The Show on the Road – Brandy Clark

This week, we bring you a conversation with one of Nashville’s supreme songwriters: Brandy Clark.

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Born in a logging town in Washington state, Clark started playing guitar at age 9 before setting it aside and getting a scholarship for basketball. Music kept tugging her back in though. Like a modern Patsy Cline, she has a knack for nailing a heartbreaker. Reba recorded two of her songs in (“Cry,” “The Day She Got Divorced”) and Brandy soon found a valuable mentor in Marty Stuart, who helped her make her Opry debut in 2012.

While you may just be learning about Clark’s stellar solo work, which mixes old school and witty new school country with some of the tightest pop hooks in the game, Clark has been co-writing for some of country and rock’s leading ladies for years, like Miranda Lambert, Kacey Musgraves, LeAnn Rimes and Sheryl Crow to name a few. But it was with her lyrically masterful, lushly-orchestrated 2020 LP Your Life Is A Record that doors started opening in a whole new way. 2021 saw an extended deluxe version drop.

In this unearthed conversation (blame a faulty hard-drive), we go through her darkest breakup songs, hear about her tastiest kiss-offs and discuss her unique perspective of Nashville’s Music Row Boys’ Club.

Don’t miss the end of the taping when Brandy discusses teaming up with her songwriting hero Randy Newman on the cheeky tune “Bigger Boat” and she plays an exclusive acoustic performance.


This episode of The Show On The Road is brought to you by WYLD Gallery: an Austin, Texas-based art gallery that exclusively features works by Native American artists. Find unique gifts for your loved ones this holiday season and support Indigenous artists at the same time. Pieces at all price points are available at wyld.gallery.

WATCH: Paul Bond, “Sunset Blues”

Artist: Paul Bond
Hometown: Amsterdam
Song: “Sunset Blues”
Album: Sunset Blues
Release Date: November 18, 2021
Label: Concerto Records

In Their Words: “‘Sunset Blues’ is the title song of my debut album, featuring seven songs that all deal — in one way or another — with fatherhood. This song in particular means a lot to me; it records the moment my girlfriend tells me she is pregnant with our daughter. As a scholar of English literature who is particularly fascinated with the Modernist movement of the 1920s, I took a lot of inspiration for the lyrics of this song from Ernest Hemingway’s writing, who was always urging himself and everyone who was willing to hear it that we have to get as close to the truth as possible, without resorting to poetry or imagery as a means of obscuring the essence of our experience. I am absolutely stoked to have the video for ‘Sunset Blues’ featured on The Bluegrass Situation, and hope that the folk and Americana aficionados here will appreciate what I have tried to do. Fun fact: We shot the video at 4 o’clock in the morning in the Amsterdam Forest (Amsterdamse Bos), to capture the best possible atmosphere to accompany the song.” — Paul Bond


Photo Credit: Gerard Buitenweg

WATCH: Portair, “Alaska”

Artist: Portair
Hometown: Los Angeles via Australia
Song: “Alaska”
Album: The Ice That Breaks
Release Date: December 3, 2021
Label: Nettwerk

In Their Words: “The opening lyric is ‘I’ve never seen an Alaskan sky, I want to see it before I die.’ This song is written about my desire to be with nature, to be disconnected from the insane distractions and terrible habits of the modern world, and to be connected to the real world, which is nature. It’s about pursuing your dreams and truly living a life that is fulfilling. Sometimes we need to get away from the city and deal with our trauma in a way that comes naturally. It’s about living the best life you can, before you die.” — Portair


Photo Credit: Ashley Osborn

WATCH: Hana Aluna, “You & Jesus & Folk”

Artist: Hana Aluna
Hometown: Santa Barbara, California
Song: “You & Jesus & Folk”
Album: CaliAmericana
Release Date: October 21, 2021
Label: Santa Barbara Records

In Their Words: “I wrote ‘You & Jesus & Folk’ about a year after a friendship ended, when I realized that I actually had feelings for her the whole time. At the time of writing the song, I thought that I was just ‘disguising’ it as a breakup song, but when I realized how I had felt it all made sense and sort of clicked together. I never really saw it as a hit or anything; it was just a very special song to me. So, when the guys at Santa Barbara Records wanted it on the album and it got so much attention, I was so surprised and excited for the future of this little tune. Working with Santa Barbara Records has been an amazing experience for me — for all the reasons other labels had said no, these guys said hell yes. I knew I’d enjoy working with them, but they really do feel like a family to me. I feel totally accepted, understood, and seen by them. They make sure to keep my core values at the forefront of our projects and I’m so grateful to be working with them.” — Hana Aluna


Photo credit: Hayden Park

Mixtape: Davis John Patton’s Playlist for Making Sense of Things

I could be mistaken, but we all share a few deeply rooted questions about ourselves, right? Who am I? What am I doing here? Why is it that I exist, rather than not existing? Over the years, I’ve found myself drawn to songs that invite me to make sense of these things. These songs hold a tension as they intelligently consider life and death while also expressing the candid emotions of one living in this strange existence. Additionally, I’ve included a few songs that don’t explicitly consider existence, but they tell stories and ask questions that even still invite me to make sense of them, piecing the puzzle together verse by verse.

