WATCH: Erik Shicotte, “Flint”

Artist: Erik Shicotte
Hometown: Milwaukee, Wisconsin
Song: “Flint”
Album: Miss’ry Pacific EP
Release Date: July 16, 2021
Label: Black Country Rock

In Their Words: “Sprawled along the medicine of a two-lane highway, ‘Flint’ came as the soundtrack to my own cinematic heartbreak and the wandering repercussions of ineffective escapism. Drawn over a steady stalwart 4/4 roll, the desperate defiance of a yearning heart plays out over a defining romance cut short, and the humming tires that follow. This is a song about hurtin’ and runnin’ out from under the inescapable and sometimes inexplicable wanting that often comes from the naiveté and hopefulness of a spark. The instrumentation is deafeningly present, and I even let myself chug out a simple pseudo-lead on the Telecaster. If ever there were to be a movie made about me being all sad and pissed off, this is the song that would accompany the southwestern sunrise and cigarette breath as I drive into the golden ether.” — Erik Shicotte


Photo credit: Destiny Frack

WATCH: J.M. Clifford, “Kick the Drum”

Artist: J.M. Clifford
Hometown: Allendale, New Jersey
Song: “Kick the Drum”
Album: On a Saturday Night
Release Date: August 26, 2021

In Their Words: “’Here’s to the music that we make at night till we feel alright.’ I honestly don’t know what would have become of me if I hadn’t fallen in with the bluegrass community at Sunny’s Bar in Red Hook, Brooklyn in 2017. The music and the musicians got me through some very dark times. This is really a love song to that whole scene. This was the first tune I wrote for the record (although it went through about a hundred revisions). In fact, it’s the first thing I had written in a long, long time. Stylistically it was very different from anything I had done before. I integrated some of the prominent features of the old folk and bluegrass music I’d been immersing myself in with my singer-songwriter background and landed on something that felt fresh to me. That approach informed all of the songs that came after it.” — J.M. Clifford


Photo credit: Nicole Mago

WATCH: Leon Creek, “Call It A Day”

Artist: Leon Creek
Hometown: Los Angeles, California
Song: “Call It A Day”
Album: Far From Broken
Release Date: September 21, 2021

In Their Words: “An element of grain is a part of the Leon Creek records, so working with the photographer and videographer Chase Hart, who only shoots on film and Super 8, has been a great fit for us. We were excited by the Super 8 footage Chase got during our first shoot in Santa Barbara, so we wanted to round out the video with some clips from L.A., where we met and started making music together. Bobby Womack’s BW Goes C&W was an inspiration in making our record, so we aspired to have an element of ’70s country western sprinkled throughout the video. Enter Chicago-based editor and animator Jordan Rundle. Jordan added animation and moving graphics, along with some analog visual effects to his final cut of ‘Call It a Day.'” — Leon Creek (Chris Pierce, Matthew Stevens, and Erik Janson)


Photo courtesy of Tell All Your Friends PR

WATCH: Maya de Vitry, “Working Man”

Artist: Maya de Vitry
Hometown: Lancaster, Pennsylvania
Song: “Working Man”
Release Date: January 8, 2021
Label: Mad Maker Studio

In Their Words: “When I was writing this song last summer I was thinking about the creation of the railroads in the United States, imagining the distance between the hands that physically laid the tracks and the statues and wealth and legacy of the men we remember as having ‘built’ the railroads. I was reflecting on the respect and dignity and security we all long for, the satisfaction of doing a job well done, the pride of being part of something greater than ourselves. The pandemic has elevated and made more visible some of the more underpaid and overworked people in our society, and it’s also made us face the instability of work in general. I was thinking about how so often the blood, sweat, tears, and sacrifice of so many benefit the super-comfort of so few. How can we reimagine our society, and reimagine work, with the empathy and perspective we’ve gained from this last year?” — Maya de Vitry


Photo credit: Kaitlyn Raitz

WATCH: Rory Feek, “Time Won’t Tell”

