You Gotta Hear This: New Music From Rose Cousins, Reckless Kelly, and More

It’s a serendipitously Canada-filled day on You Gotta Hear This, where singer-songwriter Rose Cousins brings us a brand new track, “Forget Me Not,” with a beautiful accompanying visualizer, plus Alex Mason impressively performs “Broken Bottles” live from a canoe, and Bob Sumner and posse line-dance it up in a new video for “Motel Room.”

That’s not all, though, as we’ve got alt-country, bluegrass, and more from the southern side of that border, too. Don’t miss Reckless Kelly performing “Keep Lookin’ Down The Road” in a brand new, self-shot video that features gorgeous landscapes and stunning drone footage. Derek Vanderhorst brings us the title track to his upcoming album, Be Kind, as well, with a ringer cast of collaborators including Steve Poltz.

To round out our collection this week, we’re re-sharing two premieres from earlier in the week on the site. The Doohickeys brought us zombie-fied Good Country with “Rein It In Cowboy” and virtuosic pickers Steven Moore and Jed Clark paid tribute to what would have been Frank Wakefield’s 90th birthday with their rendition of “New Camptown Races.”

It’s all right here on BGS and, to be perfectly honest, You Gotta Hear This!

Rose Cousins, “Forget Me Not”

Artist: Rose Cousins
Hometown: Halifax, Nova Scotia, Canada
Song: “Forget Me Not”
Release Date: June 28, 2024 (single)
Label: Nettwerk Music Group

In Their Words: “‘Forget Me Not’ is the romance of spring unfolding into summer as it pulls us into its presence. Nature asking us to pay attention and come along. Spring is my favourite season and I’ve now gotten to see it four times in a row in the same place which touring kept me from doing for years. It’s been like falling in love in a new way with an old flame.” – Rose Cousins


Reckless Kelly, “Keep Lookin’ Down The Road”

Artist: Reckless Kelly
Hometown: Austin, Texas
Song: “Keep Lookin’ Down The Road”
Album: The Last Frontier
Release Date: September 13, 2024 (album)
Label: No Big Deal Records

In Their Words: “‘Keep Lookin’ Down The Road’ is a reflection of the past and an appreciation for the present, but most importantly, it’s an optimistic look ahead. I wrote it with my brother Gary and our buddy Jeff Crosby during our annual songwriting retreat that we jokingly refer to as the ‘hitscation.’ I came up with the line on the way there. sang a few lines into my voice recorder, and we worked out the rest over the next couple of days. Once we were in the studio, I chopped up a couple of verses and used the best lines to shorten it up a bit to match the theme of the record, which is, in a nutshell, ‘Don’t bore us, get to the chorus.’

“As technology advances by the second, I’ve wondered for a while how close to a pro-shot music video I could film using just an iPhone and a drone. Since the expense of filming a music video can sometimes outweigh its visibility, I decided to find out. Using the limited videography and editing skills I’d picked up filming the pandemic-inspired ‘Music from the Mountains’ and ‘Quarantine Kitchen’ shows, I set up time lapses of sunsets, sent the drone up to capture areal views of the mountains in my high desert backyard, and tried to time sunrises and sunsets for the cringiest part – standing in a field of sagebrush all alone, Uncle Rico style, filming myself singing and playing the song in front of a tripod. Luckily, my locations were so remote that nobody drove by and saw this old man making selfie videos like some 14-year-old influencer.

“I shot a lot of B roll road scenes, filmed at an old junkyard in the woods, waterfalls, national monuments, and in huge valleys surrounded by mountains on all sides. I tried to use the scenery as the main focus and also borrowed my brother Gary’s old Dodge truck to match the timeless vibe I was going for. It was a lot of work and took a lot more time than I thought it would, but it was fun and it turned out pretty cool, and I have a newfound appreciation for why these things cost so much. I’m not sure if I matched the quality of a high-end production, but for the cost of a tank of gas or two it’s close enough for RK!” – Willy Braun

Track Credits: Written by Willy Braun, Gary Braun (Micky & The Motorcars) and Jeff Crosby.

