WATCH: Mark Erelli, “Blindsided”

Artist: Mark Erelli
Hometown: Boston, Massachusetts
Song: “Blindsided”
Album: Blindsided
Release Date: February 21, 2020 (single); March 27, 2020 (album)
Label: Soundly Music

In Their Words: “The word has negative connotations, but I thought it would be interesting to use it in the context of a love song. Sure, you can be blindsided by an attack or caught unprepared by stormy weather. But love also has a funny way of finding you when you least expect it, regardless of whether you’re looking for it or not. With its soaring vocal harmonies, majestic strings and the band firing on all cylinders, this track really embodies and hints at all the sonic elements to come on the album.” — Mark Erelli


Photo credit: Joe Navas

BGS 5+5: Vance Gilbert

Artist: Vance Gilbert
Hometown: Born in the Philadelphia area, but Boston has been home for the last 40 years
Latest album: Good Good Man
Personal nicknames (or rejected band names): Bentfield Hucks

What other art forms — literature, film, dance, painting, etc — inform your music?

I see much of my songwriting as writing a great script for a movie. I’m most often intent on telling a story and making it as visual as I can muster. However, literature plays a great role too, as word usage and wordplay get the tongue’s mind involved. I remember reading Louis de Bernières’ Corelli’s Mandolin, and wanting to sing the whole thing when I was done, like some slightly overweight Black Homer.

What was the first moment that you knew you wanted to be a musician?

My freshman year, while I was at Connecticut College in New London, Connecticut, a crew of us piled into a classmate’s yellow tonneau-topped Pontiac Sunbird and drove the 2 hours to Boston. We parked at another classmate’s house and took the MTA into town. At one of the stops on the “Red Line,” there was a guy playing jazz standards on a vibraphone, and I simply don’t remember the rest of my stay there (save for the lo mein in Chinatown). From that moment on, I wanted to be in Boston playing music.

What’s the toughest time you ever had writing a song?

That would be writing “The Day Before November,” the closing piece to my new album, Good Good Man. OK, you asked — the tough part was fear. I had a storyline in mind, like a Rod Serling sci-fi movie about a neighborhood “spooky-old-man-in-that-house” and a loving prank a small, parentally-abused little boy plays on him at the urging of his group of friends. It has ended up as a spoken word piece, but I was afraid to even begin the thing for fear of screwing it up. Isn’t that something? To not even begin to create something for fear of doing it badly? The storybones of the piece existed in notebook after notebook and in my head for about 12 years. Yes, 12 years. Once I rolled it out in some kind of pentameter it took about 2 weeks to write and 2 1/2 months to memorize.

My poor dogs. Memorization repeats happened during late evening walks in the fall of 2016. Now that I think of it, neighborhood windows were open — maybe I should be apologizing to some neighbors too…

If you had to write a mission statement for your career, what would it be?

Never mind the calendar. Things happen when they happen. If it takes 40+ years to figure out how to sing with nuance instead of bluster, write to tell the story rather than to just spit out alliteration, and to stop comparing myself to others that seem to have the whole package together at 23 years old, then that’s how long it takes.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

It would most certainly be chicken wings with some sort of awesome sauce/rub, a root beer, sweet potato fries with just a little heat, and Richard Thompson just hanging out and playing tunes at the table. I’d even share my wings with him. Do you know how far out of my zone that would be? Particularly the sharing the wings part? NO ONE, not even Richard Thompson, better reach across that plate uninvited. NO ONE. …What fool would do that to a brother anyway?

LISTEN: The Ballroom Thieves, “Homme Run”

Artist: The Ballroom Thieves
Hometown: Boston, Massachusetts
Song: “Homme Run”
Album: Unlovely
Release Date: February 14, 2020 (album)
Label: Nettwerk

In Their Words: “How do you put words to how powerful women are? How do you hinder what they learn, if they read, who they can become, or what they do with the organs in their bodies? When a piece of the population’s voices are quieted there can be no conversation about how to guide society. As the avalanche of our man’s world finally finishes its incredibly destructive crumble downward, we can see that this issue is devastatingly simple. Any words used to govern a person must be said by a relatable ally, or the rules are empty and harmful.

“We can’t earn equality in this world for men, we have to make it ourselves. Women are the creators and sustainers of human life. We’ll use the power of our voices not to control others, but to liberate ourselves to create and sustain humankind more effectively. This is everybody’s world now.” — Calin Peters, The Ballroom Thieves


Photo credit: Anthony Mulcahy

WATCH: Twisted Pine, “Papaya”

Artist: Twisted Pine
Hometown: Boston, Massachusetts
Song: “Papaya”
Release Date: July 10, 2020 (album)
Label: Signature Sounds

In Their Words: “We call this Americana funk. Chris [Sartori, bass & vocals] was playing this groove in NYC one time during a sound check, and then later at a gig in California when the chorus melody came flying out of me. We decided the song would be about a papaya. We figured, ‘Everybody loves a good fruit song, right?’ The song’s about the chase for someone, the wait. The idea that they won’t give into the fact that you two are a natural fit.

