MIXTAPE: Lee Ann Womack’s Country Primer

When we needed an artist to make us a Mixtape of classic country tunes, we turned immediately to Lee Ann Womack … and not just because we love her very, very much, but also because she grew up hanging out in an East Texas radio station while her father played some of the greatest country music ever made. LAW noted that these aren’t, necessarily, her favorite country songs and they don’t go all the way back, but they are certainly a solid representation of the genre’s great past which has absolutely informed its wonderful present.

Johnny Cash — “I Walk the Line”
The ultimate crossover artist, he took country beyond all boundaries. He’s not just one of the greatest country artists, but one of the greatest American artists of all time.

Bill Monroe — “Blue Moon of Kentucky”
He might have been known as the Father of Bluegrass, but music in the country genre was heavily influenced by Bill Monroe. I love — and have borrowed from — the mournful sound of his vocals, the electricity of the harmony vocals, and the drive of the instruments in his music.

The Carter Family — “Wildwood Flower”
Nicknamed the First Family of Country Music, the Carter Family were pioneers of mountain gospel and country music, utilizing harmony vocals in a way that would influence the country genre for many years to come.

Waylon Jennings — “Lonesome, On’ry and Mean”
He had a career as a sideman for Buddy Holly and as a disc jockey in radio before he ever came to Nashvillle to make country records. He was part of the first platinum country album, Wanted: The Outlaws, along with Willie Nelson, Tompall Glaser, and Jessi Colter. To me, Waylon was the epitome of the marriage of rock and country, bringing all of his West Texas vibes to ’70s country.

Tammy Wynette — “Stand by Your Man”
You’d be hard pressed to find someone who isn’t familiar with Tammy and her song “Stand by Your Man.” It’s been a controversy several times over! Her voice is like a broken heart poured directly through stereo speakers and her life seemed like a living, breathing country song.

Loretta Lynn — “Coal Miner’s Daughter”
The ultimate country female singer, she wrote and sang about her life, which reflected so many of the people in rural America and the things they were going through. Listening to her music, one could learn a lot about the times she grew up in, and that’s country music: real life.

Dolly Parton — “Coat of Many Colors”
Her Appalachian roots, so present in her voice and music and, obviously, in the lyrics she wrote. The perfect example of a country girl with bluegrass/mountain influences.

Buck Owens — “Together Again”
From Sherman, Texas, and, along with Merle, created the Bakersfield sound. As is often told, Buck influenced countless other artists in and outside the country genre, not the least of which was the Beatles. I always loved his use of the telecaster and harmonies via Don Rich, and could hear their influences in so many of the country acts that followed.

Merle Haggard — “Okie from Muskogee”
The smoothest and prettiest voice of the male country singers, I always loved Merle for his music and his appreciation of music. I love his playing and especially love his studious approach, pouring over the catalogs of masters like Bob Wills and Jimmie Rodgers — not to mention the blues and jazz music influences you can hear in him. He fascinates me. Along with Buck, they created a whole new country music scene in Bakersfield and refused to play by the rules. I love it.

George Jones — “He Stopped Loving Her Today”
I could do a whole list of just George Jones songs. To me, he surpasses all others because he actually created a new style of singing. Often imitated but never, ever has anyone come close to duplicating. As Gram said, “He’s the king of broken hearts.”

Hank Williams — “I’m So Lonesome I Could Cry”
A country boy with so much soul, he transcends any genre and is one of the greatest songwriters in all of music.

Willie Nelson — “Crazy”
An American treasure, Willie is another artist who really transcends all genres, but there’s no mistaking his country upbringing. He puts music first, before any kind of labels or boxes, and he definitely influenced Nashville and Texas music in a huge way and showed that, when it’s honest, country music and country artists can have mass appeal.

3×3: AJ Hobbs on Hot Chicken, Wet Weather, and a Drum Circle of Gods

Artist: AJ Hobbs
Hometown: Los Angeles, CA
Latest Album: Too Much Is Never Enough
Personal Nicknames: Mom calls me Adam. Some people still call me Cal King — they never even called me by my name?

