LISTEN: Selena Rosanbalm, “Can You Really Be Gone”

Artist: Selena Rosanbalm
Hometown: Austin, Texas
Song: “Can You Really Be Gone”
Album: Selena Rosanbalm
Release Date: October 9, 2020
Label: The Balm Records

In Their Words: “My ex-boyfriend took his own life four and a half years ago, but I still see him all over the place. I thought I saw him driving a van the other day, thought I saw him in a coffee shop. But I was especially struck when I saw a photograph of his niece some months ago; I could see his face so clearly in hers. ‘Can You Really Be Gone’ is about the suspension of reality people often experience after losing a loved one, when the logical mind knows the person is gone, but the emotional mind doesn’t want to give in to that fact.” — Selena Rosanbalm


Photo credit: Daniel Cavazos

LISTEN: Chris Smither, “Caveman”

Artist: Chris Smither
Hometown: Amherst, Massachusetts
Song: “Caveman”
Album: More From the Levee
Release Date: October 2, 2020
Label: Signature Sounds

In Their Words: “This is one of those songs that began very innocently, pretending to be a harmless little ditty… then about halfway through it turned on me and showed its teeth, not so much with a snarl, just a simple expression of hunger and a desire to eat me up. I thought it was going to be easy to write, and it was, as long as I thought it was a ‘four stages of man’ kind of theme. But then THE WALL kept climbing into every verse, and things got heavier. Finally it consumed me. This is one of those ‘surprise hits’ in my repertoire. It’s a frequent request. Maybe I’m the only one who’s surprised.” — Chris Smither


Photo credit: Joanna Chattman

LISTEN: Mike McClure, “A Little Bit of Love”

Artist: Mike McClure
Hometown: Ada, Oklahoma
Song: “A Little Bit of Love”
Album: Looking Up
Release Date: September 25, 2020
Label: Crow and Gazelle

In Their Words: “Chrislyn Lawrence and I wrote this one together. I had it started, some of the lines in the second verse were from a poem she was working on, then we worked out the chorus together. The past couple of years I’ve worked to let go of things in my life that weren’t doing me any good. As my partner, Chrislyn showed me how letting go is the only way to make room for the things your soul is crying out for — it’s like burning away the driftwood to get down to the essence. ‘Little Bit of Love’ is about what can come from that release: letting certain things die away, so there can be rebirth and ascension. Love, in action, is the only thing I know of that can make that kind of transformation happen.” — Mike McClure


Photo credit: Chrislyn Lawrence

LISTEN: Elvin Bishop & Charlie Musselwhite, “If I Should Have Bad Luck”

Artists: Elvin Bishop & Charlie Musselwhite
Hometown: Elvin: Born in Glendale, California, raised in Tulsa, Oklahoma; Charlie: Kosciusko, Mississippi. (Both artists now live in northern California)
Song: “If I Should Have Bad Luck”
Album: 100 Years of Blues
Release Date: September 25, 2020
Label: Alligator Records

In Their Words: “‘If I Should Have Bad Luck’ is a song I wrote about something I know a lot about: being on the road and far from home for long amounts of time. All the ups and downs one goes through on the road are pretty bleak and empty if you don’t have somebody you love and loves you at home waiting for you to get back home. That’s why I say ‘Your love will keep me going.’

“Another line, ‘passing people’s houses on a dark and lonely road; looks mighty cozy but it’s a place I can’t go,’ is a scene out of my life that I’ve seen so many times. There you are rolling down the road in the dark and you look over and see a little home in the distance with a cozy light coming from the windows and you feel like there’s happy people there all cozy in their home. You don’t know them and they’ll never know you and itinerant strangers are not welcome there and this just makes you miss your own home that’s hundreds or even thousands of miles away.

