Tag: streaming

The Festival-Lover’s Ultimate Holiday Shopping Guide

Posted on by Shelby Williamson

2025 has flown by and as we enter December we once again find ourselves preparing for the holiday season. We think it’s important to focus on slowing down, being together, and being more intentional in our gift-giving. Which is why we’re thrilled to bring you the second year of the BGS holiday gift guide.

This installment of our guide, featured below, is specifically tailored to the avid outdoor festival-goer. Maybe they’re already planning out their next festival season a year in advance. Or maybe they’re the type who always has a bag ready, so they can pack up and pitch a tent when the music calls. Whatever their style, these gift recommendations from our friends, partners, and staff will be well-loved by those who like to take their musical experiences outside.

 

BGS Bluegrass Metal and Banjo Beanies

Warm noggins are all the rage this winter, and you can keep yours cozy with our two new original beanie designs. Freshly added to the BGS Mercantile, choose between two styles that are both sure to turn heads and start great conversations wherever you wear them.

Purchase Metal Beanie | Purchase Banjo Beanie

Green Goo Ultimate First Aid Care Bundle

Festivals can be unpredictable. This is why we love them, of course, but it’s also why we always arrive prepared. Green Goo’s Ultimate First Aid Care Bundle is the perfect prep kit for festival season, with four handmade herbal salves meant to soothe bug bites, bruises, scrapes, sore muscles, dry skin, and much more. Best of all, BGS readers can get 25% off their order with code HOLIDAY25.

Purchase

 

Guest Gifter: Chris Pandolfi
(GRAMMY-Winning Musician with The Infamous Stringdusters & Avid Fly Fisherman)

“If you know someone who travels to fish, they need the Orvis Carry-It-All Bag! It’s ideal for carrying a bunch of gear without all the rod tubes/bulk and you can carry it on to any plane, so you’ll never be without your essentials. I used to make the rounds just stuffing everything into my suitcase, but this Orvis gear bag is a total game changer and I never leave home without it if I’m heading out to explore.

The Flylow Micah Fleece is a really quality, stylish midlayer from one of my favorite apparel brands out there, Flylow. They make gear that lasts but also looks great, from the mountain to the stream to the stage. You can never have too many midlayers!” – Chris Pandolfi

Purchase Orvis Carry-It-All Bag | Purchase Flylow Micah Fleece

Chris Pandolfi is a founding member of The Infamous Stringdusters. He is also the host of the Inside the Musician’s Brain podcast and an avid fly fisherman and guide.

 

Eagle Nest Outfitters Lounger DL Chair

Please, for the love of god, replace your rickety old camping chair. At every festival campsite, the good chair is always obvious… and that one you “borrowed” from your parents’ garage ten years ago might just collapse at any moment. Upgrade your festival seating experience with Eagle Nest Outfitters’ Lounger DL Chair. This lightweight, portable hammock chair sets up quickly, is fully adjustable, and has a cushioned pillow and armrests — just trust us, it’s the good chair.

Purchase

Natural Life Cozies

After a long day at an outdoor music festival, there’s nothing like getting cozy back at your campsite. Natural Life has you covered on cozy essentials, with warm socks, sherpa-lined slippers, the super soft (and versatile) boho bandeau, and your new favorite mug for hot toddy night caps or coffee on a chilly morning. And the best part about gifting these around the holidays? Break them out early and stay warm all winter long.

Purchase

Guest Gifter: Amy Reitnouer Jacobs
(BGS Co-Founder & Executive Director)

“I spend enough time at music festivals to know that these days a sturdy clear bag is an absolute essential. But finding something that is efficient and cute is easier said than done. That’s why the Away Stadium Bag is on my wish list this year. It’s a hard shell clear bag that’s big enough to hold your phone, keys, glasses, lip balm, Loop earplugs, etc., getting you through security without skipping a beat. Added bonus: you can even get it monogrammed!” – Amy Reitnouer Jacobs

Purchase

Amy Reitnouer Jacobs is the co-founder of BGS and Good Country, as well as producer for concerts, stages, and experiential events throughout the country. She also collects and sells vintage homewares with her company Fernweh Flea.

