You Gotta Hear This: New Music From JOSEPH, East Nash Grass, and More

You Gotta Hear This! It’s another excellent roundup of track and video premieres plus new music arriving on digital “store shelves” today. There’s bluegrass, folk, Americana, and more.

Kicking us off, Kentucky’s Bibelhauser Brothers enlist their hero and friend Sam Bush on their rendition of “One Tin Soldier,” from their upcoming album, Down The Road. As an added bonus, Aaron Bibelhauser and Sam Bush had a nearly hour-long chat about the track, too – you can find and watch that video below. Also in a bluegrass space, Irish ‘grasser Danny Burns offers his cover of “Brother Wind,” a modern classic written by Tim O’Brien. Dan Tyminski joins Burns on the track, which does O’Brien and Darrell Scott’s versions of the song justice, for sure.

Alt- and indie-folk outfit JOSEPH return with new music, bringing us a video for their new track, “Bye and Bye,” borrowing a classic and often ecclesiastical line to explore growth, loss, and the drawn out transformations life brings each of us – while tipping their hat to a bar by the same name. You can also hear Appalachian mountain music duo the Wildmans perform “Autumn 1941,” a song co-written by Berklee’s Mark Simos and Roger Brown that touches on the harrowing reality of eugenics in the mountains of the Southeast.

East Nashville’s favorite band of lovable bluegrass delinquents, East Nash Grass, released a new single earlier this week, too! Don’t miss the excellent and lovely “Followin’ You,” written by ENG guitarist James Kee and new Travelin’ McCourys fiddler Christian Ward especially for Maddie Denton to sing. Plus, Nick Dumas is readying a bluegrass album, offering our readers a peek at a new video for “Where Have You Been,” a song about how sometimes folks you love “go away” without actually leaving.

There’s still more fantastic roots music, though! Award-winning fiddling phenoms Deanie Richardson and Kimber Ludiker are teaming up on a twin-fiddle album coming soon from Mountain Home Music Company; you can hear “Cacklin’ Hen,” the first offering from that project, below. And, wrapping us up this week, Jessica Willis Fisher went into the studio with Bryan Sutton playing guitar and mandolin to record the heartfelt and touching, “Seeds,” a country/Americana flavored track about interrupting generational cycles of pain and trauma and refusing to reap the seeds someone else may have sown in your heart and mind.

It’s quite the collection of music, and, as we say every week: You Gotta Hear This!

Bibelhauser Brothers, “One Tin Soldier” (Featuring Sam Bush)

Artist: Bibelhauser Brothers
Hometown: Louisville, Kentucky
Song:One Tin Soldier” featuring Sam Bush
Album: Down The Road
Release Date: May 15, 2025 (single)
Label: Common Loon Records

In Their Words: “Our latest collaborative effort, ‘One Tin Soldier,’ marks the first studio version of the familiar song that features Sam Bush singing and playing mandolin. The Father of Newgrass jumped right in as an honorary Bibelhauser Brother on this fourth single from our forthcoming album, Down The Road, slated for release this October. (I actually had a candid, nearly hour-long conversation with Sam on video to chat about the track – check that out here.) With his help, we’ve made an honest attempt to frame this song as a missing link in ‘newgrass’ history, connecting the dots between some larger-than-life personalities quintessential to the evolution of the bluegrass world. Much like many of our heroes, we’d like to keep the traditional torch burning bright, while igniting our own flame, fusing elements of blues, country-rock, and soul with our primordial bluegrass sensibilities.” – Aaron Bibelhauser

Track Credits:
Sam Bush – Mandolin, vocal
Adam Bibelhauser – Vocal, bass
Aaron Bibelhauser – Vocal, guitar
Steve Cooley – Banjo
Jeff Guernsey – Fiddle


Danny Burns, “Brother Wind” (Featuring Dan Tyminski)

Artist: Danny Burns
Hometown: Donegal, Ireland
Song: “Brother Wind” featuring Dan Tyminski
Album: Southern Sky
Release Date: May 16, 2025 (single); August 22, 2025 (album)
Label: Bonfire Recording Co.

