LISTEN: Zoe Guigueno, “Shoreward”

Artist: Zoe Guigueno
Hometown: Brooklyn, New York
Song: “Shoreward”
Album: Secret Admirer
Release Date: June 5, 2020

In Their Words: “This song is about nature stopping us in our tracks; it’s about not taking our resources or way of life for granted. Taylor Ashton wrote the lyrics and I wrote the music — originally it was a commissioned piece for his grandparents, about the fishing industry in Newfoundland. In the current global situation, however, we can ask the same questions: Do we push forward, or do we wait out the storm that forced our boats shoreward?” — Zoe Guigueno


Photo credit: Josh Dolgin

LISTEN: Mary McGuinness, “Farewell”

Artist: Mary McGuinness
Hometown: Long Island, New York
Song: “Farewell”
Album: Prodigal
Release Date: May 8, 2020
Label: DesertStrandMusic

In Their Words: “’Farewell’ came out of a period of time when I lost a lot of people around me. Especially the death of one good friend hit me hard, and I wrote this song about him. We’ve all realized during these challenging times how quickly life can change. And how precious every moment truly is.” — Mary McGuinness


Photo credit: Mackenzie Breeden

BGS 5+5: Roger Street Friedman

Artist: Roger Street Friedman
Hometown: Sea Cliff, New York
Latest album: Rise
Personal nicknames: Rog, RSF
Rejected band name: Roger and The Rainmakers

Which artist has influenced you the most … and how?

There are so many… but in terms of songwriting I would say the most potent influence has to be Paul Simon. I am in awe of his ability to convey large swaths of meaning in one or two sentences. That combined with his sense of melody and the production value of his records. Just incredible. I strive to write meaningful songs and aspire to the kind of concise clarity he brings to his writing.

What’s your favorite memory from being on stage?

In September of 2018 we played The Guthrie Center in Great Barrington, Mass. It’s a theater that was built in an old church. It’s actually the famous church from the song “Alice’s Restaurant” by Arlo Guthrie. Anyway, it’s a beautiful theater and very quiet with great acoustics. We played it as a trio with acoustic guitar, upright bass and fiddle/keyboards. The encore was the song “Rise,” which is of course the title track from the new record. It’s a song about hope… the hope that we can rise above our petty differences and make a better world. When the chorus came I asked everyone to sing along, and all of those voices singing in that old church was a religious experience for me. I had the chills actually. I’ll never forget that night.

What was the first moment that you knew you wanted to be a musician?

I had pursued a career in music early on. I worked in a studio and was recording other people’s songs as well as my own demos… and then my life took a left turn and I wound up in a career completely unrelated to music. Sometime after my daughter was born in 2006 I wrote a song for her and went into a friend’s studio to record it just for posterity. While I was strumming the guitar and singing into the microphone, I felt like I was in one of those movies where the world goes from black-and-white to color. I had forgotten how much I loved making music and the acts of writing, performing and recording music. I had an epiphany right then and there that I was meant to be a musician. I think I had always known this, but I’d just forgotten for a couple of decades!

What’s the toughest time you ever had writing a song?

When my father was in his early 80s he developed Parkinson’s disease. He fell a few times and wound up in a rehab facility where I would go to visit him. One evening when I arrived he was sleeping peacefully. He had grown a long white beard and that evening as he slept he had an almost Buddha-like expression on his face. I wound up sitting there for about two hours with him and then had to leave before he woke up. I felt bad because I didn’t want him to think no one had visited so I left a note on his side table.

When I got home I started a song called “You Are Not Alone” which is on my first album, The Waiting Sky. I wrote the first verse and chorus in one sitting but couldn’t figure out what came next. It wasn’t until after he passed away that the rest of the song came to me. It wound up being about the last night we were with him in the hospital. It was a very difficult song to write emotionally, but also very cathartic to finish.

Which elements of nature do you spend the most time with and how do those impact your work?

