Tag: cover

Evan Honer opens his new album, Everything I Wanted, with a charge of electric guitar – an unexpected twist for a singer-songwriter who has mostly recorded with a stripped-back sound. And after commanding attention with that blast of energy, Honer carries the listener through a range of emotions familiar to any twentysomething (and beyond). There are breakup songs, of course, but also entanglements with loneliness, self-doubt, and even the relationships that seem to be going well.

Recorded in Honer’s garage studio just outside of Nashville, Everything I Wanted documents a creative moment where sonic exploration may be the biggest priority. However, the fans who discovered Honer in 2022 through a TikTok cover of Tyler Childers’ “Jersey Giant” will likely embrace the songwriting on the new album, with lyrics that reflect a day in the life of someone who’s still figuring things out.

Honer was raised in Surprise, Arizona and excelled in competitive diving at California Baptist College in Riverside. Although a spot on the U.S. Olympic team was within reach, Honer turned instead to a career in music and established his own label, Cloverdale Records. From his home office, Honer called into Good Country to talk about his new album, his relationship with fans, and the road ahead.

I listened to your catalog, and this album seems more electrified than your previous work. Why it was important for you to show another side of your musical approach?

Evan Honer: I felt like the first two albums were… I guess it was what I was into and the production that I was a fan of at the time. I was so new to everything, too. I just thought, “I’m gonna record the guitar, then maybe we’ll have drums.” But I hardly had any drums at all with my first two albums. I guess I just didn’t know the possibilities. And the more I grew as an artist, and thankfully, with the resources that I have, the more things I can do. If I want this exact sound, I know I can do it and I can do it in my garage. My taste has changed. I grew as an artist, and I realized, why not? I can do whatever I want literally.

Are you pretty consistent with your writing routine?

Yeah, most of the time I’m working on something. And it could be one line the whole day, but I sat there for three hours. That’s very common. Now I’m writing with other people more – with artists that I am inspired by. And when I’m back home, it takes a long time. Sometimes it’s sitting with my guitar for hours, and I don’t get anything except a couple words. Or I go backwards and I change everything, then I don’t even have lyrics anymore. I try to do some type of writing every day, but on the road it’s a lot more difficult.

The song “Curtain” captures your relationship with your fans. What does that relationship between artists and audience look like for you personally?

It’s such a difficult thing for me. Recently I’ve been able to enjoy a tour more and not be so affected by it emotionally. On my first tour, I was so not used to how you’re running on no sleep at all and you’re around the same people for a month. You have a bad show, and it feels like your life is over. That is sort of what I wrote [“Curtain”] about, just the ups and downs of being on tour.

I still am upset after a bad show and I don’t know if I ever will not be. In my opinion, a bad show could be, like, one person talking for one song. It was tough for me to realize – and it still is tough for me to realize – that I have such a different perspective on it. There’s my perspective, and their perspective. I felt like I needed to write that song where it’s like, “I’m looking out at you, and I’m just grateful that you guys bothered showing up to hear me scream about my problems.”

And it really helps me, now that I let it. They’re constantly telling me, “Oh, your music means the world to me,” and that is the greatest thing to hear. But them being there is like the whole reason and it means so much to me. That relationship is not one-sided at all. It’s completely: “I need you as much as you need me.”

Listening to “Not There Yet,” I can remember that phase in relationships where it’s like, everybody wants me to be all in, except I’m not sure myself if I’m ready. When you finish a song like that, who is the first person that gets to hear it?

Most of the time, my best friend Blake Abernathy. He was a big reason why I started doing music. When I graduated high school, I went to go sell AT&T Internet and DIRECTV. I moved out to Minnesota with Blake and that’s where we became best friends. We worked together and he shared his music tastes. Tyler Childers was the first person he showed me and I’d never had felt that feeling before, from hearing a true songwriter, someone that makes me feel something.

And from that point, I went down a rabbit hole with my favorite songwriters, like Benjamin Tod, James Taylor, Jim Croce, and so many that I can’t even think of. And that’s how I started and fell in love with writing. From then on, I sent every single song to Blake and he always shoots me straight. He’s always such a big supporter in anything I’m doing, and he always gets it. He’ll tell me, “This is very different, I’m not sure if I like it yet,” or stuff like that.