Artist: Rory Feek
Hometown: Columbia, Tennessee
Song: “Time Won’t Tell” (written by Harlan Howard and Beth Nielsen Chapman)
Album: Gentle Man
Release Date: June 18, 2021
Label: Gaither Music Group

In Their Words: “I first heard this song in the mid-’90s when I was writing for Harlan Howard, and he and Beth wrote it. I’ve always loved it and my wife Joey and I even had it on a shortlist to record for her to sing one day. All these years later, the lyric is even more special to me. It’s been five years since Joey passed, and there isn’t a day that goes by that I don’t wonder what life might be like if she was still here. If it was her tucking our little girl Indiana in bed at night and not just me. What the song says is so true… sometimes, ‘time won’t tell.'” — Rory Feek


Photo credit: Michael Hayes

WATCH: Timothy Howls, “The Rubble”

Artist: Timothy Howls
Hometown: Austin, Texas, by way of Santa Barbara, California
Song: “The Rubble”
Album: The Rubble EP
Release Date: May 21, 2021

In Their Words: “‘The Rubble’ is a broken-hearted love song about a relationship hanging by a thread. It was an introspective outpouring about my own inability to commit fully to someone else and realizing how that was hurting the woman I was with. I wrote it at a low point and thankfully we fought through and came out stronger on the other side. The video was shot in a desolate mining town called Terlingua, Texas, with more scenic shots from Marfa. The dilapidated landscapes perfectly fall in line with the sentiment I was attempting to convey in the lyrics. Thanks for checking it out!” — Timothy Howls


Photo credit: Garrett Porter

WATCH: Wilson Banjo Co., “When the Crow Comes Down”

Artist: Wilson Banjo Co.
Hometowns: Steve Wilson: Spencer, N.Y., and lives in Westminster, S.C.; Sarah Logan: Gorham, Maine, and lives in Johnson City, Tenn.
Song: “When the Crow Comes Down”
Album: Six Degrees of Separation
Release Date: June 4, 2021
Label: Pinecastle Records

In Their Words: “’When The Crow Comes Down’ is a really well-written story song that was co-written by a tremendous Nashville singer-songwriter, Jordan Rainer. We fell in love with the spooky theme and the imagery she created. The Appalachian tone and timbre of Sarah’s unique vocal was perfect for the delivery. Creating the mood for this song through arrangement was exciting, but it was the artists who all truly captured my vision. Richard Bennett and I work together a lot in the studio and his distinctive guitar picking constantly blows my mind. I was so honored when he agreed to be such a huge part of this project! And Deanie Richardson’s fiddle was the perfect fit for this song! She’s able to perfectly capture each emotion in the story; she is truly outstanding. Everyone’s contributions came together to create such an amazing final recording for this song! A video was a must! And who doesn’t enjoy a good scary movie? Bonfire Music Group did a great job with the production and we all had fun watching Sarah get creepy! We hope you enjoy it!”– Steve Wilson, Wilson Banjo Co.


Photo credit: Pinecastle Records

BGS 5+5: Them Coulee Boys

Artist name: Them Coulee Boys
Hometown: Eau Claire, Wisconsin
Latest album: Namesake (available August 6, 2021 on Some Fun Records)
Personal nicknames (or rejected band names): For better or worse, we’ve always been Them Coulee Boys.

(All answers from Soren Staff)

What’s the toughest time you ever had writing a song?

For me, it’s never about how tough it is writing a song, but rather when to move on from one. I generally build songs from a line or two that I’m excited about, whatever makes my stomach burn and rush to write more. Sometimes they come in minutes, but sometimes those lines can ruminate in my head for weeks or months, caught in limbo. When I try to force them out, it often isn’t something I’m proud of. The hardest part of writing for me is realizing when to take a step back and let songs breathe. That line is still going to be there when I come back, and maybe this time there’s more to the story. “Given Up” worked that way, and space let me fill out the story in a way not possible if I forced that out.

Which artist has influenced you the most … and how?

