WATCH: Caroline Jones, “Being a Woman (Is Like Being the Sun)”

Artist: Caroline Jones
Hometown: Greenwich, Connecticut
Song: “Being a Woman (Is Like Being the Sun)”
Release Date: April 28, 2022

In Their Words: “‘Being a Woman (Is Like Being the Sun)’ is about the double-edged sword of emotional intelligence and sensitivity that comes with womanhood. There is immense, life-giving power in a woman’s care and understanding of the intricacies of others’ needs. But many challenges accompany that power. As I mature, I am learning how to navigate those challenges, and trying to be intentional about the kind of woman I want to be. How do I care for those I love the most while ensuring that my own needs and desires are met? How do I communicate honestly, without being demanding or controlling, and more importantly listen with an open heart? I really, really hope that this song resonates with women and makes them feel heard and understood. And perhaps inspire men who listen to the song to appreciate and understand the women in their lives more.

“I had a vision to record this song with an all-female bluegrass band because I knew they could bring the lyric to life in an authentic way. I am so grateful that Alison Brown resonated with this message, because I cannot think of a better producer to have at the helm for this song. Alison is an inspiration to me and countless other musicians, especially women.” — Caroline Jones


Photo Credit: Tracy Alison

Artist of the Month: Nitty Gritty Dirt Band

One trailblazing band is paying tribute to a true folk hero with Dirt Does Dylan, a new album by Nitty Gritty Dirt Band. The collection covers 10 favorites by Bob Dylan with guests such as Rosanne Cash, Steve Earle, Jason Isbell, and The War and Treaty. Singer-guitarist Jeff Hanna and drummer Jimmie Fadden, among the group’s co-founders in 1966, are joined by longtime bandmate Bob Carpenter and three new members: fiddler Ross Holmes, singer-songwriter and bass player Jim Photoglo, and singer-guitarist Jaime Hanna (Jeff’s son). They’ve previewed the May 20 project with videos for “I Shall Be Released” (featuring Larkin Poe) as well as a new performance clip of “Forever Young.”

On that poetic track, Jeff Hanna takes the first verse and Jaime Hanna follows with the second. “Since it started as a song Bob sang to his son, us doing it as a father-son thing, too, came out really cool,” says Jaime Hanna. “Dad singing to me, ‘May your wishes all come true’ and then me singing, ‘May you have a strong foundation’ to him. Yeah, Dylan, he’s a pretty good writer, that guy.”

Look for two interviews in the weeks ahead from the Dirt Band, our BGS Artist of the Month in May. First, they’ll discuss their roots and longevity — in fact, 2022 is the 50th anniversary of their seminal album, Will the Circle Be Unbroken. Later in the month, we’ll dig further into Dirt Does Dylan, exploring how that iconic songwriter shaped the band’s music.

Of course, at the Bluegrass Situation, we’ve been fans of Nitty Gritty Dirt Band for the duration. We published a retrospective about the first Circle album in 2016. Then in 2019, Hanna spoke to BGS about Will the Circle Be Unbroken, Volume Two, sometimes referred to as Circle 2. (A third volume followed in 2002.) Naturally we’ve covered Dylan as well, from a look at Love and Theft to selecting 15 bluegrass covers from his esteemed catalog.

We certainly agree with the Dirt Band and Dylan that the times they are a changin’, but we will say that some music never goes out of style. Please enjoy our BGS Essentials playlist for Nitty Gritty Dirt Band below.


Photo Credit: Jeff Fasano

LISTEN: Zach Willdee, “Lately”

Artist: Zach Willdee
Hometown: Nashville, Tennessee
Song: “Lately”
Album: Heart That Ain’t Tame
Release Date: May 6, 2022

In Their Words: “This song is one of my favorites from the standpoint of writing. I wrote it to sound like a love song; a discussion between two people trying to figure out why they aren’t good for one another even though they’re still together. In a more literal sense, I drew inspiration during the 2020 presidential election. I wrote from my own perspective about my dislike of both Donald Trump and Joe Biden, and how I wasn’t happy with the two choices we were left with for the leader of our country. I don’t consider myself an overly-political person, and I definitely don’t usually broadcast those feelings in my work — I prefer to let the listener decide what they want the song to be about rather than putting them in a box.” — Zach Willdee

