Tag: premiere

LISTEN: Stephen Flatt, “White County Shine”

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Artist: Stephen Flatt
Hometown: Nashville, Tennessee
Song: “White County Shine”
Album: Cumberland Bones
Release Date: April 16, 2021
Label: Flatt Family Music

In Their Words: “My grandparents and great-grandparents resided in White County, Tennessee, specifically Sparta. My great-uncle Lester Flatt and his family also lived in White County/Sparta, not far from my great-grandparents (his brother and sister-in-law). They were a close family and often worked odd jobs together, like working at the sawmill, before Lester struck out as a musician. I doubt Lester was involved in any of the moonshine activities that might have occurred on my side of the family tree, so I’d hate to drag his name into that. Lester was a staunch teetotaler, probably partly due to witnessing the effects of alcohol on friends and family members.

“Although ‘White County Shine’ is a semi-fictional account, it is a very real reflection of my family, my grandfather, the very real mountain moonshine culture, and the potential byproducts that come along with that dark spot of the mountain lifestyle. When the song says, ‘He lost all his money, but he never lost his high,’ that’s real and raw and it’s about my grandfather. I would venture to say that although the song is upbeat and jovial, it probably brings up some bad scars for my dad and my uncles when they hear it. I thought about this as really a generational thing, with generational impacts.

“I went camping with my cousin once on Bon Air Mountain, and he brought a jar of moonshine. When he woke up the next morning, he took a big pull off the shine and exclaimed, ‘You gotta have a shot before breakfast!’ Later, I wrote ‘White County Shine’ with the lyric ‘a shot before breakfast will always do you right’ in the chorus. This song features some of my friends and bluegrass greats, with Charlie Cushman on banjo, Deanie Richardson on fiddle, Justin Clark on mandolin, Steve Hinson on Dobro, Kenny Vaughan on the flattop, and Ronnie Bowman adding some amazing harmony. The song is a fun and entertaining romp!” – Stephen Flatt

Photo credit: Flatt Family Music

LISTEN: Acoustic Syndicate, “Sunny”

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Artist: Acoustic Syndicate
Hometown: Shelby, North Carolina
Song: “Sunny”
Release Date: April 9, 2021
Label: Organic Records

In Their Words: “‘Sunny’ is one of those things that’s been on my ‘list of things to finish’ for quite some time. Based on an idea for a short story that I was working on some years ago, it’s a discussion about love, coping with loss, hope, and ultimately, redemption. I’ve been carrying that melody around in my head for years and finally got lucky enough to find the right words to go with it. The tune was one that I was kinda holding in reserve for a possible solo project at some point. After putting it together and sharing with the other fellas, they were all in to record it. The piano (Brian Felix) and violin (Lyndsay Pruett) were part of the original idea, and it was such a pleasure to watch it materialize in the studio on a super solid track by Fitz, Bryon, and Jay. Being back in the studio after seven years has been a real treat. I love the process of recording, and I have missed it very much. Our engineer, Clay Miller, is a ‘steely eyed missile man’ and has the patience of Job! He makes the recording process an absolute joy. I’m so grateful and honored to be making new music with these dudes again.” — Steve McMurry, Acoustic Syndicate

Photo credit: Sandlin Gaither

LISTEN: Chris Cain, “Can’t Find a Good Reason”

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Artist: Chris Cain
Hometown: San Jose, California
Song: “Can’t Find a Good Reason”
Album: Raisin’ Cain
Release Date: April 9, 2021
Label: Alligator Records

In Their Words: “We recorded the Raisin’ Cain album at Kid Andersen’s Greaseland studio and I just had the changes to this song. Before we left Greaseland I said, ‘We’ll just record this one real fast and we’ll see what I can do with it later.’ Greg Rahn (keys) said, ‘Does this have a bridge?’ It didn’t, yet, so I just made one up real quick. We recorded the music to it and I added the intro to it that it has on there. When I got home I wrote the lyric based on personal stuff that you just store up in your mind and recorded the vocals the next day at Greaseland. Kid and I were in there and I added the vocals with the lyric I just wrote. I get to the part that goes ‘It really is nobody’s fault, we both tried hard to make it, but as hard as we try, we end up having to fake it.’ There’s a big blank spot right there and I told Kid, ‘Wait, I gotta write more words to it.’ Kid said, ‘Why don’t you just put whoa whoa whoa whoa, right there.’ I did and that’s how it turned out. I really wasn’t just trying to fake it.” — Chris Cain

Photo credit: Marilyn Stringer

LISTEN: The Pink Stones, “Put Me On”

