Tag: BGS Podcast Network

The Show On The Road – Sam Lee

Posted on by Chris Jacobs

This week on the show, Z. Lupetin speaks with renowned British song collector, sonic interpreter, roots music promoter, and deeply intuitive folk singer Sam Lee.

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Lee came to music almost by accident after a former life as a wilderness survivalist and nature advocate. Since, he has become one of the leading voices in Great Britain, saving the treasured endemic music cultures that rapidly disappear each year. His gorgeously delicate and meticulously researched debut, Ground Of Its Own, shot him from hopeful academic to nationally recognized folk star — partly by being nominated for the prestigious Mercury Prize. Lee has relentlessly worked to save and rejuvenate the ancient melodies and songcraft of Irish and Scottish traveller tradition, Romany rhythms and stories, and connect those traditional melodies to a youthful pop culture that is yearning to know where it came from and where it is going next.

His Nest Collective, an “acoustic folk club,” gathers artists, authors, dancers and theatrical renegades and puts on shows and events across London – making Sam a rare double threat – as both an artist and a promoter of other artists.

His newest release, Old Wow, drops January 31, 2020.

The String – The Bluegrass Episode 2019

Posted on by Chris Jacobs

Host Craig Havighurst browsed World of Bluegrass in Raleigh in September and caught up with four artists who make for a pretty good cross section of the genre circa 2019: Tim Stafford of Blue Highway, an iconic band celebrating its 25th anniversary, Irene Kelley, a veteran songwriter who’s on top of the bluegrass charts, Appalachian Road Show, a new supergroup with a cultural mission, and The Dead South, a young band of Canadian folk rockers who represent the adventuresome edge of bluegrass music.

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Notes and full versions of these edited interviews can be found at WMOT.org.

The Show On The Road – Lucy Rose

Posted on by Chris Jacobs

As host Z. Lupetin travels across the UK this month, we bring you Lucy Rose – a talented singer/songwriter who grew up in the same lyrically fertile plain as Shakespeare. She has made albums filled with twisty tales of sharp-tongued, black-hearted people searching for redemption, and navigating the rough rivers of supernatural sorrow that refuse to let us go as we grow up.

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On her newest No Words Left, Rose has gone back to her roots a bit, forsaking the glossy Brit-pop direction toward which some of the powers-that-be wanted to push her, peeling back her sound to reveal just the thorny, pure fruit inside. The result is intense. Interlocking singing conversations in the tone of a toothy, hushed scream, she questions our relationships with ourselves — and maybe even God — to find who we really are behind the suffocating velvet gauze of our multiple social media personalities.

The Shift List – Duncan Holmes, Allison Anderson (Beckon | Call) – Denver

Posted on by Chris Jacobs

This week, Chef Duncan Holmes and Allison Anderson, Director of Experience, at Beckon | Call in Denver, Colorado.

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Chef Duncan Holmes and Allison Anderson have incorporated music and a guest’s entire experience at Beckon | Call in a way that is completely holistic and natural. Perhaps it’s because it’s baked into Anderson’s title — as the Director Of Experience, she takes the role of what would normally be considered General Manager and elevates it to a master class in hospitality.

Consider the music at Beckon – the evening’s answer to their popular all-day dining option over at Call. Beckon is a ticketed chef’s table dining experience with ever-changing, seasonal menus. It seats 34 people in a U-shape with Chef Duncan and his team serving you from the center of the intimate dining room, and the entire meal takes about two and half hours. Because the meal happens in phases, each evening’s soundtrack is a hand-picked selection of albums played in their entirety, allowing the staff at Beckon to play through about three records of their choosing over the course of a meal. In the age of playlists and streaming, the decision to play through albums at Beckon is an extension of the meal itself, forcing you to slow down and pay closer attention to each of your senses throughout the experience.

Call was named one of Bon Appetit’s Hot Ten Best New Restaurants of 2018, described as an all-day hang where you may arrive at 10am and end up staying until 2pm — with all of the spritzes and endless selection of unique items to snack on, like their smoked salmon tartine, roasted carrot salad with peas, and Scandinavian-inspired bites.

Call is now on a brief hiatus as Holmes, Anderson, and the team complete some renovations, but Beckon is now a year in and has topped multiple must-eat lists in Denver and beyond.

The String – Shawn Colvin

Posted on by Chris Jacobs

In 1989 the album Steady On marked a pivot in Shawn Colvin’s life from playing bars to make the rent to being a leader in the singer/songwriter movement.


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Through a string of albums, including the hit-producing A Few Small Repairs, Colvin became a multi Grammy winner and an Americana Lifetime Achievement Award winner. This year, she’s revisited Steady On, recording and performing it in her signature, solo acoustic guitar style. Stripped to its essence, the songs speak as clearly now as they did 30 years ago. Also, an introduction to new Rounder Records artist Logan Ledger, a Nashville transplant with a voice so arresting his demo led to a production deal with T Bone Burnett.

