Tag: Dan Reeder

MIXTAPE: Tony Kamel’s “We’re All Gonna Live” Playlist

Posted on by Justin Hiltner

Life is weird. In the words of Dan Reeder, “What the fuck is that about?”

Everyone tells me I seem mellow and laid back – and I am. That said, if anyone were to take one step into my head, they’d be bombarded with a maelstrom of wonderings about death, intrusive thoughts, forgotten location of keys and wallets, constant attempts (mostly failures) at descriptive alliteration, wildly sweeping feeling of love, wildly sweeping feelings of grief – and constant hunger. All of which eventually spin back around to complete peace and acceptance.

Music tends to get me back to that point. These songs bring peace to my ’90s-fuzzy-porn-like mess of a mind by reminding me (in one way or another) that it’s somewhat preposterous that we exist at all. A lot of these tracks are attached to personal moments in my own timeline, but hope they bring you peace too. – Tony Kamel

“Deep Breath” – Riley Downing

“Take a deep breath, it’ll be alright…”

I love this guy’s tunes. He has a poignant way of presenting life’s weirdness. Also as a recent yogi, it’s a good reminder to come back to my breath.

“Monster Truck” – Ramsay Midwood

“You don’t like it, you can kiss my ass. ‘Cause I drive a monster truck…”

This record, Shootout at the OK Chinese Restaurant, is funny, odd, and just a fantastic timeless reflection on the insanity we’ll always exist inside. Is he celebrating or making fun of these people? I don’t know. I don’t care. It’s funny.

“People Talkin’” – Hurray for the Riff Raff 

“People, they’re trying to tear us apart…”

Alynda Segarra is a national treasure. This record just blows my mind and has been a staple for me for a long time. It reminds me that I’m old now and I’m glad to be.

“Sue” – Tony Kamel

“If you’re livin’ and breathing, and doing that right, you ought to be lovin’ with all of your might…”

The second verse of this tune holds the keystone to my upcoming record, We’re All Gonna Live. Obviously, our relationships with other people define much of our lives. Sue was a wonderful person. I miss her dearly.

“Waxing and Waning” – Melissa Carper

“Waxing and waning, wishing and waiting…”

Melissa is one of the best writers and singers out there. Her retro voice puts me at ease.

“Don’t Tell the Boys” – Petey USA

“Lets talk about how childhood trauma guides our actions as adults…”

This tune reminds me of me and my old buddies. I’m lucky to have them. We’ve been friends for 30+ years and we can be ourselves and tell each other anything without fear or judgment – something I treasure deeply.

 “Louie” – Arcy Drive

“Baby remember, this is our December…”

I just love this song and it’s reminiscent of ’90s alternative rock Weezer era. It makes me happy to see Gen Z-ers throwing down with a rockin’ live band like this. It feels cyclical.

“Problem Solver” – Slimdan

“Maybe I should be someone who listens and not try to fix it/ … You don’t want a problem solver…”

This is a beautiful love song about being a typical dude and doing typical dude things like I tend to do in my marriage. I’ve come a long way though… so has this guy.

“Joyful” – Kelley Mickwee

“The beauty of life is the movement of change…”

Kelley rocks and this album rocks. That’s all.

“The Illinois River Song” – The Brother Brothers

“I proclaim the Illinois River gonna swallow me up whole and not a soul will know that I am missing…”

I’m a sucker for a good river/life metaphor. The melodies that weave in and out of this tune are infectious. It could be about anything and I’d love it.

“Everything Is Everything” – Cappadonna

“Everything that you see ain’t reality, they’re just illusions…”

Hip-hop on a bluegrass website? Duh. Can always count on a member of the Wu-Tang Clan to remind you that we might live in a simulation.

“They’ll Never Keep Us Down” – Hazel Dickens 

“We won’t be bought, we won’t be sold…”

Just because everything is uncontrollable bullshit doesn’t mean we don’t fight. This tune speaks for itself. Bless Hazel Dickens.

“Born a Worm” – Dan Reeder

“Born a worm, spins a cocoon, goes to sleep, wakes up a butterfly. What the fuck is that about?”

I do not know, Dan. None of us do. I implore everyone reading this to listen to Dan Reeder’s songs.

“We’re All Gonna Live” – Tony Kamel

Yes we are.

I’m tired of talking about myself. Y’all can figure it out. Love you.