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Artist: The Pink Stones
Hometown: Athens, Georgia
Song: “Put Me On”
Album: Introducing…The Pink Stones
Release Date: April 6, 2021
Label: Normaltown Records

In Their Words: “‘Put Me On’ is a song I wrote a little while back, but it’s still a tune that I love a lot. It’s a pretty straightforward country tune about making yourself sick over someone, trying to get to them, and then realizing that all the signs had really been telling you to turn around and go the other way the whole time. We had some fun with this one in the studio, too. Used some groovy amps, had our buddy Jessica Thompson come in sing with me, and Wandy really got to have some fun on the B3.” — Hunter Pinkston, The Pink Stones

Photo credit: Taylor Chmura

LISTEN: The Rev. Peyton’s Big Damn Band, “I’ll Pick You Up”

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Artist: The Rev. Peyton’s Big Damn Band
Hometown: Nashville, Indiana
Song: “I’ll Pick You Up”
Album: Dance Songs for Hard Times
Release Date: April 9, 2021
Label: Thirty Tigers

In Their Words: “Well, this song goes out to anyone that drives or has ever driven a POS car. Of all of the songs on the record, this one probably has the most ‘rural’ subject matter, but it’s the most complicated in its vocal layers, and in my mind I wanted to layer it like a Stax records song from the ’60s. It starts with my thumb on the bass, and I wanted my slide guitar and my harmonica to come in together like a horn section. Breezy and Max worked really hard to get the strange vocal layering I came up with to really work in the choruses. And the beat that Max plays is straight ’60s R&B.” — Rev. Peyton

Photo credit: Tyler Zoller

WATCH: Cha Wa, “My People”

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Artist: Cha Wa
Hometown: New Orleans, Louisiana
Song: “My People”
Album: My People
Release Date: April 2, 2021
Label: Single Lock Records

In Their Words: “The message I am trying to send with the ‘My People’ music video is based on ancestral recall. This is a phenomenon where people consciously or subconsciously draw on the experiences and lives of their ancestors to perpetuate a certain lifestyle or culture. I am also trying to give the viewer an idea of the different spirits that dominate New Orleans. These are represented by the various elements of New Orleans culture shown, such as the Skull and Bone Gang, the Mardi Gras Indians, and the brass band.

“In this video, I juxtapose the origin story of the Mardi Gras Indians with the present day representation of our Black and Native American hybrid culture. Historically, many Black people who escaped slavery in South Louisiana were taken in, guided to safety, and hidden from slavecatchers by sovereign Native American tribes. From the natives, they acquired new customs, language, and dress, and meshed them with African masking traditions. This not only provided immediate freedom from captivity for the people who escaped, but also would eventually provide an avenue for the Black people of New Orleans to feel free on carnival day despite not being allowed to participate in the official Mardi Gras celebrations. (Read more below the player.)

“Brass bands in New Orleans also represent freedom, as they are the centerpiece of second lines. Second lines are long parades that involve high-energy dancing and music, free of cost to anyone who wants to show up. They happen every Sunday, and for many people, no matter how terrible their week might have been, second lines provide a space where they can dance, rejoice in the music, forget about their troubles for a little bit, and feel free. This is a tradition that dates back to the days of the drum circles at Congo Square, where only in New Orleans, Black enslaved people were allowed to play drums, sing, and dance however they wanted.

“The Skull and Bone Gang’s purpose is to warn people of impending danger to their lives. The idea is that they are there to remind people to lead a good and safe life, or they will be the next to die. What better spirit is there to relay the message than a dead man walking? All of these spirits, plus many more are constantly working in New Orleans to make it what it is. Mardi Gras day is just when they all come out to play.” — Aurelien Barnes, video producer/vocalist, Cha Wa

“In a society that is divided by so many things, ‘My People’ reminds us that no matter who you are — rich or poor, big or small — we’re all in this together as humans. Cause one day we gon’ all be in the same boat.” — Joseph Boudreaux Jr, vocalist, Cha Wa

Photo credit: Zach Smith

LISTEN: Sinner Friends, “Unforgivable You”

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Artist: Sinner Friends (Grace van’t Hof and Conner Vlietstra)
Hometown: Detroit, Michigan; Johnson City, Tennessee
Song: “Unforgivable You”
Album: Sinner Friends Miss You (The Quarantine EP)
Release Date: April 1, 2021
Label: Bigtone Records