Zach Willdee · Lately

Photo Credit: Andrew Reese

WATCH: Hannah Sanders & Ben Savage, “Polly O Polly”

Artist: Hannah Sanders & Ben Savage
Hometown: Cambridge, England
Song: “Polly O Polly”
Album: Ink of the Rosy Morning
Label: Topic Records

In Their Words: “Many moons ago I travelled to a storytelling festival in Wenlock Edge and David Holt dropped into the bus for tea and stories and sang this song with his banjo. I was immediately struck by the economy of the storytelling and the dark, menacing melody. He gave me a cassette which I played to death. Some years later I heard him and Doc Watson play this at Newport Folk Festival. I never ‘played it out,’ but Ben immediately knew how to bring it to air.” — Hannah Sanders


Photo Credit: Rosie Hardy

At Old Settler’s, Roots Music Gathers in Central Texas

This past weekend in Tilmon, Texas, not too far from Austin, legends, up-and-comers, and local artists alike gathered for the Old Settler’s Music Festival, a celebration of roots music of all stripes that’s been happening since 1987. The Del McCoury Band, Flaco Jimenez, Peter Rowan, and other greats were joined by the likes of Sierra Hull, The Suffers, Brennen Leigh, American Aquarium, and so many others. Take a look at our photo recap below.


All photos by Daniel Jackson

These Seven Small Actions Could Make a Big Impact on Your Music Community

Editor’s Note: The following feature is a keynote address from The Bluegrass Situation co-founder Amy Reitnouer Jacobs.

Welcome and thank you for joining me today at Blue Ridge Music Center’s Deep Roots, Many Voices symposium.

My name is Amy Reitnouer Jacobs, and I am speaking to you today from the indigenous land of the Keech, Tongva, and Chumash people, now known as Los Angeles, California.

A little background about myself. In 2012 I co-founded The Bluegrass Situation with my business partner Ed Helms, with the goal of bringing roots and traditional music in its many incarnations to a younger, more internet savvy generation of existing and potential fans.

Since that time, my role within this industry has expanded, I have been an event producer for the International Bluegrass Music Awards, Bonnaroo Music Festival, the LA Bluegrass Situation, and other live activations; I’ve been an artist manager for talent ranging from Aubrie Sellers, Jamie Drake, and Matt the Electrician to Wilco’s Mikael Jorgensen; and I’ve proudly served for the last eight years on the board of directors of Folk Alliance International, where I am currently Board President.

Truth be told, I never intended this career. I moved to Los Angeles to work in the film and television industry, but quickly – albeit somewhat accidentally – found that my “people” were not in corner offices of movie studios, but playing their own style of bluegrass music in sweaty, crowded bar venues on the west side of the city. Once I entered the scene, however, I could clearly see where the genre’s biggest needs were – pay gaps, lack of representation, and a general disregard by an old guard for those who were too young, or female, or gay, or not-white-enough. In the years that followed I have re-focused my attention on giving a platform to those who have long deserved better.

I recently heard someone say “being of good intention does not always equate to action.” So today I’d like to present to you several small action items that you can to do that can make a big impact in your musical community.

So here we go: seven small ways to make a better industry (in any way you can!):

