Tag: tidal

The Festival-Lover’s Ultimate Holiday Shopping Guide

Posted on by Shelby Williamson

2025 has flown by and as we enter December we once again find ourselves preparing for the holiday season. We think it’s important to focus on slowing down, being together, and being more intentional in our gift-giving. Which is why we’re thrilled to bring you the second year of the BGS holiday gift guide.

This installment of our guide, featured below, is specifically tailored to the avid outdoor festival-goer. Maybe they’re already planning out their next festival season a year in advance. Or maybe they’re the type who always has a bag ready, so they can pack up and pitch a tent when the music calls. Whatever their style, these gift recommendations from our friends, partners, and staff will be well-loved by those who like to take their musical experiences outside.

 

BGS Bluegrass Metal and Banjo Beanies

Warm noggins are all the rage this winter, and you can keep yours cozy with our two new original beanie designs. Freshly added to the BGS Mercantile, choose between two styles that are both sure to turn heads and start great conversations wherever you wear them.

Purchase Metal Beanie | Purchase Banjo Beanie

Green Goo Ultimate First Aid Care Bundle

Festivals can be unpredictable. This is why we love them, of course, but it’s also why we always arrive prepared. Green Goo’s Ultimate First Aid Care Bundle is the perfect prep kit for festival season, with four handmade herbal salves meant to soothe bug bites, bruises, scrapes, sore muscles, dry skin, and much more. Best of all, BGS readers can get 25% off their order with code HOLIDAY25.

Purchase

 

Guest Gifter: Chris Pandolfi
(GRAMMY-Winning Musician with The Infamous Stringdusters & Avid Fly Fisherman)

“If you know someone who travels to fish, they need the Orvis Carry-It-All Bag! It’s ideal for carrying a bunch of gear without all the rod tubes/bulk and you can carry it on to any plane, so you’ll never be without your essentials. I used to make the rounds just stuffing everything into my suitcase, but this Orvis gear bag is a total game changer and I never leave home without it if I’m heading out to explore.

The Flylow Micah Fleece is a really quality, stylish midlayer from one of my favorite apparel brands out there, Flylow. They make gear that lasts but also looks great, from the mountain to the stream to the stage. You can never have too many midlayers!” – Chris Pandolfi

Purchase Orvis Carry-It-All Bag | Purchase Flylow Micah Fleece

Chris Pandolfi is a founding member of The Infamous Stringdusters. He is also the host of the Inside the Musician’s Brain podcast and an avid fly fisherman and guide.

 

Eagle Nest Outfitters Lounger DL Chair

Please, for the love of god, replace your rickety old camping chair. At every festival campsite, the good chair is always obvious… and that one you “borrowed” from your parents’ garage ten years ago might just collapse at any moment. Upgrade your festival seating experience with Eagle Nest Outfitters’ Lounger DL Chair. This lightweight, portable hammock chair sets up quickly, is fully adjustable, and has a cushioned pillow and armrests — just trust us, it’s the good chair.

Purchase

Natural Life Cozies

After a long day at an outdoor music festival, there’s nothing like getting cozy back at your campsite. Natural Life has you covered on cozy essentials, with warm socks, sherpa-lined slippers, the super soft (and versatile) boho bandeau, and your new favorite mug for hot toddy night caps or coffee on a chilly morning. And the best part about gifting these around the holidays? Break them out early and stay warm all winter long.

Purchase

Guest Gifter: Amy Reitnouer Jacobs
(BGS Co-Founder & Executive Director)

“I spend enough time at music festivals to know that these days a sturdy clear bag is an absolute essential. But finding something that is efficient and cute is easier said than done. That’s why the Away Stadium Bag is on my wish list this year. It’s a hard shell clear bag that’s big enough to hold your phone, keys, glasses, lip balm, Loop earplugs, etc., getting you through security without skipping a beat. Added bonus: you can even get it monogrammed!” – Amy Reitnouer Jacobs

Purchase

Amy Reitnouer Jacobs is the co-founder of BGS and Good Country, as well as producer for concerts, stages, and experiential events throughout the country. She also collects and sells vintage homewares with her company Fernweh Flea.

 

WinterWonderGrass Tickets

One of the most unique and anticipated festivals of the year is always WinterWonderGrass. This year’s lineup is one of their most fun yet with The Infamous Stringdusters, Leftover Salmon, The Devil Makes Three, Daniel Donato’s Cosmic Country, and so many other BGS faves jamming out over three days alongside the perfect powder of Steamboat Resort in Colorado. Tickets, packages, and more info here.

