MIXTAPE: Rebecca Frazier Celebrates the Here and Now

I’m honored to create a playlist for BGS. I’ll share a Mixtape inspired by the theme of time and celebrating the here and now. I grew up in Virginia by the water and my musical life has been influenced by the seasons and the tides. Life (so far) has been a counterpoint of going with my gut and enjoying the moment while also considering intention and the bigger picture. But I’ve learned that I am more in touch with myself as an artist when I can remain in the present. The songs I’ve selected tend to resonate with my intuitive sense of joy and unconditional love – that deeply rooted part of ourselves that is free and unburdened.

It’s celebratory for me to share two tracks from my new album, Boarding Windows in Paradise, out now via Compass Records. Produced by Bill Wolf – who’s known for his work with Tony Rice and Grateful Dead – the album features the talents of Béla Fleck, Sam Bush, Stuart Duncan, Barry Bales, Ron Block, and a constellation of other bluegrass stars. The writing and recording process for the album brought me to a place of learning to create my own paradise through daily intention and action, and I’m grateful for this experience. – Rebecca Frazier

“High Country Road Trip” – Rebecca Frazier

I grew up on the water, so I love going with the flow and being taken for a ride. But I’ve got that philosophical side, where I’m also asking, “Where is this leading?” This song is meant to capture that moment of joy somewhere in the middle; that elevated feeling of loving the lightness of not knowing what’s around the bend and not necessarily trying to create a specific outcome.

“It’s a Great Day to Be Alive” – Darrell Scott

This song brings back great memories of living in Colorado and seeing Darrell Scott singing this one at music festivals out west. His song quickly became an anthem for savoring the present: “It’s a great day to be alive, the sun’s still shining when I close my eyes.”

“Sailin’ Shoes” – Sam Bush

This one is another anthem on the bluegrass festival scene. It’s about cutting loose and feeling liberated. When Sam Bush goes into his signature chop to kick it off, fans start to cheer like wild and dance in recognition. The freeing and soaring feeling of sailing – we definitely feel that when John Cowan joins in with his soaring vocals. As the lyric expresses, “Everyone will clap and cheer when you put on your sailing shoes…” Sam sings and plays it with abandon and you can’t help it but smile (or dance!) when you listen to this classic Little Feat cover.

“All I Want” – Joni Mitchell

“Applause applause, life is our cause.” Joni’s lyric speaks volumes about her expression of letting go. She sings about that feeling of dancing and unleashing herself in a dive bar, falling in love, and letting the best in herself emerge by forgetting about herself for a moment. “I want to have fun, I want to shine like the sun… I want to make you feel free.”

“Time in a Bottle” – Jim Croce

“I’d save every day like a treasure and then, again I would spend them with you.” This classic is a poignant reminder about the essence of time and what seems to have mattered most at the end. Croce sings about savoring time with a loved one and realizing that the metaphorical box of wishes and dreams can only be answered by memories of time spent with a loved one.

“Nick Of Time” – Bonnie Raitt

This song brings back powerful memories from the ’90s, when Bonnie Raitt received well-deserved acclaim as an artist after years of hard work as a blues musician. The message of time passing and realizing that we have almost missed a great life experience-but found that fruition in the nick of time-resonated with a wider audience. Her relaxed and soulful vocals portray the hopeful message in a calming way.

“Days Like This” – Van Morrison

In his relaxed and soulful way, Morrison sings about those rare worry-free days when the pieces effortlessly come together in a satisfying way: “When all the parts of the puzzle start to look like they fit, there’ll be days like this.”

“Cat’s in the Cradle” – Harry Chapin

This classic may be a tear-jerker, but it’s also a celebration of time. We’re reminded by Chapin to spend meaningful time with our loved ones now and not to wait for a speculative future time when our “schedule” is free. The lasting image of an adult son who’s now too busy for his dad – after spending years as a small child asking his dad to spend time together – is a powerful reminder about life’s priorities.

“Thunderclouds Of Love” – Tony Rice

Classic, powerful Tony Rice at his finest. This description of a thunderbolt moment can light up any heart, and Tony’s guitar solo takes us there with flashy, bluesy fireworks. Jimmy Headrick’s lyrics set the scene for Tony’s soulful and punchy baritone vocals: “I have been praying four nights on end for someone who could make me live again, and all at once from the darkness of my heart they came to light.”

“Alabama Pines” – Jason Isbell

This one snuck onto this list, because it always brings me into the present moment. Isbell’s writing and singing is just that good. Whatever you were thinking about or worrying about, it all tends to go out the window. Suddenly you’re driving in Alabama and seeing all of the imagery he describes, feeling all of the emotions he expresses.