In Their Words: “When Sinner Friends cut bluegrass, we do it like our heroes did: everyone is in one space, there are no separate vocal tracks, we don’t overdub solos, and the result is a snapshot of one vital moment. Like Page Ross’ lyrics, ‘Unforgivable You’ is raw and compelling. It weaves the messy web of a breakup followed by a one-sided attempt at reconciliation which, by the end, has the listener questioning the boundaries of the narrator’s tenacity. It’s clear that our protagonist has turned antagonist and his love interest would “rather that [he] stay away.” Sentimentality swirled with confusing choices is Sinner Friends’ favorite flavor, and this song is a savory example. We were privileged to be joined on this session at Bigtone Records by Josiah Nelson on fiddle and Max Etling on bass.” — Grace van’t Hof and Conner Vlietstra, Sinner Friends

Photo credit: Billie Wheeler

LISTEN: Korby Lenker, “All in My Head”

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Artist: Korby Lenker
Hometown: East Nashville
Song: “All in My Head”
Album: Man in the Maroon
Release Date: May 21, 2021
Label: Grind Ethos

In Their Words: “‘All in My Head’ is the first track on my 8th studio album, Man in the Maroon. It’s about a depressed person who entertains the idea that maybe there’s a different perspective out there. I wrote it last spring over several nights while jogging through my neighborhood in East Nashville. The outings happened to coincide with the Nashville 8 o’clock howl, a typically quirky East Nash neo-tradition where for the first several months of the pandemic, people would stand out on their porch every night at 8 and just go crazy. I heard the howling, in the distance mostly, before I ever knew what it was, and after a few nights, I started joining in. Just yelling at the top of my lungs. Purging that threatening despair that seemed to be everywhere, inside and out. Later, when I was recording the song, I posted on social media, asking if anyone knew who started it. In no time I was sitting over coffee with the founder herself. She put me in touch with some of the howlers… if you listen closely, after the bridge you can hear a few of the more choice examples of the East Nashville 8 o’clock howl.” — Korby Lenker

https://soundcloud.com/user-747568408/all-in-my-head/s-Hjv7RcuUYYF?in=user-747568408/sets/man-in-the-maroon//s-0dkClBhP9E3

Photo credit: David McClister

WATCH: Johnny Chops, “Trouble with the Truth”

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Artist: Johnny Chops
Hometown: Austin, Texas
Song: “Trouble with the Truth”
Release Date: April 2, 2021 (Single)
Album: Yours, Mine and the Truth EP
Label: Johnny Chops Music

In Their Words: “One September morning in 2019, I got up early, before the dogs or my wife were awake, grabbed a cup of coffee and sat down in my writing room. This song fell out of the sky into my lap and was basically written in about an hour. It’s a departure from most of my material and some of the ‘songwriting rules’ I usually stick with. It isn’t a sing-along or an anthem, but more of a lament. I think of it as a sad little poem. Aside from my vocals and acoustic guitar, the rest of the track is producer and multi-instrumentalist David Abeyta. He put a lovely finish and a beautiful solo on this song.

“While I was writing the video treatment, I wanted to lean in to that lonely feeling by filming in some dark and bleak locations. I came across these dramatic spaces by researching abandoned buildings on YouTube and was lucky enough to contact the property owners through the Mineral Wells Chamber of Commerce and get their permission to film. The video wouldn’t have the same visual depth or resonance without their assistance and patience. I also have to give some extra credit to the camera expertise of my DP, Brian Monnone (Big Flavor Films) for helping to capture the atmosphere of the song, as well as braving some structurally questionable locations. Creating this story has been an exciting exploration into videography, film and screenwriting. I have been telling tales through song for almost 20 years, so it’s an exciting next chapter that I hope to pursue more in the future.” — Johnny Chops

Photo credit: Brandon Aguilar

WATCH: Cole Quest and The City Pickers, “The Bitcoin Gambler”

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Artist: Cole Quest and The City Pickers
Hometown: Brooklyn, New York
Song: “The Bitcoin Gambler”
Album Title: Self [En]Titled EP
Release Date: April 16, 2021
Label: Omnivore

In Their Words: “As a software engineer by day, a folk musician by night, and someone who lost a chunk of money in the Bitcoin crash of 2018, I felt I had a unique connection to this modern day dilemma. I wanted to write a song that would show the parallels of this moment to the gambling sagas folks have been telling for hundreds of years. First came the melody line written on guitar, and the rest of the song wrote itself in a matter of minutes. As the band laid down the tracks, I fell in love with the ending of the recording. You can hear how each musician found their own wonderfully unique voicing to this melody. As I was writing the song, I found myself reflecting on things that are important. Surely, gambling a few dollars was nothing to worry about, especially in contrast to the problems created by an ill-equipped fool in the White House.” — Cole Quest

Photo credit: James Salzano