 

WinterWonderGrass Tickets

One of the most unique and anticipated festivals of the year is always WinterWonderGrass. This year’s lineup is one of their most fun yet with The Infamous Stringdusters, Leftover Salmon, The Devil Makes Three, Daniel Donato’s Cosmic Country, and so many other BGS faves jamming out over three days alongside the perfect powder of Steamboat Resort in Colorado. Tickets, packages, and more info here.

Purchase

 

Zeal Optics

The right eyewear is essential for a good festival weekend, and from the desert landscapes of Stagecoach to the mountains of Telluride Bluegrass, Zeal Optics has your eyes covered. Their polarized Rangely sunglasses will keep you glare-free at Bourbon & Beyond, while their Meridian Goggles are perfect when you hit the slopes between sets at WinterWondergrass.

Purchase

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This content brought to you in partnership with Green Goo and WinterWonderGrass.

The Musician’s Holiday Gift Guide

Posted on by Shelby Williamson

2025 has flown by and as we enter December we once again find ourselves preparing for the holiday season. We think it’s important to focus on slowing down, being together, and being more intentional in our gift giving. Which is why we’re thrilled to bring you the second year of the BGS holiday gift guide.

Below is the first of our guides – this one specifically geared towards avid musicians, be they recreational or professional players. Check out personal product selections from our friends, partners, and staff.

 

D’Addario Humidipak

Most beginner or hobby-level acoustic players don’t consider the proper storage environment for their instrument, but did you know that maintaining humidity and temperature can be just as important as buying a sturdy case? D’Addario’s Humidipak is a two-way humidification system automatically maintaining the ideal humidity level to preserve tone and protect damage. They even have three different variants to accommodate your specific humidification needs.

Purchase

Guest Gifter: Hannah Connolly
(Singer-Songwriter & BGS Social Media Director)

“Traveling as a guitarist you can never have too many capos. This Shubb C1 capo is my usual go-to, but I have friends who swear by the F1. It’s on my wishlist because although it’s a little more of an investment, it can be stored on the guitar itself (behind the nut of the headstock) when it’s not in use… making it nearly impossible to misplace on tour!” – Hannah Connolly

Purchase Hannah’s Pick | Purchase Budget Option

Hannah Connolly is a singer-songwriter based between Nashville and Los Angeles. Her latest release is Shadowboxing, and her third album is set for release in 2026. When she’s not writing or performing, Hannah also serves as the Social Media Director for BGS and Good Country.

 

nugs Annual Subscription

If you’re a regular reader of BGS, chances are you know that one person in your life who worships bootleg Grateful Dead recordings or would drive thirteen hours just to catch one more Billy Strings show. (If you don’t know that person, perhaps it’s you…?) Why not gift them All Access to a one-stop destination for concert livestreams, on-demand videos, and high-quality audio recordings with a nugs annual subscription? nugs partners with legendary artists such as Bruce Springsteen, Dead & Company, Pearl Jam, Goose, Greensky Bluegrass, Johnny Blue Skies – and of course Billy Strings – to ensure you always have a concert on the calendar.

For a limited time, BGS readers can get a nugs 1-year All Access subscription for 50% off the regular price using the link below. Offer valid through January 5, 2026.

Purchase

 

Preston Thompson Guitars – DMC Model

At a studio deep in the heart of Oregon, Preston Thompson Guitars has long been making some of our favorite high-end custom instruments. Their new model, DMC, is a smaller, deep bodied guitar which is fashioned after Willie Nelson’s famous “Trigger,” a N-20 Hybrid Classical. Between now and January 31, you can get one of these Spruce-top beauties for 15% off. After all, we could all stand to be a little more like Willie.

Direct orders only. Contact [email protected] for more info.

