The Show On The Road – The Steel Wheels

This week on the very first episode of The Show On The Road in 2020, we welcome The Steel Wheels, a Virginia-based band of harmony masters and savvy string band experimenters who have quietly put together an impressive body of work over the last decade, corkscrewing their way across the country supporting seven diverse, acoustic-based albums. Along the way they’ve gained gangs of devoted fans of their big-hearted, peace-promoting songs.

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Taped live at historic Mccabe’s Guitar Shop in Los Angeles, Z. Lupetin gathered the boys around the mic to dive into their boundary-pushing 2019 release, Over The Trees, how they once toured on bicycles to spread climate change awareness, and how they survive 15-hour drives to strange shows in Iowa. They end the episode with their gorgeous acapella song, “This Year”.

The Show On The Road – JD McPherson

JD McPherson joins host Z. Lupetin for the final episode of The Show On The Road’s 2019 season.


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Oklahoma-born JD McPherson makes his own brand of high intellect, dance party-ready, Sun Studios-style rock ‘n’ roll. Last year he may have recorded one of the greatest original Christmas albums of the modern era with Socks.

While McPherson probably never dreamed he would become a new rock ‘n’ roll king of Christmas, Socks may be his most impressive feat yet. If you’re deeply suspicious of the capitalistic caterwauling of most modern holiday music on the airwaves (except you, Mariah!) you’ll still fall in love with JD’s sarcastic and sweet collection of holiday originals. The album deftly dives into lesser discussed Christmas subjects like broken expectations, inter-family angst, holiday horniness, and hilariously, the myth of why Santa must be grossly overweight to satisfy us fairy tale-loving kids. Give Socks a spin as you rock around the Christmas tree or the Hanukkah bush, or even better — keep it playing all year long.

 

The Show On The Road – Jason Lytle (Grandaddy)

This week on The Show On The Road, a special conversation with Jason Lytle, the founder and sonic visionary behind one of the America’s most beloved and underrated roots-and-noise-rock groups, Grandaddy.

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Starting from humble beginnings in the early 1990s as a trio of skateboarding friends in Modesto, CA, Grandaddy put out a series of daring, deeply weird records produced and written by Lytle that first caught fire in Europe. By the turn of the millennium, the band found themselves headlining rock festivals like Glastonbury in the UK and crashing late night TV in the US.

But Lytle wasn’t cut out for traditional cookie cutter stardom. Grandaddy broke up for six years, and after disappearing into the Montana wilderness, the soft spoken, mountain-crazy, multi-instrumentalist songwriter kept his devoted fanbase coming back for more.  His oddly-titled solo records, cinematically rich soundscapes that encircled whacked anti-heroes, and poetic, campfire-ready short story songs still make us worried kid listeners feel heard and seen — but also constantly keep us guessing.

His latest album, NYLONANDJUNO, which dropped in August on Dangerbird Records, is an experimental instrumental album made entirely with a nylon string guitar and a vintage Roland Juno synthesizer.

Host Z. Lupetin was able to catch up with Lytle before a recent rare solo show in LA.

The Show On The Road – Liz Vice

On this week’s episode of The Show On The Road, Liz Vice – a Portland born, Brooklyn-based gospel/folk firebrand who is bringing her own vision of social justice and the powerful, playful bounce of soul back to modern religious music.

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Liz Vice is following a rich tradition that goes back generations to powerful advocates like Sister Rosetta Tharpe, Sam Cooke, the Staples Singers, the Ward Sisters, Aretha Franklin, and especially Mahalia Jackson, who was the soundtrack to the civil rights movement. It was Mahalia who pushed Martin Luther King Jr. to tell the assembled masses in Washington, D.C. about his dream.

We often forget how much religious music was infused in the counterculture back in the 1960s, and as the BBC mentions in a great article about the era, “The music of the black church was infusing and inspiring the political consciousness of folk music; gospel was no longer just for the religious but the foundation for much ‘60s protest.” And so we bring you Liz Vice — and a little clear-eyed Christmas spirit to usher you into the twinkling darkness of December.

