Artist: Samantha Fish
Song: “Run Run Rudolph”
In Their Words: “‘Run Run Rudolph’ is always such an upbeat song, we thought it would be cool to dip it in some noir. It’s catchy and fun. I wanted to pay homage to the classic Chuck Berry song, yet interpret it in a different way. I think it walks the line between vintage rock ‘n’ roll and being a unique track all its own.” — Samantha Fish
Artist: Wade Bowen
Song: “All I Want for Christmas Is You”
Album: Twelve Twenty-Five
In Their Words: “Christmas has always been the most personal of holidays, with its combination of faith and family. That was true for me while growing up and it’s still true for me today, albeit in a completely different way. As a husband and father who spends so much time traveling the world playing music, I love the feeling the Christmas season brings to my life. And I recognize how quickly time passes and how each Christmas is unique and fleeting. With my family, I try to keep the best parts of the warm, magical, small-town vibe that my parents gave me while growing up in Waco.
“I’ve always wanted to make a Christmas album that reflects all of that. All that I’ve grown to love. I can remember sitting around listening to Christmas music with my mom and sisters and singing every word. So when it came time to choose the songs for this album, I wanted those to be part of the project. But on top of the classic songs I grew up with, I want to introduce my kids to the modern holiday songs by my favorite singers or things that I watched on TV that also became part of what Christmas means to me. So this record is a reflection of all of that…with a timeless feel. It was made with friends and family, singing songs that came to mean something to me over the years. And maybe, if we’re lucky, something on this album might become a small part of what Christmas means to you. I hope you enjoy it.” — Wade Bowen
Artist: Phöenix Lazare
Song: “Winter White”
Album: Winter White/Evergreen
In Their Words: “‘Winter White’ is a full-spirited Christmas lullaby that celebrates the magical annual transition into the holidays. Capturing the warm glow of the season, the song is straight from my heart. This is emulated in the vocals, piano and soft drums that lie underneath lyrics reflecting on the small miracles of a simple, yet meaningful holiday. I hope ‘Winter White’ transports listeners to a cozy, familiar kitchen or fireside.” — Phöenix Lazare
After a dozen years of success, Dailey & Vincent are currently in a period of transition. Building on the popularity of The Dailey & Vincent TV Show on RFD-TV, their next album will be the first straight-up country record they’ve ever done – following up last year’s holiday album, The Sounds of Christmas, which provides the playlist for The Joys of Christmas Tour happening now through December 15.
In the second portion of our interview with BGS Artist of the Month, Dailey & Vincent, we catch up with Darrin Vincent.
(Editor’s Note: Read our BGS interview with Jamie Dailey.)
BGS: How does the musical division of labor work with you two?
Vincent: We collaborate together on pretty much everything, looking for songs and arranging and producing. But this country album, I don’t think we’ll do that the same because we’ll have an outside producer [Kyle Lehning] for the first time. It will be different to be just artists this time, throwing ideas over to him. It’s exciting and also scary to let go of complete control, and it will be interesting to see how this goes, to let someone else drive the bus.
We prayed on it, that we’d be led to the right person who has the same vision, and it seems like he does. You have to have faith and move on it. If it does not do well, OK, we’ll go back to what we did before. For now, it’s kind of fun to not have quite so much to deal with because we’ve got plenty on our plate with the TV show.
How close are you and Jamie offstage?
We live too far apart to really hang out, but I love him like a brother. Yes, we’re business partners, but if either of us is hurt or needs prayer, we’re there. Both of us know that if either of us needs anything, night or day, just call. We’re very close, but we also have to have space away from each other just like any other family. He’s a good man and I love what he stands for, even if we don’t see eye-to-eye 100 percent of the time.
Before Dailey & Vincent, you played in Ricky Skaggs’ band. What did you learn from him about running your own band?
Quite a lot about what to do, and also what not to do. But a lot more about good things to do, like rehearse in a nice facility, go first class, don’t cut corners. It drove home the importance of creating records that will last. When you’re recording, do it right the first time and not because you want to be friendly with someone or promised something to this or that person.