Qobuz or TIDAL Streaming Subscription

Suffice to say, we really hate that streaming services are paying out less than ever to musicians and songwriters in royalties (and don’t get us started on the lack of regulation over AI-generated music). But with that said, it’s more important than ever to make purchasing decisions that actually make an impact and help support your favorite artists. Consider gifting a subscription to an alternative streaming service like Qobuz or TIDAL — both platforms pay some of the highest streaming royalties to artists, and streaming at a higher audio quality audio than their major competitors. It’s the gift that keeps on giving.

Qobuz | TIDAL

And on a similar note, we all know a live music lover that has been shut out of a recent ticket on-sale that may be feeling frustrated about inflated prices on the secondary ticket market. A CashorTrade Gold Membership is a great way to support the face value ticketing movement. All transactions are insured so you can feel confident you’re not getting scammed.

Guest Gifter: Sierra Hull
(GRAMMY-Winning Musician)

“I’ve had my eye on getting one of these Crossrock double mandolin cases so I can more easily bring along both of my new signature model Gibson mandolins (both the master model and the F5G) on tour! The last few months I’ve been carrying around three different mandolin cases, so I think it would be awesome to consolidate a couple of them into a single case. I currently have one of the smaller fitted Crossrock cases and they are really solid [and] such affordable little cases!” – Sierra Hull

Purchase

Sierra Hull’s latest record, A Tip Toe High Wire, recently garnered four GRAMMY nominations. Discover more and find out how to catch her on tour with the Milk Carton Kids in 2026 at SierraHull.com.

 

Yamaha Acoustic Guitars – FG/FS9 Series

For over fifty years, Yamaha has been handcrafting their acoustic artistry, incorporating traditional Japanese woodworking with innovative Japanese technology. Their flagship model, the FG/FS9 steel-string acoustic guitar, is ideal for singer-songwriters.

Check out bluegrass guitarist Jake Eddy playing his FG9 RX below.

Purchase

This content brought to you in partnership with D’Addario, nugs, Preston Thompson Guitars, and Yamaha Guitars.

Emmy-Nominated Docuseries Highlights the Impact of STAX Records

Posted on by Justin Hiltner

It all began way back, nearly seventy years ago in Memphis, Tennessee, when an almost unremarkable thing happened: A record store opened its doors.

That a record store might exist in the home of the blues in 1957 was itself no remarkable thing. But this store, Satellite Records, was quite literally a sister operation to the recording studio next door. Satellite’s owner, Estelle Axton, was the older sister of the studio’s founder, Jim Stewart.

Stewart was a fiddler with a passion for country music. Long before the dominance of indie labels, Stewart had the idea to start his own studio and label, to get his music out to the masses. As luck would have it, his original country songs were… just fine. Nothing groundbreaking. But his work sparked the imagination of a young musician named David Porter, who strode into the studio one day and asked if he could lay down some tracks.

Long story short, Porter recruited some other artists who became a band known as Booker T. and the M.G.s – eventually the studio’s de facto house band. Suddenly, the label – named STAX as a combination of Jim and Estelle’s last names – was off to the races.

Now, a three-part docuseries from HBO titled STAX: Soulville USA is available for streaming on MAX. The series premiered at South by Southwest earlier this year and earned two Emmy Award nominations (Outstanding Documentary or Nonfiction Series and Outstanding Sound Mixing for a Nonfiction Program). While the series did not prevail in those categories, it is a powerful, thorough, emotional telling of the relationship between music, its makers, and the world in which they live.

The series’ director – Peabody, Emmy, and NAACP award-winner Jamila Wignot – strung together an incredible array of rare and never-before-shared footage of the rise and fall (and rise again) of STAX Records between 1961-1975. But footage isn’t just from inside the studio walls. We see musicians on their first trips to Europe, relaxing in the pool at the Lorraine Hotel – a frequent STAX hangout before it became the scene of Martin Luther King, Jr.’s assassination. There is footage from civil rights protests and speeches and moments of great grief and outrage. There are contemporary interviews with the musicians and staff of STAX and Satellite Records, including Axton and Stewart.