For the record, can you explain how the “Jersey Giant” video took off?

The first song I ever posted on TikTok was the first song I released, called “How Could I Ever.” I had a good reaction to it and that was literally one of the only songs I had finished. At that point I was like, “Holy crap, I have to write another song because I don’t have any.” Maybe four months later, I was like, “All right, I got a new one.” So, I released “Comfort the Fall” and then “Foolin’ Ourselves,” and maybe a couple other ones, I’m not sure.

Then I released “Jersey Giant” as a cover and it went crazy. Then a bunch of label people were in my email! That was so funny. “Jersey Giant” was a big moment, for sure, but I think the songs that made people come to the shows were from my first and second album, rather than “Jersey Giant.”

@evanhonermusic Don’t know how to play the banjo but i do love this song #dialdrunk #noahkahan #cover ♬ original sound – Evan Honer

I saw you playing banjo and singing a Noah Kahan song, “Dial Drunk,” on a TikTok video. When do you find yourself reaching for the banjo? Is there a certain mood where you think, “Banjo is going to make this better”?

Yeah, there’s a good amount of banjo that I played on this album. I don’t know, I just love the banjo. It’s always so interesting to me to have a song like “Long Road.” It’s not super country. And then you throw in a very country instrument, like a banjo. I love having really country instruments in songs that are not country and have very different melodies than what a traditional country song would normally have. It’s always fun to just throw in a banjo, whenever it feels like it needs it. Maybe I overdo it sometimes. [Laughs]

Do you remember when you first reached for the banjo, or what led you to it?

My grandma actually got me that banjo. I just wanted a new and different instrument to write on, to create new ideas. I think that’s always helpful with piano and banjo. Just writing on a different instrument to hopefully get a different outcome, because sometimes I’m writing on the guitar and it feels like “I’ve written this song already” and I don’t feel excited about it. Now I’m trying to explore every option to write a song, even if it’s writing and producing at the same time.

That’s a scary thing to me. It’s like, we’re writing this song as we’re making it. Normally you have a whole song, or at least how I do it, and you produce it out, and the creative part is producing it. But it’s kind of scary when you don’t have the lyrics. You don’t even know what the chorus is going to be, but you’re already starting to produce it.

Is that because you’re on deadline or just trying to stretch your boundaries? What leads you to a situation like that?

There’s no deadline at all. [Laughs] I’m a fully independent artist, so it’s all up to me when I want to release stuff. I think that’s why I feel like I’ve released a lot more than maybe somebody that kind of started the same time. Three albums in, it’s just me trying to make something different.

I read you released an album the day you graduated from college. Was that like a mission statement? Like, “I’m gonna do this. I’m a musician from this day forward”?

Yeah, pretty much. It’s called West on I-10, because I would go west on I-10 driving back from home to college. Funny enough, the navigational voice would always pop up in my voice memos with, like, “I-10 West.” I had already decided that I was going to do music full-time. I was a diver in college and I originally made plans with my coach to do my fifth year and go for the Olympic trials. That was tough, making that big change. First, my dad was very much like, “Wait, are you sure you want to do this?” But now he’s the biggest supporter ever. There was just a lot of uncertainty and releasing that album on the day I graduated just felt like the most normal thing for me. All those songs I’d written in college are now on that album, and I felt like then I can move on to whatever else.

What goes through your mind now when you hear this new album in its entirety?

This is always tough for me. In January when I recorded it, listening through the album, I’m, like, incredibly stoked on it. And I still am, but it’s a different type of stoked now. I’m stoked that it’s out and I don’t have to sit on these songs anymore. I can move on to what I’m liking now. Because right now, my taste has already changed, where I’m into different production styles, I’m into different, really weird lyrics, or whatever it is. I’m in a different spot now.

That’s always an interesting thing to see how delayed the music industry is. Even if I’m independent, it still takes time to do all these things. So that’s always a hard thing for me, but I’m so happy that it’s out, and I’m so happy that we recorded that way, just 18 straight days of recording. That helps with the cohesiveness of it. I’m really proud of it, and I’m really proud that it’s my third album, and I’m excited to make something else.

Photo Credit: Harrison Hargrave