MIXTAPE: Rose Betts’ Cottagecore For Your Ears

I feel like I’ve been living a cottagecore life since always. All my interests outside of music line up: I sew my own clothes, read old Russian literature, and I love horse riding, long forest walks, and filling my house with wild flowers and candles – and dreaming of picnics out of baskets, dressed in long skirts with ribbons in my hair and champagne in tea cups. My upcoming album, There Is No Ship, is a love letter to my homeland, [the UK], where a cottagecore lifestyle is a bit easier to achieve than here in LA. But, here’s a playlist with some songs that make me feel closer to it. – Rose Betts

“Do It Again” – John Mark Nelson

John Mark Nelson and I met at a session and as soon as we got to talking about books I realized he was a total keeper and we’ve been friends since. His vibe is so cottagecore. The man’s car smells like a pine forest and he bakes his own bread. I feel like his voice is so cozy and this song just feels like a day inside with the rain against the windows and pleasant feelings of being in love.

“Snow In Montana” – Michigander

My sister considers it illegal to listen to Christmas songs outside of December, but this has to be an exception. I love this song. On whatever side of Christmas I listen to it, it either makes me wistful about the one to come, or pleasantly melancholic about the one just passed. “Snow In Montana” makes anywhere feel cozy, which is quite a feat if you live in LA. I listen to it in the car on the way home from Trader Joe’s with bags full of vegetables and cheese and flowers feeling all stocked up and ready to light candles and get flower-arranging. I own so many small vases so that I can crowd my house out with flowers and make it feel like a garden.

“Deeper Well” – Kacey Musgraves

Her voice is so smooth and rich, I love it. And, her songs have this warmth and natural quality to them that I just want to sink into. Makes me want to rent a cabin in the woods with friends and get a campfire and hot cider going and watch the sparks fly up into the night.

“Wells” – Joshua Hyslop

I’ve been reading Anne of Green Gables lately and those books are so full of nature and the simple life, they make me really want to run away to Prince Edward Island, pick apples, and make jam. This song has that natural feel, like a little stream you sat by for a while and had a beautiful time, but all the while knew you couldn’t stay forever. Anne as a character is wonderfully joyful, but also so tragic, so the meeting of those two qualities felt expressed in this song somehow.

“Inconsolable” – Kate Gavin

A friend who knows me well sent me this song and I listened on loop for days. I love the instrumentation, that lovely fiddle part! One of my favorite things about being a musician is that when my musician friends come round they just start playing whatever instrument is in the house. The other week my friend came round and our hangout consisted of cups of tea, me sewing a top, and him going through my pile of sheet music on the piano. This song has that feeling of shared music… maybe it’s the harmonies or those lovely melodies, either way it reminds me of impromptu musical moments that are just so lovely.

“Bishops Avenue” – Rose Betts

For about a year and a half, some friends and I had the run of a mansion on Bishops Avenue in North London. We put on plays, painted out in the orchard, had renaissance parties and banquets in the ballroom, and it was one of those golden times when everything is just a little more precious and glittery. I feel like it’s how I always want to live, banquets by candlelight and then some creative frivolity of some kind. Moving to LA, it’s hard to find orchards and dilapidated mansions to play in, but I found some playfellows who get into the spirit with me so I get close.

“Tier Abhaile Riu” – Celtic Woman

This song has such a strong feminine energy to it, reminds me of all my creative friends who enrich my life so much. My friend and I hosted an evening where we invited just women to come and share stories and we lit candles and drank Champagne out of teacups and it was total bliss. Something about women together in candlelight talking feels ancient and holy and special in a way nothing else is.

“Skye Boat Song” – Bear McCreary, Raya Yarbrough

I’m lucky to have a twin who lives in Scotland, so I get to visit a lot and even lived there for a while in lockdown. It’s such an amazing part of the world. There is a beach near her village where I’d go for walks as often as I could, where the seals sing and the sky stretches out like a great pearl above your head. So much of songwriting is about finding the silence in the noise, so that the song has space to blossom and so many songs came from those walks. This song I’ve known since before I could remember hearing it, but it became more well known to the world when they used it as the title track for Outlander. This is a beautiful version. It sounds like Scotland to me, full of low skies and colossal lochs and mystery.