And always, at the heart of it all, there’s the music.

In a For Your Consideration panel also available on MAX, Mignot admitted that, when she was approached to direct the series, she was “really just into it for the music.”

“I thought it was going to be this great-big, beautiful music story,” she adds. “As I started to do more research, and particularly looking into the work that [STAX biographer] Rob Bowman had done, I understood that it was a much bigger story that touched on social issues, history, and [it] really was this beautiful story of these folks who were, I think, led by intuition and desire, and weren’t necessarily trying to do more than the things that they loved. But they were very responsive to the world that was around them.”

Of course, outside the walls of STAX studio and Satellite records, Black people were subject to the cultural and legal realities of living in the Jim Crow South.

“[Jim Crow] was too strong a system to tear down,” bandleader Booker T. notes. “In Memphis, you had to keep your mouth shut and hope for the best. Or fight.”

While that was the rule of the road outside, inside STAX studio, Booker T.’s band had two Black members and two white. Together, they developed an approach to Southern soul music that would become one of the most influential sounds of the 20th Century.

Granted, as the civil rights movement went through its various waves in Memphis and beyond, and STAX players marched on picket lines without their white bandmates beside them, this complicated interpersonal relationships in the studio. But the music continued to compel everyone forward. As a result, music fans got to find solace in some of the greatest roots recordings ever made.

The docuseries’ executive producer Michele Smith commented on the artists’ legacies in a recent phone conversation.

“Those artists were just teenagers who had a love for the music,” she says. “[They] just wanted to be heard. What they did not know at that time was they were forging a path to history. They were working, they did know that what they were doing was technically illegal in the Jim Crow South. … They were young people who just wanted to make music. And they did a whole lot more than that. Their music, to this day, will … outlive all of us. It’s globally renowned and it’s some of the best R&B soul music out there, sampled by young people today.”

Being able to watch this music get made is certainly one major draw of the series. Isaac Hayes and the Bar-Kays developing the “Theme from Shaft”; Sam & Dave rolling out “Soul Man” for a live audience the first time; and Otis Redding onstage at the Monterey Pop Festival.

In interview clips, STAX alumni recall how out-of-place Redding and his band were – sober and polished in their well-pressed suits – among the mostly white hippie, dropped-out crowd. Recognizing the one thread that connected him with his seemingly polar-opposite audience, Redding started his set by asking, “This is the love crowd, right? We all love each other, don’t we?” The crowd roared, so he closed his eyes and lit into “I’ve Been Loving You Too Long” with a passion and emotional clarity that was absolutely intoxicating.

“Otis Redding hit the stage,” recalled trumpet player Wayne Jackson. “All those hippies got quiet. They ain’t seen anything like us.”

Though that was the truth, it often was in those days of STAX artists making the rounds with their groundbreaking sound. But, certainly, nobody present for any of it – no matter if STAX was on its way up or its way down – would ever forget the way the music turned their soul.

Watch STAX: Soulsville USA via MAX.

Images courtesy of HBO.

Spotify Jams Its Way into Subprime Mortgage Market

Posted on by Justin Hiltner

STOCKHOLM, SE – In a bold move that has left the financial and music worlds scratching their heads, Spotify, the digital music streaming giant, has unveiled its latest venture: a subprime mortgage lending program for users with less-than-stellar credit and meager incomes.

“Let’s face it, what’s the point of enjoying your favorite tunes if you’re belting them out on the street corner?” quipped Spotify’s CEO, Daniel Eck, at the shareholder meeting. “With Spotify Premium Lending, you can now groove to Ariana Grande in the comfort of your very own budget-friendly, interest-forward sanctuary.”

As housing prices and interest rates skyrocket to unprecedented levels, the struggle to own a home has become a real-life dirge for many. Unsurprisingly, among the first to leap onto the Spotify mortgage bandwagon are the very artists whose songs populate the platform.