Wily Braun – Lead vocals, rhythm guitar, harmonica, percussion
Cody Braun – Fiddle, harmony vocals, mandolin, tenor guitar, synth, percussion
Jay Nazz – Drums, percussion
Joe Miller – Bass guitar
Geoff Queen – Lead electric guitar, pedal steel guitar
Bukka Allen – Hammond B3 organ, piano, harmonium
Kelley Mickwee – Harmony vocals

Produced by Jonathan Tyler, Cody Braun, Willy Braun.
Engineered by Joseph Holguin.
Mixed by Jacob Sciba, Cody Braun, Jonathan Tyler.
Mastered by Jacob Sciba.
Recorded at Arlyn Studios, Austin, Texas.
Additional recording at Clyde’s VIP Room, Austin, Texas.

Video Credit: Produced, directed, filmed, and edited by Willy Braun. Filmed on location in Idaho.


Alex Mason, “Broken Bottles”

Artist: Alex Mason
Hometown: Toronto, Ontario, Canada
Song: “Broken Bottles”

In Their Words: “‘Broken Bottles’ is a song about how when memories form, especially when we’re younger, they can take on an almost mythical quality in our imaginations and dreams. Then as we grow older and that spell of innocence is broken, we leave them behind, only to return to them again later when they likely don’t resemble anything like what they originally looked like. After losing my mom, writing songs became a way to preserve memories, even painful ones from when I was a kid. Sometimes even difficult memories can sweeten and soften with time. I was exploring a lot of open tunings with this new album, and felt a bit like Dylan on Blood On The Tracks – something about playing in open D on this Martin opened up a new space and new ideas for me and reminded me of being a teenager exploring the same tunings. It’s funny how things make their way back around.” – Alex Mason

Video Credit: Bradley Pearson, Don River Music


Bob Sumner, “Motel Room”

Artist: Bob Sumner
Hometown: Vancouver, British Columbia, Canada
Song: “Motel Room”
Album: Some Place to Rest Easy
Release Date: September 6, 2024
Label: Fluff and Gravy Records

In Their Words: “There is a rapper/DJ named Channel Tres. Everything Channel does is cool. He drips cool. I’m a big fan of his music, his aesthetic, and his videos. He has a video for a tune called ‘Weedman.’ It’s Channel and his homies hanging out in a home ordering weed from their dealer. Throughout the video they break into dance routines. It’s chill af. It’s funny. It’s joyous. It doesn’t take itself too seriously. I wanted that for ‘Motel Room.’

“I wrangled two of my close friends, Logan Wolff & Matty Beans. I knew they’d be down. My partner Mica Kayde choreographed a dance routine for us. With my director Dana Bontempo and his partner Zara, we loaded into my pickup truck, brought Endo my tripod dog (and best friend), and spent three days on a road trip messing around. We danced in front of a motel called El Rancho in the interior of B.C. We went to the Armstrong Fair & Rodeo. We laughed a lot, mostly at ourselves, and we had the time of our lives doing it. It’s no Channel Tres, but I think we did what we set out to do. The video turned out to be a joy. It’s fun. It’s funny. It encapsulates those magical carefree years I spent with my friend. At the end of the video the character ends up alone in a motel room wantonly gazing out the window. We felt that was a part of the story we couldn’t leave out.” – Bob Sumner


Derek Vanderhorst, “Be Kind” (featuring Steve Poltz)

Artist: Derek Vanderhorst
Hometown: Golden, Colorado but moving to Nice, France in September
Song: “Be Kind”
Album: Be Kind
Release Date: July 12, 2024

In Their Words: “I wrote ‘Be Kind’ in a fun, humorous way to address serious issues that are dividing friends and family and loved ones. Racism and intolerance are making their way into our everyday experience and becoming somewhat normalized. The divisiveness is becoming so overwhelming that it’s now hard to have these serious conversations and I wanted to send the simple message of acceptance, love, and kindness – as well as [pointing out] differences are what makes life so great and worth living.

