Tag: Music Podcast

The Show On The Road – Durand Jones

Posted on by Shelby Williamson

This week, we dive into the revelatory first solo record from rising Louisiana-born roots-soul singer-songwriter Durand Jones. Wait Til I Get Over is years in the making. While nearly giving up on his dream to be a singer several times, Jones was diligently collecting songs about his upbringing living in his father’s trailer in the tiny Mississippi River town of Hillaryville, his grandmother giving him the confidence to sing (and also dragging him to church), escaping broken relationships and infidelity, his yearning for a connection to a higher power, and how betting on the music and himself was a jubilant radical act that just may be finally paying off.

LISTEN: APPLE PODCASTS • SPOTIFY • STITCHER

The lush strings and almost Broadway-ready power of his voice on the opener “Gerri Marie” harken back to a time when artists like Marvin Gaye and Aretha Franklin were creating cutting-edge pop and soul music that could at once get you to hit the streets to protest injustice and woo your new love with total abandon.

Most folks may know Jones as one of the co-lead singers with falsetto-master (and drummer) Adam Frazer of the Bloomington, IN-based throwback “sweet soul” group Durand Jones & The Indications, a project he began out of graduate school (he also plays the saxophone) at The University of Indiana. Starting with their hard-hitting 2018 self-titled record and the follow ups American Love Call (2019) and Private Space (2021), they became a coveted national act and AAA radio favorite, with this writer seeing their biggest show yet, last summer at the Hollywood Bowl in L.A. You would be forgiven if you thought the club-ready romantic earworm “Witchoo” dropped in 1971 not in the height of the pandemic — but the unrestrained Chaka Khan-esque vibes are hard to deny. As I told Jones, that tune got me through a very hard time.

While Jones admits he likes to play a certain version of himself on stage — flamboyant outfits and soaring vocal runs are what keep audiences coming back — at home, he’s a much more introspective character who is a big fan of journaling. It’s the quieter, more vulnerable sides of his story (being queer in the Deep South for one), and the complicated figures like “Sadie” (not her real name) that he renders in full cinematic detail that point to a powerful solo career ahead if he wants it.

Photo credit: Rahim Fortune

Basic Folk – Libby Rodenbough

Posted on by Shelby Williamson

Libby Rodenbough’s second solo record Between the Blades sees the fiddler and songwriter further stretching from the bluegrass and old-time style of her band Mipso. Born in Greensboro, NC, music was just another activity that Libby did along with soccer and going to Girl Scouts. She played violin in her school’s orchestra and thought she’d be a music major, until a college professor let her know that her playing was not up to par with those who studied classical music at a collegial level. She found herself at local bluegrass jam sessions and meeting her future Mipso band members, which led her to discover that music could be a creative outlet and a means of expression.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

On the new record, Libby is processing and coping with the death of her mother, who was diagnosed with an incurable cancer and died about 5 months before she began recording the album. Created amongst North Carolina musicians, she found herself nestled in a group of people who were also dealing with loss of and serious illness of loved ones. This gave the sessions a heavy and contemplative feel, but also comforting to be around friends who felt the existence and love of those who were no longer alive in the room. Libby is open, honest and real. We get into lady-things and cat-things. Hope you enjoy Libby! Her new album is wonderful.

Photo Credit: Chris Frisina

Basic Folk – David Wax Track by Track

Posted on by Shelby Williamson

David Wax Museum’s latest album, You Must Change Your Life, is the duo’s magnum-opus. According to Wax it’s “THE record… The one you dream about when you first fall in love with music.” David also recently suffered a near-death experience that has totally rocked him and Suz Slezak, his wife and bandmate. We ask both Suz and David to reflect on the events and its aftermath. It’s surprising to hear the very different perspectives of how the event changed them both.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

We also go through the new record, which is about dealing with love and mortality in a way that they have been building up to over the course of several albums. It’s some of their best writing on life and death and love. There’s also this really thoughtful relationship with Mexican folk music as American artists. It’s something they’ve been doing since they’ve been a band and it’s done so beautifully on this record. It was so cool to go track by track through the album and great to have our friends David Wax and Suz Slezak back on the pod!

Photo Credit: Anthony Mulcahy

The Travis Book Happy Hour: Cristina Vane

Posted on by Shelby Williamson

I’d been searching for the right guests for the Happy Hour when a couple Instagram posts caught my eye. Two former guests had posted video of Cristina Vane playing the Station Inn in Nashville. I was struck by her distinct presence, slide blues style, and unique voice. Once I dug in I was also intrigued by her history and the path that had brought her to Americana music. I was relieved when she accepted my invite and it took us no time at all to fall into an easy rapport. I hope you enjoy this interview as much as I did.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

This podcast is an edited distillation of the full-length happy hour which aired live on July 28th of 2021. Huge thanks to Cristina Vane and Mike Ashworth.