Texas-based folk singer Rivers Mulgrew, whose music streams for a paltry .0003 cents on Spotify, enthusiastically shared, “Owning a home was always a distant dream. But with my Spotify mortgage, I snagged a fixer upper in Austin. I can’t afford it now, but I’m hoping America will wake up to my banjo-forward murder ballads before my first payment is due.”

However, not everyone is singing praises for Spotify’s foray into real estate. Housing rights advocate and part-time wedding band singer Leslie Locker led a protest outside Spotify’s New York offices, declaring, “If I’m busting my vocal cords to buy a home, I’d rather my mortgage be from Bandcamp. At least they appreciate a good indie effort.”

Despite the backlash, Eck remained undeterred. “For those struggling to pay their Spotify mortgage, worry not. We offer loan assistance. Artists can use their entire musical catalog and future work as collateral. Depending on algorithmic performance, they might just keep the roof over their heads.”

Greg Hess is a comedy writer and performer in Los Angeles. His work has been featured in The American Bystander, The Onion, Shouts & Murmurs, Points in Case, and he cohosts the hit satirical podcast MEGA.

BGS 5+5: Jason Hawk Harris

Posted on by Justin Hiltner

Artist: Jason Hawk Harris
Hometown: Houston, Texas
Latest Album: Thin Places
Personal Nicknames (or rejected band names): “J,” “Jase”

What’s your favorite memory from being on stage?

I was playing at the Milk Bar in San Francisco with the Show Ponies once. The crowd was responsive to what we were playing in a way that I’ve never experienced before or since. We would get louder, and they would move like a wave of silk. We’d get quieter and they would be still as candles. It was a really wild moment that I’ll never forget. It’s a small, divey place, but even still, it’s like walking into a church for me these days, because I always remember that show.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Lyrically, literature is a big influence on me. My favorite authors are those who write in the magic realism vein. Salman Rushdie, Gabriel García Márquez, Carmen Maria Machado, Haruki Murakami, and Charles Williams are some of my favorites. I like the genre (magic realism) because it seems to view the physical and spiritual plane of existence as one in the same. The world has always made more sense to me when I think of it in those terms. Empiricism holds no interest for me, personally. The nature of existence has always seemed bigger to me than what I can touch, taste, smell, hear, or see.

What was the first moment that you knew you wanted to be a musician?

I wish I had a more hip answer to this, but I don’t. When I heard Simba sing the song “I Just Can’t Wait to Be King” in the Lion King, I knew I wanted to sing in front of people for the rest of my life. I was 6 when I first saw it and that song absolutely enthralled me. I think there were earlier moments than that while watching my parents sing in church, but that song was a very formative moment for me. I remember my parents having to ask me to sing something besides the one song from Lion King.

What’s the toughest time you ever had writing a song?

“Jordan and the Nile” legitimately took me five years, from first spark to final mix. The refrain came to me in about 10 seconds, but everything else came at a crawl. I wrote around 40 verses and they all seemed wrong in one way or another. Then, when I’d finally finished the verses and felt good about them, I started arranging. It’s usually the lyrics that take me a while. The music almost always comes easy. Not the case with “Jordan.” I must’ve trashed everything and started over on this song at least five times. It was labor, but I’ve never been happier with a final product than I am with that song.

If you had to write a mission statement for your career, what would it be?

Don’t let the cynicism of the streaming age inform the music you write. This is, and has been, my mantra for a while now. I think in this day and age, musicians are under constant pressure to write music that people “like” instead of writing something that we think is good. The temptation is stronger than ever. Being placed on a Spotify sponsored playlist can make you thousands of dollars in a way that other avenues of income won’t. I have personal experience with this. The Show Ponies, the band I was a part of for seven years, were placed on a playlist back in 2013. We still receive monthly checks and we haven’t played a show in over four years. It’s powerful, but I don’t want a tech company deciding what music I make is or isn’t worthwhile.