“As Gen Xers, we need to be open, aware, and embrace all the progress and change, not forgetting our generation’s great changes. We sometimes need to remember that we need change to have stagnant waters.” – Derek Vanderhorst

Track Credits:
Derek Vanderhorst – Music, lyrics, guitar, vocals
Steve Poltz – Vocals, guitar
John Mailander – Fiddle, mandolin
Frank Evans – Banjo
Brook Sutton – Bass
Jamie Dick – Percussion


The Doohickeys, “Rein It In Cowboy”

Artist: The Doohickeys
Hometown: Los Angeles, California
Song: “Rein It In Cowboy”
Album: All Hat No Cattle
Release Date: January 24, 2025
Label: Forty Below Records

In Their Words: “We wrote ‘Rein It In Cowboy’ after Haley got her butt grabbed in a bar… He copped a feel and we copped a song. The unsettling vibe you get from a creepy guy groping you is eerily similar to the feeling zombies evoke, which is why our video draws inspiration from our love of classic zombie films like Night of the Living Dead and Dawn of the Dead. We had a blast coming up with t-shirt pick-up lines and other visual jokes throughout the video. With the help of our friends, we crafted a visual narrative we’re truly proud of and can stand behind (and grab).” – Jack Hackett, The Doohickeys

More here.


Steven Moore & Jed Clark, “New Camptown Races”

Artist: Steven Moore & Jed Clark
Hometown: Jed Clark lives in Nashville, Tennessee, originally from Searcy, Arkansas; Steven Moore lives in Saint Clairsville, Ohio, originally from Bethesda, Ohio.
Song: “New Camptown Races” (by Frank Wakefield)
Release Date: June 26, 2024

In Their Words: “We are very excited to share our music video of ‘New Camptown Races,’ a tune by the late Frank Wakefield (June 26, 1934 – April 26, 2024) that has become a bluegrass standard. The idea for this video began at SPBGMA 2023, when we jammed to ‘New Camptown Races’ with both of us playing it in B-flat without using capos. We laughed and agreed that we needed to record it and maybe do a video shoot of it someday. It wasn’t until a year later at SPBGMA 2024, when we met up again, that we really solidified plans to make the video happen. Our hopes were to record the video and put it out on June 26, 2024 in honor of Frank’s 90th birthday. Unfortunately, the world lost Frank two months before he turned 90, but we decided to still aim to put out the video on what would have been Frank’s 90th birthday, in his memory…” – Steven Moore

More here.


Photo Credit: Rose Cousins by Lindsay Duncan; Reckless Kelly by Cassy Weyandt.

LISTEN: Jeff Crosby, “My Mother’s God”

Artist: Jeff Crosby
Hometown: Nashville, Tennessee
Song: “My Mother’s God”
Album: North Star
Release Date: April 24, 2020

In Their Words: “I wrote this song with Micky Braun in Boston last year and it ended up on the new Micky and The Motorcars album as well. I’ve never been very religious, but my friend Brian in Idaho sent me the line: ‘I should thank my mother’s god’ and it set the theme for the rest of the song. I’d also been hanging on to the chorus line: ‘Throw your heart in the river and hope it sees the ocean someday’ for a while. Micky came up with some really great lines for both verses and helped me round out the chorus. We probably finished the tune in 10 minutes over a bottle of wine. Lyrically it’s one of my favorite tracks on the album. My favorite songs are always the easiest to write it seems.” — Jeff Crosby


Photo credit: Scott Simontacchi

BGS 5+5: Tylor & the Train Robbers

Artist: Tylor & the Train Robbers
Hometown: Boise, Idaho
Latest album: Best of the Worst Kind

Which artist has influenced you the most … and how?

It’s so hard to choose just one, I’ve been inspired by so many great songwriters. My first major influence as a kid was Hank Williams Sr. I was introduced to his music through my grandparents record collection and it was a sound I had never heard before. My first songs were heavily infused with his tone. Over the years I’ve drifted from that, but it still serves as an important first step down the songwriting rabbit hole. John Prine was my next big influence and his music has continued to inspire me to this day. I find myself re-listening to his records and finding nuances in his writing that I never noticed before and that to me is the mark of a truly great songwriter.

What other art forms — literature, film, dance, painting, etc. inform your music?

I grew up watching a lot of old Western movies with my grandpa, which played a big role in my writing of the track “The Ballad of Black Jack Ketchum” on the new album. The imagery from the films painted the picture for the backdrop of this song. I also pulled inspiration from the language and storytelling style of Louis L’Amour from his classic series of Western novels.

