and hard work. We take the approach from a music industry, folk music and even dive into the audience perspective of how fans might feel about an artist’s ambition.
It is no surprise that capitalism gets rung right out as a reason that ambition goes wrong for artists. As Kim says, “Art is like the nervous system of humanity,” and mixing creation with ambition-gone-wrong is a dangerous game that a lot (most?) professional musicians play with at some point in their careers. This episode has everything: navigating our way out of toxic work environments, messy reactions to unpopular yet important political stances and how to not throw away the people who disagree with you. Listen along and enjoy the ride.
Photo Credit: Lizzie No by Cole Neilson; Cindy Howes by Liz Dutton; Michaela Anne and producer Aaron Shafer-Haiss; Kim Ruehl by Rich Amory
Fresh off a new full length album, country and Americana singer-songwriter Mason Lively joins the show to chat with host Bri Bagwell about songwriting, priorities, babies, and the housing market. Do yourself a favor and check out Mason’s new record, Burn The Ground, today!
Editor’s Note: Only Vans with Bri Bagwell is the latest addition to the BGS Podcast Network! Read more about the podcast coming on board here. Find our episode archive here.
In our episode with Wisconsin-born, New England-based Jeffrey Foucault, we had a handful of questions for the singer-songwriter about his background: coffee, the Midwest, and Mark Twain wisdom. Then, we talked about Billy Conway for more than an hour. Conway was Foucault’s long-time partner in music, his drummer, and best friend who died from cancer in 2021. He was a roots rock and roll legend in Boston with his tenure in Morphine and Treat Her Right. Conway was like a holy man, known for his creative, curious, and infectious spirit where even people who met him only one time (myself included) were quite taken and inspired by his presence. His loss hit the music community hard. In 2023, a tribute album showcasing the songwriting of Conway recorded by some of his closest friends (including Chris Smither, Foucault, Kris Delmhorst, and Billy’s wife Laurie Sargent) was released. And now, with his latest album release, Jeff’s given us a working wake for his friend Billy, The Universal Fire.
Elsewhere in the episode, we talked about what was going on with Jeff when he met and started working with Billy in 2013. What state of mind made this spectacular friendship and collaboration completely click? Jeff has also been conscious about his reaction to Conway’s death and processing grief, when it comes to being an example for his teenage daughter (who is also getting into folk music and live performance, too – hi, Hazel!)
We also dig into the new album. Jeffrey paralleled the loss of Billy Conway with a different type of loss, the 2008 fire at the Universal Studios lot in California that destroyed master tapes of hugely influential American recordings. And finally, we check in on how Jeffrey’s human-ness is faring in the high-tech world in the year 2024.
Throughout his music career, singer-songwriter Amos Lee has cultivated a large female fanbase and also owes a lot of his early start to Norah Jones (a female!). He’s about to hit the road co-headlining with folk music and queer icons the Indigo Girls. In our conversation, he talks about the atmosphere he’s going for in concert, and it’s not a very bro-centered vibe. His latest album Transmissions further proves his case with a gorgeous sonic palette that includes country music, indie folk, folk rock and acoustic music sounds. Recorded with his longtime band in a studio in rural Marlboro, New York, the songs came out as warm as the reclaimed church wood it was built out of.
Amos dives into topics like how he feels about kids, to his work with cancer patients, to the benefits of caring for your mental health and music. He touches on anxiety and overstimulation (a topic mostly prompted by my anxiety!) and overcoming adversity. He also talks about being a mentor for the Black Opry residency at WXPN in his town of Philadelphia, and explains what a Hoagiemouth is. Amaze and delight at the wonderful Amos Lee.
Ryder Grimes is one Texas Country’s most exciting up-and-comers. He’s got a vintage, old soul style and one-of-a-kind voice. On today’s episode of Only Vans we dive into starting early, self-confidence, fashion sense, and the classic “van vs. bus” argument.
Editor’s Note: Only Vans with Bri Bagwell is the latest addition to the BGS Podcast Network! Read more about the podcast coming on board here. Find our episode archive here.
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