The Show On The Road – Robert Ellis

Posted on by Chris Jacobs

This week, Z. Lupetin speaks with Robert Ellis, the restless, tuxedoed, Texas piano-man who has paired his fleet-fingered, high-humored, “jazz in an Austin roadhouse” keys playing with machete-sharp lyrical turns of phrase — all backed up with his smile-through-the-apocalypse country-rock band.

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Ellis has gained a beloved international following all the while creating a persona that is half the tender brilliance of early Billy Joel, and half high-hatted, Southern huckster who might tell you a story that will make you cry one minute, and then steal your watch when you’re not looking the next.

Z. met up with Robert Ellis on the road together in the Netherlands.

The String – AmericanaFest 2019

Posted on by Chris Jacobs

Episode 107 features three conversations held on the run during AmericanaFest 2019 in Nashville, Sept. 10-14.


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Billy Strings represents the cutting edge of bluegrass and improvisational acoustic music. He’s a breakout bandleader and a guitar player’s guitar player. His second album is recently out, called Home. Jontavious Willis is another guitar-playing youngster, but his thing is traditional country blues. He’s been mentored by Taj Mahal and Keb Mo. Kevin Russell is the songwriter and band leader known as Shinyribs – a legend of the Austin scene and a wildly entertaining showman.

The Shift List – Jonathan Whitener (Here’s Looking At You) – Los Angeles

Posted on by Chris Jacobs

This week on the Shift List, Jonathan Whitener — chef and co-owner of Here’s Looking At You in Los Angeles’s Koreatown. Similar to his cooking, Jonathan’s musical tastes are a reflection of his family and surrounding environment. Outlaw country from his father, ’80s metal from his brothers, and a love for Glenn Danzig that continues to this day.

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Since it opened in 2016, Here’s Looking at You has appeared on almost every ‘best of’ restaurant list around LA — and that’s due to a number of factors: Co-owner Lien Ta’s laser focus on service and comforting hospitality; top-notch tiki-adjacent bar service; the evolving playlists blending old school hip-hop and post-punk; but it’s anchored by Whitener’s anything goes approach to cooking.

Whitener grew up in Huntington Beach, CA the son of a Mexican mother and a German father. Growing up near Orange County’s thriving Vietnamese and Japanese communities, he pulls all of these influences into his “SoCal tapas-style” menu with standout dishes like the shishito peppers accompanied with an tonnato sauce — the Italian answer to hummus — sprinkled with Huamei, a preserved Chinese plum. Or for another example, frogs legs seasoned like Nashville hot chicken with a salsa negra, scallion, and lime.

Whitener cut his teeth for three years as the chef de cuisine for Jon Shook and Vinny Dotolo’s restaurant Animal in Los Angeles before opening Here’s Looking At You with Lien Ta, who he met while she was serving as front-of-house manager at Animal.

Jonathan Whitener’s Shift List
Buzzcocks – “What Do I Get?”
Waylon Jennings – “I’m A Ramblin’ Man”
Waylon Jennings – “Rainy Day Women”
Danzig – “Am I A Demon”
Metallica – “Ride The Lightning”
Nick Waterhouse (Feat. Leon Bridges) – “Katchi”
Tupac (Feat. Syke) – “All Eyes On Me”

The Show On The Road – Bonnie Bishop

Posted on by Chris Jacobs

This week, Z. Lupetin speaks with Bonnie Bishop — the fierce singer/songwriter raised in Texas and Mississippi with a powerhouse voice shaped by decades of singing in smoky bars. She cuts confessional Americana gems that have won her a Grammy for her songwriting and have gained her a growing legion of fans nationwide.


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Like her hero Bonnie Raitt, sometimes it takes an artist releasing six records and reaching her late thirties for anyone to take notice. And sometimes it takes a painful divorce to create a song that would be recorded by Bonnie Raitt and help Bonnie Bishop win a Grammy. No, Bishop’s life didn’t change overnight — reality is usually much more sobering than the fantasy of winning big in music. But, Bishop knows she is winning now. Things are really happening, people respect her, and the road is moving — fast. And sometimes that’s the scariest thing of all.

The String – Ketch Secor of Old Crow Medicine Show

Posted on by Chris Jacobs

Ketch Secor is the fiddler and front man of the uncanny success story Old Crow Medicine Show. As they enter their third decade as a band, they can claim to have revived and re-imagined old-time string band and blues music for new generations.


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They’ve added at least one hit song to the country music repertoire in “Wagon Wheel” and reached millions with a show full of passion and classic country music values. Their latest, Live At The Ryman, is a collection of hand-picked tracks from roughly a decade of live recordings at the Mother Church. Ketch talks about the band’s origins, the legacy of its forty-odd shows at the Ryman and being part of Ken Burns’ Country Music documentary.