We’ve all been there before, cutting corners because you don’t have the money or getting some friend to play on something even though they might not be as good as Stuart Duncan and you don’t want to hurt anybody’s feelings. But you have to do what you feel the song needs and don’t back off, whatever other people think. Keep the integrity of music to the highest possible standard because once you put it on a CD, it’s forever and never goes away. Get whoever best fits the song.
Do you ever miss just being a hired hand?
Oh yeah. I’d show up, do my part and go home. Today, we’ve got 20-some people who rely on everything we do. It’s as simple as eating healthy, because these people all rely on our incomes to pay the bills, their mortgages, support their families. It’s a lot of responsibility and it takes a toll.
Whenever we have to fire a musician or a bus driver, it really bothers me. I’m emotional anyway, but I’ll cry about it when it happens, worry about people. It crushes my soul and we both take it to heart. Being an owner, there’s always a family tree behind it all where a ton of people are relying on your health and business to make sure we’ve all got jobs. There’s so much to it. Playing onstage is the fun part.
What do you think of the state of bluegrass nowadays?
It seems that bands like the Infamous Stringdusters and Old Crow Medicine Show are more popular and lucrative than the genre and structure of the basic bluegrass festival. A lot of the older folks are dying off, unfortunately, along with the festivals with the camping and the jamming and all the things that go with it.
I think the five-piece bluegrass band will survive, but the bluegrass scene seems to be getting smaller and smaller. As a promoter of our festivals and cruises, I see acts with very high standards that do a great job performing bluegrass. I also see acts with bigger egos than they need to have, which is just bad, gives a black eye to the whole bluegrass scene. I’m just talking for me, what I see.
Is it hard to find time to practice, play and write music?
Unfortunately the business side keeps me really busy. But at home, I do have the guitar out all the time. It’s by the bed and I take it into the mobile office where I do business stuff. I have to play every day just to keep the motor skills going. I love to hear different things out of the guitar. I get depressed, get happy, and music soothes my soul. So does prayer, of course. I enjoy playing. Not just trying to get better for the show but it’s something that satisfies me and what I need that time of my day.
What are some artists you like that might surprise people?
I love Michael Bublé, Harry Connick, Chicago. I think Metallica is amazing. Now I’ve never heard them sing a gospel song and they’ll have some things to deal with at the end times of their lives. But they’ve got great harmonies, triple guitars and the musicianship is incredible. Iron Maiden is another, even though they have “666” painted on their 747 and I don’t like their lyrics. But they’re very talented people.
There’s even this group from Russia that’s as devil-worshiping as you can get, but they have a unique sound. I can’t even say their name, but the art value and production of their show is amazing. I’m not trying to give the devil any credit, but I like lots of music for the art value.
It’s a common bond through musicians, taking the stage and communicating with people. I love to watch different artists no matter the genre, how they’re communicating whether they’re kids or older. Mike Snider has just incredible communication with the audience. I sit and cry watching him, it’s so funny, but so simple. The knack and ability to do that is amazing and not everybody can. Jamie’s great at it, too. A lot of bands have no charisma whatsoever. They play great and sing OK, but there’s no charisma for the audience and it just dies. There’s an art to that.
Which of your many awards are you most proud of?
By far, becoming a member of the Grand Ole Opry. I’ve been blessed to win five Grammys, which were enormous milestones in my life. They were the biggest thing I’d done, until the Opry. It’s very nice out at Opryland, which is cool with a lot of history. But the ultimate is going back to the Ryman and memories of Ernest Tubb, Patsy Cline, Hank Williams, standing in the same place Elvis Presley stood. Just the history of all the people who walked through there and paved the road to where country is today, that’s overwhelming and humbling.