“Same with ‘I’m making 90 miles an hour up down this highway in the dark; yonder kitchen lights make me wonder how you are,’ another similar scene. You can see that warm inviting light from a stranger’s kitchen window as you speed by in the dark thinking again of your own home and how you look forward to having a seat at the kitchen table and enjoying a home cooked meal… if you ever make it back home… one of these days… again.” — Charlie Musselwhite


Photo credit: Pat Johnson

LISTEN: Thomas Csorba, “What’s Left of Mine”

Artist: Thomas Csorba
Hometown: Dallas, Texas
Song: “What’s Left of Mine”
Album: Thomas Csorba
Release Date: September 25, 2020

In Their Words: “When Beau Bedford and I sat down to write this song, we fell into a story of a man at a pivotal moment in his life. The speaker in this song is looking his lover in the eye and saying, ‘I love you, but there’s some living I need to do.’ He’s at a crossroads: Do I spend this precious time with the one I love, or do I go and find myself? The risk there is heavy, and you can hear it in every line he utters. I found a big part of myself in this character. As I’ve stepped into marriage, I’ve been thinking a lot about sacrifice. Wherever I devote my time, my love, my energy, I know that another part of me needs to be sacrificed.” — Thomas Csorba


Photo credit: Austin Leih

LISTEN: Ron Pope, “Turning Back” (Feat. Emily Scott Robinson)

Artist: Ron Pope
Hometown: Marietta, Georgia
Song: “Turning Back” (featuring Emily Scott Robinson)
Album: The Builder
Release Date: September 17, 2020
Label: Brooklyn Basement Records

In Their Words: “There are so many songs about those first few seconds when you’re falling in love and your brain is constantly on fire. ‘Turning Back’ is about something that happens long, long after that. Jeff (my writing partner on this song) and I were talking about grown up love (we’re both married and have little ones); at this point in my life, a quiet moment with my wife feels like a real luxury. Whenever we get those simple, sweet moments, we cherish them. This is an entire chapter of the love story that nobody ever writes about; here we are, deep in this thing, still loving each other with absolutely no intention of turning around. It’s different than the beginning, but it’s deeper and that much more beautiful as a result.” — Ron Pope


Photo credit: Blair Clark

LISTEN: Garrett Owen, “Souvenir”

Artist: Garrett Owen
Location: Fort Worth, Texas
Song: “Souvenir”
Album: Quiet Lives
Release Date: September 18, 2020

In Their Words: “I wrote the opening guitar figure and first verse to ‘Souvenir’ a long time ago. I showed what I had written to a friend — ‘I put our love in a jar and drove it around in my beat-up car….’ He thought it was catchy. I started slowly trying to coax the rest of it out of myself and used it as an opportunity to take some really tricky chord work in the chorus and impose a massive key change for the second chorus. I have a lot of songs inspired by a long-term relationship I was in; the rest of the lyrics are a mix of abstract expressions of pain and emo-dramatic statements about how things with her ended.” — Garrett Owen


Photo credit: Melissa Laree Cunningham

LISTEN: Victoria Bailey, “Tennessee”

Artist: Victoria Bailey
Song: “Tennessee”
Album: Jesus, Red Wine & Patsy Cline
Release Date: September 18, 2020
Label: Rock Ridge Music

In Their Words: “I first heard Johnny Cash’s rendition of this Rick Scott song while driving through snowy Tennessee a few winters back. I was heading down toward Leiper’s Fork in my little rental car, stopping all along the road to pet horses and listening to all my favorite country legends along the way. This song really sums up how I feel about the South and Tennessee as a whole. I love the little pleasures in life that Tennesseeans hold near and dear: family traditions and small town simplicities.