Purchase

 

Zeal Optics

The right eyewear is essential for a good festival weekend, and from the desert landscapes of Stagecoach to the mountains of Telluride Bluegrass, Zeal Optics has your eyes covered. Their polarized Rangely sunglasses will keep you glare-free at Bourbon & Beyond, while their Meridian Goggles are perfect when you hit the slopes between sets at WinterWondergrass.

Purchase

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This content brought to you in partnership with Green Goo and WinterWonderGrass.

The Musician’s Holiday Gift Guide

Posted on by Shelby Williamson

2025 has flown by and as we enter December we once again find ourselves preparing for the holiday season. We think it’s important to focus on slowing down, being together, and being more intentional in our gift giving. Which is why we’re thrilled to bring you the second year of the BGS holiday gift guide.

Below is the first of our guides – this one specifically geared towards avid musicians, be they recreational or professional players. Check out personal product selections from our friends, partners, and staff.

 

D’Addario Humidipak

Most beginner or hobby-level acoustic players don’t consider the proper storage environment for their instrument, but did you know that maintaining humidity and temperature can be just as important as buying a sturdy case? D’Addario’s Humidipak is a two-way humidification system automatically maintaining the ideal humidity level to preserve tone and protect damage. They even have three different variants to accommodate your specific humidification needs.

Purchase

Guest Gifter: Hannah Connolly
(Singer-Songwriter & BGS Social Media Director)

“Traveling as a guitarist you can never have too many capos. This Shubb C1 capo is my usual go-to, but I have friends who swear by the F1. It’s on my wishlist because although it’s a little more of an investment, it can be stored on the guitar itself (behind the nut of the headstock) when it’s not in use… making it nearly impossible to misplace on tour!” – Hannah Connolly

Purchase Hannah’s Pick | Purchase Budget Option

Hannah Connolly is a singer-songwriter based between Nashville and Los Angeles. Her latest release is Shadowboxing, and her third album is set for release in 2026. When she’s not writing or performing, Hannah also serves as the Social Media Director for BGS and Good Country.

 

nugs Annual Subscription

If you’re a regular reader of BGS, chances are you know that one person in your life who worships bootleg Grateful Dead recordings or would drive thirteen hours just to catch one more Billy Strings show. (If you don’t know that person, perhaps it’s you…?) Why not gift them All Access to a one-stop destination for concert livestreams, on-demand videos, and high-quality audio recordings with a nugs annual subscription? nugs partners with legendary artists such as Bruce Springsteen, Dead & Company, Pearl Jam, Goose, Greensky Bluegrass, Johnny Blue Skies – and of course Billy Strings – to ensure you always have a concert on the calendar.

For a limited time, BGS readers can get a nugs 1-year All Access subscription for 50% off the regular price using the link below. Offer valid through January 5, 2026.

Purchase

 

Preston Thompson Guitars – DMC Model

At a studio deep in the heart of Oregon, Preston Thompson Guitars has long been making some of our favorite high-end custom instruments. Their new model, DMC, is a smaller, deep bodied guitar which is fashioned after Willie Nelson’s famous “Trigger,” a N-20 Hybrid Classical. Between now and January 31, you can get one of these Spruce-top beauties for 15% off. After all, we could all stand to be a little more like Willie.

Direct orders only. Contact [email protected] for more info.

Qobuz or TIDAL Streaming Subscription

Suffice to say, we really hate that streaming services are paying out less than ever to musicians and songwriters in royalties (and don’t get us started on the lack of regulation over AI-generated music). But with that said, it’s more important than ever to make purchasing decisions that actually make an impact and help support your favorite artists. Consider gifting a subscription to an alternative streaming service like Qobuz or TIDAL — both platforms pay some of the highest streaming royalties to artists, and streaming at a higher audio quality audio than their major competitors. It’s the gift that keeps on giving.

Qobuz | TIDAL

And on a similar note, we all know a live music lover that has been shut out of a recent ticket on-sale that may be feeling frustrated about inflated prices on the secondary ticket market. A CashorTrade Gold Membership is a great way to support the face value ticketing movement. All transactions are insured so you can feel confident you’re not getting scammed.

Guest Gifter: Sierra Hull
(GRAMMY-Winning Musician)

“I’ve had my eye on getting one of these Crossrock double mandolin cases so I can more easily bring along both of my new signature model Gibson mandolins (both the master model and the F5G) on tour! The last few months I’ve been carrying around three different mandolin cases, so I think it would be awesome to consolidate a couple of them into a single case. I currently have one of the smaller fitted Crossrock cases and they are really solid [and] such affordable little cases!” – Sierra Hull

Purchase

Sierra Hull’s latest record, A Tip Toe High Wire, recently garnered four GRAMMY nominations. Discover more and find out how to catch her on tour with the Milk Carton Kids in 2026 at SierraHull.com.