“The Author” – Luz

Some songs are so lovely they make me want to stop listening and write a song instead. This is one of those. I’ve started trying to write a poem every morning, just something small to start my day creatively. Then I punch a hole in the paper and hang it off some fairy lights I have around my bed. I think we are all the authors of our own life, which isn’t what this song is saying, but it’s so darn romantic and in its existence turns the singer into the author that tells the girl how she feels. If that makes sense…

“Sigh No More” – Joss Whedon

I heard this song in Joss Whedon’s Much Ado About Nothing and it takes a Shakespeare poem and sets it to music. I always really liked it. I have a little book of Shakespeare’s sonnets that I’ve carried around for years and I’m always trying to learn a new sonnet. If I’m bored at some LA party, I’ll get it out and read a sonnet and it puts me in a better mood.

“The Stars Look Down” – Rose Betts

This is off my first EP and I sound so young, which is kind of embarrassing, but also sweet. It’s like hearing a past version of me. I was reading a lot of Russian literature when I wrote this song and it was the mansion period of my life (which I mentioned before for “Bishops Avenue”). I’d just discovered Tolstoy, was reading War and Peace, and this song is full of the stories and vignettes in that book, heroism and love and dreaming and nights of glory followed by disastrous heartbreak. Books have always been where I get the most inspired for my songs, the quality of the writing makes me work harder at my lyrics.

“Mexico” – The Staves

The Staves are a group of sisters who actually come from a town right by the one I grew up in. It’s a place called Watford and is a bit of grey hole of a place. It’s surprising that these three beautiful singers came out of it. I guess music and beauty can come from anywhere, which is how I feel about my life. There’s beauty in everything, and if there isn’t you can bring it. My little apartment in LA is pretty boxy and lightless, but once you add candles and art and music it’s suddenly a little bohemian enclave where I can rest and be creative. Me and family sing together and there’s nothing like families harmonising, which is why I chose this song. Reminds me of the supper table at my childhood home, where we sing before we eat and sometimes after too, and whatever argument or trouble that’s going on disappears for a moment.


Photo Credit: Catie Laffoon

MIXTAPE: Joshua Hyslop’s Songs For a Chill Bike Ride

I love going for bike rides. It helps me reconnect and recenter myself. I’m almost always listening to music when I go out for a ride. Sometimes it’s heavier/angrier stuff to help me process and burn some things off, sometimes it’s completely instrumental to help me think, but most of the time it’s laid-back music – because if there’s one thing I am not, it’s laid-back. I’m almost always anxious and neurotic. Biking around and listening to a playlist like this helps me remember to take it easy, to breathe.

Sometimes I get messages from people who say my music helps them to do that, but I don’t sit around listening to my own music. Even though that’s a lovely thing to hear, I can’t engage with it in the same way. I can’t, for example, go and listen to my new album, Evergold (released April 26 on Nettwerk Records), to help me calm down, so I’m stuck making playlists like this for myself. Oh well. I hope this playlist helps you to relax and enjoy the ride, even just a little bit. – Joshua Hyslop

“Small Town Talk” – Bobby Charles

I love this song. I think it’s hard to listen to it and not imagine being on a bike ride, just meandering around some neighborhood on a lazy sunny afternoon. To me, this is the perfect place to start. Great artist. Great album.

“AUATC” – Bon Iver

Sometimes, you listen to a song at just the right time. Something about the lyrics or the melody just clicks with you in the moment. I’m not even 100% sure what this song is about, but my god, what a melody. The slightly sped-up vocals, the communal feeling to it all, it just has something that pulls you in.

“Lay down Martha, lay all that alabaster down, there’s no master, help will surely come around.” Who’s Martha? Why is she carrying alabaster? I don’t know, but I sure find myself nodding along.

“Box #10” – Jim Croce

I debated choosing another Jim Croce song, maybe something a little happier for this “chill bike ride” playlist. But to me, this song sounds like when the sun first comes out after the rain. It’s a little bittersweet, but most of the good stuff is.

“One of These Days” – Bedouine

I found this song when the album I was listening to ended and Spotify just started playing something else. I ended up pulling over and adding it to my own riding tunes playlist. I don’t know Bedouine outside of this, but I’m excited to spend more time with her music.

