LISTEN: Zach Willdee, “Lately”

Artist: Zach Willdee
Hometown: Nashville, Tennessee
Song: “Lately”
Album: Heart That Ain’t Tame
Release Date: May 6, 2022

In Their Words: “This song is one of my favorites from the standpoint of writing. I wrote it to sound like a love song; a discussion between two people trying to figure out why they aren’t good for one another even though they’re still together. In a more literal sense, I drew inspiration during the 2020 presidential election. I wrote from my own perspective about my dislike of both Donald Trump and Joe Biden, and how I wasn’t happy with the two choices we were left with for the leader of our country. I don’t consider myself an overly-political person, and I definitely don’t usually broadcast those feelings in my work — I prefer to let the listener decide what they want the song to be about rather than putting them in a box.” — Zach Willdee

Zach Willdee · Lately

Photo Credit: Andrew Reese

WATCH: Sarah Jane Nelson, “I Wish I Missed You”

Artist: Sarah Jane Nelson
Hometown: Little Rock, Arkansas
Song: “I Wish I Missed You”
Album: Shelby Park
Release Date: April 29, 2022

In Their Words: “I wrote this song very honestly after a breakup that felt so right. When it was time to create the music video, I decided to create something very stylized and fun with an amazing location in East Nashville called House of Adora. It had this incredible pink porch and pink kitchen and I was inspired to do something with a 1950s theme. My mom was a hairstylist in her youth and specialized in updos, so I let her go to town with my hair for this video. I made my first Jell-o mold and found some retro TV dinners and lined the plastic dish with foil to make it more authentic. I love producing and directing my videos and this was perhaps the most fun of any that I’ve made. I hope the end result feels empowered, sincere, and hopeful as I was when I wrote this song.” — Sarah Jane Nelson


Photo Credit: Kurt Ozan

BGS 5+5: Joshua Hedley

Artist: Joshua Hedley
Hometown: Naples, Florida
Latest Album: Neon Blue
Personal Nicknames: Mr. Jukebox

Which artist has influenced you the most…and how?

I found Bob Wills at a very young age. Probably 10 years old or somewhere around there. I was instantly obsessed. He really struck a chord with me. Something about the blend of country and jazz resonated with me and particularly inspired me to be better at my instrument. I would lock myself in my parent’s bathroom with a CD player and my fiddle and just wear out this Bob Wills greatest hits CD for hours, trying to learn all the fiddle parts and solos and stuff. It really strengthened my ear at that age when you just soak up knowledge like a sponge. I probably wouldn’t be playing at the level I’m at today if I hadn’t discovered Bob Wills when I was so young.

What was the first moment that you knew you wanted to be a musician?

Honestly, it’s almost like I was born into it. I don’t remember the first moment I knew. I just always did. I asked my parents for a fiddle when I was 3. They told me to ask again when I was older, and I did, five years later. They got me one when I was 8 and I just took to it almost instantly. I just knew that’s what I was going to do with my life from then on. I started playing for real, professionally in bands, when I was about 12 and after that it was all over. That was it. I decided then I was going to move to Nashville and play country music for the rest of my life.

What’s the toughest time you ever had writing a song?

I always have a tough time writing. More specifically with finding inspiration and focus. I had this brief period of inspiration when I wrote Mr. Jukebox, but before that and ever since, I’ve always had a hard time writing. I struggle with ADHD, so it’s hard for me to stay focused on a single idea long enough to write a whole song. There’s also a level of self confidence needed to be a great writer that I lack. I can recognize a great song that someone else wrote, but even if other people tell me how much they love my songs, I always second-guess them myself. I always feel embarrassed playing my own music.

What has been the best advice you’ve received in your career so far?

Don’t read your press. Especially the reviews. Good or bad, they’ll affect your ego negatively. Someone once told me when I was just a kid, “You’re never as bad as they say you are, but you’re never as good as they say you are either.” You can’t control what people write about you. If it’s negative, it can crush you, but if it’s positive, it can inflate your ego too much. Neither of those things are good for you. Staying away from your own press seems like good advice to me, even if I don’t always take it.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

You can probably tell just by looking at me that I enjoy food. I like everything from Michelin Star to Taco Bell. My buddy Sean Brock is absolutely crushing the food game in Nashville right now. It’d be cool to do a show where he catered it. Maybe do a bunch of traditional Florida foods like gator tail, smoked mullet, frog legs, Cuban sandwiches, key lime pie — stuff like that. Then me and Elizabeth Cook and Wade Sapp can play a bunch of country music from Floridian artists like Mel Tillis, Pam Tillis, Slim Whitman, Vassar Clements, John Anderson, Terri Gibbs, Gary Stewart (not actually Floridian, but we claim him), etc. Actually…I kind of want to make that happen now.


