LISTEN: Decoration Day, “Harry Goes to War”

Artist: Decoration Day
Hometown: Toronto, Ontario
Song: “Harry Goes to War”
Album: Makeshift Future
Release Date: September 18, 2020

In Their Words: “A few months before he died, my grandpa sent me a typewritten letter in the mail with the title ‘Anti-Dementia Memoir #4.’ Every one of the grandkids had gotten one — it was just his charming way of preserving his memories and keeping his mind sharp until the end. The letter recounts his times as a soldier in the Canadian Army during World War II. There is quite a range in the two short pages; he writes about a joyous weekend playing hooky from the army camp, and also about the weight of being forced to burn the instruments of prisoners of war, who would later go on to open their own businesses in Canada. The story flowed in such a natural, folk-like way that I knew it had to be adapted into a song. When I hear it back now, it doesn’t feel like anything I’ve written, but instead like a piece of family lore that’s always existed.” — Justin Orok, Decoration Day


Photo credit: Brianna Roye

LISTEN: Bella White, “All I Gave to You”

Artist: Bella White
Hometown: Calgary, Alberta, Canada; now living in Nashville
Song: “All I Gave to You”
Album: Just Like Leaving
Release Date: September 25, 2020

In Their Words: “‘All I Gave To You’ feels explicitly gentle to me. However, underneath all that sweetness, there is definitely a tinge of heat. A little fire burning in 18-year-old Bella. I wrote it about being far away from something that I wanted so badly and for all I know, irrationally. A puppy love interest. It talks about wanting to be wanted, or better yet wondering if you’re wanted… a common theme in songwriting. Something I believe to be extremely human. Wanting to feel revered and liked. Especially by those that you’re fond of. In retrospect, I wrote ‘All I Gave To You’ when I was 18 and liked a boy, wasn’t sure if he liked me back, and then tried to be a poet about it.” — Bella White


Photo credit: Sheena Zillinski

WATCH: Phöenix Lazare, “Warm Soles”

Artist: Phöenix Lazare
Hometown: Salt Spring Island, BC, Canada
Song: “Warm Soles”
Album: Warm Soles
Release Date: August 7, 2020
Label: Lazare Music Inc.

In Their Words: “‘Warm Soles’ is very dear to my heart. I wrote this song in the heat of the COVID-19 quarantine, inspired by a songwriting challenge I created on Instagram attempting to stay creative. A wedding dress conversation with my grandmother one morning sparked something in me to paint a picture in words of how I imagine my future wedding day — being newly engaged, I had been doing a lot of daydreaming. I wrote the song in one day, recorded the idea with my travelling home studio setup, and sent it to my friend Louis Remenapp in Nashville who co-produced and engineered the track. ‘Warm Soles’ is truly a dedication to my fiancé, who keeps my laughter loud and my feet on the ground.” — Phöenix Lazare


Photo credit: Hownd

LISTEN: Scott Cook, “Rollin’ to You”

Artist: Scott Cook
Hometown: Edmonton, Alberta, Canada
Song: “Rollin’ to You”
Album: Tangle of Souls
Release Date: August 7, 2020

In Their Words: “On August 7, I’ll be releasing my seventh album, Tangle of Souls. It comes packaged in a 240-page, clothbound hardcover book, the apotheosis of a long-running, possibly unhealthy obsession with liner notes. This is the first of those songs I wrote — yodeling and laughing to myself in a rented room in Chicago — and it planted the seed of an idea that led to making a string band record. The aesthetic is often the first thing I have in mind, before I even know what the album wants to be about, and this time around I wanted a string band, with a fiddle, because the fiddle is the electric guitar of acoustic music.

“I’d been touring a fair bit in Australia with Liz Frencham, a killer upright bass player with a studio in her backyard, and on one of those tours we got to talking about making a record. I brought over fellow Albertan and longtime collaborator Bramwell Park to play banjo and mandolin, and Liz connected with an Aussie fiddler named Esther Henderson, who I’d never met. I named the band ‘Scott Cook and the She’ll Be Rights’ after an Aussie expression meaning ‘it’ll be OK’ or ‘don’t worry about it.’ (You might say it’s somewhere on the spectrum between nonchalance and negligence.) We arranged the songs along that tour and cut the record at the end of it, then I spent the next year or so writing the liner notes. 🙂 ” — Scott Cook


Photo credit: Kate Baker

LISTEN: Veranda, “Yodel Bleu”

Artist: Veranda
Hometown: Montreal, QC, Canada
Song: “Yodel Bleu”
Album: Yodel Bleu
Release Date: May 29, 2020