  • Number One:
    Consciously push yourself to discover music outside of the algorithm → Your musical world is much broader than you think. For the first time in human history, we have the entirety of recorded music instantaneously available to us. And what do we do with it? We listen to the same records over and over, and are told what we might like based on a computer program vs. a real live music editor.
    Start stepping outside of your comfort zone. Don’t just research your favorite artist’s influences and collaborators – look up that generation’s influences and collaborators. The world’s musical family tree is vast and much more interconnected than you’d expect. See where branching out takes you – both personally and creatively.
  • Number Two:
    Take up space → create opportunities that lift up yourself and others. If you’re unhappy with how and where you’re getting to perform, then produce the opportunity that
    you’ve always wanted. This can apply to festival showcase rooms, conference panels, house concert locations, touring bills, anything. It will not always be easy, but given the right amount of time and consistent dedication, it will draw in the right like-minded people and positive attention.
  • Number Three:
    Diversity and equity are only performative if changes aren’t implemented at every level – from the board room to the green room. It’s one thing to diversify a festival roster with gender parity and BIPOC artists, but it’s important for these standards to continue in hiring practices and leadership development. If you have the power to make these changes yourself – do it! If you witness performative diversification without deeper action – call it out!
    Nine years ago at Folk Alliance International, our Board was less than 50% female, had one non-white Board member and no directors from outside of North America. Through the concerted efforts of the nominations committee and executive leadership, that same Board now consists of over 50% women, multiple non-white directors, and has added representation from three different continents in less than a decade. Real, effective change can take place in so many minute, collective ways.
  • Number Four:
    Don’t just promote that which is popular. Promote that which is good. This may seem like an obvious one, but it is more uncommon than you’d think. Similar to my first point, it is easier for promotion and reporting these days to simply be a regurgitation of what the algorithm tells us. If you have a platform, podcast, or a channel where you can highlight other artists, use it to showcase those who may have been overlooked, or not had the budget to pay for the shiniest PR firm, but who deserve accolades nonetheless.
    This is not to disparage those who have managed to capture the cultural zeitgeist, but trust me, more often than not they will draw enough attention on their own. And at the very least, it’ll make you a more interesting person with real opinions about music.
  • Number Five:
    Mentorship matters. Find someone who will help guide you through the hard stuff – because chances are they’ve gone through harder. Even better, become a mentor to someone else. Often we only think of mentors as elder statesmen. And while it is *sometimes* true that age begets wisdom, mentorship can also come from people with a different life experience or background. The key in mentorship is honesty, vulnerability, and trust. One thing I know for sure is that I would not be anywhere near where I am today without a few key people I know I can always count on. Which takes me to…
  • Number Six:
    Find your people. I cannot emphasize this enough. Your job will not be there if you’re down on your luck, or sick in the hospital, or grieving a loss. Your people will. I realize this is not specific to our industry, but the fact remains that the most important thing you can invest in are the people around you – friends, peers, mentors, collaborators, family members. These are the ones who will show up in the middle of the night; will inspire your most beautiful art; will keep you accountable; will celebrate your wins and embrace you through your losses. If we learned one thing from the pandemic, it is that things we considered guaranteed can disappear in an instant, but having a solid community – no matter how small – is a vital part of making sure you can take care of yourself and show up for others. That’s a nice segue to my final suggestion…
  • Number Seven:
    Do not forget that self care is a radical choice. In an industry that pushes us to never stop working – whether that be creating content or touring or networking or pushing ourselves to put in more hours than there are in a day, taking the time and courage to say No (and meaning it) in order to prioritize ourselves can be a superpower. Saying “No” or “I don’t have time” doesn’t have to mean, “literally every second of my schedule is accounted for,” but rather “I’m giving as much of myself as I am currently able to give.” 

In a world that is consistently overwhelming, it can be difficult to feel like our actions can lead to any real difference. And many of these issues – specifically those faced by women, black and brown people, the AAPI community, and queer and trans folks – have been built to systemically oppress over hundreds and hundreds of years.

Rhiannon Giddens was recently quoted in a Vulture magazine interview, saying, “It’s not going to change overnight, but we can change a lot of little things quickly.” These are some of the most important changes of all – small and deliberate and real; over time, these are the actions that seed lasting change.

Folk and roots traditions are by definition the music of all people. It may take some longer to see that the music we love and represent was not just magically invented out of thin air by a few old white dudes from the past. So let’s start changing that story by working on our own tiny actions every single day.

Thank you to the Blue Ridge Music Center for your invitation to speak today. I am consistently impressed by your wonderful team and your extraordinary work. Thank you for showing all of us how rich and deep of a story there is to tell, and how much more there is to learn; and special thanks to all of you for being here and listening – I hope to see you down the road soon.

$10K for Ten Years: Fundraising for the Health of our Community

We’re celebrating our tenth year here at BGS – April being our birthday month – and in honor of this milestone, we’re raising money for Music Health Alliance, a Nashville-based non-profit with the mission to protect, direct, and connect music industry professionals nationwide with healthcare resources. For our 10th birthday, we’re setting the goal of raising $10,000 for the cause – 10K for 10 years!