In Their Words: “I first discovered ‘Brother Wind’ on the Transatlantic Sessions on BBC many moons ago. I’ve had the great pleasure of knowing Tim O’Brien and working with him — he was one of my very first collaborators in Nashville when we cut a few songs at John Prine and Ferg’s Butcher Shoppe [studio]. I asked him about ‘Brother Wind’ and he said, ‘Yeah, you should cut it.’ So, we did — tried to stay true to his original version while adding something new. Having Dan T. come in and sing on it brought it to another level of cool.” – Danny Burns

Track Credits:
Danny Burns – Vocals, guitars
Dan Tyminski – Vocals
Ethan Burkhardt – Upright bass
Billy Contreras – Fiddle
Matt Menefee – Banjo, mandolin
Cody Kilby – Guitars
Jerry Roe – Drums

Video Credit: Shot by Ryan Kay at the Station Inn, Nashville, Tennessee.


Nick Dumas, “Where Have You Been”

Artist: Nick Dumas
Hometown: Sturgeon Bay, Wisconsin
Song: “Where Have You Been”
Album: Where Have You Been
Release Date: May 16, 2025
Label: Skyline Records

In Their Words: “Everyone has been in that place – where someone close to you just isn’t there like they used to be, even if they haven’t gone anywhere. This song really struck me because of how real and universal that feeling is. And when Jim Van Cleve came in to mix it, he completely brought out the emotional tension in a way that blew me away. There’s this haunting, almost cinematic atmosphere that he created in the mix – it’s ominous, raw, and it elevates the story in a way that made me hear the song differently. It gave the whole track this weight, like you’re walking through fog trying to find someone.” – Nick Dumas

Video Credit: Thomas F. Obrien, TFOBV 


East Nash Grass, “Followin’ You”

Artist: East Nash Grass
Hometown: Madison, Tennessee
Song: “Followin’ You”
Album: All God’s Children
Release Date: May 13, 2025 (single); August 22, 2025 (album)
Label: Mountain Fever

In Their Words: “East Nash Grass was touring Ireland the first time I heard the demo recording of ‘Followin’ You,’ which I was told that our guitar player, James Kee, and our good songwriting pal and fiddler, Christian Ward, had written for me to sing on our upcoming record, All God’s Children. We were on the way to our next gig, driving through scenery too incredible to describe, and I was enchanted by an iPhone recording of Christian playing the guitar and singing this new song. The chorus is simple: following you. That’s all. And right there, in the beauty of simplicity, I understood that we had all been brought together to make this music to share, not because someone told us to or because of any hidden agenda; but purely because there was no other option for us.” – Maddie Denton

Track Credits:
Harry Clark – Mandolin
James Kee – Guitar
Jeff Partin – Bass
Maddie Denton – Fiddle
Cory Walker – Banjo
Gaven Largent – Dobro


JOSEPH, “Bye and Bye”

Artist: JOSEPH
Hometown: Portland, Oregon
Song: “Bye and Bye”
Release Date: May 16, 2025
Label: Nettwerk Music Group

In Their Words: “This song is about being a woman in her late thirties with none of the results she expected from the plans she made – no husband, no house, no kids, no religion. The start of the song came one night when I was getting dinner with my then-girlfriend Talia at a bar called the Bye and Bye on Alberta St. in Portland. Our sister Allie had just quit the band, I was about a year past my divorce, I had a hunch the relationship I was in couldn’t keep going in its current form. I told Talia, ‘I feel like, in a way, I just died. Like everything I am – every bit of identity I’ve had – is over.’ I started crying in the way that isn’t tidy so I ran to the bathroom and let the tears rip. It had been a rough few days and as I sat on the toilet lid bawling I opened my notes app and typed ‘Crying in the bathroom of the Bye and Bye/ Saturday’s mascara in my eye/ it’s Tuesday.’” — Natalie Closner


Deanie Richardson & Kimber Ludiker, “Cacklin’ Hen”

Artist: Deanie Richardson & Kimber Ludiker
Hometown: Nashville, Tennessee; Silver Spring, Maryland
Song: “Cacklin’ Hen”
Release Date: May 16, 2025
Label: Mountain Home Music Company

In Their Words: “I’ve been a Kimber Ludiker fan for many, many years now since I heard her play at the Grand Master’s Fiddler contest. I was a judge that year and she completely blew me away. I think Kimber is one of the most tasteful, versatile fiddlers that we have in bluegrass music today and the work she’s done with Della Mae speaks volumes for her integrity and her talent. Kimber and I have been talking about doing a twin fiddle record for at least three years now and we’re so glad that we found a home and so glad that we found a place to record this record. Mountain Home has been so generous and good to me and allowed Kimber and I the space to come record this twin fiddle record. And we took it back-old school — just twin fiddles through the whole thing and we’re super excited for you guys to hear some fun music.” – Deanie Richardson

