For Bluegrass Fans, Kentucky Offers a Commonwealth of Tourist Attractions

Kentucky music is currently having a moment, but it’s far from the first time. Before artists like Tyler Childers, Sturgill Simpson, and Chris Stapleton made it big, folks like Bill Monroe, Loretta Lynn, Keith Whitley, Crystal Gayle, Tom T. Hall, Patty Loveless, Ricky Skaggs, Dwight Yoakam, and countless others helped build up the Bluegrass State’s rich musical foundation spanning bluegrass, country music, and more.

With so much talent having originated from Kentucky, there’s no shortage of destinations around the Commonwealth to consume this musical history. From the Mountain Arts Center in Prestonsburg in the southeast to the Muhlenberg Music & History Museum in the west, Lexington’s Red Barn Radio and beyond, every nook, cranny and holler throughout the state is full of destinations beckoning to be explored by music fans. We’ve compiled more than a dozen of these attractions below in an epic road trip that could be called the Kentucky Music Trail.

Central Kentucky

Opened in 2002, the Kentucky Music Hall of Fame & Museum in Mount Vernon features exhibits showcasing talent from throughout the state ranging from country and bluegrass trail blazers like Bill Monroe, Loretta Lynn and Keith Whitley along with Black Stone Cherry, The Kentucky Headhunters and Exile, among others. The museum is open from 10 a.m.-5 p.m. daily with an admission of $10.

 

 

Also sitting on the same 55-acre property is the Renfro Valley Entertainment Center. First opened in 1939, the massive barn features two unique performance halls that host country, gospel and bluegrass music annually from April through December. Additionally, the venue has been the home of Renfro Valley Gatherin’, a syndicated radio program airing on Sunday nights at 9:30 p.m. EST, since 1943. The show is the third oldest continually broadcast radio program in America and the second longest continuously running such program featuring country music, behind only the Grand Ole Opry.

Back inside the Hall of Fame & Museum, one of the most prominent exhibits is one showcasing Woodsongs Old-Time Radio Hour, an internationally syndicated radio program hosted by folk musician Michael Johnathon in front of a live studio audience at the historic Lyric Theatre in Lexington on most Monday nights at 7 p.m. Launched in 1998, the entirely volunteer-run production spotlights musicians across all genres performing their songs and sharing the stories behind them. Now over 1,000 episodes in (and counting), the program has featured artists like Sam Bush, J.D. Crowe, The Black Opry, Riders in the Sky and Billy Strings. Each show also features a “Woodsongs Kid,” helping to encourage and grow the next generation of Kentucky songwriters.

Another radio program based in Lexington and featuring talent from around Kentucky, Appalachia and the southeast with a similar mix of conversation and performance is Red Barn Radio. Founded in the early 2000s at Renfro Valley’s little red barn (from which the show draws its name), co-founder Ed Commons helped lead the show’s move to its current home inside LexArt’s headquarters in downtown Lexington in 2005. The show has taken off since moving there, hosting everyone from Sam Bush to J.D. Crowe, Tom T. Hall, John R. Miller, Arlo McKinley, Sierra Ferrell, Sunday Valley (led by a young Sturgill Simpson) and Tyler Childers. In the case of Childers, his performance on the show became so revered that he ended up releasing it as a live album, Live on Red Barn Radio I & II, in 2016.

Eastern Kentucky

Out east on the campus of Morehead State University you’ll find the Kentucky Center for Traditional Music (KCTM), a school teaching the next generation of bluegrass and old-time musicians the nuances, history and business side of the music. Founded in 2000, the center offers the only Bachelor of Arts in Traditional Music in Kentucky along with a minor in traditional music. It also features an extensive digital archive of Kentucky and Appalachian traditional music, a recording studio, sound-proofed classrooms and rehearsal spaces. Alumni from the school include Linda Jean Stokley and Montana Hobbs of The Local Honeys, current professor and pedal steel player for Nicholas Jamerson, Thomas Albert; Lauren and Leanna Price of The Price Sisters, and current Assistant Director, Archivist, Instructor and member of Tyler Childers’ band, Jesse Wells.