“Nantucket Island” – Willie Wright

I got the idea for the theme of this playlist, because one of my all-time favorite shows is/was High Maintenance on HBO. The Guy is always biking around, smoking a joint, delivering his wares, and getting a small snapshot into the lives of his many varied customers. It’s so good, and so human, and so lovely, and the music was always incredible. This track was in one of the episodes and I made special note of it, as well. When you’re done listening and reading all this, go watch some High Maintenance.

“Wish I Had Not Said That” – J.J. Cale

This song came out in 1981. The number one song in the USA at the time was “Bette Davis Eyes” by Kim Carnes. Thank god for J.J. Cale.

“Scumways” – Michael Nau

I found this artist by watching Amoeba’s wonderful YouTube show, “What’s In My Bag?” I can’t remember who mentioned him, but his music’s in regular rotation for me, now. This whole album could’ve easily been the entire playlist. It’s a great riding or driving album.

“Down the Line” – Joshua Hyslop

Yes, okay, I know. It’s one of my songs. I think it fits the overall feel here, but we both know there is NO way I would put one of my own songs on my own bike ride playlist. Alright, moving on.

“Fata Morgana” – Kikagaku Moyo

Easily one of my Top 5 desert island albums. This record could also easily have been the entire playlist. It may seem a little out of place on the first listen through, but when I was younger and I’d make a mixtape for a girl I liked, I’d use an instrumental song as a bit of a palate cleanser, especially if there’d been a few super laid back songs in a row. Anyway, here I am all these years later, giving away my secrets and trying to romance you all.

“Gimme Some More” – Labi Siffre

It’s upbeat, it’s happy, it’s a perfect sunny day bike ride song. Plus, singing along and getting to say “Sock it to me” at the break makes me feel about 10 times cooler than I’ll ever actually be.

“None of Us” – Fruit Bats

This song embraces a certain kind of humility and self-awareness that really appeals to me. I could sing along to, “None of us have seen it all” on repeat forever. The entire last minute of this song kind of perfectly captures the emotional landscape I was thinking of when I came up with the idea for a chill bike ride playlist.

“Caterpillar” – Cassandra Jenkins

Just a lovely way to close things out. Say you’re out riding, and you’re on your way home, but you know the playlist is going to end before you get there; this is the perfect song to have playing on repeat until you get there.


Photo Credit: Emma Ross

BGS 5+5: Joshua Hyslop

Artist: Joshua Hyslop
Hometown: Vancouver, BC
Latest Album: Westward

Personal nicknames: Do self-appointed nicknames count? I started calling myself “Uncle J Bird” long before I was an actual uncle but people didn’t really go for it. I still try it out every now and then. One of my friend’s kids genuinely thinks it’s my name. A few fans of mine once tried to build up some steam by calling themselves “Hyslopportunists” but, thankfully, no one else was on board. Oh, and my friend Brian once called me “Joshua Thighslop” after he saw a picture of me in short shorts but it never caught on.

Which artist has influenced you the most … and how?

I think it changes. I have definitely drawn heavily on the inspiration I get from Paul Simon, The Tallest Man on Earth, and Daniel Romano, to name a few. Plus I’m always finding new music that grabs hold of me and completely changes my lens for a season or so. But overall I think the artist that has had the deepest influence on me is Ray Charles. Not necessarily stylistically, although there is some of that, but more so because of the feeling his music and more specifically his voice, evoke in me. It’s been the same ever since I was a kid and I heard one of his songs for the first time. Something about his voice just feels like going home. I can’t really explain it, but every time I hear him I smile and it reminds me of how much I love to sing.

What other art forms — literature, film, dance, painting, etc — inform your music?

I find inspiration in all of those forms but I think the one that has had the largest influence on me is literature. I read a lot. In fact, every time I finish reading 10 books I post about them on my blog, even though no one has said the word “blog” since the early 2000s. I’m going down with the ship, I guess. It’s usually just a turn of phrase or a specific description, or maybe just the feeling the book evokes, but there have been no shortage of moments that I’ve reached down into the lyrical ether to find an idea or that last line of a song and come up with something largely inspired by a book or a line I’ve read. It’s also a great break from writing. Whenever I come up against the wall I take a few steps back and just read or go for a walk. I don’t try to force my way through anymore. I’ve never been happy with the results when I’ve forced a song. Reading helps fill up the word bank and shift your creative mind off of “the problem” for a moment — sometimes, just long enough to help you unlock that phrase you’ve been looking for. Sometimes, not. But then, at least, you were reading a good book.

