Basic Folk – Adia Victoria

For Adia Victoria, the blues are not just a genre of music or a set of formal elements. She lives the blues. In her life and work the blues are a mode of creating, a river-tradition into which she steps with each performance, and a way back into self-acceptance. Adia has traveled the world and infused her unique songwriting with Paris and New York as much as with her home state of Tennessee.

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Adia has released three studio albums, working with producers like T Bone Burnett and The National’s Aaron Dessner. In her climb to indie stardom she has remained laser focused on interpreting the blues tradition for contemporary audiences.

My conversation with Adia came shortly after we finished a whirlwind North American tour this spring, and it felt like we were back in the tour van just shooting the shit. Transparent and hilarious, Adia challenged me to go as deep in conversation as she does in her songs.


Photo Credit: Huy Nguyen

LISTEN: The Lone Bellow, “Gold”

Artist: The Lone Bellow
Hometown: Nashville, Tennessee
Song: “Gold”
Release Date: July 21, 2022
Label: Dualtone Music Group

In Their Words: “‘Gold’ is written from the perspective of someone lost in the opioid epidemic. My hometown, like so many small towns, has a quiet war going on just below the surface that no one wants to talk about. ‘Main Street on the auction block’ is my way of saying this. ‘It’s in my blood, it’s in the water, it’s calling me still, I could leave, I know I should, but there is gold in those hills.’ He’s saying he’s addicted, and there’s small-town love and beauty and life happening right next to this war. ‘True love found in parking lots.’ Have y’all ever had nowhere else to hang except for a parking lot? I know I did, and it started so innocent. Like Hal Ketchum said in ‘Small Town Saturday Night,’ ‘…gotta do bad just to have a good time.’ We tried to pick up where they left off. Where could that small town Saturday lead? And what’s it look like right now.” — Zach Williams, The Lone Bellow


Photo Credit: Eric Ryan Anderson

WATCH: Jerrod Atkins, “Start at the Beginning”

Artist: Jerrod Atkins
Hometown: Birmingham, Alabama
Song: “Start at the Beginning”
Release Date: July 29, 2022

In Their Words: “This one is about accepting how important it is to take one step at a time and realizing how unpredictable and irreversible life is. Originally, I started writing it at a friend’s house on her sister’s guitar. I went home and worked it out on the only guitar that I knew was meant for me the moment I played it. ‘Rachel’ is a ‘59 M-2 Recording King I picked up on a work trip from Gruhn Guitar in Nashville. I definitely knew it would really shine and was the only one for the video after seeing the location. I’ll be releasing my first solo album later this year and it seemed very fitting to have this song as the intro track, which will be a studio version. This version was recorded live at a historical abandoned building in Avondale, Alabama, by Jordan Hudecz.” — Jerrod Atkins


Photo Credit: Jordan Hudecz

LISTEN: Matthew Barber, “No Singing or Dancing”

Artist: Matthew Barber
Hometown: Toronto
Song: “No Singing or Dancing”
Album: No Singing or Dancing
Release Date: July 22, 2022
Label: Outside Music

In Their Words: “The title came from a proclamation by the city of Toronto sometime during the early stage of the pandemic in 2020 that temporarily forbade these activities at public gatherings. The starkness of this message really struck me and it immediately felt like the title of a song I had to write. Up until then I had been thinking about the lockdown as a medical matter — people were getting sick from a highly infectious virus and we had to avoid contact with one another. But seeing the words ‘no singing or dancing’ led to the unsettling realization that certain activities were more likely to result in spreading the virus than others, and the worst activities were the ones that my livelihood as a musician depended upon! I started to see the wider cultural implications and how they disproportionally affected cities. The city loses a lot of its appeal if you take away all the bars and restaurants and theatres and sports arenas. Ultimately the song is hopeful that this is merely a storm we have to weather and the singing and dancing and merriment will return. It seems to be, slowly, but some things will never quite be the same.” — Matthew Barber


Photo Credit: Ian Lake

Artist of the Month: Angel Olsen

Angel Olsen has long written in such a way that the listener is drawn in. On Big Time, that’s especially true. With a hushed tone that contrasts with some of her synth-driven work, these songs feel intimate, confessional, and relatable. She recorded the project with co-producer Jonathan Wilson in Topanga, California, while still reeling from a couple of major life moments. First, coming out to her parents at age 34. Second, the death of her father three days later. And third, the loss of her mother just weeks afterwards. The emotional undercurrent that runs through Big Time is authentic, particularly on “Through the Fires.”