“Help Me Make It Through the Night” – Kris Kristofferson

Kristofferson’s is my favorite version of this classic and I’ll admit that he also happens to be my celebrity crush. While he’s portraying relishing this moment, this night, I think many women are wondering if he really needs to ask for help with that cause? In all seriousness, he does pull us into the present with his poignant lyric: “Yesterday is dead and gone, and tomorrow’s out of sight.”

“Duck’s Eye” – Charles Butler

Banjoist Charles Butler is one of my favorite composers and this tune pulls me into an effortless feeling of gliding over an oceanic vastness. The call and response melodies bring the listener into a trance-like state, and the simple melody pulls the listener to that perfectly placed “eye” of the composition, echoing the David Lynch reference of Butler’s inspiration.

“Make Hay While the Moon Shines” – Rebecca Frazier

When I wrote this song with Bob Minner and Jon Weisberger, we wanted to express the feeling of unleashing ourselves and savoring the moment once the moon rises. We’ve all been told to “make hay while the sun shines,” but it’s just as important to put down our work and allow ourselves to be free and true to our inner selves.


Photo Credit: Scott Simontacchi

You Gotta Hear This: New Music From Laurie Lewis, Lonesome River Band, and More

This week, to mark New Music Friday, we have a bevy of brand new music videos from folks like bluegrass legend Laurie Lewis, bassist Nate Sabat, country outfit Jenny Don’t & The Spurs, and flatpicker Rebecca Frazier, who gathers an all star lineup for a new track set to a brand new video. The Reverend Shawn Amos also brings us a delightfully psychedelic visualization to pair with a modern blues and gospel inflected track, “It’s All Gonna Change (For The Better),” that highlights how life on this planet is a gift, not a given. (We couldn’t have said it better ourselves.)

Plus, you won’t want to miss a brand new heartbreakin’ track from first class bluegrassers, Lonesome River Band. And, if you missed our post featuring The Bygones earlier this week, you can check out the duo’s song, “If You Wanted To,” below as well.

It’s all right here on BGS and, to be quite honest, You Gotta Hear This!

Laurie Lewis, “Long Gone”

Artist: Laurie Lewis
Hometown: Berkeley, California
Song: “Long Gone”
Album: Trees
Release Date: March 29, 2024 (single); May 31, 2024 (album)
Label: Spruce and Maple Music

In Their Words: “I have loved ‘Long Gone’ since I first heard Bill Morrissey sing it a couple of decades ago. Recording it was a blast, and I think that as a ‘returning’ song, it is particularly resonant in these post-pandemic times. We’ve all be long gone, from each other and the world at large. Every time I hear Brandon Godman’s fiddle kick-off, I get excited all over again, to be returning from the virtual to the corporeal world.

“Making this video was about the most fun there is, driving an aging 5-speed stick shift truck up and down Sonoma County backroads in the late winter green of Northern California. I love my job!” – Laurie Lewis

Track Credits: Written by Bill Morrissey.

Laurie Lewis – Guitar and lead vocals
Brandon Godman – Fiddle
Patrick Sauber – Banjo
Hasee Ciaccio – String bass

Video Credit: Bria Light


Lonesome River Band, “Hang Around For The Heartbreak”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Hang Around For The Heartbreak”
Release Date: March 29, 2024
Label: Mountain Home Music Company

In Their Words: “This song was sent to us from my good friend, Barry Hutchens, who has been writing some material with his son, Will, and Jerry Salley. I call it a ‘Happy Heartbreak’ song as the chorus goes, “If we chase this feeling down whatever road it leads us/ We’ll never have regrets about a chance we didn’t take/ But if we’re just pretending this might be a happy ending someday/ I’ll still hang around for the heartbreak.” It’s a great perspective put together by Barry, Will, and Jerry and it feels like classic Lonesome River Band. We hope you enjoy it as much as we do!” – Sammy Shelor

Track Credits:

Adam Miller – Mandolin, lead vocal
Sammy Shelor – Banjo, vocal
Jesse Smathers – Acoustic, vocals
Mike Hartgrove – Fiddle
Kameron Keller – Upright bass


Nate Sabat, “Sometimes”

Artist: Nate Sabat
Hometown: New York, New York
Song: “Sometimes”
Album: Bass Fiddler
Release Date: March 27, 2024
Label: Adhyâropa Records

In Their Words: “Until last September, I was playing a completely different version of this song. Written by the great Abigail Washburn, my initial version was essentially a bass-and-voice rendition of the original. In a prep session with my producer Bruce Molsky, we both agreed that it just wasn’t landing. He pulled out a fretless banjo, and suggested I try leaning into a bluesy, modal sound instead. That idea lit a fire in me, and two hours later we had something completely new.” – Nate Sabat

Track Credits:

Nate Sabat – Bass, vocals
Recorded at Spillway Sound in West Hurley, New York.
Engineered and Mixed by Eli Crews.
Produced by Bruce Molsky.
Mastered by Dave Glasser at Airshow Mastering.