Illustration: Zachary Johnson
Photo: Josh Daubin
Artist: Josh Rouse
Song: “Christmas Songs”
Album: The Holiday Sounds of Josh Rouse
From the Artist: “[‘Christmas Songs’] was written a few weeks before recording the record. I was on tour in Sweden and I needed one more song to add to the group I had been collecting for years, an end credit if you will. I had Lee Hazlewood and the album Cowboy in Sweden in mind.” — Josh Rouse
Artist: Valerie June
Song: “Let It Snow” (single)
In Their Words: “Since the holiday season seems to begin sooner and sooner each year, my favorite holiday songs are the ones that make you want to cuddle up with a warm cup of tea and watch through the window as the season shifts from fall to winter.” — Valerie June
On this week’s episode of The Show On The Road, Liz Vice – a Portland born, Brooklyn-based gospel/folk firebrand who is bringing her own vision of social justice and the powerful, playful bounce of soul back to modern religious music.
Listen: Apple Podcasts • MP3
Liz Vice is following a rich tradition that goes back generations to powerful advocates like Sister Rosetta Tharpe, Sam Cooke, the Staples Singers, the Ward Sisters, Aretha Franklin, and especially Mahalia Jackson, who was the soundtrack to the civil rights movement. It was Mahalia who pushed Martin Luther King Jr. to tell the assembled masses in Washington, D.C. about his dream.
We often forget how much religious music was infused in the counterculture back in the 1960s, and as the BBC mentions in a great article about the era, “The music of the black church was infusing and inspiring the political consciousness of folk music; gospel was no longer just for the religious but the foundation for much ‘60s protest.” And so we bring you Liz Vice — and a little clear-eyed Christmas spirit to usher you into the twinkling darkness of December.
Artist: Bear’s Den
Song: “Only Son of the Falling Snow”
Album: Only Son of the Falling Snow (EP)
In Their Words: “I wrote the song a while ago. It’s a very nostalgic and reflective song which imagines someone looking back on their own life and walking into their old house, reliving some pivotal moments of their life and re-engaging with who they are as a person and where they’re at now. I read Winter, the novel by Ali Smith, and it really inspired me to want to write songs specifically about winter. I think it’s an incredibly inspiring time of year and it was a really fun and collaborative process for Kev and I to work on these songs, flesh them out, and bring them to life: embracing piano ideas and more acoustic elements whilst still exploring electronic textures behind the more reflective lyrics and sparse arrangements. We’re very proud to share this song with you.” — Andrew Davie, Bear’s Den
Artist: Old 97’s
Song: “Snow Angels”
Album: Love the Holidays
In Their Words: “‘Snow Angels’ is a holiday song written in the tradition of ‘Do You Hear What I Hear?’ Unlike really any other song I’ve ever written, it deals with issues of social justice and world peace in a very upfront way. We are all the same and we are all brothers.” –Rhett Miller
Artist: Ian Foster and Nancy Hynes
Song: “A Week in December”
Album: Ian Foster and Nancy Hynes: A Week in December
In Their Words: “I actually wrote this one in the height of summer (maybe that means I’ve levelled up as a songwriter? It’s a challenge to write a Christmas song in your shorts…haha). But I really started thinking about it last winter visiting a friend in Calgary, and talking about that trip home for that ‘week in December’ that most can manage when they live away.
I think most people who make that visit are confronted with quite a mix of emotions: obviously all the happy ones with family and friends, but also the more difficult ones of seeing your old home with different eyes, and seeing how things have changed. I found that balance interesting to write about, trying to capture that back and forth: beautiful lights…in bad weather, going to a Christmas bar show…that’s cacophonous. It falls into that introspective side of ‘end of the year’ songs, but for my friend – and for me – it ultimately reminds us why we go home that same time every year.
I’m singing with Nancy Hynes, who is my partner in ‘real life,’ and has sung harmony on my records since 2011. This album is called Ian Foster and Nancy Hynes: A Week in December, and is our first true duo record, featuring 10 Christmas classics and 2 originals. Nancy’s love of Christmas music was a driving force from the start, and I knew it would be a duo record right from pre-production.
Director Andrew Winter had a good idea when it came to the overlays using some clever tools in After Effects, and we found some treasure troves of footage — both his and ours — that brought things together. I think he did a great job of adding a different dimension to the song while still keeping true to it — an under-appreciated challenge in making music videos.” – Ian Foster