Every donation helps in bringing vital assistance to songwriters, artists, and musicians at every stage of their career to find affordable healthcare solutions and financial resources during times of medical crisis.

You can visit this link to donate, and if you’d like to help spread the word about the fundraiser, you can record your own 15-30 second “Happy Birthday, BGS” greeting and tag @thebluegrasssituation and #10kforTenYears on Instagram to help spread the word and help us reach the goal faster.

Thank you for helping to share the good word and raising money for a great cause!

Basic Folk – Grace Givertz

Grace Givertz, born and raised in South Florida, began writing and performing at age eleven when she got a guitar and learned to play off of YouTube videos. Grace is a survivor in many ways: She manages and confronts several chronic illnesses, she survived having her Berklee scholarship rescinded due to a systematic error and lived through being struck by a city bus in 2015.

LISTEN: APPLE • SPOTIFY • STITCHERAMAZON • MP3

The accident left her unable to play her instruments for several months. During that idle time, she reflected on how being a musician defines who she is. Her writing changed and became more open and honest about chronic illnesses. In her most recent single, “Papa,” she writes about the traumatic murder of her grandfather and how he lives on in Grace.

I first came across Grace working at Club Passim in the Boston area, where she currently lives. Grace’s visual appearance, sense of humor and sparkling personality are undeniable. In addition to music, she’s super crafty and her reputation for cute outfits, cute earrings (which she sells on Etsy) and her cute apartment (which I’ve seen a lot of thanks to Zoom concerts and social media) proceeds her. She surrounds herself with her adorable pets that pop up frequently on her social media. One time, my mom (unprovoked – she doesn’t know Grace!) sent me a video of Grace’s bearded dragon, Baby Pancake, being cuddled by her peachy cat Persimmon. Yes, I know most of her pets’ names and have a Grace Givertz t-shirt with a sweet Baby Pancake design on it. I am a fan all around.


Photo Credit: Omari Spears

WATCH: Victor Mucho, “so terribly hurt” (ft. Molly Parden)

Artist: Victor Mucho
Hometown: Nashville, Tennessee
Song: “so terribly hurt” (ft. Molly Parden)
Album: Moonlight in Visby
Release Date: May 13, 2022
Label: Tone Tree Music

In Their Words: “I wrote ‘so terribly hurt’ when I was living in Sweden last winter. I was feeling and thinking how love can be vast and beautiful, while being cold and lonely at the same time. The person who you love most is also the person you are capable of hurting the most. The verses are sung from two perspectives of that love relationship. I have always thought that Molly Parden’s voice would be perfect singing verse two. The thing is, Molly is basically a Nashville legend, so I didn’t know how realistic it would be! We had the idea to shoot the live acoustic video of ‘so terribly hurt’ during golden hour at my house. We did a few takes, and then we had a meal together and talked about Celtic wisdom. Molly has such a gentle quality to her voice. It was an honor making music with her. I am grateful to have that groundedness at a moment in the album which is more tumultuous.” — Brian Macdonald, Victor Mucho


Photo Credit: Robert Linnaeus

WATCH: Lera Lynn, “Illusion”

Artist: Lera Lynn
Hometown: Athens, Georgia; now lives in Nashville
Song: “Illusion”
Album: Something More Than Love
Release Date: July 15, 2022

In Their Words: “It’s a rare and deeply beautiful feeling to think you could allow someone to get close enough to commit to each other in a really meaningful way. I’ve only ever had that feeling for one person and it felt like an idea that had been written into existence before me; like I was just following a path I was meant to take; such a beautifully alarming feeling that I struggled to believe it. ‘Illusion’ is the beginning of the story of Something More Than Love and is set against a backdrop of dreamy synths, punchy drums and bass and the sound of my ’60s electric guitar. … It doesn’t feel like a new direction to me. It just feels like a progression. My fans have come to expect a new experience with each new album. I think people are ready for this sound and this energy. I certainly am.” — Lera Lynn


Photo Credit: Alyssa Gafkjen