The Reverend Shawn Amos, “It’s All Gonna Change (For The Better)”

Artist: The Reverend Shawn Amos
Hometown: Dallas, Texas
Song: “It’s All Gonna Change (For The Better)”
Album: Soul Brother No. 1
Release Date: May 3, 2024
Label: Immediate Family

In Their Words: “There’s a famous comedy bit from George Carlin addressing humans’ disgraceful treatment of Earth. It ends with the punchline, ‘The planet is fine. The people are fucked.’ This song takes a page from Carlin’s book of dark humor. It’s a conversation amongst non-human life counting down the days until these dumbass humans are out of the way. It’s also a simple reminder to ‘WAKE UP!’ as Spike Lee would say. Life on this beautiful planet is a gift – not a given. You dig? Say it with me, ‘We got to all stand up, ain’t gonna take too long. Keep your mind strong.'” – The Reverend Shawn Amos

Video Credit: David Sheldrick


Jenny Don’t & The Spurs, “Pain In My Heart”

Artist: Jenny Don’t & The Spurs
Hometown: Portland, Oregon
Song: “Pain In My Heart”
Album: Broken Hearted Blue
Release Date: June 14, 2024
Label: Fluff & Gravy Records

In Their Words: “Inspired by the writing style of Johnny Paycheck and his classic delivery of telling a story while the band keeps it rollin’ on. I love how some of those old classic country singers charm their way through a song where even though they might be in the wrong you still want ’em to win in the end. ‘Yeah, I know, I’m a jerk – but I love ya. Come on, come back home…’ (Not me personally! But you get the idea…)

“While my usual inspiration when it comes to songwriting tends to lean towards the female icons of the genre, for this album, I veered towards more male influences such as Chris Isaac, Lee Hazelwood, Johnny Paycheck, Buddy Holly, John Fogerty, and Link Wray. These diverse songwriters contributed to the inspiration behind the album.

“I’d also like to emphasize that while I take the lead in songwriting, the songs wouldn’t have evolved into what they are without the invaluable input, musical direction, and insight from my bandmates, Kelly Halliburton, Christopher March, and Buddy Weeks. I’m truly grateful for their contributions and thrilled to have collaborated with them on this fun album.” – Jenny Don’t

Track Credits: Written by Jenny Don’t.

Jenny Don’t – Vocals, rhythm guitar
Kelly Halliburton – Bass guitar
Christopher March – Lead guitar
Buddy Weeks – Drums
Rusty Blake – Pedal steel guitar

Recorded at Revolver Studio in Portland Oregon by Collin Hegna, September 2023.


Rebecca Frazier, “Make Hay While the Moon Shines”

Artist: Rebecca Frazier
Hometown: Nashville, Tennessee (originally Richmond, Virginia)
Song: “Make Hay While the Moon Shines”
Release Date: March 25, 2024
Label: Compass Records

In Their Words:“Growing up in Virginia and spending much of my childhood by the Chesapeake Bay, I’ve always felt an ethereal connection to the moon. To me, it feels like there’s magic in the air when the moon is full. Getting together with Jon and Bob to write this song was a reflection of that excitement – we were all laughing and cutting loose as we came up with double entendres. We wanted to express that light-hearted, anticipatory feeling of a spirited full moon night – after all, the song is a twist on the phrase “make hay while the sun shines,” which means “get your work done.” What is the opposite of that?

“Bill Wolf produced the track with his innate talent for bringing out the best in musicians – he did such an intuitive job bringing musicians in the room who would create and build the climactic moments with their improvisation. I was floored by the performances of Béla, Stuart, Barry, Sam, and Josh. Christopher Gunn’s videography was beyond my imagination. He captured the imagery of a lighthearted, spirited mood while maintaining a dream-like quality, and I think it’s beautiful.” – Rebecca Frazier

Track Credits: Written by Rebecca Frazier, Jon Weisberger, and Bob Minner.

Produced by Bill Wolf.
Rebecca Frazier – Guitar
Béla Fleck – Banjo
Sam Bush – Mandolin
Stuart Duncan – Fiddle
Barry Bales – Bass
Shelby Means – Harmony vocal

Video Credit: Christopher Gunn Creative


The Bygones, “If You Wanted To”

Artist: The Bygones
Hometown: Brooklyn, New York & Nashville, Tennessee
Song: “If You Wanted To”
Album: The Bygones
Release Date: April 4, 2024
Label: Tonetree Music

In Their Words: “‘If You Wanted To’ encapsulates the feeling of longing for acceptance and approval from someone you love that has known you through many chapters of life. People change and grow over time, and one of the biggest pains is when the ones closest to you don’t grow with you or want to get to know the current person you are. Over time, I’ve realized that you can’t make someone see you and love you for the current walk of life you’re in and not for a previous version of yourself, they have to choose to get to know you. Sometimes the ones you love just want to hold on to the version of you they knew that is no longer here.” – Allison Young


Photo Credit: Laurie Lewis by Irene Young; Nate Sabat by Jules Miranda.