Upon releasing a lyric video for the song, Olsen stated, “‘Through the Fires’ is the centerpiece statement of this record. It’s a song I wrote to remind myself that this life is temporary, the past is not something to dwell on, that it’s important to keep moving, keep searching for the people that are also searching, and to notice the moments that are lighter and bigger than whatever trouble I’ve encountered.”

In our upcoming feature, Olsen enthusiastically tells BGS about her Dolly Parton obsession over the pandemic and how classic country music shaped Big Time. In the cinematic music video for the title track, Olsen channels her own personal and musical history to bring the lyrics to life. More than 80 percent of its cast and 50 percent of its crew identified as nonbinary and non-gender conforming.

The video’s director Kimberly Stuckwisch stated, “For ‘Big Time,’ we set out to celebrate how humans identify and to subvert the old-fashioned gender binary and societal/internalized gender roles of the past through choreography, color, and wardrobe. To exist outside strict definitions is powerful and often not given a place in cinema. This was our chance to hold a positive reflection in the space and to shout to the world that you are more than who you are told to be.

Stuckwisch continued, “‘Big Time’ is what happens when we do not express our true identity but find freedom when we step out of the shadows into our most authentic selves. In the first rotation, the lighting is drab, the clothes are monochromatic, the dance is monotonous…gender-conforming roles present. However, with each rotation, something magical happens, both our cast and Angel begin to come alive, to feel free. We see the clothes brighten, the dance heightens, and the bar that was once devoid of emotion can barely contain the joy bursting out of each individual.”

Speaking with BGS from her home in Asheville, North Carolina, Olsen explains why she loves living in among the mountains. Meanwhile, she’s touring across the U.S. with her equally remarkable friends Sharon Van Etten and Julien Baker on the Wild Hearts Tour. After a stop in Nashville for Americanafest, Olsen heads to Europe for a month’s worth of shows behind Big Time. You can explore her expansive discography with the Angel Olsen AO Mix playlist below.


Photo Credit: Angela Ricciardi

LISTEN: Blake Brown & The American Dust Choir, “Rearview”

Artist: Blake Brown & The American Dust Choir
Hometown: Nashville, Tennessee
Song: “Rearview”
Album: Don’t Look Back
Release Date: September 30, 2022
Label: We Believers Music

In Their Words: “‘Rearview’ is about moving on. It’s about clearing your name, paying your debts (literally and figuratively), and leaving your familiar surroundings. It’s about the next adventure, looking to the future, and not giving a damn what anyone else thinks or has to say about it. I originally wrote the song as a kind of character sketch. I daydreamed up a couple in love that wanted to pack all that they could fit into their bags and hit the road. Turns out months later that couple was my wife and me… I approach most of my songs in a stripped-down acoustic format while thinking about, and coming up with, additional instrumentation throughout the writing process. The slide guitar part and producer/drummer Ken Coomer’s (Uncle Tupelo/Wilco) driving drums are elements that I feel execute the ‘road trip at dusk’ feeling I was aiming to accomplish.” — Blake Brown


Photo Credit: Glenn Ross

WATCH: Plains (Katie Crutchfield and Jess Williamson), “Problem With It”

Artist: Plains (Waxahatchee’s Katie Crutchfield and Jess Williamson)
Song: “Problem With It”
Album: I Walked With You a Ways
Release Date: October 14, 2022
Label: ANTI-

In Their Words: “I’m thrilled to announce this new project and album. I’ve felt a connection to Jess’s songwriting and a kinship with her since we met years ago. Getting to lean into the influence of the music we both grew up with while also making something that feels very current and fresh to me was a great experience and I’m so happy to finally share it.” — Katie Crutchfield

