Basic Folk: Fran & Flora

Two long-time collaborators, cellist Francesa Ter-Berg and violinist Flora Curazon, Fran & Flora, have bonded over their obsession with ancient music, rooted in Eastern European and Jewish culture, for over a dozen years. Together and separately, the English musicians have been studying with teachers of ethnomusicology in places like Transylvania and Romanian. There, they took in the music as well as the cultural influences. That’s not to speak of their higher musical education, Francesca holds two masters in music (including in contemporary improvisation from the New England Conservatory of Music) while Flora trained at the Royal Academy of Music, London. They break down the benefits of each learning style and how it impacts their creative process. They also get into their love of klezmer music and the importance of portraying cultural heritage while remaining modern.

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We also talk about how as female musicians, they are expected to do absolutely everything and excel at it while people still talk about whether or not you smile on stage.
They share “There’s a very deep thing in there that has affected our choices as a band in order to keep it safe and healthy within ourselves.” Their latest album, Precious Collection, features a couple of original tunes, but it’s mostly new and unique arrangements of traditional Klezmer and Yiddish songs. Don’t sleep on the smokey translation that Flora shares of the song “Little Bird” and stick around to learn who is the better roommate. All in all, great conversation with wonderful people who create bonkers music that’s rich in tradition and layers.


Photo Credit: Dom Thompson

The Travis Book Happy Hour: Andy Thorn

I met Andy Thorn during the winter of 2002/2003 when he was visiting Durango, Colorado on a ski trip. We played and traveled over two summers as members of The Broke Mountain Bluegrass Band, which broke up – or went on an 18 year hiatus – after the summer of 2005. Andy and I remain and always will be great friends, and sharing the stage with Andy and Jon Stickley when recording this episode was an honor. It captures three old friends rehashing old memories and jokes and making new ones. I know you’ll enjoy.

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This episode was recorded live at 185 King Street in Brevard, NC on October 24, 2023.

Timestamps:

0:07 – Soundbyte
0:20 – Introduction
1:32 – “Carolina Song”
2:50 – We have legal marijuana
4:35 – “Blazing New Frontiers”
9:19 – “All That I Can Take”
15:50 – Interview
35:25 – “Aesop Mountain”
38:29 – “What Child Is This”
41:02 – On fox hunts
42:42 – “Red Fox Run”
49:20 – “Long Lonesome Day”
53:36 – Did you skip my interview?
54:30 – “Long Winding Road”


Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo courtesy of the artist.

Basic Folk: Billy Bragg

Billy Bragg joins hosts Lizzie and Cindy on board Cayamo to talk about songwriting, social justice, punk rock and, of course, The Little Guy (Bragg’s nickname for Woody Guthrie). In our interview, we talked about Billy using humor as a way to connect to his audience, so that he can bring up his political activism – such as fighting for transgender rights, the importance of unions and abortion rights. It’s interesting to hear how he wants the Americana audience to remain as relevant as he does. Billy talked about his place as a British ​artist ​in ​the ​genealogy ​of ​folk ​music and how working on Mermaid Avenue with Wilco allowed him to be a part of the folk tradition.

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He also shares how he overcame anxiety as a teenage musician. Standing in front of a crowd playing with his friends in a band really boosted his confidence. Meanwhile, the old school “stiff upper lip” of British culture created an emotional barrier between Billy’s and his parents’ generations. The older generation grew up with the cultural heritage of separating oneself from any emotion. When Billy was a teen, his father was dying. The doctor recommended not telling the patient or talking about it at all. Several decades later, his mother insisted that everyone talk to and about her terminal cancer diagnosis.

Bragg also gets into the merits of socialism, why nostalgia rubs him the wrong way and his favorite English treat. Spoiler: It’s marmite. Gross.