 

 

Just over an hour southeast of the KCTM you’ll find the U.S. 23 Country Music Highway Museum. Located just off of U.S. 23 in Staffordsville just north of Paintsville, the museum features memorabilia from Tyler Childers, Chris Stapleton, Loretta Lynn, The Judds, Patty Loveless, Dwight Yoakam, Billy Ray Cyrus, Tom T. Hall and other artists hailing from the counties that the highway passes through in Eastern Kentucky. The area known as the “Country Music Highway” is distinguished as having the highest number of charting country musicians calling the area home per capita than anywhere else in the world. Admission to the museum is $4.

After another half-hour drive through the area’s Appalachian mountain back roads and hollers you’ll come across Loretta Lynn’s birthplace at Butcher Hollow in the old coal mining community of Van Lear. The humble mountainside cabin features four rooms to explore—one bedroom for Loretta, younger sister Crystal Gayle and her five other siblings; a bedroom for her parents, a tiny kitchen and a cozy dining room—all covered wall to wall in pictures and other collectibles from the Coal Miner’ Daughter’s childhood and life as a musician. Tours are $5 and are typically guided by members of Lynn’s family who still call the holler home.

 

 

About a mile up the road from Lynn’s home you’ll find Webb’s Grocery, a general store constructed by the Consolidated Coal Company in 1918 when Van Lear’s coal output was near its peak. In addition to stocking ice cold Coca Cola, Mallo Cups and other quick bites the shop also is stuffed with tons of pictures of Loretta Lynn and her family including a massive banner reading “Welcome Loretta Lynn.” A journey to Butcher Hollow offers not only an incredible look back on the upbringing of one of country music’s most iconic voices, but also a look back on the mountain towns ravaged by the boom and bust of the coal industry that back in the day helped to power our entire country.

Another 30 minutes south of Van Lear is the Mountain Arts Center (MAC) in Prestonsburg. Opened in 1996, the building features a 1,000-seat concert hall, a state-of-the-art recording studio, loads of rehearsal space and will soon be the home to the TV and radio headquarters of CMH23, an organization dedicated to educating people on the history of artists from the Country Music Highway and giving a platform to up-and-coming musicians from the region. According to Executive Director Joe Campbell, the MAC and CMH23 are also partnering with The Country Network on Live From CMH23, a show that will focus on rising artists from around the state.

 

 

The MAC is also the home of a family variety show called Billie Jean Osborne’s Kentucky Opry, as well as the Kentucky Opry Jr. Pros. (an educational program for aspiring entertainers ages 6 to 18) and the Appalachian Arts & Entertainment Awards. Kentucky Opry alumni include Chris Stapleton’s longtime bassist J.T. Cure, Jesse Wells, Tyler Childers’ piano/keys player Chase Lewis, Brit Taylor, Marleena Vanhoose and Rebecca Lynn Howard.

Western Kentucky

Just under two and a half hours west of Lexington via the Western Kentucky Parkway is Rosine, a small town in Ohio County with its claim to fame being the birthplace of the Father of Bluegrass, Bill Monroe. In the heart of Rosine, you’ll find several landmarks commemorating the artist starting with the Bill Monroe Museum, which houses countless instruments, outfits, fan letters, photos, personal furniture and even Monroe’s personal Cadillac DeVille in a constantly growing and evolving collection. The museum is open Monday-Saturday from 10 a.m.-4 p.m. Admission is $3-5.

 

 

Less than a mile up the road from the museum is the Rosine Barn Jamboree, which hosts free bluegrass jams every Friday night from mid-March through mid-November. A stone’s throw away from the barn sits the Rosine Cemetery, where you can’t miss the grave of Monroe. Featuring an obelisk-style monument and adorned in flowers, Monroe’s grave stands tall over the quaint hillside cemetery as, even in death, he watches over the town that helped to define him. The cemetery also includes several of Monroe’s family members including Birch and Charlie Monroe and Pendleton (Uncle Pen) Vandiver.