In Their Words: “‘Yodel Bleu’ is a song about using yodeling to cure the blues! It tells the story of this girl who’s so down that the only thing that brings her joy is yodeling when she’s all by herself. And who could blame her? Because let’s face it, it’s hard to be blue when you’re yodeling. Maybe what we all need right now is a good dose of yodel therapy. Isn’t there an old saying that says ‘You can’t yodel in a minor key’? The song is also a tribute to the great Jimmie Rodgers and his classic ‘Blue Yodel’ song series.” — Catherine-Audrey Lachapelle and Léandre Joly-Pelletier, Veranda


Photo credit: Kevin Beaulieu

WATCH: Evangeline Gentle, “Ordinary People” (Live)

Artist: Evangeline Gentle
Hometown: Born in Peterhead, Scotland; moved to Peterborough, Ontario, at age 11; now living in Hamilton, Ontario
Song: “Ordinary People” (Live)
Album: Evangeline Gentle
Release Date: August 21, 2020
Record Label: Sonic Unyon

In Their Words: “I wrote ‘Ordinary People’ for my loved ones, who soften the world for me when I’m feeling hardened by it. The video was filmed spontaneously on the set of a full production video for my song ‘Sundays.’ It was shot in Peterborough, Ontario, at the Sisters of St. Joseph convent — also known as ‘The Mount’ — outside what used to be their old laundry building. The director Rob Viscardis and I decided that it was such a beautiful location and would be the perfect setting for a live video of this song.” — Evangeline Gentle


Photo courtesy of Sonic Unyon

MIXTAPE: Ocie Elliott’s Favourite Folk Through the Ages

Folk music, especially acoustic ballad folk, country folk, and early blues, has always held a special place in my heart and soul. From a young age, my dad would pull out his acoustic guitar when we’d go camping and around the campfire he would sing the family a folk song or two, mostly acoustic versions of Johnny Horton’s “The Battle of New Orleans” and “Sink the Bismarck.” The sound of the acoustic guitar and voice and their telling of a tale touched something deep inside me and my love for folk music was begun. Here are some of my (and our) favourite songs in this genre through the ages. — Jon Middleton, Ocie Elliott

The Carter Family – “Chewing Gum”

While not necessarily my favourite song by the Carter Family, there is something unique and uplifting about this one. I’ve always thought that Kurt Cobain would have loved it.

Lead Belly – “The Grey Goose”

Lead Belly is definitely one of the best ever, such an incredible songwriter. To me his power lies in the uniqueness of his sound; no one wrote songs like him either. The first time I heard this it filled me with so much joy: I could hear it being performed with a big group of people all singing the “lord, lord, lord” part. I’ve also always imagined Toots and the Maytals covering this song.

Blind Willie Johnson – “Trouble Will Soon Be Over”

My favourite blues artist of all time, Blind Willie Johnson’s voice and slide-guitar playing are otherworldly. This tune has such a beautiful melody and feel, it also displays the softer side of his voice and the female accompaniment adds a lovely depth to it all.

Mississippi John Hurt – “Spike Driver Blues”

The first time I heard his 1928 recordings my mind was blown. He has had the biggest influence on my fingerpicking without a doubt. The melody he picks in this song is just so beautifully circular, bouncy and perfect.

Doc Watson and Clarence Ashley – “Old Ruben”

I love the recordings these two did together — there is something very vibrant, authentic and alive in them. I think this song is my favourite of all of them, although “The Coo-Coo Bird” is a close second.

Johnny Cash – “Dark as a Dungeon” (Live at Folsom State Prison)

This whole album is amazing, but this song has always stood out, partly because it sounds like something to be sung around a campfire, but also because his voice is so rich and deep — it’s the perfect voice for this song.

Bob Dylan – “I Threw it All Away”

It’s impossible to pick a favourite from someone who has written more classics than most songwriter’s output in total. But I choose this one because oddly enough, this album (Nashville Skyline) was what led me into Dylan’s universe (I purchased it because it had Johnny Cash singing with Dylan on one song). Needless to say, I fell in deep.

John Prine – “Mexican Home”

We cover a number of John Prine’s songs, including “In Spite of Ourselves” and “Long Monday,” but one of our favourites that we don’t cover is “Mexican Home.” Both recorded versions are great in their own way, but the studio version feels truer to the content.

Guy Clark – “Anyhow, I Love You”

One of our favourite duets. A friend of ours showed us this song a few years back and we immediately started to learn it and sing it. It’s a very special and unique tune, especially in the lyrical phrasing.

The Country Gentlemen – “Fox on the Run” (Live)

I love that this was first recorded as a rock ‘n’ roll song by Manfred Mann. The Country Gentlemen’s version and harmonies literally sound like the lyrics, especially the line: “Her hair shone like gold in the hot morning sun.”