 

A photo posted by A.J. Hobbs (@ajhobbsmusic) on

If Jesus, Buddha, Krishna, and Mohammed were in a band together, who would play what?

I gotta be honest, I just see a cacophonous drum circle happening.

If you were a candle, what scent would you be?

“Fingers after BBQ”
 
What literary character or story do you most relate to?

The Cat in the Hat. Sometimes you gotta mess shit up to have fun, as long as you clean it up. 

 

A photo posted by A.J. Hobbs (@ajhobbsmusic) on

How many pairs of shoes do you own?
About four pairs of boots, two pairs of hiking shoes, running shoes, dressy shoes for when my friends get married and house slippers nice enough to go to the store in.

What’s your best physical attribute?

My wife says I have striking blue eyes.

Which is your favorite Revival — Creedence Clearwater, Dustbowl, Elephant, Jamestown, New Grass, Tent, or -ists?
Creedence. Hands down.

 

A photo posted by A.J. Hobbs (@ajhobbsmusic) on

Animal, mineral, or vegetable?

We all become minerals eventually. 
 
Rain or shine?

What is rain? 

Mild, medium, or spicy?

I’ve always been a spicy guy, growing up around amazing Mexican food, but Bolton’s in East Nashville turned me into a medium guy. A painful lesson.

3×3: Tami Neilson on Being Nosy, Tired, and Lazy

Artist: Tami Neilson
Hometown: Auckland, New Zealand via Toronto, Canada
Latest Album: Don’t Be Afraid
Personal Nicknames: Tam (I’m really Tamara, so I guess Tami is actually a permanent nickname.)

 

The skinny white bijshes in @farmersnz stole my hair.

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What was the first record you ever bought with your own money?

The Best of Judy Garland. Seriously. It was a cassette and I wore it right out. (… and it actually wasn’t the best. It didn’t even include “The Man That Got Away.” Travesty.)

How many unread emails or texts currently fill your inbox?

None. I’m just too nosy for that to happen.

If your life were a movie, which songs would be on the soundtrack?

I have two boys under 5, who I have just fed, bathed, and wrangled into bed, so “I’m So Tired” John Lennon is all that comes to mind at this moment … and pretty much sums up my last five years.

What’s your favorite word?

The way my 4.5-year-old says “Chlocolate”

Which sisters are your favorite — Andrews, Secret, McCrary, or Mandrell?

I love them all. Growing up in a family band myself, you just can’t beat a family blend of harmonies. Andrews were the first love, though … I made my little brothers learn all the words to “Hold Tight” just so we could sing it in the tour bus growing up. I still remember my parents and me singing “Boogie Woogie Bugle Boy” at my wedding reception.

If you were a liquor, what would you be?

A distilled spirit

 

Thanks Gore, see ya next time! #gore #newzealand #capitalofcountrymusic

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Fate or free will?

Free will

Cake or pie?

Yes, please! I’ll take a slice of each.

Sunrise or sunset?

Sunset … As a mother of little ones, I see way too many sunrises and look forward to the day when I can revert back to being a lazy musician who sleeps through them!

‘Home’

Pat Green is one of those guys who can ride the fine line between commercial country and Americana, the kind of singer who can be a labelmate to the likes of Kenny Chesney and Keith Urban, and friends with guys like Robert Earl Keen and Lyle Lovett.

On this record, he makes the peace with both sides of his musical personality. The opening tune, “Home,” is a marginally clichéd slice of contemporary country about “finding his way back home” (and likely in the company of Thomas Rhett and Luke Bryan). “Break It Back Down” is one of those current events namedroppers that contemporary country programmers love to put on the radio, and “While I Was Away” draws on the “I was looking at you while you slept” theme that’ll get a country girl squirming in her Sheplers.

On the other side of the spectrum, there’s the best song on the record — the wryly sassy duet with Lyle Lovett called “Girl from Texas” — a dirty blues guitar strut called “Bet Yo Mama,” and a solid party song, “May the Good Times Never End” (cut with help from Delbert McClinton and Leroy Parnell). Green’s duet with Sheryl Crow, “Right Now,” gets a little trite at times, but the melody wins the song some high marks.