Also nearby is Jerusalem Ridge, Bill Monroe’s homeplace. On the compound you can see Monroe and other family member’s childhood homes. Restored in 2001, Bill’s home features guided tours Monday-Saturday from 9 a.m.-4 p.m. and Sundays from 1-4 p.m. The site also features several stages and plays host to the Jerusalem Ridge Bluegrass Celebration, a festival taking place annually in September with some of the region and country’s best traditional bluegrass bands.

Less than an hour west of Rosine in Central City you can learn about icons like John Prine, The Everly Brothers, Merle Travis, Ike Everly, Mose Rager and Kennedy Jones at the Muhlenberg Music & History Museum. In addition to the traditional museum the building features a 1950s era jukebox serving up hits from the aforementioned artists that call Muhlenberg County home along with a towering Everly Brothers monument just outside. It also houses the Kentucky Motorsports Museum.

 

 

Just under an hour north of Central City is the last stop of our Kentucky Music Trail tour at the Bluegrass Music Hall of Fame & Museum along the banks of the Ohio River in Owensboro. The latest jewel of Owensboro’s transformed downtown, the $15.3 million building opened in October 2018 not only houses the museum and hall of fame, but also the 447 seat Woodward Theatre, a gift shop and several private event spaces along with a 1,500-seat outdoor amphitheater to boot.

When it comes to the museum, the biggest of bluegrass fans could easily spend a day diving into everything the facility has to offer. A self-guided audio tour will inform you on the ins and outs of each exhibit, the roots and impact of artists to bluegrass music, the nuances of the music and more, helping to fully immerse and indulge visitors in the music. On display are items from the likes of Rhonda Vincent, Bill Monroe, Billy Strings, Sam Bush, The SteelDrivers’ fiddler Tammy Rogers, Flatt & Scruggs, The Steep Canyon Rangers, J.D. Crowe, Hee Haw, bluegrass’ cinematic coronation O Brother, Where Art Thou? and more.

 

 

Other facilities in the museum include a pickin’ parlor where guests can play on pre-tuned guitars, mandolins, banjos, upright bass and more along with a transcribed and searchable interview database provided in partnership with the University of Kentucky’s Louie B. Nunn Center for Oral History, a massive display honoring banjo maker Jimmy Cox and the Hall of Fame itself. The prestigious space contains 68 plaques honoring those instrumental to bluegrass from its roots to its golden age and everywhere in between. Much like the museum, it offers a tremendous look back at the genre’s roots, where it is now and how it got there.

The same could be said for all of these destinations. I was already in love with my home state prior to visiting all of these places, but after having done so I’ve grown an even greater appreciation for the state, its musical roots and trailblazing artists. I’m confident that you will too upon making the trip for yourself.

LISTEN: Justin Wade Tam, “The Comfort of Our Dream” (Featuring Erin Rae)

Artist: Justin Wade Tam
Hometown: Nashville, Tennessee
Song: “The Comfort of Our Dream” (Feat. Erin Rae)
Release Date: September 16, 2022
Label: Soundly Music

In Their Words: “‘The Comfort of Our Dream’ was co-written with my friend Ben Cramer (of Old Sea Brigade) in his sunroom one morning last winter. We were reflecting on the beauty of the mundane moments of a committed relationship. At some point love stops being ‘flowers in the spring’ and starts being about the story you’re building together and all the ups and downs that entails.

