When the opportunity to host Beppe Gambetta on the Happy Hour came up, I jumped on it. Beppe’s a legend and has a totally unique flatpicking voice. An ambassador for flatpicking around the world and for Italian music in the States, he’s also incredibly charming. Beppe’s a disciple of Doc Watson and this being the year Doc would have turned 100, we chose to present the music of Doc for this particular episode. I rank this among the best interviews I’ve ever conducted (due to Beppe) and after the show we all went to a friend’s house and he cooked us broccoli pasta, and we had a classic Italian midnight dinner party. Funny, kind, disarming, grateful, and driven; my musical world is much richer for the friendship I’ve forged with Beppe and his wife Frederica.
This podcast is an edited distillation of the full-length happy hour which aired live on March 14, 2023. Huge thanks to Beppe Gambetta, Mike Guggino, and Bennett Sullivan.
Timestamps:
00:06 – Soundbyte 01:08 – Introduction 02:30 – Live introduction 05:30 – “Worried Now” > “Texas Gales” > “Beaumont Rag” 12:07 – Accordion joke 12:26 – “Deep River Blues” 17:05 – “Slow Creek” 22:19 – Happiness monologue 26:45 – “Talk About Suffering” 29:20 – Interview with Beppe Gambetta 51:52 – “I am a Pilgrim” 54:24 – “Tennessee Stud” 59:27 – “St. James Hospital” 1:05:44 – “Way Downtown’ 1:11:42 – Outro
Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Brevard, North Carolina.
The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.
Kara Jackson has a mind like a diamond and a voice like maple syrup. She has always been drawn to music as a medium, but you probably first heard of her as the National Youth Poet Laureate. Cutting her teeth as a performing poet gave Jackson a huge public platform as well as a sense of how form can be a foundation for expression.
Now, at the ripe age of 23, Jackson has released her stunning debut album, Why Does The Earth Give Us People To Love. As the title suggests, this album reflects on love and loss. Kara has some fantastic insights about how embracing grief, and sharing it with others, can lead us to a healthier culture. She also shares about how her parents’ political convictions have influenced her concept of an artist’s role in the world.
One of my favorite moments in my conversation is where Kara articulates how she sees her work in conversation with Black artists who came before her. What a gift, to hear a brilliant young artist speak so clearly about how their creativity fits into a bigger tradition. We cannot wait to see what she does next.
Editor’s Note: Lizzie and Kara talked about Kara’s poem “anthem for my belly after eating too much” at the top of the interview. Read it here.
Tim O’Brien is one of bluegrass’ beloved players, from his work with the innovative Hot Rize to his yearly appearances at the Telluride Bluegrass Festival. He’s just released his first album of all-original material, which is something to be said for his 50-year career. At 69 years old, it’s no surprise that the theme of aging pops up on quite a few of his new songs. He opens up about his perspective on aging and what it has looked like for his predecessors in bluegrass. He reflects on his history, from choosing Colorado over New York or LA, to being very aware of how hard it was for his sister, Mollie O’Brien, to have a solo career and be a parent.
Nicknamed “Red,” Tim O’Brien serves as hero and mentor to many of today’s finest players in the genre, including Sarah Jarosz and Chris Thile. He recognizes the importance of allowing younger generations to step into the spotlight, while still being ready to honor his own bluegrass heroes. In our conversation, Tim gets into things he’s noticed changing for the better in his scene and also talks about how technology is both a good and challenging thing. For instance, in-ear monitors are great, however, they really isolate the players instead of really feeling like they are playing together. Thanks, Tim O’Brien!
I started preparing for this episode when I was on a summer trip with my kids in Colorado which mostly involves listening to music. I’ll never forget driving toward Mt. Princeton with tears streaming down my face and I’ll never drive up that road to the hot springs again without thinking of Alexa and her music. Her quiet demeanor hides an absolute monster of a songwriter. Vivid imagery, unique yet familiar, the way she relays the feelings around relationships is unlike anyone I’ve ever heard, on par with the brilliant Robert Ellis. We had a great time on the show, the music was so beautiful and moving, I had to include as much of it as I could.
This podcast is an edited distillation of the full-length happy hour which aired live on August 24, 2022. Huge thanks to Alexa Rose and Julian Pinelli.
Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville, North Carolina.
The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.
