(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here. Find our episode archive here.)
Dale Martin is an accomplished music columnist and theater production manager in New Braunfels, Texas. He joins Only Vans host Bri Bagwell to talk about his hilarious journey full of Garth encounters, insane rider requests, and bridging genres with his writing over the past four decades.
After banjo player Kaïa Kater attended AmericanaFest in 2016, the music industry started telling her she was a part of the genre, which encompasses all kinds of roots, acoustic, folk, singer-songwriter and alternative country music. She was singing about heavy themes like historical trauma, her cultural heritage (her father is from the Caribbean country of Grenada) and her music history. She confesses in our interview that she never felt comfortable in Americana, that she was always just on the outside, never fully feeling accepted by this mostly white world. Kater has declared that her new album, Strange Medicine, comes from a place that lies beyond the white gaze of Americana. This music is filled with emotional healing, with production that sonically reflects the vulnerability she is expressing so deeply for the first time in her career. It’s also the first time she’s avoiding metaphors and really letting her most raw feelings about colonialism, sexism, racism, and misogyny rip. These songs see her using violent language and releasing emotions she’d previously kept frozen, like anger and revenge.
While creating Strange Medicine, she listened to a lot of instrumental music, allowing her ears to be bigger than they had been on previous records. Which translated to her being more willing to take big swings and risks. Kater attended school to learn film composition, allowing her to be more comfortable with being a little bit more overstated in her songs, which certainly proves true on the new record. Another good piece of news is that the banjo is back! After using it very minimally on her last release, Kaïa picked it up again after listening to a lot of Steve Reich, a composer who developed a groundbreaking minimalist style in the 1960’s that’s marked by repetition. His work helped Kater conceive of the banjo as an instrument that could hypnotically play patterns over and over. We go through this monumental album track by track and unwind songs with topics from Tituba’s revenge (the first to be accused during the Salem witch trials) to getting the critic out of the room, to realizing the critic is you. She also recounts her history in her hometown of Montreal and what the Internet was like when she first logged on in the 2000’s.
(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here.)
Live from the legendary Saxon Pub in Austin, Texas, Only Vans host Bri Bagwell sits with friend and BMI’s Executive Director of Creative in Texas, Mitch Ballard. They discuss what BMI is and why it’s important, along with the constantly evolving nature of the music business and what BMI is doing to keep up and help artists.
I hate surprises. However, Oklahoma’s pride and joy John Moreland surprised us in April with his latest album, Visitor, and I guess I’m okay with it. Moreland’s gone back to a sparse acoustic instrumentation, unlike the electronic sound (which I also loved) on his previous release, 2022’s Birds in the Ceiling. Recently, he took a page from his wife Pearl Rachinsky’s and musician (and recent tour buddy) Chris Staples’ books and quit his smartphone, took a social media break, and stopped all touring for six months. What ensued was an incredible psychic change discovered through living electronically off the grid. Another thing that came about during this simplicity in life: An album full of songs. He would take long drives at night, bringing along his guitar and making field recordings of his new writing. All this culminated into his beautiful new record.
During our Basic Folk chat, Moreland talks about the process of unraveling himself from his smartphone, reconnecting with the acoustic guitar, and getting to know himself again during this period of quiet. He talks about how playing live is very vulnerable for him, to the point where he started taking (and loving) beta-blockers to stave off anxiety and adrenaline. He is very candid with his current thoughts on body image – he has been known to experience body shaming online after performing live. We also get into something that’s been on my mind all year: Is climbing the professional songwriting ladder worth it? Pretty sure we figured out the answer. LOL
Barnstar!, Boston’s premier kinda bluegrass and definitely bombastic band, has released their new album Furious Kindness and we’re #blessed to welcome Mark Erelli and Zachariah Hickman to the pod. Originally a fun side hustle and bluegrass vehicle for Zack, the group – which also includes Charlie Rose and Taylor and Jake Armerding – started very casually performing at the legendary local Cantab Lounge. Zack accurately likens the vibe of the place to a basement Star Wars Cantina full of bluegrass bands.
In between their main gigs with performers like Josh Ritter and Lori McKenna and amidst their solo careers, Barnstar! has cultivated explosive live performances filled with energy and emotional expression, leaving concert attendees cheering and crying along. Included in their repertoire are some of the finest covers including many that you’d never expect to see on a kind of bluegrass band album, like The Hold Steady, Patty Griffin, Elliott Smith, and Elizabeth & The Catapult.
On this episode of Basic Folk, we talk about what it’s like to bring a cover song to the band to learn as well as co-writing with friends like Dinty Child and Chuck Prophet. We’d be remiss if we did not address the alien-like quality of Mark Erelli’s singing voice and learn that it is because of his bestie Zack and Barnstar! that he can sing like this. Now he finds himself performing vocal warm-ups before hitting the stage with the guys. Not something he ever thought he’d do. All members of Barnstar! contribute to and sing on the new album, Furious Kindness, a recording that just wants to shout in your face about how awesome you really are.