At the end of the day, is it not supremely important how we answer these deeply rooted questions about ourselves and others? I hope these songs help you ponder and make sense of things as they have for me. — Davis John Patton

Gregory Alan Isakov – “This Empty Northern Hemisphere”

The imagery of the first chorus captivates me: adorning a home with radio wires to hear voices from beyond. A glimpse of something past this emptiness.

Henry Jamison – “Boys”

This song, and the album it accompanies, confronts our cultural idea of masculinity, but even more just the general process of reconsidering our very identity and the sources that built it. “Spring is coming; let me be like the cherry tree, renewed and fruitful.”

Penny & Sparrow – “Double Heart”

Our existential ponderings can only remain external for so long; eventually we look inward. I honestly couldn’t tell you what most of this song means, but hearing the cry of “double heart” reminds me that incredible brokenness and evil isn’t only in the world, but also in me.

Josh Garrels – “Wash Me Clean”

The production and instrumentation of this song are so thoroughly beautiful that it took me multiple listens to have the headspace to even listen to the lyrics. This song is a deeply personal cry that we and the “earth groan in pain,” a common landing place in existential wonder. Is this the final destination?

Phoebe Bridgers – “Chinese Satellite”

I could write pages on this song; it holds some of the most authentic and heartbreaking lyrics on existence I’ve ever heard. Who hasn’t felt the absolute wickedness of the world and cried out alongside Bridgers that we must have been meant for somewhere better: “I want to go home.”

S. Carey – “Have You Stopped to Notice”

A song of rest amidst the hopelessness of other ponderings. Carey brings listeners back to the life before them, and comforts: “We all want the answers, but we only find a few. Look at all you have still in front of you.”

Alaskan Tapes – “We”

After quoting the lyrics of six consecutive songs, I now bring an instrumental piece. A song with space to think.

Henry Jamison – “Witness Trees”

If I was forced to pick a perfect song, I’d probably pick this one. There is much to make sense of in this song, but I particularly love the lyrical and musical beauty when Jamison sings, “I see a sign in the breeze, in the wind, in the trees, in the skies over Austin.”

Benjamin Francis Leftwich – “Elephant”

One of the most repetitive songs I’ve ever heard, but it works so powerfully. What is the elephant in the room for me? “I know you know, it is easier to shy away… but I know that you won’t go away.” It seems we can only ignore our deepest longings for so long.

Noah Gundersen / Phoebe Bridgers – “Atlantis”

This song is the Knives Out of mysterious songs… When you make it through the first listen, you immediately want to listen back for clues at what exactly is going on. Catchy, to be sure, along with ominous stories with glimmers of longing that conclude with the listener being set free… ? Much to make sense of.

Penny & Sparrow – A Kind of Hunger

A lesson in existential pondering: eventually you come face to face with the reality of death. What do you do with that? Penny & Sparrow offer two profound thoughts: “Breath, in the end, is a thing to be spent.” / “Dying’s just a kind of hunger.”

S. Carey – “Meadow Song”

The best songs in the world are the songs that conclude great albums, right? I think this song is reflecting on a lost loved one, but in the spirit of making sense of things, I have literally no idea if I’m right. Give this song a listen, Google the lyrics which are essentially a poem, and make some sense of it.

The Black Atlantic – “I Shall Cross This River”

Here’s where we conclude, on a somewhat hopeful note. The bitter realities of existence are faced, externally and internally. But if there is one great enough to “see not this bitter man… see not this failure,” then “when my darkness leaves, when my fall is complete, I shall cross this river.”


Photo Credit: Austin Goode

BGS 5+5: Zachary Williams

Artist: Zachary Williams
Hometown: Acworth, Georgia
Latest Album: Dirty Camaro
Personal Nickname: Ray ray

What was the first moment that you knew you wanted to be a musician?

The first time I stepped onto an open mic stage and completely bombed. It was addicting.

Which elements of nature do you spend the most time with and how do those impact your work?

I like to take a nice long walk by myself without my phone or anything just to clear my head. I’m in the woods a good bit. There is something about walking through a forest knowing that every tree is connected somehow. It makes you feel very small which is a very good feeling to me.

What’s the toughest time you ever had writing a song?

“Losing You” on this album has been with me for 12 years. I’ve worked on it for that long and it has got to be the hardest one for sure.

If you had to write a mission statement for your career, what would it be?