“Making this record with Katie was a deeply expansive experience for me as a songwriter. I really trust her ear and sensibilities, and she encouraged me to explore aspects of my songwriting that in the past I’ve shied away from. Katie’s support was so important for me as we wrote this album. We gave ourselves permission to lean into the music that raised us and write the kind of classic timeless songs that we both grew up singing along to. For me that was The Chicks and Dolly Parton, and having a place to channel those influences was an absolute blast. My hope with Plains was to tap into something universal. I love the album we made, and I’m so excited to play it live.” — Jess Williamson


Photo Credit: Molly Matalon

LISTEN: Wyatt Easterling, “Throw Caution to the Wind”

Artist: Wyatt Easterling
Hometown: Chapel Hill, North Carolina (now Nashville)
Album: From Where I Stand
Track: “Throw Caution to the Wind”
Release Date: July 29, 2022

In Their Words: “I wrote this with Thomas Anderson. It was our first co-write and it felt magical. We wrote it during the summer of 2019 when everyone was exhausted with the headlines. I had this hook and wanted to write a ‘get the hell out of Dodge’ kind of song. I love the carefree view the singer takes about where he and his lover are stuck in their lives and their willingness to chuck it all and go on a life adventure, let the chips fall where they may!

“Thomas and I started this record working off a drum track we put together in the studio with a keyboard bass line for me to put down my guitar track in my home studio: ‘Wyatt’s Woodshed Studio.’ You wouldn’t know it to hear it now on the album, but we began calling this track our red-headed stepchild. It took three attempts to get the right tempo, the right vibe on the electric guitar. We tried everything from too twangy, to too slick, and settled on the almost-Bakersfield vibe we have now. We didn’t set out to meet any genre but instead tried to stay out of the way and let the song lead us.

“Ultimately I took Mike Rosado, my drummer, and along with Thomas we went to County Q in Nashville to cut live drums with Jimmy Carter on bass. That’s when we started to feel more comfortable about the vibe, the direction, and the overall picture of the track. Mixing was another ‘get the stubborn mule in the barn’ moment! At first, I was a little timid about rocking it too much for fear of Folk radio. I decided on the way to mix that I was going to let the dog off the chain, so to speak, and let it be what it needed to be. So glad I did.” — Wyatt Easterling

LISTEN: Hayley Sabella, “Alive (But I’m Tired)”

Artist: Hayley Sabella
Hometown: Plymouth, Massachusetts
Song: “Alive (But I’m Tired)”
Release Date: July 29, 2022

In Their Words: “I wrote ‘Alive (But I’m Tired)’ when the world began to open back up after the quarantine phase of the pandemic. It’s a fun, up-tempo summer jam with driving electric guitar and a playful melody that wrestles with some hard questions many of us are asking ourselves as we try to keep up with our rapidly filling schedules, while simultaneously offering a much needed energy boost. In full candor, the exhaustion that I feel and that so many of us are feeling has brought about many doubts and delays in putting new music out there again. But when I listen to this song — I feel more optimistic. And my hope is that it has the same effect on its listeners.” — Hayley Sabella


Photo Credit: Sasha Pedro

LISTEN: Chris Pierce, “45 Jukebox”

Artist: Chris Pierce
Hometown: Los Angeles, California
Song: “45 Jukebox”
Release Date: July 22, 2022

In Their Words: “A traditional 45 Jukebox is a coin-operated phonograph with an illuminated cabinet, having a variety of records that can be selected by the drop of a dime and the push of a button. This song examines the journey as a songwriter and the internal process of the spirit for the songs to come to surface. It’s about the rigorous and demanding road of putting the truth on the line and wearing your heart on your sleeve day by day, night after night. There is a road to freedom in songwriting, recording and performing. It’s about being vulnerable and standing on the edge with your finger on the pulse, awaiting that drop of a dime and dedicating the soul and spirit to that moment when your song makes its way through the speaker and into the heart.” — Chris Pierce


Photo Credit: Mathieu Bitton