“Deanie Richardson has long been one of my favorite fiddlers and has always been my favorite to play with. We’ve been dreaming about a twin fiddle record for years and Mountain Home is the perfect label to share our excitement and vision. With our bands Della Mae and Sister Sadie, we’ve both had a long commitment to showcase and create a platform for women in this music, and we’re excited to add our fiddling to the canon of tunes in our music. I especially hope young girls will be excited to have more and more recordings of instrumentals played by women to inspire their learning.” – Kimber Ludiker

Track Credits:
Deanie Richardson – Fiddle
Kimber Ludiker – Fiddle
Cody Kilby – Acoustic guitar
Hasee Ciaccio – Upright bass
Tristan Scroggins – Mandolin
Kristin Benson – Banjo


The Wildmans, “Autumn 1941”

Artist: The Wildmans
Hometown: Floyd, Virginia
Song: “Autumn 1941”
Album: Longtime Friend
Release Date: July 11, 2025
Label: New West Records

In Their Words: “‘Autumn 1941’ is a song Roger Brown, former Berklee College of Music President, co-wrote with Berklee songwriting professor Mark Simos. Mark has written for Alison Krauss, the Infamous Stringdusters, and Del McCoury. Del recently released the other song in this series titled ‘Working for the WPA.’ The ‘Autumn 1941’ story hails from Roger’s North Carolina Appalachian roots, it was passed down through his family and while some of the specifics remain unknown, different versions of this story of eugenics prove to be true across Appalachian regions and more largely other minorities throughout American early-mid 20th century history. Stories of this same movement took place in Virginia and communities like Floyd, our hometown. Once we got into the studio with this song, it just flowed and out of it came a haunting authenticity we hadn’t yet discovered in our music.” – The Wildmans


Jessica Willis Fisher, “Seeds”

Artist: Jessica Willis Fisher
Hometown: Nashville, Tennessee
Song: “Seeds”
Album: Blooming
Release Date: May 16, 2025
Label: Bard Craft Records

In Their Words: “When we’re young, much of our life is shaped in ways we can’t control. Seeds are planted in our life and when we grow up, we can be left reaping the effects of toxic generational patterns. A big part of my life the last few years has been weeding out so many beliefs and habits that, if left to continue to grow, would choke me to death in many ways. Some days are harder than others and I still have doubts that rise up about which way to go in life, how to best move forward, how to heal from the abuse I experienced when I was younger.

“That vulnerability and honesty felt important to include on this record which centers around healing and growth.” – Jessica Willis Fisher

Track Credits:
Jessica Willis Fisher – Vocals
Bryan Sutton – Acoustic guitar, mandolin
Ben Fowler – Engineer, producer, mix engineer


Photo Credit: JOSEPH by Gardenia Miramontes; East Nash Grass by Scott Simontacchi.

WATCH: Bibelhauser Brothers, “Place In The Sun”

Artist: Bibelhauser Brothers
Hometown: Louisville, Kentucky
Song: “Place In The Sun”
Album: Close Harmony
Release Date: June 15, 2023

In Their Words: “In the past few years, Louisville, Kentucky has been shaken to its core, amid a global pandemic, racial inequity, gun violence, and the fallout surrounding the death of Breonna Taylor. Our hometown, seemingly a microcosm of the country at large, has struggled with social justice and a level of political unrest not seen since the 1960s. During a time when it felt impossible to find bits of optimism on social media I stumbled upon a video from way back in 1969. It was an epic duet with Stevie Wonder and Tom Jones singing ‘Place In The Sun.’ In the video, the two superstars traded off singing powerful lead vocals, then switched back and fourth singing harmony parts. This reminded me of how Aaron and I have traded singing parts on many of our songs over the years. The lyrics gave me hope that we might soon find ourselves moving to a better place, and the image of Stevie & Tom singing together at the height of the civil rights movement was beyond inspiring. I knew right away, this was a song we should sing together, and I hope our interpretation of it moves and inspires a new generation.” – Adam Bibelhauser


Photo credit: Winston Garthwaite
Video credit: Brennan Clark

BGS Wraps: Aaron Bibelhauser, “Christmas for Cowboys”

Artist: Aaron Bibelhauser
Hometown: Louisville, Kentucky
Song: “Christmas for Cowboys”