What was the first moment that you knew you wanted to be a musician?

I actually always wanted to be a writer and had a really hard time calling myself a musician. I don’t read music and I don’t know any theory, so I’ve always kind of felt like a bit of an impostor when it comes to being a musician. But I do remember smoking weed with a friend of mine when we were maybe 15 or 16, which was right around the time I first picked up a guitar, and we were watching the Oasis DVD, Familiar to Millions, and we were in awe. After it ended we were both absolutely certain that we were going to be rock stars. I don’t know why or where that came from, but we were determined. So we formed a band and started writing songs and performed locally as often as we could. I still feel like a bit of an impostor sometimes, but they haven’t caught on yet, and I’m lucky enough to still be doing it all these years later.

What’s the toughest time you ever had writing a song?

It’s almost always tough. You get the occasional gem that takes like 20 minutes and feels as though it was already written and it’s just being delivered to you, which is an amazing feeling, but it’s also incredibly frustrating because the next time you try and write a song and it doesn’t just flow out of your pen you feel like you’ve lost your touch or that it’s all gone and now you’re finished. Most of the time it’s a bit of a struggle, like doing a pretty difficult jigsaw puzzle. It’s like, if you just focus and stick to it and don’t give up, eventually you’ll find it. But I’ve had a few that have honestly taken me years. In fact, I just finished a song last week where I had two verses and two pre-choruses finished since about 2016. They always came back to me and I could never figure out where to go. Somehow, last week, it finally landed. Now, I just have to hope that it’s actually good.

What’s your favorite memory from being on stage?

There have been many, but the first that comes to mind was when Mick Fleetwood invited me to play with him on his rooftop bar, Fleetwood’s on Front Street, in Maui. I’d never met him and I was only in town for a weekend to play a wedding for a couple who have since become some of my dearest friends. They were somehow distantly connected to him and someone showed him my music and he reached out about playing a show. He’d hired a cello player he’d been wanting to play with and said he wanted to play my songs. The three of us met a few hours before the sold-out show began and we played that night for around two hours. I think I’d maybe played with a band twice before in my life and only after we’d rehearsed extensively. But, magic happened and the three of us connected musically. It was one of those experiences that people call spiritual because it was so surreal it felt like it had to be otherworldly. I’m sure there were glitches as we played, but I don’t recall them. After the show, Mick said some incredibly kind things about me to the crowd and it was a moment I will never forget. The bar was kind enough to film the whole thing with GoPros and send me the files but I’ve never watched them. I got to live it and nothing can do that justice.

LISTEN: Joshua Hyslop, “Let It Rain”

Artist: Joshua Hyslop
Hometown: Vancouver, British Columbia
Song: “Let It Rain”
Album: Ash & Stone
Release Date: September 11, 2020
Label: Nettwerk

In Their Words: “We recorded ‘Let it Rain’ in Vancouver, BC, at Afterlife Studios. I was lucky enough to work with some truly amazing musicians including John Raham, Darren Parris, Chris Gestrin, Paul Rigby, and Matt Kelly. We had so much fun. It was a great reminder of how powerfully music can communicate, how it can heal, and how much that means to me. ‘Let it Rain’ is a song about mental health. I often deal with depression and one of the ways it manifests in my life is an overwhelming feeling of numbness. I’m trying to be more positive in those moments, recognizing that I can’t avoid the storms but also trying hard to stay present and remain hopeful through them.” — Joshua Hyslop


Photo credit: Devon Scott Wong

LISTEN: Joshua Hyslop, “No Roots”

Artist: Joshua Hyslop
Hometown: Vancouver, Canada
Song: “No Roots” (by Alice Merton)
Release Date: September 7, 2018
Label: Nettwerk