 

Yamaha Acoustic Guitars – FG/FS9 Series

For over fifty years, Yamaha has been handcrafting their acoustic artistry, incorporating traditional Japanese woodworking with innovative Japanese technology. Their flagship model, the FG/FS9 steel-string acoustic guitar, is ideal for singer-songwriters.

Check out bluegrass guitarist Jake Eddy playing his FG9 RX below.

Purchase

This content brought to you in partnership with D’Addario, nugs, Preston Thompson Guitars, and Yamaha Guitars.

Yes, That Is Rhiannon Giddens Playing Banjo on Beyoncé’s New Track

Posted on by Justin Hiltner

During a series of high profile Verizon ads during yesterday’s Super Bowl, Beyoncé announced that her upcoming Act II following 2022’s incredibly popular dance album, Renaissance, will find the globe-crossing singer/creative powerhouse returning to country. As music journalist Marissa Moss points out in a brand new post for the country newsletter she co-founded, Don’t Rock the Inbox, Beyoncé Knowles-Carter’s relationship to the genre is nothing new – as far back as 2007 the Texas born-and-raised artist rode a horse as she entered the iconic Houston Rodeo, an internationally known, marquis event in her hometown. Across the decades, Knowles-Carter has constantly utilized her music to remind her audience of her Americana roots, with songs, tracks, and production values that regularly reference country and roots music idioms. At the Grammy Awards on February 4, she wore a modernist couture cowgirl get up – a motif that has been peppered throughout the visuals for Renaissance and its world tour. As Lana Del Rey had just announced her next album, Lasso, would be country, the world wondered – why is Beyoncé wearing a cowboy hat?

But Beyoncé’s relationship to country goes deeper, still. In 2016, as Moss and many other journalists and industry insiders pointed out in reaction to last night’s announcement, Knowles-Carter appeared with The Chicks (at that time still referred to as The Dixie Chicks) in a fiery medley performance during the CMA Awards. The trio joined Beyoncé on her countryfied Lemonade track, “Daddy Lessons,” before morphing into a barn burning all-skate on the Chicks’ Darrell Scott-written hit, “Long Time Gone.”

These new songs, which were initially unveiled exclusively on the streaming service Tidal, are built on the “Texas Bama” terroir that all of Knowles-Carter’s music is intentionally rooted within. “Texas Hold ‘Em” begins with a full, warm, fretless old-time banjo, playing a looped, intricate melodic hook. If your ears perked up during Act II‘s teaser video upon hearing the five-string, you are correct – the banjo and viola on the track were performed by the one and only Rhiannon Giddens and were tracked with Demeanor, Giddens’ nephew, another roots music innovator and genre blender, acting as engineer.

It is beyond apropos for Beyoncé and her team to tap Giddens here, someone who has also built a career and prolific musical output on holding together seemingly disparate influences, textures, tones, and styles. It speaks to Knowles-Carter’s aptitude for not only trying on and exploring new or relatively unfamiliar idioms, but also inhabiting them wholly, intricately, and intuitively. It seems obvious to state, but Beyoncé is no roots music carpet-bagger or opportunist putting on “poverty tour” cosplay just to bolster her bottom line.

Though the production style and arrangements here are decidedly interconnected with Renaissance, the beats and underscoring beneath and around the clawhammer banjo and finger-picked acoustic guitar don’t feel entirely like Avicii’s “Hey Brother” or similar, more heavy-handed attempts to intermingle string band music with house, disco, and dance. Ultimately, these two tracks feel less like a “stomp & holler” money-grab/chart-grab and more like post-modernist line dancing music, carrying forward the placemaking and space-holding of her 2022 album. This is music about gathering, moving, and polishing the floorboards with a pair of cowboy boots.

As MacArthur “Genius” and New York Times columnist Tressie McMillan Cottom points out in a NYT blog entry on the new tracks, the most country-sounding aspects here don’t originally stem from “country” at all: “‘Texas Hold ’Em’ sounds like a Maren Morris-style bop, with many of country-pop’s current themes,” says Cottom. “There is a good reason for that. Those themes are very R&B and hip-hop coded: harmonies, danceable hooks, trap percussion and call-and-response.”

In the mind of this writer, though, “16 Carriages,” the proverbial B-side to the more glitzy and grabby “Texas Hold ‘Em,” is the most remarkable of the two singles currently available from Act II. It’s a Beyoncé train song, one that straddles the divide between urban and rural, city folk and country folk, hillbilly music and rhythm and blues. This is a deft balancing act, one that collectives like the Black Opry and artists like Mickey Guyton, Brittney Spencer, Black Pumas, Buffalo Nichols, Julie Williams, and yes, Giddens, have been demonstrating to the roots music industry and its fans for years and years, now. Such a balance can easily go awry, but as we know, Beyoncé so rarely goes awry – even in a would-be treacherous foray into this well-guarded and gatekept genre.

