LISTEN: Izaak Opatz, “Mag-Lev Train”

Artist: Izaak Opatz
Hometown: Missoula, Montana
Song: “Mag-Lev Train”
Album: Extra Medium
Release Date: April 29, 2022
Label: Mama Bird Recording Co.

In Their Words: “‘Mag-Lev Train’ describes one really great night I had outside of Yucca Valley, California, when I connected with someone in a way I hadn’t in a long time. You know how when you’re in your mid-30s and single you doubt you’ll ever feel that hot belly cauldron feeling of mutual attraction and excitement ever again? Yeah, me neither. But anyway, the feeling just slid into place with this person and we stayed up all night talking, even ended up on a porch swing looking at the stars. It was such a blissful comfort to re-enter that part of myself, to know it was still there. I wrote the song after the relationship ended, but spent so much time focusing on all the little details from that night that I started to think about how the end of the relationship was embedded somewhere in that first wonderful night, almost like the invisible virus released at the end of the movie 12 Monkeys. So that’s the out-of-place E minor chord at the very end.” — Izaak Opatz


Photo Credit: Kendall Rock

LISTEN: Mary Gauthier, “Dark Enough to See the Stars”

Artist: Mary Gauthier
Hometown: Nashville, Tennessee
Song: “Dark Enough to See the Stars”
Album: Dark Enough to See the Stars
Release Date: June 3, 2022
Label: Thirty Tigers

In Their Words: “I co-wrote the song ‘Dark Enough to See the Stars’ with Beth Nielsen Chapman many years ago, but never released it because it did not feel quite right. We took another look at it during the dark days of the pandemic after we’d both lost several dear friends. We saw the song in a new light and were able to rewrite it and find the core idea… which is that although the people that we’d lost were gone, the love that they’d given us was not. It was given as a gift we could keep, forever. There is something about grief that brings clarity. I took the title from a Martin Luther King Jr. speech. Dr. King said, ‘Trouble is in the land; confusion all around. But I know, somehow, that only when it is dark enough can you see the stars.’ To me, this means when things seem at their worst, we’re often gifted with knowing exactly what is important, and what matters most.” — Mary Gauthier


Photo Credit: Alexa King

BGS 5+5: Avi Kaplan

Artist: Avi Kaplan
Hometown: Nashville, Tennessee
New Album: Floating on a Dream (out May 20, 2022)

Which artist has influenced you the most … and how?

Iron & Wine. The peace he brings with his music has always helped me deeply throughout my life. It made me realize just how powerful a medicine it can be. When I started making music I wanted to extend the same type of peaceful medicine to whoever listens to my music.

What’s your favorite memory from being on stage?

Going back on stage in Manchester, UK, for the first show of my European tour this past March, after two years of not playing a show for a live audience. The smiles, the singing, the pure joy emanating from the audience. I’ll never forget that for as long as I live.

What was the first moment that you knew you wanted to be a musician?

Singing with my high school chamber choir for the first time. Being surrounded by and a part of the harmonies that were happening in that room truly hit me. Nothing had ever made me feel like that. I knew that’s what I wanted to do for the rest of my life.

What has been the best advice you’ve received in your career so far?

Once you get on stage, it’s no longer about you. It’s about what you can give to the audience. No performance will ever be perfect, so prepare the best you can and when you get on stage, give all you have to the audience. Even if it’s just one person you impact, you’ve done your job.

Which elements of nature do you spend the most time with and how do those impact your work?

These days I spend most of my time in the forests of Tennessee but I grew up roaming the Sierra Nevada mountains and forests, the Mojave desert and the golden foothills of California. I believe my music comes from those places. I can’t help but infuse my music with the imagery of those areas. It’s ingrained in me.

BGS 5+5: Joshua Hyslop

Artist: Joshua Hyslop
Hometown: Vancouver, BC
Latest Album: Westward

Personal nicknames: Do self-appointed nicknames count? I started calling myself “Uncle J Bird” long before I was an actual uncle but people didn’t really go for it. I still try it out every now and then. One of my friend’s kids genuinely thinks it’s my name. A few fans of mine once tried to build up some steam by calling themselves “Hyslopportunists” but, thankfully, no one else was on board. Oh, and my friend Brian once called me “Joshua Thighslop” after he saw a picture of me in short shorts but it never caught on.