Guitarists of the Year: Bryan Sutton Points to 15 Emerging Stars

Awards acceptance speeches like this one are rare.

Just about a year ago, at the International Bluegrass Music Awards in Raleigh, North Carolina, Bryan Sutton (Hot Rize, Telluride House Band, five solo albums) accepted his (unprecedented) ninth Guitar Player of the Year Award. It was no surprise that the dominant flatpicker of his era won again or that he was magnanimous and humble.

But he did something incredibly gracious for a moment like this. Instead of thanking his business team, God, and family, he took his time to acknowledge 15 young guitarists who are out there ripping it up — no doubt with Sutton as one of their key generational influences. This was, in a nutshell, what’s wonderful about bluegrass music: It supports and nurtures its next wave of talent and fans without fear of being displaced or outgunned. And it was an interesting and very public forum in which to do so.

Here’s the speech followed by a quick guide, in no particular order, to the young pickers Sutton urged us to keep an eye on.

Seth Taylor: A North Carolina native, he won numerous contests including first prize on guitar at the 2008 Merlefest. He co-founded the band Monroeville and joined Mountain Heart in 2012.

Rebecca Frazier: She was the first woman to make the cover of Flatpicking Guitar Magazine. The Virginia native swept awards as a member of Hit & Run Bluegrass. She still fronts the group and records under her own name, as well.

Chris “Critter” Eldridge: Son of Ben, banjo player with the legendary Seldom Scene, Chris was briefly with the Infamous Stringdusters before joining Punch Brothers where, for six years, he’s made some of the most complex and beguiling string band music of all time. He also tours and records with young jazz master Julian Lage.

Jake Workman: He grew up on AC/DC and the Beatles, has a jazz guitar degree, and plays bluegrass like a master. Based in Salt Lake City, he’s a member of the band Driven.

Trey Hensley: Adept at both acoustic and twangy electric country styles, Hensley has become a very popular musician in his home region around East Tennessee. Now he’s in Nashville, working in a duo with Rob Ickes and showing singing/writing chops that are impressing veterans like Marty Stuart.

Caleb Smith: A life-long resident of Haywood County, North Carolina, Smith began his bluegrass career chiefly as a singer. But, as he’s ramped up his guitar playing, now as a member of star band Balsam Range, he’s ramped up his guitar building, too. His hand-made dreadnaughts are prized posessions.

Chris Luquette: Straight out of Seattle, he’s capable of grace or grunge on acoustic guitar and many other instruments, as well. Find him shredding or tastefully touching up in the music of Frank Solivan & Dirty Kitchen.

Courtney Hartman: She moved from her native Colorado to Boston where she studied at Berklee and joined the mighty and creative Della Mae. With that band on hiatus, Courtney (an Acoustic Guitar magazine cover subject) is songwriting, collaborating, and readying a solo release.

Jordan Tice: His bluegrass picking family in Maryland helped get him ready to record his first album as a leader and composer at age 17. Since then, he’s collaborated with and supported the best acoustic musicians in the world. He tours in a chamber grass trio with bassist Paul Kowert and fiddler Brittany Haas.

Grant Gordy: This versatile, jazz-schooled player filled the guitar shoes of Tony Rice and Mark O’Connor in the David Grisman Quintet for six years before moving on to other pursuits, including his band Mr. Sun with fiddler Darol Anger.

Billy Strings: His aunt gave him the nickname Billy Strings when he was a boy and he’s sure lived up to it. The Michigan native came to notice in a flexible duo with mandolinist Don Julin. Now, as a band leader, he’s crafting an explosively powerful new twist on bluegrass tradition.

Jon Stickley: A North Carolina native who went West and became known in the band Broke Mountain. Now in Asheville, he leads a power trio dedicated to original instrumental jazz-grass. Stickely is an inventive player who finds new timbres and means of coaxing sound out of the flattop box.

Zeb Snyder: The young hotshot from North Carolina (that state again) spits notes and funky grooves on acoustic and electric guitar in the tradition-bucking Snyder Family Band. He channels much Southern soul and is especially gifted playing the blues.

Molly Tuttle: This slight young woman with spidery fingers grew up in California with a dad who was a performer and mentor/teacher to most of the up-and-coming bluegrassers in her area. Formal training at Berklee put a razor’s edge on her intricate and personal style. Nashville-based, she sings and writes beautifully, too.

Presley Barker: Okay, he’s ALSO from North Carolina and he’s barely 12 years old and he’s fantastic. So just enough already. Truly the next generation, Barker was raised on Doc Watson records and the tutelage of the great Wayne Henderson.