In Their Words: “With my tour supporting Great Lake Swimmers across the USA this fall, I wanted to try covering a song that was stylistically different from my music. Someone from my record label sent me ‘No Roots’ by Alice Merton, and I thought it would be fun to try it from a folk perspective. I’d never heard her music before so I didn’t have a planned approach, but after I listened through the song once I picked up my guitar and banjo and quickly started piecing together my own version.” — Joshua Hyslop


Photo credit: Jesse Milns

WATCH: Joshua Hyslop, ‘Let It Go’

Artist: Joshua Hyslop
Hometown: Abbotsford, BC (by way of Vancouver)
Song: "Let It Go"
Album: In Deepest Blue
Release Date: October 23
Label: Nettwerk Music Group

In Their Words: "I wrote this song in Nashville with a very talented musician named, Michael Logen. It's about recognizing past mistakes and owning them, but refusing to be defined by them. The video for 'Let It Go' was filmed in Vancouver, BC, and was directed by Nancy Lee." — Joshua Hyslop


Photo credit: Rachel Pick

 

Between the Lines: ‘I Should Live in Salt’

“Don’t make me read your mind. If you’ve got something to say, say it.”

I don’t answer him right away. It’s hard for me to put my thoughts into words and I want to do my best to get it right. He bites his lip when it takes me too much time.

“I’m thinking,” I manage. “You should know me better than that.”

He sighs. “I should know you better than that.” He looks angry and sad. “You’re not that much like me, you know? People always say we’re so much alike, but it isn’t true.”

I nod but say nothing. He’s right — we are very different, but that’s not what I wanted to say. That’s his point, not mine.

“Can you turn the TV down?” I ask. He blinks a few times before standing up and walking over to our shabby old TV. Everything we own is old and shabby. The news is on and I can’t stand it. It’s always something heartbreaking these days. You tell yourself it’s only noise, but there’s too much crying in the sound. He pushes the power button harder than necessary and the screen goes black. I can still see the outline of the faces that were there only a moment ago, delivering our daily dose of depression through plastic smiles. Or maybe I can’t. I don’t know.

“Look, maybe we should try something else? Maybe you should try writing down what you want to say?” He’s calmer now. He’s been doing his exercises. Deep breathing, counting to 10, all that stuff. He grabs some paper and some pens, walks across the living room and puts them in front of me. I look at him with doubtful eyes.

“Just try,” he says.

“I don’t think I can.”

“Why not?”

I hesitate.

“Why not?”

“There’s no room to write it all.”

“No room?” He’s mad again. “No room? What are you talking about? When did you start to slide outta touch? Why do you have to be so …“ He takes a deep breath and clenches his jaw. After a few seconds of silence, he starts again. “I should leave it alone, but you're not right. You know you’re not right. There’s plenty of room. If you run out, I’ll get you more paper. If you can’t write it there, then write it on the damn wall, for all I care!”

He slumps down onto the couch and puts his head in his hands. It’s quiet for a few minutes. I like quiet. It’s easiest for me to think when there are no other sounds.

I don’t understand how people can use those ocean sounds to help themselves fall asleep. I could never do that. I need it to be absolutely silent. I guess we have different enemies. Mine is noise. Apparently, everyone else’s is silence. I think they should all learn to appreciate the void. “Please.” His head is still in his hands. “Please, just write something.”

I pick up a pen and push it to the page. It takes me a long time to think about something so much and the words aren’t coming out right. I start and stop several times. I can see him biting his lip again. I finish writing and put the pen back down. He stands behind me and reads the words out loud. “I should live in salt for leaving you behind.” He sounds confused. He looks from the paper to me and back down. “You should live in salt? What’s that supposed to mean?”

I’m quiet again. It doesn’t sound right when he reads the words out loud. I put my head down on the table and close my eyes.

“For God’s sake. Salt? Leaving me behind? What that hell does that mean?”

I say nothing.

“You get these ideas in your head. You tell yourself these things and then you just sit there in silence and I’m supposed to figure it out? Why does it have to be so difficult with you?”

I say nothing.

The table is cool and feels good against my skin.

“You should know me better than that.”

Story by Joshua Hyslop based on "I Should Live in Salt" by the National. Photo credit: / Foter / CC BY.