Which artist has influenced you the most … and how?

I think it changes. I have definitely drawn heavily on the inspiration I get from Paul Simon, The Tallest Man on Earth, and Daniel Romano, to name a few. Plus I’m always finding new music that grabs hold of me and completely changes my lens for a season or so. But overall I think the artist that has had the deepest influence on me is Ray Charles. Not necessarily stylistically, although there is some of that, but more so because of the feeling his music and more specifically his voice, evoke in me. It’s been the same ever since I was a kid and I heard one of his songs for the first time. Something about his voice just feels like going home. I can’t really explain it, but every time I hear him I smile and it reminds me of how much I love to sing.

What other art forms — literature, film, dance, painting, etc — inform your music?

I find inspiration in all of those forms but I think the one that has had the largest influence on me is literature. I read a lot. In fact, every time I finish reading 10 books I post about them on my blog, even though no one has said the word “blog” since the early 2000s. I’m going down with the ship, I guess. It’s usually just a turn of phrase or a specific description, or maybe just the feeling the book evokes, but there have been no shortage of moments that I’ve reached down into the lyrical ether to find an idea or that last line of a song and come up with something largely inspired by a book or a line I’ve read. It’s also a great break from writing. Whenever I come up against the wall I take a few steps back and just read or go for a walk. I don’t try to force my way through anymore. I’ve never been happy with the results when I’ve forced a song. Reading helps fill up the word bank and shift your creative mind off of “the problem” for a moment — sometimes, just long enough to help you unlock that phrase you’ve been looking for. Sometimes, not. But then, at least, you were reading a good book.

What was the first moment that you knew you wanted to be a musician?

I actually always wanted to be a writer and had a really hard time calling myself a musician. I don’t read music and I don’t know any theory, so I’ve always kind of felt like a bit of an impostor when it comes to being a musician. But I do remember smoking weed with a friend of mine when we were maybe 15 or 16, which was right around the time I first picked up a guitar, and we were watching the Oasis DVD, Familiar to Millions, and we were in awe. After it ended we were both absolutely certain that we were going to be rock stars. I don’t know why or where that came from, but we were determined. So we formed a band and started writing songs and performed locally as often as we could. I still feel like a bit of an impostor sometimes, but they haven’t caught on yet, and I’m lucky enough to still be doing it all these years later.

What’s the toughest time you ever had writing a song?

It’s almost always tough. You get the occasional gem that takes like 20 minutes and feels as though it was already written and it’s just being delivered to you, which is an amazing feeling, but it’s also incredibly frustrating because the next time you try and write a song and it doesn’t just flow out of your pen you feel like you’ve lost your touch or that it’s all gone and now you’re finished. Most of the time it’s a bit of a struggle, like doing a pretty difficult jigsaw puzzle. It’s like, if you just focus and stick to it and don’t give up, eventually you’ll find it. But I’ve had a few that have honestly taken me years. In fact, I just finished a song last week where I had two verses and two pre-choruses finished since about 2016. They always came back to me and I could never figure out where to go. Somehow, last week, it finally landed. Now, I just have to hope that it’s actually good.

What’s your favorite memory from being on stage?

There have been many, but the first that comes to mind was when Mick Fleetwood invited me to play with him on his rooftop bar, Fleetwood’s on Front Street, in Maui. I’d never met him and I was only in town for a weekend to play a wedding for a couple who have since become some of my dearest friends. They were somehow distantly connected to him and someone showed him my music and he reached out about playing a show. He’d hired a cello player he’d been wanting to play with and said he wanted to play my songs. The three of us met a few hours before the sold-out show began and we played that night for around two hours. I think I’d maybe played with a band twice before in my life and only after we’d rehearsed extensively. But, magic happened and the three of us connected musically. It was one of those experiences that people call spiritual because it was so surreal it felt like it had to be otherworldly. I’m sure there were glitches as we played, but I don’t recall them. After the show, Mick said some incredibly kind things about me to the crowd and it was a moment I will never forget. The bar was kind enough to film the whole thing with GoPros and send me the files but I’ve never watched them. I got to live it and nothing can do that justice.

The Show On The Road – Buffalo Nichols

This week on the show, we talk to a startling new talent placing a gut-punch into the folk and blues scene, the Milwaukee-raised and now Austin-based singer-songwriter Buffalo Nichols.