I am feeling #blessed and #grateful to be sharing today’s interview with our listeners. Brian Dunne is one of my dearest pals in the music biz, not to mention one of my favorite songwriters working today. Brian’s songs are always clever and sincere, dark and fun, honest and imaginative. He’s got a way with words, a killer voice, and big time rock star vibes. These are a few of the reasons why Loser On The Ropes, Dunne’s Kill Rock Stars debut, is earning this indie rocker critical acclaim and a ton of new fans.
Brian is a New York-born artist who knew he wanted to be a musician from the first moment he saw Bruce Springsteen on television. After graduating from Berklee College of Music, Brian started making records and figuring out his sound. He’s become a stalwart in the New York music scene both with his own music and as a member of the super-silly supergroup Fantastic Cat (shoutout to bandmate and Basic Folk alum Anthony D’Amato!)
In 2022, Brian got word that a live recording of his song “New Tattoo,” which had been recorded during a 2018 soundcheck, was climbing the charts in the Netherlands. His unexpected European star turn has not gone to this working artist’s head one bit; in fact he has delved even deeper into themes of failure and humility in his recent songs. But what keeps people coming back to Brian’s music is his hopeful spirit in spite of all the darkness.
(Editor’s Note: Find all of WXPN’s Artist to Watch Black Opry Residency podcast episodes on their website.)
Founded just two years ago, the Black Opry has a simple, but deceptively-difficult mission.
Simple in that it seems straightforward enough: To challenge the idea Black voices are only under represented in roots music because there’s little interest or talent in the black community.
But deceptive, in how hard that myth is to refute.
The truth is that Black and Brown voices have always (and continue to) contributed mightily to the pantheon of Americana music, but they are often overlooked by the very media channels needed to bring about a change.
Using the Philadelphia-based public radio station’s new Artist to Watch podcast to highlight a Black Opry Residency in the City of Brotherly Love, both organizations have teamed up to celebrate and elevate current Black artists, and to educate roots music fans on what they’ve been missing.
Over five weeks, host John Morrison seeks to introduce a new generation of talent to the broader listening public, telling some truly remarkable stories in the process. And, according to Black Opry founder and co-director, Holly G, it was just the type of partnership that could create a lasting trajectory change.
“Working with WXPN was great because they really let us take the lead on what the needs were for our community,” she says.
As a journalist/artist manager and self-identified “country music disruptor,” Holly G knows those needs better than just about anyone. She’s been shining a light on this community for years, which the podcast does a good job of explaining.
Holly G founded Black Opry as a blog and artist directory back in 2021, recognizing a blind spot in the genre and working to profile Black artists in the roots space. But it quickly became something more, and has now grown into a web of inter-connected talent and supporters which even includes a nationwide touring production – the Black Opry Revue. The WXPN show helps tell that story in a broad sense, but also zooms in to introduce a handful of artists individually.
In a five part series, each weekly episode features a different Black artist or act, taking listeners on a “deep and personal dive into the real-life struggles of emerging performers.” Along the way, each gets the chance to tell their story and let listeners see the unique contours of their world – namely, trying build careers from the ground up, in a genre that has all but said they don’t exist.
It’s part of a new drive WXPN has to help develop (and actually support) talent in the pandemic’s wake, since it exposed how precarious an emerging artist’s life can be. According to Bruce Warren – Assistant GM for programming at WXPN and World Cafe’s Executive Producer – featuring Black Opry artists is a natural place to begin.
“WXPN has for a long time had a reputation as a tastemaker, and part of that has been its ability to identify and curate new and emerging artists from across the country and connect them to wider audiences,” he says in podcast’s first episode. “We wanted to give [artists] an amazing, immersive experience that will help change their careers, and at the same time showcase a deeper piece of who they are above and beyond the actual music they play to our audience.”
The Artist to Watch season profiling The Black Opry kicked off on June 8, highlighting Nashville’s Tylar Bryant. Other episodes introduce Denitia and The Kentucky Gentleman (both also out of Nashville), plus Boston’s Grace Givertz and hometown Philly talent, Samantha Rise.
As part of the show, each artist sat for an extensive interview, and also took took part in a week-long creative residency in Philadelphia, writing songs, meeting with mentors and ultimately performing their work at a live showcase.
It’s a remarkably detailed and enlightening podcast, giving some talented and deserving artists a carer boost while also expelling an outdated premise about country music and the black community. New episodes continue to air weekly on Thursday nights, and although it’s just one more step in tackling a big and complex problem, Holly G says every little bit counts.
“It was great feeling empowered to provide the artists involved with resources specifically catered to them,” she says. “Our knowledge and understanding of our community paired with the extensive industry knowledge that WXPN provided enabled us all to have a great experience that was meaningful and substantial to everyone involved.”