BGS is excited to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Beginning today, May 20, the show – which is recorded from inside Bagwell’s tour van – will be distributed and promoted by BGS alongside hit podcasts such as Toy Heart and Basic Folk, and joining the ranks of fellow artist-hosted, artist-focused chat and performance podcast, the Travis Book Happy Hour. Only Vans is a podcast unlike any other, not just because it is recorded in a van (or Class C RV, to be specific), but because its conversation topics are anything but ordinary.
“[It’s] a podcast where I chat with my friends in the music community, from my van, about things that two buddies in a van would chat about,” Bagwell explains on her website. “It’s really insider info, like an Only Fans subscription… but clothes stay on (usually) and formality goes out the window.”
The banter between Bagwell and her friends and guests sounds and feels organic, because it is! With fifteen years of road experience, Bagwell hosts with ease, navigating topics that non-artists hosts perhaps can’t; and in that often unexplored landscape of crazy road stories, fond personal festival memories, and deep inner fears and beliefs, fans of the podcast say they really appreciate the raw honesty, insight, and hilarity that comes out in every Only Vans episode.
The first episode to be distributed by BGS features Bagwell’s friend and mentor, famed lead singer of Cross Canadian Ragweed, Cody Canada and his wife/manager Shannon. They cover a wide variety of topics like racial injustice, partying, the metal music scene, and shifting priorities after having kids. (Listen here.)
Bagwell, named Texas Female Artist of the Decade by the Texas Regional Radio Report, is a force to be reckoned with from her rousingly fun live performances to trailblazing recordings garnering her 12 #1 singles on Texas Country Radio and counting. People Magazine raves, “Bagwell increasingly finds her name being mentioned amongst country music truth-tellers such as Ashley McBryde and Morgan Wade.” Her latest album, Corazón y Cabeza (Heart and Head), has already spawned three #1 singles, “Trenches,” “Free Man,” and “Hello Highway,” the latter inspiring her 2023 summer tour across 10 states and Mexico.
In a time of growth for the BGS family – having just launched our curated email newsletter, GOOD COUNTRY, earlier this year – it’s especially exciting to bring on this new podcast, to welcome Bri Bagwell as a contributor, and to bring these intimate, fun, and one-of-a-kind interviews to our followers, listeners, and fans. Subscribe to Only Vans on Apple Podcasts here – or wherever you prefer to get podcasts. New episodes drop every other Monday!
(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here.)
In the latest episode of Only Vans, Texas country artist and host Bri Bagwell chats with friend, mentor, and famed lead singer of Cross Canadian Ragweed, Cody Canada and his wife/manager Shannon in the bus, covering a wide variety of topics like racial injustice, partying, the metal music scene, and shifting priorities after having kids.
Two long-time collaborators, cellist Francesa Ter-Berg and violinist Flora Curazon, Fran & Flora, have bonded over their obsession with ancient music, rooted in Eastern European and Jewish culture, for over a dozen years. Together and separately, the English musicians have been studying with teachers of ethnomusicology in places like Transylvania and Romanian. There, they took in the music as well as the cultural influences. That’s not to speak of their higher musical education, Francesca holds two masters in music (including in contemporary improvisation from the New England Conservatory of Music) while Flora trained at the Royal Academy of Music, London. They break down the benefits of each learning style and how it impacts their creative process. They also get into their love of klezmer music and the importance of portraying cultural heritage while remaining modern.
We also talk about how as female musicians, they are expected to do absolutely everything and excel at it while people still talk about whether or not you smile on stage. They share “There’s a very deep thing in there that has affected our choices as a band in order to keep it safe and healthy within ourselves.” Their latest album, Precious Collection, features a couple of original tunes, but it’s mostly new and unique arrangements of traditional Klezmer and Yiddish songs. Don’t sleep on the smokey translation that Flora shares of the song “Little Bird” and stick around to learn who is the better roommate. All in all, great conversation with wonderful people who create bonkers music that’s rich in tradition and layers.
I met Andy Thorn during the winter of 2002/2003 when he was visiting Durango, Colorado on a ski trip. We played and traveled over two summers as members of The Broke Mountain Bluegrass Band, which broke up – or went on an 18 year hiatus – after the summer of 2005. Andy and I remain and always will be great friends, and sharing the stage with Andy and Jon Stickley when recording this episode was an honor. It captures three old friends rehashing old memories and jokes and making new ones. I know you’ll enjoy.
This episode was recorded live at 185 King Street in Brevard, NC on October 24, 2023.
Timestamps:
0:07 – Soundbyte 0:20 – Introduction 1:32 – “Carolina Song” 2:50 – We have legal marijuana 4:35 – “Blazing New Frontiers” 9:19 – “All That I Can Take” 15:50 – Interview 35:25 – “Aesop Mountain” 38:29 – “What Child Is This” 41:02 – On fox hunts 42:42 – “Red Fox Run” 49:20 – “Long Lonesome Day” 53:36 – Did you skip my interview? 54:30 – “Long Winding Road”
Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast is the best of the interview and music from the live show recorded in Asheville and Brevard, North Carolina.
The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.
Photo courtesy of the artist.
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