 

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Growing up learning on his sister’s dreadnought guitar and then traveling widely through West Africa after high school drinking up the sounds of the kora and percussion players in Senegal, Carl Nichols began finding his voice and playing style in the haunting open and minor tunings first heard from bluesmen like Skip James, who he covers in his remarkable self-titled debut collection. Buffalo Nichols, which came in 2021, is a stark departure from what Carl would call the cheery “opinionless beer commercial blues” that has come to dominate the genre. Nichols’ work is often sparse and direct – just a man with his guitar and a microphone. The stories told in standout songs like “Another Man” and “Living Hell” don’t flinch from comparing how the experience of his elders a hundred years ago in the South may not look much different from men like George Floyd dying on that Minneapolis pavement. Is there catharsis or hope in the songs? Are they a call to action? Maybe that’s up to us to decide.

Carl will admit that it can be tricky trying play his songs like the searing album opener “Lost And Lonesome” in loud bars where people may just want to have a good time and not dive into the backroad history of racial injustice and institutionalized police violence. Thankfully his writing doesn’t hide behind niceties and the recordings aren’t veiled by sonic artifice – Nichols speaks directly to the isolation and danger of being a young Black man in America, and trying to navigate the unease of bringing his stories to an often mostly white Americana-adjacent audience. Even more upbeat numbers like “Back On Top” call to mind the ominous juke-joint growl of John Lee Hooker, bringing us into dimly lit scenes where even late-night pleasure may have its next-morning consequences.

If there’s one thing we learned during this taping, it’s that Carl doesn’t want to just “write songs to make people feel good” – but he does want to tell stories that make the isolated and lost feel less so. Maybe that is the most important function of music truly steeped in the blues tradition: the ability to transform pain into progress. The messages may not be what people always want to hear, but the groundswell rising behind Carl’s stark timeless tales is indeed growing. With recent appearances on Late Night With Stephen Colbert, NPR’s Tiny Desk Concerts and big time dates like Lollapalooza on the books for the summer, folks will be hearing a lot more from Buffalo Nichols.


Photo Credit: Merrick Ales

LISTEN: Calling Cadence, “Took a Chance”

Artist: Calling Cadence
Hometown: Los Angeles
Song: “Took a Chance”
Album: Calling Cadence
Release Date: May 3, 2022
Label: hi-rEs Records

In Their Words: “‘Took a Chance’ was the first song Oscar [Bugarin] and I wrote together. We wrote the majority of it the first night I came over to see if we’d work well together. We came up with the idea for the song after brainstorming our experiences being in our past and current relationships. We settled on the idea that the song should be a conversation between two people, and should highlight the insecurities each side can feel while in a relationship. We all experience times of doubt, and when love’s involved, we like to remind ourselves that being with the other person is a choice, and something you decide to take a chance at. It was also a commentary on the all-too relatable experience — to fall for someone you never originally intended to. The structure of the song was pretty easy to put together, but for me the fun part was figuring out we could harmonize so well with each other. After finishing the main chunk of it, we sat with what we had for a few days before adding the outro, which is my favorite part. I do love me some harmonies, and this song definitely fits the bill.” — Rae Cole, Calling Cadence


Photo Credit: Michelle Shiers

WATCH: The Suffers, “Yada Yada”

Artist: The Suffers
Hometown: Houston, Texas
Song: “Yada Yada”
Album: It Starts With Love
Label: Missing Piece Group
Release Date: June 3, 2022

In Their Words: “I wrote this song for any artist in this industry feeling discouraged by the games, politics, and made-up sets of rules created within the music community by gatekeepers and the people that support them. The lyrics were written on a September night in Nashville after I had one of the most degrading and racist experiences of my career. The lyrics quickly found a home weeks later when my co-writer, Raymond Auzenne (Mannie Fresh, Lil Wayne), played me the beat that eventually became the music for the song. The Suffers played the song on stage a few times during our tour with Big Freedia in late 2019, and we knew it was ready to record when ‘The Queen Diva’ sang along with it on her Instagram stories. After the tour with Freedia, we went straight to the Echo Lab recording studio in Argyle, Texas, to record with Matt Pence (Midlake, Jason Isbell, Shakey Graves) and Jason Burt (Leon Bridges, The Texas Gentlemen). We had an absolute blast working with them and playing on all of the amazing instruments at that studio. My favorite instrument on ‘Yada Yada’ is the box of rocks you hear rumbling in the intro, but I love every part of this song, and finishing it gave me back my power.” — Kam Franklin, The Suffers