Photo Credit: Daley Hake

Music City Roots Launches Live Album Series

Posted on by Editor

Since its inception eight years ago, Music City Roots has become an institution — for Nashvillians, it's one of the best places in town to catch amazing live music; for the United States, it's perhaps the only way to enjoy the best and brightest roots musicians from the comfort of home, whether online or, since 2013, on PBS. Now the famed show is bringing you yet another way to enjoy great roots music: their new live album series.

Kicked off in June with a release from Johnson City, Tennessee, band Bill and the Belles, the series brings listeners a handful of songs recorded at a recent Music City Roots broadcast. The inaugural release features seven songs and is available across a variety of digital platforms, including Spotify and iTunes. 

According to Music City Roots associate producer Ashlee-Jean Trott, whose background prior to joining the Music City Roots team in 2010 was in artist management and music festivals, the idea came to life after she attended DelFest and saw fans' excitement over getting to purchase live festival recordings shortly after they happened. "We have so much content every week, and we have a very large fan base that comes to the shows every week and watches online," Trott explains. "They always want to hear the music afterward." 

Trott and her team decided that the series would be selective, with a goal to release one album every two months instead of releasing recordings from each week's show. She hopes that frequency can increase to once a month in 2017.

"I book the bands for the show, so usually I know what all the bands sound like before," she says. "Usually, the bands that blow me away or blow our crew away at the show are the ones that we choose. So, this first band that we did — Bill and the Belles — I had heard them at IBMA and I really liked their music and I booked them on the show. But when they played at the show, it was one of those moments that I’ll never forget. It was just so good and the audience gave them a standing ovation. Those are the kind of bands we want to do a live album on, some kind of special moment we had on the show. "

The process for artists selected for live albums is simple enough, with Music City Roots and each artist splitting revenue from digital streaming and sales 50-50, after the cost of mixing is taken into account. "The cost is very low because we’re already recording it at the show, so that isn’t a cost," Trott says. "It’s just mixing. Once that cost is covered, we split the money down the middle with the artist for digital sales. We also give the artist the option to print the album physically for free. If they want to print it, they have to pay for the printing, but we don’t take any money from that."

Currently, the Music City Roots team doesn't plan to release physical versions of the albums themselves. They're hush-hush about which artists they plan to tap for future live albums, but Trott assures they're exciting picks. And with the hundreds of submissions Trott receives from hopeful artists on a monthly basis, there's no shortage of material to cull from. She cites the live album series as being "all about artists and making their careers explode," a feat they've already accomplished numerous times through their regular weekly shows and broadcasts.

"I saw St. Paul & the Broken Bones in Birmingham," Trott says. "I grew up in the same town as Paul Janeway, so I already knew the band, but I didn’t know the music. I saw them at a club called the Bottletree Café in Birmingham before anybody knew who they were. There were maybe 30 people in there. I went up to the bass player and said, ‘Y’all need to come play Music City Roots.’ And he said, ‘No, no, we aren’t ready.’ I booked them on the show a couple months later and I invited a bunch of people out and they ended up getting signed on that show with Traci at 30 Tigers. They were opening for John Mayer a couple months later."

So keep an eye out for the next live release from Music City Roots … it just might be the next great album from the next big thing. 

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Video Network VuHaus Gives Emerging Artists a New Platform

Posted on by Editor

Public radio has long been one of the greatest advocates for emerging artists. From in-studio performances to the format's willingness to gamble on playing under-the-radar artists, a local public radio station is one of the best resources for discovering new music. 

In an effort to harness the power of the country's public radio stations, the Corporation for Public Broadcasting developed VuHaus, a YouTube-esque digital music video service that aggregates and curates the best in public radio video content — all on one convenient, free site.