@black_was_genius Replying to @🌚 you asked, i responded. #beyhaw #blonde #takeover ♬ original sound – Tressie McMillan Cottom

These two songs, but “16 Carriages” especially, illustrate how important it is to view music such as this not as aberrations from a country music norm, but as distillations and representations of what has always been possible in country. Especially if we let arbitrary, moralistic, and bigoted “rules” and expectations fall away and we let artists – whether the most famous in the world or the busker on the street corner – be who they are, unencumbered and empowered by their identities, in all of their idiosyncrasies and complications. Beyoncé’s Act II will showcase that we really do all belong in country, whether your hat and boots are literal shit kickers or are overlaid in hundreds of disco ball mirrors.

Photo courtesy of Tidal.

TIDAL’s Bluegrass: Dolby Atmos Playlist Is Changing the Listening Game

Posted on by Justin Hiltner

Ask any fan of bluegrass, and part of what inspires their love is the experience of feeling the music.

The reverberations of wood and string. Thick harmony hanging in the air. That magic interplay of creative spirits trading instrumental breaks back and forth without speaking a word. Until now, you could really only get that in a live setting. But with Dolby Atmos, we’re getting closer than ever to capturing it. 

This new spatial audio format is slowly changing the listening experience – and for once, bluegrass music is at the forefront. Labels like Crossroads Music Group – which includes Mountain Home Music Company and Organic Records – are recording and mastering their music with Dolby Atmos, and platforms like TIDAL are fully onboard, adopting it for their “Bluegrass: Dolby Atmos” playlist.

It’s a win-win, really. Fans get that full-bodied, textured-listening experience – and artists love it, too. According to them, bluegrass is particularly well suited to the spatial-audio revolution.

“It’s perfect because of the organic nature of the music,” says Darren Nicholson (formerly of Balsam Range), who is featured on the TIDAL playlist. “It feels like you are standing in the middle of a jam session in the living room.”

“As a listener of bluegrass music, it feels groundbreaking to listen to the genre in Dolby Atmos,” adds Jesse Iaquinto of Fireside Collective, praising how the Bluegrass: Dolby Atmos playlist highlights bluegrass’s “depth” – with all its tone and timbre included.

In fact, artists like Jeremy Garrett of The Infamous Stringdusters say bluegrass is “prime candidate” for new tech like Dolby audio.

“Bluegrass music in particular is very dynamic and has great sonic separation built in by nature of the instruments usually involved,” he explains. “The extra space gives it the breathing room the music needs to really ‘pop’ for a recorded music listening experience.”

That was the idea for TIDAL’s Editor-in-Chief, Tony Gervino, too. He calls bluegrass “one the most dynamic and vital branches within today’s country music,” and notes that “as the Bluegrass sound itself expands, so do the listening possibilities for its fans.”

He and his team created the Bluegrass: Dolby Atmos playlist to celebrate that very expansion. They ended up with an expert-curated lineup which includes artists from across the bluegrass spectrum, from Lonesome River Band and Balsam Range, to Unspoken Tradition, Benson, The Grascals, The Cleverlys and more. Many of them are also part of Crossroads Music Group.

To them, the magic is in the way Atmos recording makes each listener feel surrounded – even through tiny computer speakers. You don’t just hear the notes, you hear the way each musician and their instrument play off one another, and how it all blends together. 

Before now, that has never really been captured in recorded music – not even bluegrass, with its intricately woven textures and overlapping parts. So for Iaquinto, this new playlist is especially gratifying.

“With no drums or percussion, bluegrass musicians are always playing subtle but intricate parts,” he explains. “These can go unheard on other forms of audio, but with spatial audio, they are brought to the forefront. 

“The vocals are brightened up and colored in a way that finally gives the recorded songs the respect and focus they deserve,” he goes on. “As someone who loves acoustic music, I am extremely happy with the level of quality provided by Dolby audio.”

For artists like Nicholson, the appreciation is perhaps more simple. Calling Dolby Atmos the “ultimate experience,” he praises the way fans can finally sense the attention to detail bluegrass musicians put into their work – a labor of love he likens to crafting “an amazing bouillabaisse.”

You might not know what’s in it, but you know it’s delicious.

“I’m proud of it. I’m proud for listeners to hear it,” Nicholson says, speaking of his music being recorded in Dolby Atmos, and placed on playlists like TIDAL’s Bluegrass: Dolby Atmos. “It is the way to enjoy the music with the utmost clarity. It’s a completely unique listening experience. Whether the average listener knows why, they do know that something is different. And in a good way.”

Editor’s Note: This post is sponsored by Crossroads Label Group.