Timestamps:

0:05 – Soundbyte
1:15 – Introduction
2:32 – Bill’s introduction
3:50 – “Gentle on My Mind”
7:10 – Mike & Travis rap about John Hartford
8:00 – Monologue
10:03 – “I Will Lead You Home”
13:05 – Interview w/ Cristina Vane
29:34 – “Prayer for the Blind”
32:00 – “Heaven Bound Station”
34:06 – Interview w/ Cristina Vane
49:51 – “Rise Sun”
52:50 – “Talk About Suffering”
55:00 – “Make Myself Me Again”
58:20 – Outro

Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville, NC.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Basic Folk – Alice Howe & Freebo

Posted on by Shelby Williamson

Tracking with her brand, “an old soul inside a 30-something millennial,” Alice Howe’s latest was recorded at FAME Studios in Muscle Shoals, AL. Although the legendary studio has seen massive icons like Aretha Franklin, Wilson Pickett and Etta James recording their biggest hits, the building itself is quite unremarkable. Regardless, Alice was able to soak up the incredible vibe that ugly wood-paneled space offers over the course of the recording sessions, which was done in two parts. Freebo, her frequent collaborator and bassist, helmed the production and joined us for this interview. The two gave some insight into the way they communicate and how that works itself out in a studio setting.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

We dig into some of the songs on the new record Circumstance, including “What About You,” which comes along with a music video featuring some very playful sides of Alice, including some very femme scenes of her at the pool and on the beach. We got into an interesting discussion of different ways women portray themselves in music, using Bonnie Raitt and Linda Ronstadt prototypes. Not sure if we reached a consensus, but I enjoyed getting into it! We also get into how Freebo is a goofball AND a cool-guy scholar and how those traits translate into his and into Alice’s music. And we leave some space for Alice and Freebo to fawn all over Freebo’s former collaborator, Bonnie Raitt, and her recent Song of the Year award at the 2023 Grammys. It’s always so fun to talk to Alice (who was also on episode 72!) and we have a doubly good time with Freebo. Enjoy!

Photo Credit: Jim Shea

The Show On The Road – Courtney Marie Andrews

Posted on by Shelby Williamson

This week, we call into Nashville to speak to one of the preeminent and most prolific singer-songwriters of our time, Courtney Marie Andrews.

LISTEN: APPLE PODCASTS • SPOTIFY • STITCHER

Born in Arizona, Andrews first started singing at Phoenix-area karaoke bars with her mom before setting out to see the country in Greyhound busses as a teenager, finding a place in bands like Jimmy Eat World with her signature high-aching voice and talent on guitar and piano. Writing in fiery spurts (she mentions on the taping that 30 new songs emerged just last month), Andrews has put out eight records and counting, beginning with 2008’s Urban Myths and culminating in 2022’s lush and cautiously hopeful Loose Future. “These Are The Good Old Days” finds her trying to be present in a world of relentless distraction and hidden pain — and while the chord changes and harmonies harken back to 1950s girl group vibes, there is always a searching, aching energy roiling underneath.

If you feel like you missed out seeing touchstone genre-defying singers like Linda Ronstadt and Emmylou Harris in their 1970s roots-pop prime, fear not: it can be argued that Andrews is leading the newest wave of honey-voiced performers who just happen to be writing the most honest, heart-stopping work in the expanding Americana universe. Many first heard her with the acclaimed, gorgeously direct Honest Life in 2016 which helped develop her following, especially in Europe, and the mournful and cathartic Old Flowers which earned her a 2020 Grammy nomination for Best Americana Album.

We all go through painful breakups and have to learn how to process the fallout. But what Andrews can do with the thorny moments most of us would want to forget, may be her superpower. “I’m not used to feeling good,” Courtney Marie Andrews sings with a weary smile on “Change My Mind” towards the finale of Loose Future. And yet, as she penned many of these timeless tunes in a small cabin on Cape Cod during the height of the lockdowns, sometimes realizing that you can be happy after all is that big first step that can get your future to start opening up.

Photo credit: Alexa Viscius

Basic Folk – The Tallest Man on Earth

Posted on by Shelby Williamson

Kristian Matson grew up in the Swedish countryside and came to be The Tallest Man on Earth in the country’s diverse and low-key music scene. He often speaks of his weird little brain and a wild imagination, which actually stems from a heap of anxiety that he lives with everyday. Growing up, he struggled to tamp down his high-energy, especially in a culture that encouraged everyone to not stand out or draw attention to themselves. When he discovered the guitar, it felt like he found a vessel to harness all his energy, creativity and imagination. As a teenager, he found solace in the music of Bob Dylan, which led him to discover other American folk artists like Woody Guthrie and Pete Seeger. His world opened up when he found guitarists that used open tunings like Skip James and Nick Drake.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

His new album Henry St. was written and created in the aftermath of the pandemic. Kristian struggled with writing in forced solitude and found himself focusing too much on darkness. His inspiration returned when he finally got back on tour, where he began writing non-stop due to being back in motion and around other people. Human connection fueled the new album, which was produced by Nick Sanborn of Sylvan Esso in North Carolina. The two musicians’ similarities create a beautiful chemistry on the new record, which is the first complete band album recorded by Tallest Man on Earth.