"The public radio music stations around the country, for decades, have been at the vanguard of discovering new bands," Erik Langner, president of VuHaus, says. "They spin their records when no one else will and invite them in for in-studio sessions that are both audio and video. Some of the biggest bands out there — Death Cab for Cutie, Spoon, Beck, Vampire Weekend, Lorde, Adele — all of them got their start on public radio. The tradition at these stations of actively being in the music discovery space has been a long one. As the stations that made up VuHaus were becoming so prolific at creating video, we decided to collectively build a new nonprofit — which is VuHaus — so that we can let an even larger audience know about these great bands."

Langner and his fellow colleagues at CPB, a government-funded nonprofit that supports the needs of public broadcasting, came up with the idea for VuHaus a few years ago, with the site itself launching just over a year ago. Since then, VuHaus has grown from a network of five public radio stations to what the team hopes will reach 20 by the end of 2016. Content comes directly from each participating station and falls under an existing license agreement between CPB and performing rights organizations like ASCAP and BMI. It's then organized by the VuHaus team onto a user-friendly site that's built to encourage browsing and discovery.

It's no surprise, then, that curation is a huge part of VuHaus's focus. Program Director Mark Abuzzahab sifts through hours of video content to determine which artists will get homepage features, as well as fill recurring slots for Artist of the Week and Song of the Day. While VuHaus actively curates music for its own site, the network still leaves the task of booking artists to the stations. Stations also get to use their local expertise to put together VuHaus's city channels.

"We curate the main page, but all of our station affiliates curate their own city channels on the site," Langner says. "Those are really built to allow our audience to get a deeper dive into a particular music scene. It’s a fairly straightforward process when we add a new station."

In a short time, VuHaus's success has led to a number of exciting milestones. Their embeddable Song of the Day player, which automatically populates with new content each day, is now on NPR's website. They've also been part of exclusive premieres with higher-profile artists like Jason Isbell and case/lang/veirs. Recently, they expanded their live webcast coverage to include a number of music festivals and live events, like an upcoming stream of Local Natives performing on NPR's World Café in Philadelphia. Langner attributes VuHaus's success to the strong friendships between artists and public radio stations — a friendship buoyed by the same commitment to art and musicianship that is at the heart of VuHaus's mission. 

"We firmly believe that there’s a critical role for curation," he says. "That with so much content being available everywhere, to have these stations that are so focused on finding really great and talented emerging artists, we think the role we play, collectively, is to help identify and then develop those artists and introduce them to an audience that otherwise may not find out about them. When the stations created VuHaus, that was really the inspiration."

5 Holiday Films to Stream on Netflix

Posted on by Editor

Ah, the holidays … a time for family, food, and — best of all — guilt-free, four- and five-hour stretches of TV on the couch. If you're looking to add a little holiday cheer to your Netflix queue, we've rounded up five of our favorite holiday offerings — from documentaries to dystopias — currently available for streaming. 

A Very Murray Christmas

Amy Poehler, Miley Cyrus, and, of course, Bill Murray … need we say more? Beat the holiday blues with this musical extravaganza from Murray and company, and don't miss the comedian's excellent tune with the band Phoenix streaming on Spotify.

The Nightmare Before Christmas

For the kid at heart, there is no better Christmas movie than Tim Burton's 1993 classic, A Nightmare Before Christmas. Follow Jack Skellington as he journeys through Christmastown, and let your heart be warmed in the process.

I Am Santa Claus

Have you ever wondered what it's like to be a mall Santa — screaming kids, impatient moms, and long, long days at the mall? This 2014 documentary follows the lives of some real-life Santas, often to hilarious results.

A Christmas Carol

It wouldn't be the holidays, if you didn't watch A Christmas Carol. And you aren't doing it right, if you aren't watching the 1938 original. And, hey, at only an hour long, you can squeeze it in before dinner!

Black Mirror, "White Christmas"

While not actually a film, the Christmas episode of the dystopian sci-fi series is a must-watch, especially for those of you who enjoy the darker side of the holidays. Be warned, though: If you haven't watched the rest of the series yet, this episode will have you hooked.