Photo Credit: Agave Bloom Photography. Makeup: Amore Monet. Styled by Michele Kruschik. Set Design: Kam Franklin. Pictured (L-R): Michael Razo, Jose “Chapy” Luna, Kevin Bernier, Kam Franklin, Nick Zamora, Juliet Terrill, Jon Durbin

LISTEN: Andrew Leahey & The Homestead, “Until There’s Nothing But Air”

Artist: Andrew Leahey & The Homestead
Hometown: Nashville, Tennessee
Song: “Until There’s Nothing But Air”
Album: American Static Vol 2
Release Date: May 6, 2022
Label: Mule Kick Records

In Their Words: “I’ve reached that point in my adulthood where far too many of my friends are getting divorced. ‘Until There’s Nothing But Air’ was inspired by several breakups that I witnessed from afar. It’s about rocky relationships that burn hot and eventually burn out, leaving behind nothing but smoke and sad memories of a better time. I’m not ashamed to admit I’m in love with the recording, which is odd, since the song is rooted in heartbreak. Those overdubbed acoustic guitars in the final chorus really hit me in the chest — they’re tucked so neatly into the mix that they’re felt as much as heard — and I’m a sucker for the way everything drifts into the ether at the end, as though the song itself is evaporating.” — Andrew Leahey


Photo Credit: Alice Hsieh

WATCH: Caroline Jones, “Being a Woman (Is Like Being the Sun)”

Artist: Caroline Jones
Hometown: Greenwich, Connecticut
Song: “Being a Woman (Is Like Being the Sun)”
Release Date: April 28, 2022

In Their Words: “‘Being a Woman (Is Like Being the Sun)’ is about the double-edged sword of emotional intelligence and sensitivity that comes with womanhood. There is immense, life-giving power in a woman’s care and understanding of the intricacies of others’ needs. But many challenges accompany that power. As I mature, I am learning how to navigate those challenges, and trying to be intentional about the kind of woman I want to be. How do I care for those I love the most while ensuring that my own needs and desires are met? How do I communicate honestly, without being demanding or controlling, and more importantly listen with an open heart? I really, really hope that this song resonates with women and makes them feel heard and understood. And perhaps inspire men who listen to the song to appreciate and understand the women in their lives more.

“I had a vision to record this song with an all-female bluegrass band because I knew they could bring the lyric to life in an authentic way. I am so grateful that Alison Brown resonated with this message, because I cannot think of a better producer to have at the helm for this song. Alison is an inspiration to me and countless other musicians, especially women.” — Caroline Jones


Photo Credit: Tracy Alison

Basic Folk – Grace Givertz

Grace Givertz, born and raised in South Florida, began writing and performing at age eleven when she got a guitar and learned to play off of YouTube videos. Grace is a survivor in many ways: She manages and confronts several chronic illnesses, she survived having her Berklee scholarship rescinded due to a systematic error and lived through being struck by a city bus in 2015.

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The accident left her unable to play her instruments for several months. During that idle time, she reflected on how being a musician defines who she is. Her writing changed and became more open and honest about chronic illnesses. In her most recent single, “Papa,” she writes about the traumatic murder of her grandfather and how he lives on in Grace.

I first came across Grace working at Club Passim in the Boston area, where she currently lives. Grace’s visual appearance, sense of humor and sparkling personality are undeniable. In addition to music, she’s super crafty and her reputation for cute outfits, cute earrings (which she sells on Etsy) and her cute apartment (which I’ve seen a lot of thanks to Zoom concerts and social media) proceeds her. She surrounds herself with her adorable pets that pop up frequently on her social media. One time, my mom (unprovoked – she doesn’t know Grace!) sent me a video of Grace’s bearded dragon, Baby Pancake, being cuddled by her peachy cat Persimmon. Yes, I know most of her pets’ names and have a Grace Givertz t-shirt with a sweet Baby Pancake design on it. I am a fan all around.


Photo Credit: Omari Spears