Photo Credit: Josh Abel

MIXTAPE: Melanie MacLaren’s Love & Loss Playlist

Posted on by Justin Hiltner

Welcome to my Mixtape of loss and love! I hope you don’t need it right now, but if you do, it’s here to bring you a little comfort. When I was making it, I started out trying to make the most devastating playlist I could make, but then halfway through I decided to make something I’d actually enjoy listening to. Something that mimics the way we process loss and love– yes, there’s a lot of time spent in really dark places, but there’s also so much humor in the face of everything and a lot of reluctant joy, showing its light despite our best efforts to draw the curtains and hide.

That dialogue between loss and joy is at the heart of my EP, Bloodlust, which just came out on October 24. I wrote this project coming out of a period of life that was marred by grief, death, and illness, so naturally I had a lot of heavy stuff on my mind, but I felt this overwhelming need to write some of the most upbeat and energetic songs I’ve ever written.

Sometimes it helps to grieve and sulk and sometimes you want to just roll down the windows and feel your pain casually, communally, and maybe even with the last laugh. I think there’s room on this Mixtape to do both. – Melanie MacLaren

“Wayside/Back in Time” – Gillian Welch

We like to think of a loss as these finite events, but sometimes it’s a long, steady process, the passing of time and dissolution of relationships, a slow decline of health. Loss can sometimes simply be the progression of time, and Gillian Welch’s writing is so timeless, too, that it strengthens that feeling – she could be singing from any time about any time, as long as it’s gone.

“Change” – Big Thief

Thinking of loss as simply “change” is really difficult, but at its core that’s what it is.

“Flirted With You All My Life” – Vic Chesnutt

This song is wild. I remember the first time someone played this for me on a road trip, I was smiling thinking, “Oh man, he really likes me,” and then that guitar comes in and the lyrics change tone completely and you realize the whole song is about death. It’s a funny phenomenon. You can feel the sky darkening at that moment. But then you listen to the song again with all that in mind and you still feel happy in the first half of the song. I think that’s part of the beauty of it too– knowing the ending and still being receptive to joy.

“beachball” – Dan Reeder

This is a 90-second song about a beachball that makes me bawl my eyes out. I love Dan Reeder.

“Buffalo” – Hurray for the Riff Raff

I have a soft spot for songs that talk about animals (I guess that’s why I wrote a song about Laika for my EP). I think we can talk about them in a way that we’re afraid to talk about ourselves. Their fear is our fear, but it’s hard for us to think of it that way. Asking if the love we share with each other as humans will last forever or if it will go extinct the way that some animals have, at our hands, feels really bold.

“Bloodlust” – Melanie MacLaren

This is the title track off my new EP. This whole project is me trying to make peace with the constant cycles of loss and love we all inevitably experience in our lives. They’re natural like the seasons, but they still feel so overwhelming and unnatural. It was also my attempt to experience moments of joy while not shutting out my grief and anger.

“Random Rules” – Silver Jews

Love and loss are so incredibly random that it would be funny if it didn’t matter so much to us. I always laugh a little at the first line and feel really nonchalant in a dumb way. It sounds like wearing sunglasses inside to me. But then, by the second verse, I’m fully feeling my feelings and replaying every little thing that’s gone wrong between me and every person I’ve ever cared about.

“New Partner” – Palace Music

I like to listen to this song when I’m driving alone and see who I picture in the passenger seat beside me. It changes a lot. That’s probably a good thing.

“I’ve Got a Darkness” – Mick Flannery

Mick Flannery writes the best songs. This song is such a devastating portrait of generational pain and an ode to the fact that we can feel the effects of loss and love that we’ve never experienced in our own lifetime. We carry so much with us that we’re not even aware of.

“Lake Charles” – Lucinda Williams

I love how the verses are just memories, snapshots of life, and all questions and talk of death is reserved for the chorus. It’s such a beautiful homage that way, letting someone still be alive in the song and just describing things as they were, but then still asking those bigger questions because you can’t help but ask when you’ve lost someone you love. You just hope they’re ok.

“The Arrangements” – Willi Carlisle

I love the line, “It’s still sad when bad love dies.” Amazing album with lots of songs about animals.

“Whatever Happened to Us” – Loudon Wainwright III

I love how blunt this song is and how it relies on humor in the face of loss. I heard it for the first time this summer, after I had recorded my song “Get It Back.” I immediately resonated with its matter-of-fact nature. I also love the wordplay in it; I think having fun with language is a way we as humans maintain a little bit of control of the narrative of things we don’t really have much actual agency over.

