WATCH: Tim Higgins, “I Blew It”

Artist: Tim Higgins
Hometown: Greensboro, Alabama
Song: “I Blew It”
Album: BLIGHT
Release Date: February 28, 2020
Label: Folk Victorian Records

In Their Words: “‘I Blew It’ is about a disenchanted person who is trying to do his best, but knows he’s not going to succeed in the end. Whether it’s maintaining a relationship, battling addiction, or leading a cause downtown at some City Hall, for some people, it’s always futile odds. What I wanted to capture was the sense of duty someone could have to do what they believe is right even though the writing is already on the wall. To capture those kind of complex feelings and layers in one song, my producer Parker McAnnally and I let the verses stand alone with just my voice and acoustic guitar while the musical breaks sonically dip underwater, and undulate between Jack Thomason’s electric guitar and Alex Caress’ piano.

“For the music video, I worked again with Reagan Wells, who directed my last video, ‘Blight,’ and we returned to the ‘ruined finery’ theme that traverses this whole contemporary Southern Gothic album — where the line between memory and reality are blurred; I think the narrator in ‘I Blew It’ is always living between those worlds as well.” — Tim Higgins


Photo credit: Aaron Sanders Head

WATCH: Tami Neilson, “Sleep”

Artist: Tami Neilson
Hometown: Auckland, New Zealand
Song: “Sleep”
Album: CHICKABOOM!
Release Date: February 14, 2020
Label: Outside Music

In Their Words: “This song was written by my dear friend and co-producer Delaney Davidson. He wrote it about keeping the Big Black Dog at bay; my two little boys think it’s a lullaby Mama sings only for them. My brother Jay and I wander into the audience at the end of the night with just a guitar and no amplification to sing this to the hush and send our audience gently home. It becomes what you want it to mean, like every song. But, it’s like a warm blanket, a soft pillow.

“This video was created by my other brother Todd Neilson of Valiant Creative Agency. You would never know the chaos behind the scenes! It is one shot and begins with Jay and I singing at the other end of the studio. As the camera pulls out, it reveals we are on the television set in the darkness of a living room where a family has gathered to watch before bed. However, the camera dolly had to roll straight through the living room and the entire thing had to be assembled within seconds in its wake.

“So, as we were peacefully singing, there was shouting and crashing and banging as the rug, plants and furniture were frantically placed by a team of six, the actors rolled the couch in (it was on skateboards!), sat down and had to look relaxed and calm as my little niece, River Neilson, fell asleep. The result is magical and I can almost feel my Dad’s arms around me, carrying me to bed when I watch it.” — Tami Neilson


Photo credit: Sabin Holloway

WATCH: My Sister, My Brother, “Forever Now”

Artist: My Sister, My Brother (Garrison Starr, Sean McConnell, and Peter Groenwald)
Hometown: Nashville, Tennessee and Los Angeles, California
Song: “Forever Now”
Album: My Sister, My Brother EP
Release Date: March 6, 2020

In Their Words: “When we wrote ‘Forever Now,’ I remember us all being excited about writing something upbeat. There’s nothing wrong with a sweet slow song, but we had already covered that ground. While having a different feel, this song comes from the same place as the others do. We were kind of trying to speak from the perspective of a 90-year-old man or woman, sitting on their front porch, wanting to share the worth of their experiences. There will be great days and terrible ones, you will love and you will lose, but none of it is forever. Don’t take the good for granted, and try not to hold on to the bad.” — Peter Groenwald


Photo credit: Joshua Black Wilkins. Director: Josh Kranich

WATCH: Mark Erelli, “Blindsided”

Artist: Mark Erelli
Hometown: Boston, Massachusetts
Song: “Blindsided”
Album: Blindsided
Release Date: February 21, 2020 (single); March 27, 2020 (album)
Label: Soundly Music

In Their Words: “The word has negative connotations, but I thought it would be interesting to use it in the context of a love song. Sure, you can be blindsided by an attack or caught unprepared by stormy weather. But love also has a funny way of finding you when you least expect it, regardless of whether you’re looking for it or not. With its soaring vocal harmonies, majestic strings and the band firing on all cylinders, this track really embodies and hints at all the sonic elements to come on the album.” — Mark Erelli


Photo credit: Joe Navas

LISTEN: Luke Wallace, “Pale Kids”

Artist: Luke Wallace
Hometown: Vancouver, Canada – Coast Salish Territory
Song: “Pale Kids”
Album: What on Earth
Release Date: March 6, 2020
Label: Come To Life Music

In Their Words: “It’s hard to write songs about privilege without losing people in criticism or preaching. ‘Pale Kids’ is rooted in the truth that non-white communities have been fighting and dying for their rights, and all human rights, for a long time. This song is about calling in my fellow Pale folks into action, recognizing that our voices carry a lot of power when directed at the governments and institutions that maintain our privilege. I’m seeing more and more people from all backgrounds rising to the occasion and using their voices for justice, and I have a hunch that if thousands of privileged, middle-class white folks started showing up in the same way that our non-white counterparts are, we’d see rapid, sweeping changes to the way our governments treat non-white communities. It’s the old ‘with great privilege comes great responsibility.’ This song goes right to the heart of what that means, calling those who can to use their privilege for the liberation of all people.” — Luke Wallace