Photo Credit: Joshua Black Wilkins

Willie Nelson Ushers in ‘A Beautiful Time’ With a Ballad by Crowell & Stapleton

Some people would take it easy after an incredible career in the music business, winning countless awards, making over 100 albums, and pioneering a unique style of music. For one Willie Nelson, that isn’t enough. The legendary singer-songwriter has more to give, and his latest endeavor is a studio album on Legacy Recordings titled A Beautiful Time.

The lead single for the album is a tune penned by Rodney Crowell and Chris Stapleton called “I’ll Love You Till The Day I Die.” Like most of his records, the single is an instant classic, drenched in the glow of country music lore. Willie’s straight delivery marries perfectly with the song, which is a ballad about unfaltering love. Trigger’s distinct “voice” can be heard in places over the steel guitar, fiddle, and harmonica, adding a gut-wrenching, nostalgic element.

The country icon wrote five of the songs on A Beautiful Time with producer Buddy Cannon. He also covers the Beatles’ “With a Little Help From My Friends” and Leonard Cohen’s “Tower of Song.” The collection is set for release on April 29, which coincides with Willie’s 89th birthday, a milestone that would usually accompany a peaceful retirement. Fortunately for us, the Red Headed Stranger continues to work his magic behind the microphone and guitar.


Photo Credit: Pamela Springsteen

BGS Top 50 Moments: SXSW Brooklyn Country Cantina

It was a collaboration that quickly became one of our favorite events of the year (and definitely the best part of every marathon SXSW week): The Brooklyn Country Cantina was held for five years at Licha’s Cantina in East Austin in partnership with BGS. Featuring an ever-evolving rotation of talent, it was a launch pad for so many artists in the BGS fam, and a special laid-back underplay for those buzzworthy artists wrapping up a crazy week.

Instead of being another schmoozy networking event at SXSW, the BCC was always a reprieve away from the chaotic cacophony of downtown Austin or Congress Street — an all-ages affair where artists and fans alike got to see their friends, take a breather, and eat some really good tacos.

Below, rediscover some of our favorite moments from the Brooklyn Country Cantina, as captured by BGS photographers:

 

LISTEN: Kaitlin Butts, “It Won’t Always Be This Way”

Artist: Kaitlin Butts
Hometown: Tulsa, Oklahoma; now Nashville, Tennessee
Song: “It Won’t Always Be This Way”
Album: What Else Can She Do
Release Date: April 15, 2022

In Their Words: “For a long time, my mom and I were going through some hard times. She was going through a divorce, and we kept getting what I like to call ‘clotheslined’ by life. We kept trying to be positive and we’d say ‘it won’t always be this way’ and by the time we’d get some traction again, we’d get the rug pulled out from under us again. That pattern took place for a pretty long time, but the phrase ‘it won’t always be this way’ remained. We said it so often without things changing for the better, that it became this really sad thing we would say. So I wrote this song about wanting to, but not seeing the light at the end of the tunnel. Taking my personal experience out of it, the song is about a mother wanting to take her daughter out of a bad situation. The depression and uncertainty that all of that comes with. The promise to her daughter that it won’t always be this way.” — Kaitlin Butts


Photo Credit: Mackenzie Ryan

Basic Folk – Brent Cobb

Georgia-born Brent Cobb is a true blue southern Gospel country artist. His music career kicked off when he shared a demo tape with Dave Cobb, one of Nashville’s finest producers and Brent’s cousin. The two have collaborated on numerous albums since Brent’s debut and I had a lot of questions about that creative relationship during our interview.

 

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Cobb’s 2016 album, Shine On Rainy Day, earned him a Grammy nomination and saw him tour with country stars Chris Stapleton and Zac Brown. He has also written songs for artists like Luke Bryan and Miranda Lambert. Brent has fascinating insights about touring, collaboration, and his role as an interpreter of Southern culture in an interconnected world.

In July of 2020, Brent was driving with his one-year-old son when their truck was t-boned. He got up off the pavement and found his son unharmed in his car seat. This brush with death inspired him to create a Gospel album, drawing on the musical tradition in which he was raised. And Now, Let’s Turn to Page… reimagines time-honored hymns and features one original song co-written by Brent and his wife, Layne. Life, death, love, community, and Willie Nelson-style gentle vocal performances – this album has it all.