Is mandolinist Ethan Setiawan 100 years old?! The Indiana-born Setiawan’s expert playing will fool you into thinking he’s four times his actual age. Thanks to a supportive family and Mennonite community, Ethan came to the mandolin and folk music at an early age. His impressive proficiency and technical prowess landed him a full scholarship to Berklee College of Music in Boston. There, he was exposed to all different types of music and developed that natural rhythm and groove that only comes with being in a musical community.
His new instrumental album Gambit was produced by his mentor, the legendary fiddler Darol Anger, best known for being in the original lineup for The David Grisman Quintet. Through Darol, Ethan was able to work on a tradition of music built from a foundation of bluegrass. He talks about that AND he explains what the bluegrass vocabulary is on the mandolin for dumb-dumbs like me, who do not play music and are not folk scholars. Setiawan is an in-demand side man and band member, and can be seen playing with his band Corner House, Darol Anger, and Tony Trischka among others. Enjoy Ethan and get to know his new record!
When The Stringdusters were in Nashville around 2006 or 2007, our dobro player lived next door to Jon Weisberger in Madison, right on the Cumberland River. There were two houses on the property; Andy lived in one, Jon lived in the other. I was sleeping in Andy’s guest room and there were regular picking parties at The Compound, as we now refer to it. A few years ago I suggested Jon move to Brevard, he looked into it, and I’m happy to say I’m now neighbors with my favorite co-writing partner. Jon’s written with just about everybody in bluegrass, but recently his most notable songs have been with Billy Strings. In fact, Jon helped write “California Sober,” a song Billy recently recorded with Willie Nelson. A music historian, writer, bassist, and king of the charcoal grill, I was thrilled to get to know more about one of the most-liked people in bluegrass.
This podcast is an edited distillation of the full-length happy hour which aired live February of 2021. Huge thanks to Jon Weisberger and Tommy Maher.
Timestamps:
0:09 – Soundbyte 0:52 – Introduction 2:18 – Bill’s live introduction 2:47 – “Wasted on the Way” 5:30 – Interview 41:19 – “Pearl of Carolina” 45:00 – “Windy In Nashville” 49:24 – “Blowin’ On A Lonesome Breeze” 53:05 – Outro
Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville, North Carolina.
The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.
Urgency and patience are the two poles of New England songwriter Caitlin Canty’s magnetism. Her music invites you to quiet moments of reflection with unhurried confidence. When I first heard her song “Get Up” in 2015 I felt like I was receiving a very important magical message. Canty’s subsequent releases have further revealed her uncanny talents for grooving at the right tempo, describing the memorable image, leaning into elegant arrangements, and letting delicate moods hang in the air.
Canty’s new album, Quiet Flame, was recorded live with a string band and no drums. Live tracking has become her signature over the years, and this new record shows the authentic and powerful moments that can only be created in that setting. Produced by Chris Eldridge of the Punch Brothers and featuring collaborators like Sarah Jarosz, Brittany Haas, and Paul Kowert, Quiet Flame is not only a showcase for Canty’s unmistakable voice and songwriting, but also a celebration of her impressive artistic community.
Caitlin knows a thing or two about teamwork after many years of team sports. She was a soccer player and heptathlete through her college years, and I have a hunch that her athlete-brain and her musician-brain share a particular wisdom. Pacing, collaboration, focus, and graceful movement characterize her unique body of work. It was a true delight to talk about writing, friendship, family, touring, humility, and self-belief with this gem of a musician.
Rissi Palmer and Miko Marks have been laying the foundation for country musicians and fans who are Black for almost 20 years. Back in the early 2000s, both experienced the trials and tribulations of being Black women in country. Despite their successes and large growing fanbase, they were separately discouraged by the ceilings and roadblocks they encountered from the white-dominated industry. Even though they each nearly quit music, they discovered a deep and meaningful ally and friend in each other. Now, they are back in the spotlight in a different era that has seen a rise of Black musicians – and The Black Opry in Nashville. Recently, Rissi and Miko have been touring together and we got them both on the show to talk about their parallel experiences, their friendship, and what they’ve been up to recently. It was a sincere honor and a blast to speak with these inspiring women.
This month The Bluegrass Situation is highlighting The Black Opry as Artist of the Month. Basic Folk, a part of The Bluegrass Situation Podcast Network, is proud to present this episode in collaboration with our BGS motherhost.
Photo Credit: Cedrick Jones
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