“Ben Cramer and Owen Lewis produced ‘The Comfort of Our Dream’ at The Galt Line studios in Berry Hill, a true dream team of collaborators. We started with my guitar/vocal and then Ben added electric guitars, bass, and keys — he really set the ambient frame for the song. My dear friend Jordan Lehning then arranged a French horn part for the bridge and we ended up tracking the arrangement with Corin Dubie at Jordan’s studio. The French horn/whistle combo really took the production in the whimsical direction that I’d hoped it would go in the bridge. To round out the sound, Erin Rae kindly agreed to come sing harmony. I’m a huge fan of her work and her vocal timbre elevated the song to a whole other level. I’m incredibly grateful for this cast of super talented folks making this song special.” — Justin Wade Tam


Photo Credit: Sam Street

WATCH: The Suffers, “Could This Be Love”

Artist: The Suffers
Hometown: Houston, Texas
Song: “Could This Be Love”
Album: It Starts With Love
Label: Missing Piece Records

In Their Words: “I had the idea for this video in a dream. I knew I wanted it to be a prequel to our ‘Everything Here’ music video that was released in 2018. It stars Robin Beltran and Christian Pope, who are both featured in that video, but with a far less tragic storyline. This new video was directed by Nate Edwards, and it is meant to show what it looks like to be Black, carefree, and in love. No trauma. No drama. Just love. The video was shot in and around Galveston, TX and Houston, TX. The final scenes feature shots inside one of my favorite bars of all time, Grand Prize Bar. The final shots of them in the bar leaning on one another was a dream come true, and I hope the video inspires those watching and or listening to find the love that they deserve.” — Kam Franklin, The Suffers


Photo Credit: Agave Bloom Photography. Makeup by Amore Monet, Styled by Michele Kruschik, Set Design by Kam Franklin. L-R: Juliet Terrill, Kevin Bernier, Jose “Chapy” Luna, Michael Razo, Kam Franklin, Jon Durbin, Nick Zamora

LISTEN: Blind Boys of Alabama, “The Message” (Feat. Black Violin)

Artist: Blind Boys of Alabama
Hometown: Talladega, Alabama
Song: “The Message” (Feat. Black Violin)
Release Date: September 9, 2022
Record Label: Single Lock Records

In Their Words: “This song was written by our friend Peter Levin, who played keyboards with the Blind Boys for many years. We nicknamed him ‘Church Boy’ because he was so good at getting that gospel sound, especially from the Hammond B3. The sound of this song is very modern. It’s not a gospel sound in the traditional sense, but the message is one the Blind Boys can stand behind – that God is still in control. We have enjoyed getting to know the guys in Black Violin and we loved collaborating with them on this song. They are pushing boundaries in their field of music, and we’d like to think we are doing the same in our field.” — Blind Boys of Alabama’s Jimmy Carter

“We like this song because it talks about people needing other people to come together and stand strong in the face of adversity. It also talks about relying on God. Those are some of our main themes, because people do need people and God is still in control. Musically, between the violins and the guitar solo by Marcus King at the end, it’s quite a bit different than usual Blind Boys recordings. But it works for us because we like songs that are upbeat and have a message.” — Blind Boys of Alabama’s Ricky McKinnie

“It was a real honor to co-write and co-produce ‘The Message’ for the Blind Boys of Alabama featuring Black Violin. The song touches on some important social issues and feels very relevant to this moment in time. It was exciting to have Black Violin add their part and then having Marcus King add guitar, including a blistering outro, was the cherry on top of the song. I have worked with the Blind Boys as a keyboard player since 2008 and we are like family at this point, so it was a thrill to collaborate with them in this new capacity. There is absolutely no one better to bring this song and message to life than the Blind Boys.” — “The Message” songwriter Peter Levin (Blind Boys’ keyboardist)

“We were blessed to be able to tour with the Blind Boys of Alabama last summer and they are truly an inspiration not only to Black Violin but to the world. Our mantra is that we ‘inspire, uplift, and entertain’ and the Blind Boys of Alabama do the same.” — Black Violin’s Wil Baptiste


Photo of Blind Boys of Alabama by Jim Herrington. Photo of Black Violin by Mark Clennon

LISTEN: Brandi Carlile, “You and Me on the Rock” Feat. Catherine Carlile

Artist: Brandi Carlile feat. Catherine Carlile
Hometown: Seattle, Washington
Song: “You and Me on the Rock”
Album: In the Canyon Haze
Release Date: September 28, 2022
Record Label: Low Country Sound/Elektra Records

Editor’s Note: In the Canyon Haze is a new deluxe edition of Brandi Carlile’s album, In These Silent Days. Produced by Carlile and the twins, Phil and Tim Hanseroth, and recorded at their home barn studio, the expanded album offers reimagined Laurel Canyon-inspired versions of each song from the original album plus a special rendition of David Bowie’s “Space Oddity.” Her wife, Catherine Carlile, is featured on the new version of “You and Me on the Rock.”