Photo Credit: Peter Dunwell

Leyla McCalla’s Joyful Rebellion: Sun Without Heat and the Freedom of Play

Singer-songwriter Leyla McCalla and her band (bassist Pete Olynciw, drummer Shawn Meyers, and guitarist Nahum Zdybel) join us onboard Cayamo to go through their incredible, righteous and fun new record Sun Without the Heat. It is a Leyla McCalla solo album, but no solo artist is an island! Once we saw Leyla perform with her band, with whom she has collaborated for the past six years, we had to get the whole collaborative outfit in on the interview.

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The sounds on the album are inspired by Afrobeat, Haitian music, folk music, indie music, Americana music, Brazilian tropicalismo, amongst others. Leyla calls it, “A record that is playful and full of joy while holding the pain and tension of transformation.” McCalla’s liberatory politics find their way into the record, evidenced by the title – which comes from a Frederick Douglass speech given six years before the Emancipation Proclamation. Leyla explores her cultural heritage while reflecting the African diaspora using elements of Afrofuturism. She’s leaning into a concept that challenges women in music (particularly women of color) of how to free herself from labor that should not be hers, and fighting for her right to be joyful in her creative expression.

When asked about how these new songs feel through the lens of somatic experience, Leyla says the new music feels different and that she’s let go of the idea of perfectionism as a single mom of three kids. A lot of the record was informed by different authors she’s read recently like adrienne maree brown (Pleasure Activism) and Susan Raffo (Liberated To the Bone). Leyla’s really changing the game in Americana, when it comes to incorporating the academic into truly bitchin’ music.

Sidenote: we really loved hanging out with this crew at sea on Cayamo. They had great vibes, good laughs, and also very good outfits. Lizzie even recruited Pete to play bass in an impromptu trio while on board. More good times with Leyla and band, please!


Photo Credit: Chris Scheurich

The Travis Book Happy Hour: Mike Ashworth (Steep Canyon Rangers)

When I asked Mike Ashworth’s bandmates and friends to give me a sentence describing him, it was almost comical how similar their answers were. Two of them were identical, describing him as “the most natural, gifted, and versatile musician I have ever known.” One even said, “when God made the perfect musician, he made Mike Ashworth; enormously talented and versatile, but also humble, joyous, and a wonderful listener…” I call Mike whenever I can to join me on the Happy Hour or Travis Book & Friends – and he was my bass player of choice for my record. He laid his heart out for us in this interview and my only regret is that it took me so long to get this episode out.

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This episode was recorded live at The Grey Eagle in Asheville, NC on February 3rd, 2021.

Timestamps:

0:09 – Soundbyte
0:47 – Introduction
2:45 – “Turn Your Radio On”
5:20 – Monologue
7:44 – “I Will Lead You Home”
10:21 – Monologue
14:30 – “Beauty In The Ugliest Days”
19:42 – Interview
48:00 – “First Girl I Loved”
52:06 – “I Want To Sing That Rock & Roll”
55:11 – “Palm Tree”
58:55 – “I’ve Endured”
1:02:50 – Outro


Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: David Simchoock

Humbird: From Dinner Table Singing to Dismantling White Supremacy

Siri Undlin, better known as Humbird, is a talented singer-songwriter from the Twin Cities with deep roots in Minnesota music and the land that surrounds her. Growing up, she was a true cold-weather kid who loved hockey during winter, but also loved music and feeding her vivid imagination. Her interest in music was nurtured by her parents, religious music, church choir, and also her Aunt Joan, who taught Siri guitar at age 12. Hockey actually led her to her first band, Celtic Club, which would play at Irish Pubs, talent shows, and of course, at the local hockey rink. They introduced her to Celtic music and her first live performances.

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In this episode of Basic Folk, Undlin shares her rich experience studying folklore and fairy tales, which greatly influence her musical journey. She discusses her intensive research in Ireland and Nordic countries, exploring how music intertwines with storytelling traditions.