“My favorite verse in the song is, ‘We got a cabin in the country / And a creek that rolls nearby / And a dog that won’t even bark at a firefly.’ That’s exactly what I saw all around me exploring Tennessee on that trip — just a lot of pure joy and friendly folks! Recording this song was SO much fun. My band fell in love with the lyrics as much as I did. We tried to stay pretty true to the sound of Cash’s recording, but we sprinkled a little bit of our own sound into it as well. It was such an honor recording this song, especially because it represents a state I have come to love oh so very much!” — Victoria Bailey


Photo credit: Stefanie Vinsel Johnson

LISTEN: Will Kimbrough, “My Right Wing Friend”

Artist: Will Kimbrough
Hometown: Nashville, Tennessee
Song: “My Right Wing Friend”
Album: Spring Break
Release Date: October 23, 2020
Label: Daphne/Soundly

In Their Words: “I wrote ‘My Right Wing Friend’ after reading a dear old friend’s Twitter posts. I knew if we communicated personally, we would still be those dear old friends who shared 40 years of memories, from high school through his college and my early touring years, through the time we raised our children. We’d always been political opposites. And we’d always had friendly debates and agreed to disagree. It’s tougher now, in a way — with a glance, you can find something to hate about people you love. I am learning to communicate personally with my right wing friend. That way, we keep our friendship alive. This is a love song to friendship. As my friend said, after he heard the song for the first time, ‘Come over here and let me kiss you on the lips, my left wing friend.’ Still laughing. Still friends.” — Will Kimbrough


Photo credit: Sadie Kimbrough

BGS 5+5: Blitzen Trapper

Artist: Blitzen Trapper
Hometown: Portland, Oregon
Latest album: Holy Smokes Future Jokes
Release Date: September 25, 2020

Answers provided by Eric Earley

Which artist has influenced you the most … and how?

Michael Stipe was my favorite songwriter as a kid, his lyrics were so strange and uncanny. I’m thinking of Reckoning and Murmur, some of the most anachronistic lyrical content ever. There were no lyric sheets or online lookups back then so I was always trying to figure out what he was saying. His songs always had the feeling of a riddle or a magical text, the imagery was dreamlike and over the years I’ve tried to emulate that in certain ways. Tom Waits was a large influence later in my twenties, his bizarre comical lyrical storytelling and character voices were inspiring, I’m thinking of Rain Dogs in particular.

What’s your favorite memory from being on stage?

There isn’t any favorite, lots of weird amazing ones for sure, playing “Heard It Thru the Grapevine” with Stephen Malkmus trading weird, collapsing solos with Stephen as he made up the words because we were too lazy to learn the lyrics. I think we were in Cleveland, but I could be wrong. Playing Big Star’s “Feel” with Jody Stephens on drums and Mike Mills on backing vocals in Austin, Texas, that was surreal.

What other art forms — literature, film, dance, painting, etc — inform your music?

Most of my favorite songs have literary origins, whether it’s a particular Cormac McCarthy novel like Blood Meridian (“Black River Killer”) or a general religious text like the Bardo Thodol (the new record is based largely on this book). Biblical imagery has made its way into countless songs I’ve written as a result of childhood influences and pervasive cultural resonances. I’ve also started writing a lot of songs from reading specific poets, using their wordplay to inspire different turns of phrase. Seamus Heaney, Mary Oliver, to name a couple, I’ve also used Finnegan’s Wake and Gravity’s Rainbow to generate wordplay and imagery.

What was the first moment that you knew you wanted to be a musician?

I’ve been playing music since I was a child, so being a musician was never really a choice. I didn’t think of it as a career for a long time. I went to college for physics and math, studied painting, learned classical fingerstyle, became a sous chef. Finally in my late twenties I decided to drop everything and play music, mostly because all the songs I was writing were keeping me up at night, but I didn’t have any vision for the business part of it. Spent seven years playing unattended shows in Portland. Got a record deal off a random song on Myspace and suddenly was touring and making money.

If you had to write a mission statement for your career, what would it be?

Experimentation is the only way to realize the vision of reality you want to hear, so never grow static in style or voice, always move forward, never sit still sonically. Don’t write angry, only from a place of emptiness without sentimentality, nostalgia without regret. Don’t try to please anyone, only follow your instincts.


Photo credit: Jason Quigley