Honestly though, my biggest inspirations come from other musicians. I love listening to all kinds of different music, new and old, to pull ideas from. I feel like the best way to continue being inspired is to listen to more music.

What was the first moment that you knew you wanted to be a musician?

From an early age, I just remember that whenever I was listening to music I had a strong desire to want to play along and learn the songs. My mom played guitar and sang to me a lot when I was kid, she had always wanted to be a musician, but never pursued it. I found one of my mom’s rusty electric guitars in my house and started to try to teach myself to play, which eventually led to my parents getting me my first acoustic guitar. I pretty much knew right then that this is what I wanted to do and I never really turned back. I was really lucky that my mom was always very supportive of my dream and never tried to talk me out of it.

What’s the toughest time you ever had writing a song?

Probably the toughest song I have ever written is actually on our new album. “Storyteller” was written back in 2012 when my grandpa passed away, he was a huge part of my life and we lost him at a pretty early age to illness. I wrote the song to help cope with the loss, but couldn’t completely finish it for over five years after his death. Sometimes I feel like that song and the time it took to write it are a literal representation of the time it took me to grieve.

What’s your favorite memory from being on stage?

For years I had a goal to play The Braun Brother’s Reunion Festival. If you’re not familiar with it, it is an annual Americana music festival in Challis, Idaho, with some of Red Dirt/Americana’s best bands. It’s hosted by the Braun family (Cody and Willy of Reckless Kelly, and Micky and Gary of Micky & the Motorcars). They are Idaho natives who took their music to Texas and have thrived in that scene for many years. I went to the BBR for the first time back when I was 18 years old. It was the first time I had seen that much of the music I loved in one place and from that point on, it was my goal to play it someday.

In 2017, a good friend of mine, Jeff Crosby was playing the festival and he reached out and asked if I wanted to come play a Tom Petty song with him during his set. Of course I said yes! He got me up in front of that crowd and on that stage for the first time. He introduced me to the crowd and told them that we were his favorite Idaho band, which meant a lot. It took us a couple years after that, but this year, 2019, the band and I are on the bill for the festival and we can’t wait!


LISTEN: Jeff Crosby, ‘Best $25 I Ever Spent’

Artist: Jeff Crosby
Hometown: Nashville TN
Song: “Best $25 I Ever Spent”
Album: Postcards from Magdalena
Release Date: October 27, 2017
Label: At the Helm
In Their Words: “This song was written in a little town called Taganga outside of Santa Marta in Colombia. I was on a trip with a girlfriend, and we hit the town one evening, went out to dinner, drinks, dancing, and ended up skinny dipping in the Caribbean at 4 am. I then confessed my undying love for her with no pants on on the beach. Woke up the next morning and checked my wallet to realize I’d only spent $25 on the whole night. Started my journal entry with ‘That was the best $25 I ever spent,’ and then wrote the song later that day.” — Jeff Crosby


Photo credit: Cary Judd

LISTEN: Jeff Crosby, ‘Carved in Sandstone’

Artist: Jeff Crosby
Hometown: Donnelly, ID
Song: "Carved in Sandstone"
Album: Waking Days
Release Date: November 6

In Their Words: "I found myself obsessed with the sound of the pedal steel and definitely made an effort to feature more of that on this record. I'm in a much different head space now than the last record, musically — more soundscapes and stretched out the atmospheric tones floating around the songs. I really enjoy recording the quiet songs — singing it where you can be so quiet and really get every little characteristic in the voice. In the end, I just love being in the studio and seeing all these songs and ideas come to life.

'Carved in Sandstone' was written in Friusa, Dominican Republic, and then recorded in Nashville. It's about jealousy and struggles with forgiveness. There's this giant cross that looks over Boise, ID, that people drive up to … look out over the city and make out or whatever. Carved names litter the sandstone all around the cross — names with a heart around them … other stuff reminiscent of high school like 'I love Amy' or 'John Gilbertson loves men.' It's a compromise to a relationship that ultimately won't work out. And the Tennessee reference is to drinking too much during this relationship." — Jeff Crosby


Photo credit: Nokes Photography