In Their Words: “I knew I wanted to offer our fans more than just the usual ‘bonus track’ that always feels like a creative way to ask fans to buy your album twice! So, the twins and I locked ourselves in the attic studio in my barn just like the old days…and we reimagined our entire record. Inspired by these past few life altering years of ‘Joni Jams,’ I conjured up imagery from the infamous music scene in Laurel Canyon… I could see the cast of California Dreamers with embroidered flowers and peace signs on their backs drifting through a Polaroid haze. I could smell the marijuana and the incense. I could hear the CSN harmonies traveling through the canyon from Lookout Mountain and the accompanying laughter of Mama Cass. I could hear the reverb of aged wood and the dulcimer being strummed like a drum. The familiar chord progressions, confessions and communal spirit that would birth timeless songs…songs we all wish we had written. I could feel the liberation, the friction and freedom from modern-day digital distractions that laid such fertile ground at the feet of West Coast poets and troubadours.” — Brandi Carlile


Photo Credit: Pamela Neal

WATCH: Troubadour Blue, “Loved Me (Live)”

Artist: Troubadour Blue
Hometown: Nashville, Tennessee
Song: “Loved Me (Live)”
Album: Troubadour Blue Live EP

In Their Words: “‘Loved Me (Live)’ is the first track on our upcoming EP, Troubadour Blue Live, and we’re so excited for people to hear the song, as we feel it’s representative of our sound and just about as fun as a sad song can be! ‘Loved Me (Live)’ is a song that stares the harsh reality of lost love in the face with an air of brutal honesty. The a cappella beginning is how we like to start our live show, so it feels like the perfect first track to our debut EP. We had a ton of fun making it, and we can’t wait for the whole Live EP to drop! We’re excited to give everyone a little preview with ‘Loved Me (Live)’ — out now everywhere!” — Troubadour Blue


Photo Credit: Kurt Ozan

Basic Folk – Kyshona

Kyshona is an artist with a literal mission statement: “To be a voice and a vessel for those who feel lost, forgotten, silenced and are hurting.” She’s found that having this tool at her disposal gives her work meaning, especially on those nights when she’s felt like she hasn’t sold enough tickets, merch or gotten enough applause. If one person comes up to her and tells her they feel seen, she walks away feeling like she’s done her work.

APPLE • SPOTIFY • STITCHERAMAZON • MP3

That work also includes many years of being a music therapist with mental health patients, children and those who are experiencing incarceration. Through music, she’s found that everyone has a story to tell. It is her honor and privilege to help them tell their stories.

Growing up in South Carolina, she was surrounded by music thanks to her father and grandfather’s musical groups. She was classically trained on the piano and also the oboe, which she compares to a human voice. After receiving a music scholarship, she found her way to the field of music therapy and found so much purpose and meaning. After graduating from University of Georgia and working as a music therapist, she found her own way to her songwriting in order to keep a separation from her work. She’s released several solo albums, most notably, her 2020 album Listen, whose title track made waves in the Americana world. Recently, she’s released three singles leading us to highly anticipate her next full length. Enjoy the wise and delightful Kyshona!


Editor’s note: Kyshona will be a part of BGS’ 10th Anniversary Happy Hour celebration at Nashville’s City Winery Lounge as part of Americanafest on Wednesday September 14, along with Willie Watson and Rainbow Girls.