Photo Credit: Alysse Gafkjen

LISTEN: Jesse Daniel, “You Asked Me To” (Ft. Jodi Lyford)

Artist: Jesse Daniel ft. Jodi Lyford
Hometown: Ben Lomond, California, and Austin, Texas
Song: “You Asked Me To” (written by Waylon Jennings and Billy Joe Shaver)
Release Date: February 4, 2022
Label: Die True Records

In Their Words: “Everyone has a ‘song’ … A tune that brings them back to the time they met a significant other and fell in love that stays with them through the years. People play these songs at weddings, on anniversaries and to even rekindle that old feeling long after the fire is gone. Love songs bring out such pure human emotion in us and that’s what makes this song special for Jodi and I. It was one that we just had to record at some point and I’m glad we did.” — Jesse Daniel


Photo Credit: Alan Mercer

LISTEN: Massy Ferguson, “Off My Mind”

Artist: Massy Ferguson
Hometown: Seattle, Washington
Song: “Off My Mind”
Album: Joe’s Meat & Grocery
Release Date: February 4, 2022
Label: North and Left Records

In Their Words: “This song idea had been kicking around for a few years, at least the instrumental. It’s funny, I started writing for it and found myself thinking about childish instincts and antics, many that I still have. I wrote some lines like ‘you tell me it’s time to go to bed but I say that it’s not time.’ You know, that urge to not do what you are told by adults. Sometimes you don’t even have a reason, you just have to push back. Personally, that spirit hasn’t really changed for me. I still push back, it’s just that I’m older.” — Ethan Anderson, Massy Ferguson

Massy Ferguson band · Off My Mind

Photo Credit: Rich Zollner

Carolina Calling, Asheville: A Retreat for the Creative Spirit

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Asheville, North Carolina’s history as a music center goes back to the 1920s and string-band troubadours like Lesley Riddle and Bascom Lamar Lunsford, and country-music pioneer Jimmie Rodgers. But there’s always been a lot more to this town than acoustic music and scenic mountain views. From the experimental Black Mountain College that drew a range of minds as diverse as German artist Josef Albers, composer John Cage, and Albert Einstein, Asheville was also the spiritual home for electronic-music pioneer Bob Moog, who invented the Moog synthesizer first popularized by experimental bands like Kraftwerk to giant disco hits like Donna Summer’s “I Feel Love.”

It’s also a town where busking culture ensures that music flows from every street corner, and it’s the adopted hometown of many modern musicians in a multitude of genres, including Pokey LaFarge, who spent his early career busking in Asheville, and Moses Sumney, a musician who’s sonic palette is so broad, it’s all but unclassifiable.

In this premiere episode of Carolina Calling, we wonder and explore what elements of this place of creative retreat have drawn individualist artists for over a century? Perhaps it’s the fact that whatever your style, Asheville is a place that allows creativity to grow and thrive.

Subscribe to Carolina Calling on any and all podcast platforms to follow along as we journey across the Old North State, visiting towns like Shelby, Greensboro, Durham, Wilmington, and more.


Music featured in this episode:

Bascom Lamar Lunsford – “Dry Bones”

Jimmie Rodgers – “My Carolina Sunshine Girl”

Kraftwerk – “Autobahn”

Donna Summer – “I Feel Love”

Pokey LaFarge – “End Of My Rope”

Moses Sumney – “Virile”

Andrew Marlin – “Erie Fiddler (Carolina Calling Theme)”

Moses Sumney – “Me In 20 Years”

Steep Canyon Rangers – “Honey on My Tongue”

Béla Bartók – “Romanian Folk Dances”

New Order – “Blue Monday”

Quindar – “Twin-Pole Sunshade for Rusty Schweickart”

Pokey LaFarge – “Fine To Me”

Bobby Hicks Feat. Del McCoury – “We’re Steppin’ Out”

Squirrel Nut Zippers – “Put A Lid On It”

Jimmie Rodgers – “Daddy and Home”

Lesley Riddle – “John Henry”

Steep Canyon Rangers – “Graveyard Fields”


BGS is proud to produce Carolina Calling in partnership with Come Hear NC, a campaign from the North Carolina Department of Natural & Cultural Resources designed to celebrate North Carolinians’ contribution to the canon of American music.