Throughout the episode, Undlin reflects on her upbringing, her time at an art school, and her evolving approach to songwriting, blending traditional folk music with indie music and experimental sounds. On her new album, Right On, Siri is acknowledging and addressing white supremacy in middle America, as highlighted in her song “Child of Violence.” She talks candidly about what writing and releasing the song taught her about white supremacy. Touring has provided Undlin with unexpected challenges and valuable insights, shaping her perspective as a musician and performer. We talk about the importance of being open to chaos and disciplined in one’s mindset while navigating the music industry and life on the road.

(Editor’s Note: Read our recent interview feature with Humbird here.)


Photo Credit: Juliet Farmer

Alison Krauss – Toy Heart: A Podcast About Bluegrass

We could hardly think of a better guest with whom we’d conclude our second season of Toy Heart than 27-time Grammy Award winner, Alison Krauss. Arguably the most prominent bluegrass musician in the genre’s nearly one hundred year history – certainly the most well-known in her own generation – host Tom Power’s laughter-filled conversation with Krauss weaves through her childhood and upbringing, from her grandparents immigrating to Chicago (then her parents to Champaign, Illinois) and Alison’s first fiddle contests all the way to her first Grammy win as a young adult.

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In a rare podcast interview, Krauss is funny, charming, and open, her candor painting a picture of the bluegrass community’s lifelong support and the winding journey that has brought her to the present, as one of the most recognizable voices and musicians in American roots music. From her earliest hits like “Steel Rails” and “Every Time You Say Goodbye” to collaborating with Robert Plant, James Taylor, the Cox Family, and more, to her Buddy Cannon-produced 2017 album, Windy City, Power and Krauss talk about song selection, her early days touring and road-dogging with Union Station, and how it felt when her musical career really began to take off.

But these stories aren’t just about awards and accolades. They chat about many moments, the big and small, that define Krauss, the festivals that became like homes, and the bonds that music forged with her band, Union Station, and her many collaborators. They explore how Krauss creates on the boundaries of many roots genres – plus what she views as bluegrass and what’s not bluegrass – the authenticity that she’s tried to capture throughout her career, and the cultural waves made by projects like O Brother, Where Art Thou? and the Down From the Mountain tour.

From personal anecdotes about Ralph Stanley and Larry Sparks to her feelings about Billy Strings’ massive success to a jaw-dropping and exciting revelation that she and Union Station are working on a new bluegrass album, our season finale with Alison Krauss is truly one of our best Toy Heart episodes to date.


Photo Credit: Randee St Nicholas

Basic Folk: Community vs Capitalism, Live from Cayamo

We’re live at sea! Our hosts Lizzie No and Cindy Howes recorded this episode onboard Cayamo, which is a singer-songwriter, Americana cruise that’s been sailing yearly since 2008. It’s one of the best music festivals we’ve attended and it’s another edition of FOLK DEBATE CLUB.

This time it’s “Community vs Capitalism.” Our panel features Jenny Owen Youngs (musician and co-host of Buffy the Vampire Slayer podcast, Buffering the Vampire Slayer), Amy Reitnouer Jacobs (co-founder/executive director of BGS) and Natalie Dean (director of events at Sixthman, which presents Cayamo). We talk about both of these concepts through the lens of folk music and the music industry at large. Community building amongst folk artists and fans in authentic and unique ways will help drive your passion. Organically finding community through event production, online presence, or music promotion is at the core of folk culture. Community trust and cultural diversity are key in ensuring that folk music artists will thrive in our capitalistic society.

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How do you build that trust among your audience in a way that allows them to build trust with each other? How do you stay true to your values while being able to pay for your life? How have musical community leaders cultivated their particular communities?

Capitalism is our current reality, but it historically has not mixed well with community. Clearly, one must be pursued vigorously, moreso than the other! Or does it? Is there a way that these two can live side by side in folk music?

If you are listening to this or reading this right now, I can make this assumption: You want to support music financially and with your heart. Music is something that sustains our lives, but it’s also a profession and something people consume. Don’t worry, we “figure it all out” in this episode of FOLK DEBATE CLUB AT SEA!