Photo Credit: Nora Canfield

LISTEN: A Different Thread, “Behind the Curtain”

Artist: A Different Thread
Hometown: Lichfield, UK and Durham, NC, USA
Song: “Behind the Curtain”
Album: Call of the Road
Release Date: September 1, 2022
Label: Same Cloth

In Their Words: “Sometimes you look back over your shoulder at a time or a place and it’s like an old film playing out. Around eight years ago I was living with a long-term partner and we had agreed early on that we weren’t interested in having children of our own. Then one day she let me know that she had changed her mind: she did want kids after all, and soon. It all came to a pitch at the kitchen table and it ended with me walking out the door. I remember her face partly obscured by the net curtain as she watched me walk away, and it was like we were strangers again. I didn’t recognise her at all. Songwriting can be a way to work through things like this, in a powerful and positive way.” — Robert Jackson, A Different Thread


Photo Credit: Artem Golden

LISTEN: Hot Buttered Rum, “Find My Way”

Artist: Hot Buttered Rum
Hometown: San Francisco, California
Song: “Find My Way”
Album: Shine All Night
Release Date: September 16, 2022

In Their Words: “‘Find My Way’ is another of my pandemic babies. I did my best to write a simple song about dealing with loss and lack of direction in the midst of a global shutdown. James’ drumming makes this track for me, along with Ben’s fiddle intro and tenor vocals. Like a long, dark piece of music, the pandemic started small, then got bigger, louder, and longer. Hot Buttered Rum did their best to cope with its indignities, as we all did. In HBR’s case, much of that coping was done through the business of making lots and lots of noise. The songs that emerged and became the band’s new album, Shine All Night are bigger and louder than any the band has ever released, and they aim to provide some cheer in the times ahead, whether those times are brighter, darker, or, as is often the case, somewhere in between.” — Erik Yates, Hot Buttered Rum


Photo Credit: Laurie Marie

WATCH: Tyler Childers, “Angel Band (Jubilee Version)”

Artist: Tyler Childers and The Food Stamps
Hometown: Lawrence County, Kentucky
Song: “Angel Band (Jubilee Version)”
Album: Can I Take My Hounds to Heaven?
Release Date: September 30, 2022
Label: Hickman Holler/RCA Records

In Their Words: “I grew up Baptist and I was scared to death to go to hell. And a lot of that stuck with me. Filtering through that and trying to find the truth, and the beauty, and the things you should think about and expelling all that nonsense has been something I’ve spent a lot of time on. This is a collection that came together through those reflections. In a lot of ways, this is processing life experiences in the different philosophies and religions that have formed me, trying to make a comprehensive sonic example of that.

“Working with the same song three different ways is a nod to my raising, growing up in a church that believes in the Holy Trinity: The Father, Son and Holy Ghost, and what that means. The Father being the root, the place from which everything comes from, and The Son coming to free up some of those things, allowing it to be more open and welcoming. And then you have the Holy Ghost once The Son is gone — that feeling that’s supposed to keep us sustained until we are reunited, in whatever way that looks.

“Message wise, I hope that people take that it doesn’t matter race, creed, religion and all of that like — the most important part is to protect your heart, cultivate that and make that something useful for the world.” — Tyler Childers

Editor’s Note: Conceptualized as a three-part project, the eight songs on Can I Take My Hounds to Heaven? are presented in a trio of distinct sonic perspectives — Hallelujah, Jubilee and Joyful Noise. Produced by Childers and The Food Stamps, the collection features a mix of new and traditional songs and was primarily recorded in guitarist James Barker’s home studio. The Hallelujah version captures Childers and the core band playing live in a single room over the course of two days, while the Jubilee version builds on it with the addition of strings, horns, background vocals and an array of worldly instruments such as dulcimer, mbira and sitar. The Food Stamps are: Barker (pedal steel), Craig Burletic (bass), CJ Cain (guitar), Rodney Elkins (drums), Chase Lewis (keyboards) and Jesse Wells (guitar, fiddle).


Photo Credit: Emma Delevante. Pictured (L-R): Tyler Childers and The Food Stamps (Jesse Wells, James Barker, Tyler Childers, Chase Lewis, Craig Burletic, Rod Elkins)