I feel like this is an answer that changes, but one artist that has loomed large in his influence on our work is Bruce Springsteen. It might not be sonically obvious, but I think every small town kid has looked at him and seen some of their story in his. The lesson I always come back to is that the intensely personal details can feel universal. On this next record particularly, I was more comfortable using characters that weren’t me. Just because you haven’t specifically lived it doesn’t mean someone you know and love hasn’t. We model so much of what we do off his example, be it in our powerful live performances, our evolving sound, or intimate style of writing. He’s a master at so many things, and I feel like I’m continually learning.

What’s your favorite memory from being on stage?

Right before COVID hit, we were on the biggest tour of our young careers, opening up for our friends in Trampled By Turtles at The Sylvee in Madison, Wisconsin. Being the closest show on the run to home, so many family and friends were in the audience, but in particular was the family of my dear friend Phil Marks. We lost Phil the year before, and this was the first time that his family could make a show. Every night when we play our song “I Won’t Be Defined” I talk about mental health, and that night I talked about Phil. When you get a crowd of 3,000 to go from joyfully dancing, to a complete silence, and then back to dancing, you feel the power in what you can do through song. I miss making people feel something, be it joy or sorrow. I’m so grateful to have that chance again very soon.

If you had to write a mission statement for your career, what would it be?

We are a band of family and friends that seek to create community through joy, energy, and sincerity in their work and performances. We learned very early how people respond to genuine expression, and we’ve made it our mission to be the absolute most authentic version of ourselves. We love what we do, and we hope you do too. One part bear hug, one part gut punch, and one part steadying hand. That’s what we want our listeners to feel when they listen to us.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Well, we are dreaming here, so I’m going all out! It’s tempting to think I’d be able to soak up some advice, but I love good food and I think I’d get distracted. First, I’d start with brunch with Joni Mitchell and my mother and let them do the talking. I’ve learned so much from them both and I know they’d hit it off. Then I’m headed over to LC’s, my favorite BBQ joint in Kansas City with Bob Dylan and the rest of Them Coulee Boys, if only to see how he handles the literal gallons of BBQ sauce in front of us. Finally, I’m ending the night drinking Handsome Johnnys with John Prine at my hometown Eau Claire, Wisconsin, dive The Joynt. I feel like he wouldn’t mind me picking his brain a bit with a few glasses of vodka and ginger ale.


Photo credit: Nathaniel Nelson

WATCH: Our Band, “Fading”

Artist: Our Band
Hometown: New York, New York
Song: “Fading”
Album: Bright as You
Release Date: June 25, 2021

In Their Words: “Our song ‘Fading’ was sparked by the sound of those first two chords against each other. There is a sweetness, coupled with a kind of foreboding feeling. Relationships have a kind of inevitable gravity to them, and this song deals with the moment where you take the plunge. You have to lose yourself a little, and it is mysterious and kind of frightening. Sasha and I tried to capture that moment musically, and the great nonagenarian Dean of American Folk Music, David Amram, is on flute. The sonority of the steel guitar, David’s flute, and a real vintage Mellotron tape-based sampler is one of my favorite textures on the album – a little vintage futurism, you could say.” — Justin Poindexter, Our Band


Photo credit: Gabriela Herman

WATCH: Jeremy Squires, “Fade”

Artist: Jeremy Squires
Hometown: New Bern, North Carolina
Song: “Fade”
Album: UNRAVEL
Release Date: July 30, 2021
Label: Blackbird Record Label

In Their Words: “‘Fade’ is about facing yourself and revisiting memories and/or demons and coming to terms with them. There were so many things going through my head when I wrote this song. My grandmother had passed and my life was changing and the people around me were changing and spiraling. I was faced with difficult life choices I had to make and this song was an outlet.

“The video for ‘Fade’ was filmed at various locations in my hometown and in a small neighboring town. I filmed multiple scenes in my granny’s old home that she left to me. I feel the lyrics reflect the imagery in the video. I filmed a specific scene as I burned a life’s worth of papers and collected memories outside in her yard one night with an old crutch and it was cathartic. ‘Fade’ is one of my favorite videos and I feel that it is one of the best songs on the album. It is definitely one that I am connected to.” — Jeremy Squires


Photo credit: Shelley Ann Squires