But as much as we like Green, and we're really happy about the Lovett duet, we’re a bit disappointed in this disjointed showing. It’s a far cry from the fabulously fun and energetic cover album he did with Cory Morrow a few years back and it lacks the emotional oomph of some of his previous showings. So we say Spotify this one up, playlist your faves, and go see him live, where he’s really at his best.

LISTEN: Kelly&Ellis, ‘Anyone Who Isn’t Me Tonight’

Artist: Kelly&Ellis
Hometown: Nashville, TN
Song: “Anyone Who Isn’t Me Tonight”
Album: The Long Road to You
Release Date: February 24, 2017
Label: Kelly&Ellis Entertainment

In Their Words: “‘Anyone Who Isn’t Me Tonight’ was featured on The Phil Donahue Show back in the late ’70s as an example of the ‘Immorality of the new country music.’ I had pitched it all over Nashville as ‘Any Man Who Isn’t Me Tonight,’ and no one wanted to take a chance on it.

When Kenny Rogers and Dottie West had a surprise hit with their first duet, they suddenly needed a follow-up. I had a pitch session with their producer and, when the duet I had written for them wasn’t going to work, I quickly ad-libbed a duet version of ‘Any Man’ as ‘Anyone.’ I even sang the girl’s part. The producer said, ‘Come to the studio tonight and we’ll cut it.’ It ended up being a Grammy-nominated, chart-topping hit for Kenny Rogers and Dottie West.

When we perform it live, we poke fun at some of the more outrageous lines, and the audience loves it. We decided to record it this way — having fun and not taking ourselves too seriously.” — Casey Kelly


Photo credit: Tennille Melcher

LISTEN: Whitney Rose, ‘Analog’

Artist: Whitney Rose
Hometown: Prince Edward Island, Canada & Austin, Texas
Song: “Analog”
Album: South Texas Suite
Release Date: January 27, 2017
Label: Six Shooter/Thirty Tigers

In Their Words: “What I love about (Austin writer) Brennen Leigh’s tune — other than the cleverness and comedic factor of the lyrics, which is characteristic of her writing — is that she broaches a subject where it would be easy to come off as being condescending or bitter, but she gracefully eludes doing that. She’s embracing these new times and all of this new technology and saying, ‘Yes, this is all well and good. The world is progressing, and that’s really wonderful, but don’t forget to slow down sometimes. Don’t forget to preserve some of the natural beauty in this world that could be on its way to being an endangered species.’

I don’t want to put words in her mouth, but this is how I perceive the song. Because, when we’re on our death beds, I think it’s safe to say that most of us won’t be thinking about our most successful Instagram posts. I know I’ll be thinking about the people I love, and ‘Analog’ gently reminds me to look them in the eye as much as possible while I can. That’s how I like to think of this song — not as a bash to the new age, just a gentle reminder.” — Whitney Rose

LISTEN: Sally & George, ‘Hey Wow’

Artist: Sally & George
Hometown: Nashville, TN
Song: “Hey Wow”
Album: Tip My Heart
Release Date: February 10, 2017

In Their Words: “‘Hey Wow’ is the first ‘from scratch’ co-write for Sally & George. The song was inspired by the classic duet styles of Johnny and June and Iris Dement and John Prine. We looked at each other and thought, ‘Wowee! Time flies when you’re in love.'” — Shelby Means

Dale & Ray, ‘Write Your Own Songs’

Digging up an old Willie Nelson tune is never a bad idea, but it’s particularly good when the ones doing the digging are a pair of classic Texas troubadours, Dale Watson and Ray Benson, on their new duets LP, Dale & Ray. Watson and Benson, though nearly legendary in their own Lone Star circles, aren’t exactly household names, but they’ve paved fruitful careers through numerous albums, tours (solo, for Watson, and with his band Asleep at the Wheel, for Benson) without ever adhering to the rules and regulations of Music Row. Though Dale & Ray includes eight originals, it’s this take on Nelson’s not-so-polite kiss-off to the Nashville suits who watch the dollars roll in without ever lifting a finger — or a guitar pick — that is especially appropriate for any musician (or person, actually) who feels like the fruits of their soul are transformed into fuel for someone else’s BMW.