In Their Words: “‘Christmas for Cowboys’ was penned by Steve Weisberg, long time sideman with John Denver. In much the same way art derived from feeling lonesome and blue can provide comfort and warmth, this song has always given me a sense of peace through the holidays. For so many, the Christmas season is highlighted by family gatherings, celebrations, and togetherness. The past few holiday seasons have taught me to appreciate all of the gifts surrounding me, including those that aren’t so obvious. The sight and sound of falling snow, the stillness and solitude of winter, the simplicity of Mother Nature, and how sacred it feels, just to be alive. Merry Christmas!” — Aaron Bibelhauser

LISTEN: Wolfpen Branch, “Burning the Midnight Oil”

Artist: Wolfpen Branch
Hometown: Kentucky
Song: “Burning the Midnight Oil”
Release Date: January 14, 2022

In Their Words: “During a cold winter weekend of recording with the band, I spent a couple nights in the Red River Gorge of Eastern Kentucky, camping out in the snow. Working during the days in the studio, tracking the first three singles from Wolfpen Branch, and spending the evenings writing new material while trying to stay warm. Armed with only my banjo and a small propane heater, I set out to try and write a new song that reflected some of my own life experiences, and also felt like a straight-up-the-middle bluegrass standard.

“Juggling my own day job, along with various music ventures on the road and in the studio, can often feel like a massive struggle to strike a balance between work, creative passions, and valuable time with family. ‘Burning the Midnight Oil’ places a sort of exclamation point on that struggle for me. The message is certainly one that many folks can relate to, feeling overworked and scrambling to make time to show our loved ones how much they mean to us. It felt like such a great fit for this band, especially when we worked out the three-part harmony and hard-driving solo sections. We’re pumped up to share this song with the world and get cranking on the bright road ahead in 2022.” — Aaron Bibelhauser, Wolfpen Branch


Photo Credit: Chris Witzke

WATCH: Unspoken Tradition, “Irons in the Fire”

Artist: Unspoken Tradition
Hometown: Cherryville, North Carolina
Song: “Irons in the Fire”
Label: Mountain Home Music Company

In Their Words: “When Unspoken Tradition first started playing in an organized way, we came up with the slogan, ‘Working Class Bluegrass.’ We’ve all held full-time jobs the whole time we’ve been together and I think we’re all proud to be workers, providers, and family men. I also think it means we can all relate well to the message of ‘Irons in the Fire.’ To me, this song is about trying to find solace in the grind; being able to separate the headaches that come with hard work from the purpose and product it provides. This song reminds me of all the hard-working men and women in my family who came before me, who directly or indirectly affected my quality of life. Every time we perform this song, I can see their faces. Songwriters Aaron Bibelhauser and Steve Guenthner really outdid themselves with this song and I’m thankful we had an opportunity to record it. We shot the video in a blacksmith shop on the campus of Warren Wilson College. It was hot and the whole place looked, smelled, and felt like hard work, if work ever had those characteristics. It was the perfect spot to capture the theme of ‘Irons in the Fire’ and the energy there made us all dig into the recording process even more.” — Audie McGinnis, Unspoken Tradition (vocalist and guitarist)


Photo credit: Sandlin Gaither

Dale Ann Bradley Shares a Message of Grace on ‘Things She Couldn’t Get Over’

Dale Ann Bradley, a five-time IBMA Female Vocalist of the Year, is back with an album of poignant, inspiring, and moving songs about the disappointments, the shortcomings, and the hopes that mark our journeys together. The self-produced Things She Couldn’t Get Over features Bradley’s crystalline and sometimes tender, sometimes soaring vocals on songs that ponder ways we can see each other’s humanity clearer and how we can take care of each other better.

Things She Couldn’t Get Over is Bradley’s first solo album since her departure from Sister Sadie, the reigning IBMA Entertainer of the Year. BGS caught up with the Kentucky Music Hall of Fame member about gathering these new songs, bringing back an old favorite from the days of Hee Haw, and relying on grace to guide her.

What’s the story of the album?

DAB: It all happened pretty fast, given the times we’re in. I started thinking that it was time to do another album. So, I started writing about the end of July last year. I called up Aaron Bibelhauser and we co-wrote some songs; he is such a great writer. I also started looking at some songs that other writers had sent to me. In October we went in and laid down the tracks. All the songs that ended up on the album were speaking to my heart; they were songs about tough times, and the album took the theme from that. The songs speak to the courage to keep going, the courage to have strength and faith and to follow your dreams.