Loudon Wainwright III – “The Swimming Song”

We were also introduced to this by a friend and ever since then we’ve been in love with it. It’s uplifting, but also has this tinge of melancholy to it.

Mason Jennings – “Crown”

A favourite songwriter of ours, I’ve been in love with his music ever since I bought one of his albums on a whim in L.A. and drove with it the whole way back up the coast to San Francisco. Once there, I immediately pulled into Amoeba Records and purchased another.

Gillian Welch – “Winter’s Come and Gone”

Gillian Welch and David Rawlings are one of our biggest influences as a group. When Sierra and I first met, our first connection was made over a mutual love for Gillian Welch, and the first song we ever played together was “Look at Miss Ohio.” Something about this song though, the whole album really.

Gregory Alan Isakov – “Amsterdam”

This song has a rich, wonderful vibe to it — the recording quality, the playing, the mixing and of course, the tune itself. It feels like a warm blanket on a rainy day.


Photo credit: Dustin Rabin

LISTEN: Joshua Hyslop, “Let It Rain”

Artist: Joshua Hyslop
Hometown: Vancouver, British Columbia
Song: “Let It Rain”
Album: Ash & Stone
Release Date: September 11, 2020
Label: Nettwerk

In Their Words: “We recorded ‘Let it Rain’ in Vancouver, BC, at Afterlife Studios. I was lucky enough to work with some truly amazing musicians including John Raham, Darren Parris, Chris Gestrin, Paul Rigby, and Matt Kelly. We had so much fun. It was a great reminder of how powerfully music can communicate, how it can heal, and how much that means to me. ‘Let it Rain’ is a song about mental health. I often deal with depression and one of the ways it manifests in my life is an overwhelming feeling of numbness. I’m trying to be more positive in those moments, recognizing that I can’t avoid the storms but also trying hard to stay present and remain hopeful through them.” — Joshua Hyslop


Photo credit: Devon Scott Wong

The String – Corb Lund

With ten albums and 20 years under his belt, Alberta’s Corb Lund is one of the finest and wittiest songwriters working the Western end of country music. The singer is now on his way to legendary status in Rocky Mountain cowboy-inspired songwriting.


LISTEN: APPLE PODCASTS

His newest is Agricultural Tragic, a 13-song collection that evokes the characters and colors of his home region. Also in the hour, Henry Hicks talks about Black Music Month and Black Lives Matter. Hicks is the CEO of the National Museum of African American Music, opening this fall in Nashville.

BGS 5+5: Corb Lund

Artist: Corb Lund
Hometown: Taber, Alberta, Canada
Latest Album: Agricultural Tragic (June 26, 2020)
Personal nicknames (or rejected band names): My full name is Corby. My outfit sometimes calls me ‘El Presidente’. Ian Tyson calls me ‘Corbo.’

What other art forms — literature, film, dance, painting, etc — inform your music?

I read a lot and that seeps in for sure. At a pretty granular level, but it definitely has a big impact. I’m a history nut also. When I was younger I used to draw and paint quite a lot, but there’s no time for that stuff anymore, too busy touring. I’d also like to try live theatre. Some other lifetime, probably.

What’s the toughest time you ever had writing a song?

It took me about five years to write “Bible on the Dash.” I had to recruit my old buddy Hayes [Carll] to help me finish it. I had a verse and chorus FOREVER and I was stuck. When Hayes got hold of it we wrapped up the rest in a couple hours.

What rituals do you have, either in the studio or before a show?

The few hours between soundcheck and the show are pretty important to me. The venue and the green room are empty because everyone is out eating, so that’s my only real time on the road to work on my voice or new songs or guitar playing. I jealously guard it. And I don’t really eat food anyway and dislike restaurants.

If you had to write a mission statement for your career, what would it be?

Two things. First, I’ve always been very committed to doing my own thing musically. I’ve always wanted to be able to look back at a solid body of unique work and be proud of it. It’s important to me to get my voice and perspective and culture into my music at all levels. Secondly, to just roll up my sleeves and do things myself. I have plenty of excellent help now, but in the earlier, leaner part of my career I swore that I’d never wait around on the music industry. I just made my own records and booked my own tours and printed my own T-shirts and fixed up my own van. Unless you win the record deal lottery at 22, no one’s going to do that stuff for you. There’s a grand tradition of that, from SNFU to Chris LeDoux.

Which elements of nature do you spend the most time with and how do those impact your work?

I spend as much time as I can on our family ranch in foothills of the Alberta Rockies. My great grandfather homesteaded there in 1898 and it’s a huge part of my psyche and my art. That area comes up pretty often in my songs. It’s pretty country.


Photo credit: Scott Slusher