The Show On The Road – Lucy Rose

As host Z. Lupetin travels across the UK this month, we bring you Lucy Rose – a talented singer/songwriter who grew up in the same lyrically fertile plain as Shakespeare. She has made albums filled with twisty tales of sharp-tongued, black-hearted people searching for redemption, and navigating the rough rivers of supernatural sorrow that refuse to let us go as we grow up.

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On her newest No Words Left, Rose has gone back to her roots a bit, forsaking the glossy Brit-pop direction toward which some of the powers-that-be wanted to push her, peeling back her sound to reveal just the thorny, pure fruit inside. The result is intense. Interlocking singing conversations in the tone of a toothy, hushed scream, she questions our relationships with ourselves — and maybe even God — to find who we really are behind the suffocating velvet gauze of our multiple social media personalities.

The Show On The Road – Robert Ellis

This week, Z. Lupetin speaks with Robert Ellis, the restless, tuxedoed, Texas piano-man who has paired his fleet-fingered, high-humored, “jazz in an Austin roadhouse” keys playing with machete-sharp lyrical turns of phrase — all backed up with his smile-through-the-apocalypse country-rock band.

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Ellis has gained a beloved international following all the while creating a persona that is half the tender brilliance of early Billy Joel, and half high-hatted, Southern huckster who might tell you a story that will make you cry one minute, and then steal your watch when you’re not looking the next.

Z. met up with Robert Ellis on the road together in the Netherlands.

The Show On The Road – Bonnie Bishop

This week, Z. Lupetin speaks with Bonnie Bishop — the fierce singer/songwriter raised in Texas and Mississippi with a powerhouse voice shaped by decades of singing in smoky bars. She cuts confessional Americana gems that have won her a Grammy for her songwriting and have gained her a growing legion of fans nationwide.


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Like her hero Bonnie Raitt, sometimes it takes an artist releasing six records and reaching her late thirties for anyone to take notice. And sometimes it takes a painful divorce to create a song that would be recorded by Bonnie Raitt and help Bonnie Bishop win a Grammy. No, Bishop’s life didn’t change overnight — reality is usually much more sobering than the fantasy of winning big in music. But, Bishop knows she is winning now. Things are really happening, people respect her, and the road is moving — fast. And sometimes that’s the scariest thing of all.

The Show On The Road – Charlie Parr

This week on The Show On The Road, Charlie Parr — a Minnesota-based folk blues lifer who writes novelistic, multi-layered stories that shine a kaleidoscopic light on defiant, unseen characters thriving in the shadows all around us.

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Parr has a new record with only his name on it, and it isn’t shiny and perfect and commercial and catchy. It’s him. It’s pure Charlie Parr and maybe that’s enough. He hasn’t moved to LA or Nashville; he’s stayed in the cold grey north of Minnesota, because that’s his home. Take a second wherever you call home right now and listen to his episode — and his new record. You might hear something different every time.

The Show On The Road – The Lone Bellow

This week, Z. Lupetin speaks to the founding trio of one the most respected and sought after folk-rock bands in the country, The Lone Bellow.

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Their hedonistically heavenly harmonies have lifted them from playing tiny bars around their founding home base of Brooklyn, New York to adoring audiences at venerable venues like Red Rocks Amphitheatre, the Apollo, and The Ryman Auditorium, in their new home of Nashville, Tennessee. The Lone Bellow have a rapport that is intimate, hilarious, and — when it calls for it — deadly serious. The band is full of so much heart and genuine insight that you can’t help but lean in and listen.

The Show On The Road – Anna Tivel

This week, Anna Tivel – the Portland-based singing poetess who builds mountain ranges of rhymes with her colorful, impressionistic perspective of a world still shrouded in endless beauty and mystery.

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Anna Tivel is one of those folk singers who is passed between friends and long-time listeners like a secret talisman; a tiny gemstone that you polish in your pocket when you need a reminder that the earth is vast and the smallest things you pass on the side of the road are beautiful if you look at them from the right view.

As soon as the needle hits the wax on her latest record The Question, Anna’s hushed, sharp-edged voice begins slicing angular verses that build and build until the words flow out in blinking mini movies that sear themselves on your eardrums and then are gone in a flash. It’s like she’s a sonic cinematographer waiting for the scene to be shot in our minds.