Photo Credit: Stephan Vanfleteren

The Travis Book Happy Hour: Tim O’Brien

Posted on by Shelby Williamson

Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Brevard, NC, and is brought to you by Americana Vibes and The Bluegrass Situation.

Tim O’Brien has always been one of my biggest influences. I love his voice, his playing, and his writing. His album Red On Blonde was his tribute to Bob Dylan and it scored him a Grammy nomination. As a member of the legendary bluegrass band Hot Rize, he spent the 80’s traveling and playing, honing his craft. His record Fiddler’s Green is one of my favorites. I was humbled when he agreed to join me for the happy hour and the show was a career highlight for me. I hope you enjoy it. Huge thanks to Tim O’Brien, Jan Fabricius, Tommy Maher, Thompson Guitars, Americana Vibes, and The Bluegrass Situation.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

Timestamps:

0:06 – Soundbyte
1:00 – Introduction
2:55 – “Rise Sun”
5:38 – “Monologue”
8:58 – “I’m Not Alone”
15:00 – Interview 1
31:42 – “Workin’ On A Building”
35:25 – “Untold Stories”
38:40 – “More Love”
44:07 – “Brother Wind”
48:38 – Interview 2
1:06:26 – “When You Pray Move Your Feet”
1:11:11 – “I’m Nervous”
1:14:30 – “I’m Not Afraid of Dying”
1:19:32 – Outro

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Scott Simontacchi

The Show On The Road – Devon Gilfillian

Posted on by Shelby Williamson

This week, we feature a talk with genre-leaping singer-songwriter Devon Gilfillian who is back with a remarkable new LP, Love You Anyway. Shapeshifting between danceable southern soul, hip-hop, silky R&B, and AM gold rock ‘n’ roll, the record isn’t afraid to confront the thorny politics of voting rights and wrongful incarceration while still celebrating a newly revolutionary Black joy.

LISTEN: APPLE PODCASTS • SPOTIFY • STITCHER

Raised in Philadelphia and now based in Nashville, Gilfillian was so inspired by socially-conscious soul icons like Marvin Gaye that he used his time in the darkness of 2020 to release two albums: first the fiery Black Hole Rainbow which became a critical hit, and then a new take on What’s Going On, which raised funds for low-income communities of color, and provided resources and education around the democratic process.

Taking a cue from the lush production of 1970’s Stax and Motown, the new LP leads with the joyous “All I Really Wanna Do,” inviting us onto a cosmic journey of discovery and continues with the playful, sultry “Brown Sugar Queen,” a Prince x Anderson Paak super-sized jam that features rising Swedish pop star Janice.

Photo credit: Emmanuel Afolabi

Basic Folk – William Prince

Posted on by Shelby Williamson

William Prince spent a long time recording his debut album. By the time Earthly Days was released in 2015, Prince had lived a lot of life and was ready for the sort of instant stardom that would throw a lot of emerging singer-songwriters for a loop. A number of extraordinary things happened followed the release of Earthly Days: the song “Breathless” was a hit on the Billboard adult contemporary music charts, Prince won the Juno Award for Contemporary Roots Album of the Year, and he toured the hell out of the record for several years, opening for artists like Neil Young. This extended tour gave him the opportunity to basically perfect his live set in a way many new artists don’t get to.

LISTEN: APPLE • SPOTIFY • STITCHER • AMAZON • MP3

William has gone deeper and deeper and deeper with subsequent releases. He describes love and loss and self and community and fear and courage with universal appeal on 2020’s Reliever. He reinterprets the orthodoxy and aesthetics of his Christian upbringing through an indigenous lens on Gospel First Nation. He synthesizes varied traditions and flexes impressive vocal chops almost casually.

William’s new record, Stand In The Joy, comes out April 14th on Six Shooter Records, and it is a catchy, ambitious testimony about the power of love and hope. Talking about the album with William gave me the chance to ask him about his evolving spirituality, the tension between tradition and trendiness in roots music, how the loves of his life change how he shows up as a performer, what it’s like to work with superstar producer Dave Cobb, and what freedom looks like from a Peguis First Nations perspective.

Photo Credit: Joey Senft