This is lame, but before I started The Lone Bellow, I was invited to have breakfast in the Upper West Side of Manhattan with Bono. I remember I was a nervous wreck. I mean. It’s Bono. They shut down the whole place so we could sit down together over some eggs. At the end of our meal we stood up and I asked him if he had any advice for a young buck like me. He said, “Set yourself on fire every night.” I hear those words before every single show.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Great question. For several records I never did and then a couple years ago I started flirting with the idea of trying to write someone else’s story. Trying to put myself in someone else’s shoes. On this record, it’s “Her Picture.” Everything else is me.


Photo Credit: Eric Ryan Anderson

LISTEN: Micki Balder, “A Feeling I Once Knew”

Artist: Micki Balder
Hometown: Denver, Colorado
Song: “A Feeling I Once Knew”
Album: A Feeling I Once Knew
Release Date: November 4, 2021

In Their Words: “I feel like everyone has their own answer to ‘What sort of weirdness did Covid bring you this year?’ And this EP was written as my own sort of early pandemic time capsule. My ‘beginning of the pandemic’ story had me writing so feverishly, and it’s fun to look back and see the story as it unfolded through song. And to hear the ways people see their own experience through the lens of that story. The beauty of music and honest storytelling is that when we can share our vulnerability, even if it feels personal and specific, listeners resonate with that and are able to examine their own lives through shared experience.” — Micki Balder


Photo Credit: Adrienne Thomas

BGS 5+5: Charles Wesley Godwin

Artist: Charles Wesley Godwin
Hometown: Morgantown, West Virginia
Latest Album: How the Mighty Fall
Personal nicknames: Chuck

Which elements of nature do you spend the most time with and how do those impact your work?

I live in the hills of West Virginia. I’m in the woods every day of my life when I’m home. This is the setting for all of my work thus far. This place is a part of everything that I do whether I know it or not. I believe it gives me peace and a different type of rest as well. There’s a type of rest that I believe we all need that has nothing to do with laying down or the amount of sleep that we get. It’s just being out there wherever you may be where the world is still the way it was 10,000 years ago. Phone calls can’t reach you, texts don’t come in and there ain’t nothing to check on except whatever it is that you’re doing or thinking about at that moment. I get that kind of rest when I’m hunting, scouting for deer, fishing, or hiking.

What was the first moment that you knew you wanted to be a musician?

I remember I’d just played my first gig ever for a lingerie fashion show in Tartu, Estonia, while I was studying abroad. I got handed 150 euros after the show was done and I thought to myself, “Oh my God. I’ve figured it all out. This is the best job in the world. This is what I’m going to do.” Drinks were on me that night.

What’s the toughest time you ever had writing a song?

“Coal Country” was a bear for me. The subject matter of that song is such a tender subject that I had to absolutely think through every little piece of every single idea I had about “coal.” I had to make absolutely sure I knew exactly what I felt and why. It was painstaking to write that song. I think it took about two months and I was working on it in some form or fashion just about every day. I believe it improved my songwriting ability considerably going through that one.

What’s your favorite memory from being on stage?

My favorite memory is Kathy Mattea (the queen of West Virginia country music) calling me out onto the Mountain Stage to perform at the Culture Center Theater in Charleston, West Virginia. It was one of the purest feelings of joy in my life. I’ll never forget it and it’ll always be one of the milestones that I’m most proud of.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Ok, what pops up in my head immediately is a Chris Knight show at The Hamilton in Washington, DC (real fancy spot) and that night on the menu they serve venison backstrap, garden green beans, morel mushrooms, and mashed potatoes with ramps. Bulleit bourbon old fashioneds are the cocktail for the night. I’d go into debt for a show like that.


Photo Credit: Harry Ilyer

WATCH: Bella White, “Just Like Leaving” (Acoustic Live)

Artist: Bella White
Hometown: Calgary, Alberta, Canada
Song: “Just Like Leaving” (Acoustic Live)
Album: Just Like Leaving
Release Date: May 4, 2021
Label: Rounder Records

In Their Words: “For some reason, playing ‘Just Like Leaving’ by myself feels more honest sometimes. This song is a diary entry of sorts and I usually only write in my diary alone. It was so special to record this video in Vancouver, BC. It felt very cyclical to come back to western Canada after putting out an album that orbits around my journey of leaving western Canada. When I play this song alone, there’s vulnerability that feels more tangible.” — Bella White


Photo Credit: Portia Burton

LISTEN: Carrie Biell, “California Baby”

Artist: Carrie Biell
Hometown:
Seattle, Washington
Song: “California Baby”
Album: We Get Along
Release Date: February 11, 2022

In Their Words: “This is my pandemic song about feeling cooped up and isolated. I was missing travel and being around loved ones. I wanted to write a song that would feel good to listen to on a road trip in hopes it would give me a sense of traveling. I’m from California and had been feeling a lot of nostalgia for the state and missing my friends and family down there. I’ve always wanted to write a tribute to California and this was a fun one to write during a pandemic.” — Carrie Biell

Team Clermont · Carrie Biell – “California Baby”

Photo Credit: Cat Biell (Carrie’s twin sister)