Photo credit: Alex Harris

WATCH: Samantha Crain, “Garden Dove”

Artist: Samantha Crain
Hometown: Shawnee, Oklahoma
Song: “Garden Dove”
Album: A Small Death
Release Date: July 17, 2020
Label: Ramseur Records/Thirty Tigers and Real Kind Records/Communion

In Their Words: “With the idea in mind of being better for yourself and learning to love yourself, I started thinking about how much easier it was to connect with other people when you’re actually reveling in and enjoying your own company as well. It reminded me of a cult of friendship, sort of building this great web and community around myself. So, of course, I felt like I wanted to make a spooky Oklahoma backroads cult video for the song. I was inspired by Robert Weine and Hitchcock and wanted to make it feel real and high quality but also homemade in a way. I directed the video and did the costumes, my friend Blake Studdard did the camerawork and editing, my friends Nia and Izze (who were also in my ‘An Echo’ video) and Adam acted as my growing cult family. We filmed it on an extremely cold winter night on a dead-end street in Norman, Oklahoma.” — Samantha Crain


Photo credit: Dylan Johnson

LISTEN: Love Me in the Dark, “Old Soul”

Artist: Love Me in the Dark
Hometown: Venice, California
Song: “Old Soul”
Album: Love Me in the Dark
Release Date: February 14, 2020

In Their Words: “‘Old Soul’ was written in Nashville, in our friend Keb’ Mo’s home studio. Steve had been messing around in a new guitar tuning (borrowed from Ry Cooder) and the song flowed from there. The lyrics are inspired by several of our hallowed places, the North Woods of the Upper Peninsula of Michigan, and other forests that still contain ‘old growth.’ The language was chosen to sound hymn-like and spiritual. It was also important that the recording be authentic and traditional sounding, while still fresh. It starts with a capella vocals, the signature Love Me in the Dark interwoven harmony, sparse and vulnerable, and grew gradually with the addition of elements like steel guitar, upright bass, harmonium and piano, a treatment that made it the perfect opening track for this debut album.” — Heather Donovan, Love Me in the Dark


Photo credit: Thomas Brodahl

LISTEN: Erin Lunsford, “How Many Birds”

Artist: Erin Lunsford
Hometown: Fincastle, Virginia
Song: “How Many Birds”
Album: The Damsel
Release Date: February 14, 2020 (single); April 3, 2020 (album)

In Their Words: “‘How Many Birds’ is a lonely ballad of singlehood by a 20-something woman. I was inspired by the sight of birds returning home to the trees of Southwest Virginia in springtime and wondered if any birds make that journey alone. ‘How Many Birds’ explores my craving for direction and control in my romantic life and wonderment at the heartache of being single when so many people around you are in love. When I play this song live, I usually say, ‘This song is about being single for an eternity lol.'” — Erin Lunsford


Photo credit: Joey Wharton

WATCH: Brew Davis, “Another Scarecrow Learning How to Fly”

Artist: Brew Davis
Hometown: Asheville, North Carolina
Song: “Another Scarecrow Learning How to Fly”
Album: Another Scarecrow Learning How to Fly
Release Date: February 28, 2020
Label: Hellbender Records

In Their Words: “This song is about transcendence and trying to get beyond the ruts we get stuck in, especially in ‘middle age,’ which is where I find myself these days. The opening line came to me in church, actually, and the verses just flowed out from there. I wrote the chorus later but it was clear to me what I wanted to say about life — how we get tempted by the stuff the world tells us is important when really the most important things are the people and things (i.e., music) that we love and that make us happy. One fun tidbit is that the shirt I’m wearing was my granddad’s. He died several years ago at 93 and is one of the ones I talk about in the chorus who’s ‘calling to me from the other side.'” — Brew Davis


Photo credit: Andrew Kornylak, FourMile Media

LISTEN: Grant Peeples, “Rich Man”

Artist: Grant Peeples
Hometown: Tallahassee, Florida
Song: “Rich Man” (written by Rebekah Pulley)
Album: Bad Wife
Release Date: February 14, 2020

From the Artist: “I unknowingly gathered these songs [on Bad Wife] for years. I’ve worked with all these women in some aspect of the business; they are all friends. I heard all the songs for the first time in a live setting, where they entered me, worked me over, and never left. As I began the project, I didn’t have to go looking for songs. They had already found me. My learning and recording them was an exercise of rediscovery, a search for those original nerves the songs had struck.

“In 2008 I wandered up to a camp at the Florida Folk Festival and heard Rebekah singing this song. I feel it is the only unmitigated love song on the album — hopeful, adoring, and accepting. It is Hank Williamsian in both its depth and its simplicity.” — Grant Peeples


Photo credit: Inga Finch