I love being out in nature — we love hiking as a family and do lots of walks in the woods. I also ride a road bike and there are lots of two-lane “country” roads in the part of Long Island where we live. We are on the North Shore of Long Island so there are many spots where I go to be near the water. I use a lot of nature metaphors in my songs, from the wind to the stars to the sea… nature really does inform a lot of my writing.


Photo Credit: Drew Reynolds

LISTEN: Christina Courtin, “Life So Far”

Artist: Christina Courtin
Hometown: Buffalo, New York
Song: “Life So Far”
Album: Situation Station
Release Date: April 10, 2020
Label: In a Circle Records

In Their Words: “‘Life So Far’ comes from a place of throwing your hands up in the air and saying, ‘I’ve have enough’ and making things up as you go. There is a lyrical undercurrent of things not ever being good enough, and a musical relentlessness that is not unlike our everyday lives. The lyric, ‘Feelin’ pretty good about life so far’ leaves space for the listener to wonder why it’s only, ‘Pretty good.’ Clearly there are still so many things that are not good, but life goes on with or without all of us. I guess it’s my version of a joke/sarcasm. I suppose I am too young to feel this way, as life has many more twists and turns in store, but it felt good at the time to write a song in this vein.” — Christina Courtin


Photo credit: Austin Nelson

LISTEN: The Mammals, “Radio Signal”

Artist: The Mammals
Hometown: Woodstock, New York
Song: “Radio Signal”
Album: Nonet
Release Date: March 27, 2020 (single); May 22 (album)
Label: Humble Abode Music / Soundly

In Their Words: “The day of the 2017 Charlottesville riot I got a text from our friend, Vern, reading: ‘PLEASE for the song that kills fascists.’ ‘Radio Signal’ was written in the next 10 minutes. Where is the hope in our twisted culture? Bob Dylan says it’s in the wind. Daniel Quinn described a sacred ‘blaze of life’ that connects all things. Pete Seeger showed us the power of many people making small contributions: the ‘tea-spoon brigade.’ Each verse of ‘Radio Signal’ is a nod to one of those three great teachers, melodically informed by the beautiful old folk song, ‘Shenandoah,’ and transformed into the anthemic rock song we share with you today. ‘And I roll, and I roll, down the backroads of my soul. Lookin’ for light like a radio signal…'” — Mike Merenda, The Mammals


Photo credit: Tom Eberhardt-Smith

LISTEN: The Nine Seas, “I Never Will Marry”

Artist: The Nine Seas
Hometown: Brooklyn, New York
Song: “I Never Will Marry”
Album: Dream of Me
Release Date: April 3, 2020

In Their Words: “I learned this song from a Joe Val & the New England Boys album. Joe’s version is faster and surprisingly upbeat, which is how I was originally playing it. When I played the song for Fiona on guitar, she soon worked it into our slower, more mournful version, which seems to be much more in line with the heartbreaking lyrics.” — Liz Tormes

“When Liz played me this song I thought it was so beautiful, so evocative and sad. I slightly reharmonized the chords to make them more ambiguous and I put it in 6/8 tempo so it sounded more of a lullaby/lament. I’d never heard the Joe Val version, but once Liz sang the song to me, with its tragic, desperate lyrics, I knew I could never hear a man sing this song again.” — Fiona McBain


Photo credit: Dave Doobinin

WATCH: Brian Dunne, “Harlem River Drive”

Artist: Brian Dunne
Hometown: Brooklyn, New York
Song: “Harlem River Drive”
Album: Selling Things
Release Date: April 10. 2020

In Their Words: “‘Harlem River Drive’ is a song about contentment and the things that stand in the way of it. It was born out of this feeling of being forever stuck on the precipice of something big, ultimately driving you to the edge of your sanity. That’s what the song is about to me; missing the present — either in anticipation of the future, or in romanticism of the past — and the consequences that come along with that. But there’s resolution in the song. I do believe there is hope for us yet, or something like that.” — Brian Dunne


