The BGS Radio Hour – Episode 201

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been a weekly recap of all the great music, new and old, featured on BGS. This week, we’ve got music from Ani DiFranco, Andrew Marlin, and a Whiskey Sour Happy Hour appearance from Chris Eldridge! Remember to check back every Monday for a new episode of the BGS Radio Hour.

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Ani DiFranco – “Simultaneously”

Longtime voice of social change and activism through her music, Ani DiFranco brings us a new album, Revolutionary Love, at a time where we so much need it — a time marked by social and political unrest, racial equity, and the COVID-19 pandemic. While DiFranco usually has a busy tour schedule, the past year has been an opportunity to spend time at home with family, write a children’s book, start a free radio station, and write a musical about restorative justice. All of that in ONE year.

Melissa Carper – “Makin’ Memories”

Coming March 19, this Texas-based artist brings us Daddy’s Country Gold. BGS caught up with Carper on a recent 5+5 to talk about influences, memories, nature, songwriting, and the first moment she knew she was going to be a musician.

Elise Davis – “Empty Rooms”

Although the pandemic has been hard on everyone, musicians have a unique experience – most were accustomed to singing in bars and halls every night, for different crowds, in different cities. Even the empty rooms are missed, suggests Elise Davis in this new single from her upcoming project, Anxious. Happy. Chill. 

Mando Saenz – “Shadow Boxing”

From Corpus Christi, TX, singer and songwriter Mando Saenz – AKA ‘Mando Calrissian’ – graces the show this week with with a song from his newest album, All My Shame. His mission statement? To create music true to his heart and inspirations. It doesn’t get much truer than that.

Andrew Marlin – “Oxcart Man”

In 2018, Andrew Marlin (of Mandolin Orange) released his first solo album – a collection of mandolin-based old-time instrumentals entitled Buried in a Cape. Now after nearly 3 years, Marlin returns to the medium with twin albums of a similar aesthetic – Fable & Fire, Witching Hour. 

Six-String Soldiers & The SteelDrivers – “Long Way Down”

The United States Army Field Band teams up with bluegrass favorite The SteelDrivers for a new collaborative video of “Long Way Down.” From Alabama to their home in D.C., the Six-String Soldiers have been able to collaborate with the SteelDrivers a few times now.

Vivian Leva & Riley Calcagno – “Will You”

A couple of grown-up old-time festival kids, Vivian Leva and Riley Calcagno bring us a mixtape of their “old-time deep cuts” this week. From Roscoe Holcomb to Foghorn Stringband to Hazel & Alice, the duet offers their playlist in celebration of a newly released self-titled album.

Valerie June – “Why the Bright Stars Glow”

Tennessee-born and Brooklyn-based Valerie June is our March Artist of the Month here at BGS! Stay tuned all month long for exclusive interviews and content regarding her new album, The Moon and the Stars: Prescriptions for Dreamers.

Melody Duncan – “Over the Hill”

Aging is something that none of us escape. Melody Duncan relishes in the life lessons that we’re given from unavoidable challenges and growth opportunities, in exchange for more time here on Earth. Like a journal entry, “It’s a dedication for all of those willing to invest in a good today,” says Duncan, “even if our bones ache in the morning.”

Nathan Vincent – “Blue Ridge State”

It’s hard to end something, even when we know we have to. For Texas-based Nathan Vincent, the title is a physical place and an emotional one – and like the mountains, the relationship in the song rises and falls. Vincent and his crew journeyed to Asheville, NC to shoot the video, a “visual motif” that accompanies the sentiment and progression of the song.

Emily Moment – “Master of One”

From her upcoming The Party’s Over, London-based Emily moment brings us a song this week about our hurtful behaviors. We’re drawn to the things that hurt us so much, suggests Moment – like the Fugu fish in Japan, whose tastiest part is closest to its poison.

Chris Eldridge – “Angeles”

It’s hard to believe that it’s been a year since COVID changed all of our lives. We’re looking back at some of our virtual series from last year, highlighting the many performances which deserve to be seen more than once. This week, we’ve got Chris Eldridge (of the Punch Brothers) with a cover of Elliot Smith’s “Angeles” – a tribute to the city where BGS was born.

Ariel Posen – “Now I See”

Sometimes the smallest realizations can lead to the biggest breakthroughs, suggests Ariel Posen. From his new album Headway, this song is about self acceptance, and finding belonging among our imperfections.

Adam Douglas – “Joyous We’ll Be”

By taking a stand against the political and social challenges that we face, Adam Douglas offers this song for a brighter future. From watching his home country since 2016, seeing everything that was hidden rise to the top, Douglas was troubled by the viewpoints of so many. “It’s not an anti-45 song though,” he says. “It is an ‘anti-idiot’ song.”


Photos: (L to R) Andrew Marlin by Lindsey Rome; Chris Eldridge; Valerie June by Renata Raksha

WATCH: Adam Douglas, “Joyous We’ll Be”

Artist: Adam Douglas
Hometown: Harestua, Norway
Song: “Joyous We’ll Be”
Album: Better Angels
Release Date: March 5, 2021
Label: Compro Records

In Their Words: “‘Joyous We’ll Be’ is about taking a stand against the social and political challenges currently facing the people in the US. I have been embarrassed, and increasingly so, when I’ve seen what is going on in my native country. For the last couple of months, I have felt the tension building up and at times it has felt like we were getting closer and closer to the brink of civil war. After the 2016 election, the president gave people an excuse to be public about their viewpoints. Those viewpoints of racism and all that stuff have always been there, bubbling under the surface, but he allowed it to come out. It’s not an anti-45 song though; it is an ‘anti-idiot’ song. It is about the prior administration as well, but I am more interested in talking about how things could get better. How we can encourage hope, unity, and the prospect of a better future.

“So nice to hear that some folks are enjoying the video. I, too, feel really good about it. Nikolai (director) and I had a shared goal from the get-go to make a simple video that could reflect and perhaps balance the big themes in the song. And I’m so thankful for his creative vision, and ability to put it together. Niko is an extraordinary musician in his own right, and therefore was very interested in letting the music do most of the talking. All locations and backdrops help tell the story — and do so without getting in the way of the story or the song. I’m walking whilst singing the verses, usually in front of a wall of some sort. The largely chaotic wall behind me was to signify the heavy subject matter of the verses. We wanted to build on that tension and counter it with a large ‘release’ (of tension) in the choruses. And therefore, we used some pretty big shots (via the help of a drone) for those grandiose refrains.

“Musically, there’s a lot going on in this track. It’s supposed to sound like a large group of humans, finally able to come together, and be unified through song. Lots of voices, lots of instruments (some of which are purposefully very unique sounding), all rejoicing together. This song is all about pointing out some pretty heavy political themes of today, and at the same time recognizing that together we can progress beyond them.” — Adam Douglas


Photo credit: Torgrim Halvari