“Yellow Creek,” which John Anderson made famous — and I was so happy to have a John Anderson song on the album — is a defining one of pain and endurance, being about the removal of Native Americans from their land. The songs on the album are about going through life regardless of circumstances. We know that we’re all imperfect. To be able to walk in someone else’s shoes brings empathy.

“Lynwood” is a touching song that raises important questions.

David Morris has been awfully kind to send me songs. This was just a little demo where the writer was sitting in his living room singing. On the first listen I thought that it’s a story that’s more picturesque than I had ever heard. When I listened again, I thought that this a story that needs to be told and heard. This song is about a Vietnam veteran and his struggles to readjust to society. Everywhere you go there are veterans that are struggling and they shouldn’t be.

You have an exceptional ear for finding songs. Can you talk about your process for selecting songs?

Well, there are some songs that have been with me for a long time, since I started playing bluegrass. When I am listening to a song, I’m listening for songs with a message. They need to say something that might make a difference. When I write a song, I want to explain how I’m feeling myself. If a song helps me, it might help others.

What about “Lost More Than I Knew”? How did that song make it onto the album?

Writing that one kind of kicked in the charge of putting the album together. You want to be the first responder to help people. Not only did they lose the situation in which they found themselves, but they also lost their pride. I got stuck on this song and contacted Aaron, and he got me back on track.

Why did you choose “L.A. International Airport” for this album?

That came along after I had chosen the other songs for the album. It’s a song I loved as a little girl and watching Susan Raye sing it on Hee Haw. It’s a sad song in its way, and it fit in the album in a perfect way.

Talk a little about the title track for the album.

This song’s about a girl I went to high school with. She had mental illness. It was an obsessive-compulsive disorder, but back in 1979-1980, nobody knew what to call it. She would walk out of class and roam the halls. She was really funny, too, but people just left her alone. I saw her again later in life after I had moved back to Kentucky, and she had declined a good deal. Her story just found its way to me. This needs to be spoken about and sung about. If we can reach out to somebody in need, give them a smile or a cup of coffee and recognize their needs, we can get over this together. If you have the boldness to call yourself a Christian, then you’re asked to reach out and help others.

You have a way of singing about the Lord without being sanctimonious. How do you achieve that quality?

Honey, we do not need to be high falutin’ about ourselves. [Laughs] Anybody and anything that come our way come by grace. When we look around us, we see things that need to be done — like taking care of each other — that we should have been doing all along.

The final song on the album, “In the End,” is very moving.

The night before we were going to record this song, Debbie and Steve Gulley were going to come down to Nashville to sing harmony on the song the next day. Debbie called me to say that Steve was very sick and that she was taking him to the hospital. She called me later to say that he had been diagnosed with cancer, and it wasn’t too long after that he died. I had sung a scratch vocal on the song, and I left it there because I couldn’t sing it again. Some people call this a “come to Jesus moment,” but that night Jesus came to me. What matters is that what you leave behind is good; that’s true spirituality. We’re not here forever. All this hoopla and things that do not make any sense are unimportant in the end. That’s true spirituality to me.

What do you hopes listeners will take from the album?

I hope it’ll bring some courage. I hope it’ll bring some empathy. I hope it will encourage people to think a little before they judge. You know, if you see a fellow human being needs a sandwich, just get her one. We’re all broken; we just don’t know it.


Photo credit: Bonfire Music Group

WATCH: Aaron Bibelhauser & Relic, “Loving You Again”

Artist: Aaron Bibelhauser & Relic
Hometown: Louisville, Kentucky
Song: “Loving You Again”
Album: Lovin’ & Leavin’: A Bluegrass Tribute to Mickey Clark
Single Release: December 13, 2019

In Their Words: “After the passing of Kentucky songwriter Mickey Clark, I decided to produce a collaborative bluegrass album centered around some my favorite songs from his catalog, in particular his lovin’ and leavin’ songs — that was the way he would describe them. ‘Loving You Again’ is an emotional expression of this timeless dichotomy. Poignant lines like ‘There’s ramble written on my boots, there’s a map in my guitar’ capture the human longing to wander, while the resolving lyrics fly in the face of that free-spiritedness: ‘When I look into your eyes, I know I won’t go far.’ Recording this track with my twin brother Adam and our band Relic seemed like an incredibly special way to honor our old friend. We’ve been making music together with this band for over a decade and when we get the chance to share our take on such a special song, it seems our journey has only just begun.” — Aaron Bibelhauser


Photo credit: Winston Garthwaite
Video by Chris Witzke