“I wasn’t really writing about love. You know how when you’re waiting for an avocado, you just want to eat it right now, but it’s not ready? That annoyed feeling, the fear of someone else getting to it first. Another day and this thing isn’t ready?! By the time it’s ripe, it’s already gone or you have to toss it out. It’s about a fruit relationship and the perfect timing for love. Don’t tell anybody, but I’ve never had a papaya. We’re putting it on the rider. I just hope I’m not allergic.” — Kathleen Parks, fiddle and vocals, Twisted Pine


Photo credit: Joanna Chattman

LISTEN: Grain Thief, “Pedal Down”

Artist: Grain Thief
Hometown: Boston, Massachusetts
Song: “Pedal Down”
Release Date: January 17, 2020

In Their Words: “There is no substitute for a group of musicians standing together in a room, facing each other, and feeling each other’s playing. It’s how we rehearse, how we jam, how we play in picking circles, and how we experience music authentically. Often, in modern recording we separate musicians in order to pursue that ‘perfect take’ — but you sacrifice the magic. In building this tune and thinking about our next record, we decided we care more about that magic.” — Mike Harmon

Photo credit: Andy Gagne Photography

WATCH: Mile Twelve, “Whiskey Trail”

Artist: Mile Twelve
Hometown: Boston, Massachusetts
Single: “Whiskey Trail”
Release Date: November 15, 2019
Label: Delores the Taurus Records

In Their Words: “Our bass player Nate brought this energetic Los Lobos song to the band nearly a year ago, and it has slowly but surely become one of our favorites to perform. Even though originally imagined for electric instruments, we think the bluegrass outfit suits the music well. Now we’re excited to be releasing this song as a studio single! To celebrate the premiere we made this live video of our arrangement performed at the Fox Bar & Cocktail Lounge in Nashville, Tennessee, and filmed by the amazing Alex Chaloff. What better place to film a song about hard liquor than this, right?” — David Benedict, Mile Twelve


Photo credit: Kaitlyn Raitz

LISTEN: Chadwick Stokes & the Pintos, “Sand From San Francisco”

Artist: Chadwick Stokes & The Pintos
Hometown: Boston, Massachusetts
Song: “Sand From San Francisco”
Album: Chadwick Stokes & The Pintos
Release Date: November 15, 2019
Label: Ruff Shod Records/Thirty Tigers

In Their Words: “’Sand From San Francisco’ is about a dejected man leaving San Francisco without his love circa 1964. It was recorded in Boston at Zippah Studios with a Nashville tuned guitar like the one Keith Richards plays on ‘Angie.'” — Chadwick Stokes


Photo credit: Mike Smith

LISTEN: Rachel Sumner, “Rocks & Gravel”

Artist: Rachel Sumner
Hometown: Boston, Massachusetts
Song: “Rocks & Gravel” (Kacy & Clayton cover)
Release Date: August 30, 2019
Label: Sad Luck Dame

In Their Words: “I was so enchanted the first time I saw Saskatchewan duo Kacy & Clayton, I wound up getting tickets to see them the next night as well. I explored their discography and was particularly struck by ‘Rocks & Gravel’ and the natural, timeless quality about it — I was certain it must have been a traditional tune. Nope. Turns out Kacy & Clayton are just that good at tapping into ages’ worth of sorrow and heartbreak and synthesizing it all into modern classics for us to weep along to. For the past few years, I have been performing my own arrangement of ‘Rocks & Gravel’ beside my originals and a handful of other select covers at shows. I recently recorded my version of this song and some of those other covers in my set list rotation and have been releasing them as digital singles throughout the summer. Though this may not be a traditional folk song, I have found from making it my own that it possesses the same durable beauty of tunes that have been passed down for centuries.” — Rachel Sumner


Photo credit: Louise Bichan

LISTEN: Ward Hayden & the Outliers, “Hackensack”

Artist: Ward Hayden & the Outliers
Hometown: Boston, Massachusetts
Song: “Hackensack”
Album: Can’t Judge a Book
Release Date: August 24, 2019

In Their Words: “‘Hackensack’ almost didn’t make it on the album, but it’s ended up being one of my favorite recordings. In the early 2000s Fountains of Wayne had a huge hit with ‘Stacy’s Mom.’ I wasn’t wild about ‘Stacy’s Mom’ but I always loved when that CD got put on because the song right after it, ‘Hackensack,’ was such an aching love song with such a catchy and pretty chorus. All while telling the story of a guy who never left his hometown, who’s waiting around for the girl of his dreams to come back home. Meanwhile she’s out pursuing her dreams and might not ever know he exists.

“‘Hackensack’ has a lot of those elements that have always drawn me to good country music, and Fountains of Wayne wrote it in a pop-rock format. Our drummer Josh Kiggans really pushed for this song to get recorded with our own approach and I’m thankful he did. We made some changes to the arrangement and put in elements like Cody’s weeping pedal steel part, the low brooding baritone guitar lines, and Paul put down a more driving bass line.

“I once even had one of Boston’s best-known songwriters come up after we played it and say, ‘That song’s gonna make you famous,’ but they walked away before I had the chance to say it was actually someone else’s song we were covering. We did our best to do it justice and draw out the emotion and honesty of the lyrics, and we hope it connects with a lot of other people the way it connected with us.” — Ward Hayden


Photo credit: Niclas Bågerheim

LISTEN: Lisa Bastoni, “Walk a Little Closer” (Feat. Lula Wiles)

Artist: Lisa Bastoni
Hometown: Boston, Massachusetts
Song: “Walk a Little Closer” (featuring Lula Wiles)
Album: How We Want to Live
Release Date: September 20, 2019

In Their Words: “One day a couple of winters ago, Sean Staples (How We Want to Live‘s producer) and I were writing at my kitchen table and he said, ‘Well, maybe they don’t all have to be devastating.’ Which I thought was an excellent point. We wrote this in 45 minutes, based on a Lynda Barry-inspired writing exercise around the word ‘adore.’ It was refreshing to write something so lighthearted, just a simple bluegrass song that tells the story of a first date. The first time I played it out was at a little bar in Cambridge, with Isa Burke on fiddle and harmony. That was the seed of the new album — to record locally, with some of my favorite musicians and people. I’m so happy to have Isa, as well as Eleanor Buckland and Mali Obomsawin (aka Lula Wiles) playing on this track!
Lisa Bastoni


Photo credit: Love and Perry Photography and Film