“Donut Seam” – Adrianne Lenker

There’s so much off this album that could be on this playlist. I almost went with “Sadness as a Gift,” but I really loved the way this song intertwines a dying love with the feeling that the world is dying. Even if that isn’t literal, it often feels literal. The harmony on “what it means to walk that line” makes me feel human.

“Days of the Years” – The Felice Brothers

I love how loss is naturally integrated with the mundane and the beautiful: “These are the days, of the years, of my life.” What else is there?

“Don’t Let Us Get Sick” Solo Acoustic – Warren Zevon

The simplicity of this song is so overwhelming, especially from a writer who can obviously complicate things lyrically and musically when he wants to. He just stays in this sort of The Muppet Christmas Carol arena (compliment!) and it’s so effective, because what he’s asking for is so simple. It sounds like a child’s prayer.

Photo Credit: Blaire Beamer

BGS 5+5: Darrin Bradbury

Posted on by Editor

Artist: Darrin Bradbury
Hometown: Nashville, Tennessee
Latest Album: Artvertisement

What’s your favorite memory from being on stage?

It’s not from being on stage, but this one time, my tour manager Josh and I broke down an hour outside of Charlotte, North Carolina, on the way to opening for Robert Earl Keen. The van just up and died. We were on the side of the highway wondering what to do when we called AAA. It turned out that we were just below the amount of miles that AAA would tow — making our arrival to open for Robert Earl Keen, pulling up right behind the tour bus in a tow truck, jumping out of said tow truck, running on stage, plugging in and playing.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Unfortunately, I find that often characters hide behind me, making me speak for them as they cower behind me, quite frankly it’s exhausting. I wish they’d just speak for themselves, I just keep collecting them, as voices in my head.

What rituals do you have, either in the studio or before a show

Before every show I’m usually pretty antsy. Offstage I’m fairly introverted. One of my best friends from back in New York wrote this song about a decade ago on a road trip we were on through the Midwest called “Moon in the Blue Sky.” I always find a quiet spot to sing it to myself.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Abstract expressionism, gestural painting, de Kooning, Pollock, Picasso, as well as authors Kurt Vonnegut, Charles Bukowski, John Fante. I also dance when no one’s looking.

What’s the toughest time you ever had writing a song?

Every song is the toughest, roughest, most pain in the ass, shit kicker, tooth knocker, sock rocker, and you don’t always win.

Photo credit: Weston Heflin

The Show On The Road – Dan Reeder

Posted on by Chris Jacobs

This week on The Show On The Road, a conversation with renegade roots songwriter, painter and NSFW self-taught poet Dan Reeder.

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Reeder is rarely interviewed, but has collected a legion of devoted fans after putting out a series of beloved albums on John Prine’s Oh Boy Records – including the much-anticipated new LP, Every Which Way.

For the uninitiated, diving into Reeder’s uniquely absurdist, harmony-drenched body of work can feel like reading a rich short story collection in one sitting. His normal routine is to layer lush close-mic’d vocals on top of one another using himself as a conspiratorial choir. He sketches tiny but poignant moments from his life and imagination, often repeating a simple phrase again and again like one of his most-listened to tunes, “Work Song,” which tells us bluntly through gospel claps: “I’ve got all the fucking work I need.” 

The new album may seem intimidating at first. It features a whopping 20 songs (or cinematic vignettes of a sort), but a closer look shows it clocking in at a succinct 39 minutes. Controversial-while-gentle acoustic offerings like “Porn Song” come in at just under minute long. New favorites like the wide-eyed (and foul-mouthed) piano ballad “Born a Worm” ask the deepest of questions of an indifferent, endlessly beautiful universe in only the way Reeder could — by plainly inquiring about a caterpillar’s mysterious transformation into a butterfly: “what the fuck is that about?”

Much more than a one man band, Reeder often builds every instrument he plays in his recordings, from steel string guitars, to banjos, drums, basses, cellos, violins, clarinets, and even the computer he records on. This episode was recorded in his garage studio in Nuremberg, Germany, where he’s lived with his wife for 30 years. 

Host Z. Lupetin spoke to Reeder right after John Prine passed away from complications of COVID-19, and they spoke about his tours together with Prine and how much his music inspired him through the years.