Photo Credit: Will Byington

The Travis Book Happy Hour: Ed Jurdi (Band of Heathens)

I met Ed Jurdi at a taping of The Travis Book Happy Hour in March of 2021. Our mutual friend Nicki Bluhm was on the show and she’d invited Ed, who’d recently moved to Asheville, to attend. I was not yet acquainted with Band of Heathens or Ed Jurdi, but when we met after the show I was struck by his warmth and attentiveness. It was a couple years before I would get him to Brevard to join me, but immediately during rehearsals I knew we’d be friends and this would only be the first of many times we’d share a stage. I had a blast on this episode (as evidenced by my over-playing) and I’m happy to share it with you.

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This episode was recorded live at 185 King St. in Brevard, North Carolina on May 30, 2023. Huge thanks to Ed Jurdi and Tommy Maher.

Timestamps:

0:08 – Soundbyte
0:49 – Introduction
2:09 – Bill K’s introduction
2:45 – Travis’ audience greeting
3:31 – “All I’m Asking”
7:33 – “Bumblebee”
12:52 – “What a joy”
13:27 – “Jackson Station”
18:32 – Interview
34:11 – “South By Somewhere”
38:51 – “The Good Doctor”
42:45 – “Walking and Talking”
48:43 – Outro


Editor’s note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.

The Travis Book Happy Hour Podcast is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Alysse Gafkjen

Jontavious Willis Says Blues Music Is for The Kids

Originally from Greenville, Georgia, Jontavious Willis is a blues music phenom. When we talk about the blues, the phrase “torchbearer” comes up a lot when it comes to young, new blues artists. I think of that word as a double-edged sword. When you think of a torchbearer, you think about someone who’s carrying on a flame that was lit long ago. It’s somebody who’s carrying on a tradition, but it also can come with restrictions. Such as oldheads telling you that you’re not doing it right or asking you, “Have you really paid your dues? Are you really faithful to the tradition?” And asking you questions about whether or not you belong.

Jontavious handles that double-edged sword with such alacrity. His writing is firmly contemporary at the same time that his playing is rooted in the tradition of country blues. He knows so much about the genre that he’s basically a walking encyclopedia of the blues. I don’t want to spoil the surprise, but instead of the traditional Basic Folk lightning round, we played a pop-up game at the end of the interview. I put different styles of the blues (like Delta or Piedmont) in one cup and various 2024 topics, ripped from the headlines, in another. Then we just matched them up. He was so quick on his feet.

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Jontavious is a great example of a new spin on a genre that a lot of people think they know already. He is so adamant that the blues is a contemporary genre and always has been. He made the point during our interview that a lot of the blues legends we’ve encased in the amber of memory were young teens or 20-somethings when they wrote their iconic songs. It’s really a genre for free people, for young people, for people looking ahead. It’s not about the past. Another point he made while discussing his Southern roots: When we talk about country, often we’re talking about a musical genre with a certain difficult history. But for him, and I imagine for a lot of other artists, country is a way of life. It’s about being out in the wild. It’s about having a connection to nature. It’s about sitting with quiet. It’s about having time on your hands to experiment with songwriting, or being a singer. It’s about a genuine experience of being connected to a particular place in time.

This interview and live performance was recorded for the podcast live at the Fort Worth African American Roots Music Festival (FWAAMFest). When I was a kid, my dad’s family used to have these big reunions. They’re from a North and South Carolina Baptist family, and it would be a big barbecue at the state park or in a church hall. We would have t-shirts made, people of all ages milling around, catching up. Often there would be an elder getting up to say a long prayer or make an announcement. This sense of belonging and intergenerational connection is what FWAAMFest felt like. Brandi Waller-Pace, the festival founder, is such a visionary, and they bring together artists of so many different genres, all of which fit under the roots music umbrella. There’s this beautiful link between all of the music based on the African American Storytelling Tradition and the Artistic Tradition. In addition to being able to interview Jontavious live onstage, this was my first time headlining a festival, so it couldn’t have been more of a special day for me.


Photo credit: Ben Noey Jr.