Photo credit: Adam Gardner

LISTEN: Puss N Boots, “You Don’t Know”

Artist: Puss N Boots (Sasha Dobson, Norah Jones, Catherine Popper)
Hometown: Brooklyn, New York
Song: “You Don’t Know”
Album: Sister
Release Date: February 14, 2020
Label: Blue Note Records

In Their Words: “Puss N Boots is a band that inspires me. When we get together to play I want to write songs with us in mind. ‘You Don’t Know’ is one of those songs I could imagine doing with Sasha and Cat while I was writing it. The way Sasha plays this kind of slow country groove on the drums is one of my favorite things and the way our harmonies slink in and out is exactly how I pictured this song working.” — Norah Jones, Puss N Boots


Photo credit: Danny Clinch

BGS 5+5: Ron Pope

Artist: Ron Pope
Hometown: Nashville, Tennessee
Latest album: Bone Structure (March 6, 2020)

Which artist has influenced you most and how?

Springsteen has always been my North Star. First of all, he’s a band guy in solo artist’s clothes. I’ve always felt the same way; I meant to be in a band of equal partners (and that’s how I started), but in the end, I was unwilling to cede the control necessary to do that forever if I was going to have to do the lion’s share of the work. That was a tough thing for me to admit to myself, but I figured it couldn’t be that wrong if Bruce did it.

I guess it was also coming from that same kind of blue-collar background and trying to tell the stories of how real people around me were living their lives. Bruce showed me that a songwriter could reflect the world they came from and represent those who would otherwise go unrepresented. I never had to learn that, because he was doing it before I was born; I’ve always known that was possible.

What’s your favorite memory from being onstage?

The first time we played at Irving Plaza in New York my grandparents happened to be in town. They hadn’t seen me play in years. The last show they’d attended was at a shady club in Miami where there were maybe six paying customers and we’d been instructed by the management to pay some tweaker named “Speedy” to watch our van. At this sold-out show in New York with over a thousand people in attendance, my grandparents were pretty wide-eyed. At some point during the show, I called them out and had a spotlight thrown into the balcony. The whole crowd went wild. I’ll never forget my grandmother standing up there waving down at the crowd like the queen. My grandpa (who is not an easy man to impress) was very stoked. I’ve never been happier on stage than in that moment.

What other art forms inform your music?

I am constantly reading. I can’t imagine attempting to be a writer if you’re not an avid reader. I have to put words in to get words out. Recently, I’ve been on an autobiography kick. I just finished Elton’s. Now I’m reading Presidents of War. Thinking about rereading On The Road next.

If you had to write a mission statement for your career, what would it be?

My philosophy is simple: Just don’t stop. When everyone around you quits, just keep on going and eventually, you’ll get where you’re hoping to go. When I was starting out, I wasn’t the best musician in my social circle (not by a mile), but as each of them decided it was too hard to keep going, I refused to surrender. That’s what made the difference.

What is your dream pairing of a meal and a musician?

My wife and I do a silly cooking show on Instagram that we’ve dubbed “Frankie’s Test Kitchen.” (In theory, we’re teaching Frankie, our twenty-month old, how to cook; in practice, she just tries to eat fistfuls of flour and chases the dog.) We always want to have our musician friends over, but it’s rare that any of us are in town at the same time. In 2020, I’d like to find one day where I can get everyone to the house all at once and do a big Sunday supper like my grandma used to do, with my homemade meatballs and red sauce.

Everyone who’s ever gotten a dinner invite to my house could come (including Lilly Hiatt, Lauren Morrow, Michaela Anne, Katie Schecter, Kirby Brown, the Trotters from The War and Treaty, Struggle Jennings, Caroline Spence, Alanna Royale… I could do this all day; I’m forever inviting people to dinner at the house). So rather than some dream pairing where I make coq au vin for Jimi Hendrix, I just want all these people who I know and like to come eat a dish that usually makes people smile. And if you happen to talk to them, somebody tell Bruce and Patti we’re saving them two seats!