“So just lay on your ass and get richer, or write your own songs,” they chant in steely, warm harmony to the record executives who can’t see the difference between artistry and income. It’s a struggle not just limited to famous singers: Whether you’re a cook on a line, a surgeon or, well, a music journalist, there’s always a point where it feels like what looks like an artistic soufflé, or a life-saving procedure, or a carefully wrought album review to us only translates as income for others. Watson and Benson have managed to balance these opposing forces well enough — but even Nelson, who wrote the song for his duets album with Waylon Jennings, wasn’t immune to greedy fingers. It’s a good reminder from those who haven’t sacrificed an inch to keep rolling to your own tune. And if that fails? Speak up, Willie-style.

BGS Class of 2016: Books

Yes, indeed, this was a great year for music (just check out our stacked 2016 albums list) and, luckily for all the bibliophiles out there, it was also a great year for music books. Because there's nothing better than reading a good book while your favorite music plays, we've rounded up a few of our favorite books from the past year. From Whisperin' Bill Anderson's life story to a memoir from the one and only Bruce Springsteen, there's something here for everyone.

Just Around Midnight: Rock and Roll and the Racial Imagination by Jack Hamilton

Slate writer and University of Virginia at Arlington professor Jack Hamilton tackles the complex relationship between race and rock 'n' roll in the 1960s in this new book. It's an essential addition to the rock 'n' roll history canon that covers new, much-needed ground.

Slim Harpo: Blues King Bee of Baton Rouge by Martin Hawkins

Slim Harpo forever altered the culture of Baton Rouge, Louisiana, with his own take on blues music. The only available biography about Harpo, this book preserves the legacy of one of the genre's most important artists.

Whisperin' Bill Anderson: An Unprecedented Life in Country Music by Bill Anderson and Peter Cooper

Whisperin' Bill Anderson is one of the most celebrated songwriters in country music, with hits for everyone from Ray Price to Eddy Arnold. In this autobiography — written in tandem with music writer Peter Cooper — Anderson offers a behind-the-scenes look at Music Row, his storied career, and the difficulties he faced as the music industry evolved.

Born to Run by Bruce Springsteen

An autobiography from the Boss … need we say more? 

Anatomy of a Song: the Oral History of 45 Iconic Hits That Changed Rock, R&B, and Pop by Marc Myers

"Proud Mary," "Carey," "Mercedes Benz," and 42 other legendary songs get the oral history treatment in this anthology from Wall Street Journal columnist Marc Myers. It's a fascinating read for anyone, but should be especially so for anyone hoping to write the next classic song.


Photo credit: Abee5 via Foter.com / CC BY.

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WATCH: Chris Stalcup, ‘Burnin’ Up These Highways’

Artist: Chris Stalcup
Hometown: Atlanta, GA
Song: "Burnin' Up These Highways"
Album: Downhearted Fools
Release Date: September 16, 2016
Label: DirtLeg Records

In Their Words: "'Burnin' Up These Highways' was written as a snapshot of my life at the time of writing and recording Downhearted Fools. For me, it captures the realities and fears of the life you leave behind when you're gone from home for extended periods of time. I was spending most of my days on the road driving from town to town, either with the band or solo. I had recently gone through a break up that had me questioning a lot of my decisions for putting so much effort into my time spent touring and making this record. This song was a very sobering look at all the things I thought I was doing right but, in hindsight, realizing I just wasn't doing a very good job at simply communicating. I realized that I would much rather communicate by writing songs than talking to (most) people these days. So I was writing a song about all the things I wanted to say but never did and how before you know it time slips away and you don't have the chance to say those things." — Chris Stalcup


Photo credit: Bret Falcon