Artist: Sara Petite
Hometown: San Diego, CA
Song: “The Empress”
Album: The Empress
Release Date: June 9, 2023
Label: 40 Below Records
In Their Words: “The Empress rides with a sword of Justice by her side. A tale of the feminine energy through the hand and sands of time. From Joan of Arc to Mary Magdalene and other heroines. A tale of love, perseverance, and rising above.” – Sara Petite
Photo Credit: Kaelan Barowsky
Jim Lauderdale’s new album Hope has a sound reminiscent of dreamy ‘70s folk rock records and largely centers around themes like perseverance, with much of the music bred from his 15-month hiatus from touring and performing. One of its most eloquent tracks celebrates the legendary Grateful Dead lyricist Robert Hunter, a longtime friend and collaborator of Lauderdale’s who died in 2019. As one of the final songs they wrote together, “Memory” arrived on June 22, just one day before what would’ve been Hunter’s 80th birthday. In addition, the album cover and packaging feature paintings by Maureen Hunter, Robert’s wife. About his dear friend, Lauderdale says, “Losing Robert just before the pandemic was so hard, but he left the perfect lyric, to sum up my feelings about him and to honor all the people we’ve lost since.”
In the light of Hunter’s companionship and storied career as a writer and musician, “Memory” is a perfect song to celebrate his life and work. Meanwhile, Hope features a cast of musicians who just get it when it comes to traditional country and folk rock. Chris Scruggs, Russ Pahl, and Kenny Vaughan are just a few who grace the record with their classic sounds. “I wanted to get a musical message out there during this time of what we’ve all been going through, about the hope for better days ahead,” Lauderdale says. “If we can find any glimmers of hope, that really helps get you through another day.”
Photo credit: Scott Simontacchi
Folk-rock duo Jamestown Revival‘s new project provides an interesting study in the intersection of music and literature, as band members Jonathan Clay and Zach Chance wrote songs inspired by the work of American novelist Louis L’Amour. Titled Fireside with Louis L’Amour, the creative genesis of the EP brings to life an intriguing concept that will draw in any and all folk enthusiasts.
To tease the EP, the band released an official video for “Prospector’s Blues,” derived from the short story, “Trap of Gold.” The song follows a miner whose feverish hunt for riches finds him an early burial beneath the weight of his own recklessness. Like the story, the song imparts a nonchalant, “business as usual” attitude toward the tragedy of greed, as the train-like groove rumbles right through the parable in the lyrics. Acoustic guitar, pulsing rhythm, and Old West allegory — what’s not to love? Check out the video for “Prospector’s Blues” below.
Photo credit: Paul Pryor
Artist: Bendigo Fletcher
Hometown: Louisville, Kentucky
Song: “Sugar in the Creek” (Blackacre Barn Session)
Album: Fits of Laughter
Release Date: August 13, 2021
Label: Elektra Records
In Their Words: “Playing ‘Sugar in the Creek’ live feels like floating compared to some of our other songs that probably require more attention to recreate. There are a few key and tempo fluctuations that we sort of arrive at and navigate as the song continues, and we just have to rely on staying in the moment together to hit those transitions naturally. Looking back, I think it was written under the spell of a band called Relatively Clean Rivers, whose only known album consists of those types of songs that just kind of start and end before you remember again that you’re in a human body.” — Ryan Anderson, Bendigo Fletcher
Photo credit: Jimmy Fontaine
Artist: The Deep Dark Woods
Hometown: Saskatchewan, Canada
Song: “How Could I Ever Be Single Again?”
Album: Changing Faces
Release Date: May 14, 2021
Label: Six Shooter Records
In Their Words: “This song was inspired by the sounds of the English folk band Steeleye Span. I wanted it to have a choppy fiddle sound, similar to the sound of folk musicians in the old days, and Kacy Anderson’s fiddle playing was perfect. Her voice also really adds to the heartache of this song. We wanted the drums to sound like ‘The Hills of Greenmore’ by Steeleye Span, where the chorus hits a heavy downbeat on the one, which really gives the chorus its movement and momentum.” — Ryan Boldt, The Deep Dark Woods
Photo credit: Rima Sater
Artist: The Steel Woods
Hometown: Nashville, Tennessee
Song: “Baby Slow Down”
Album: All of Your Stones
Release Date: May 14, 2021
Label: Woods Music/Thirty Tigers
In Their Words: “‘Baby Slow Down’ is a song written from the perspective of a mother whose child has lost his or her way. She can see the path of the thing she loves most is getting rocky, so to speak, and knows she must intervene. Rowdy would tell the story of the car wreck he had one night headed home from a show the two of us had played about an hour outside of Nashville. It had been snowing and the roads were slick so when his mom told him, ‘baby, slow down’ the following day, he said, ‘I wasn’t even speeding,’ to which she replied, ‘No, in life, in everything, just slow down.’ I think too many times parents can see their kids heading down a path of destruction and never say anything in fear of rejection and resentment. I, for one, am glad that’s not the kind of parents I had, and I know Rowdy would say the same for his.” — Wes Bayliss, The Steel Woods
Photo credit: Derek Stanley
You may have heard The Band’s third full-length album, Stage Fright, but you’ve never heard it like this.
Released in August 1970, Stage Fright features two of the group’s biggest hits, its title track and “The Shape I’m In.” A year later, The Band embarked on their first European tour in five years after a regrettable outing backing Bob Dylan, during which folk fans booed the singer’s electric aspirations. Not sure what to expect, their 1971 European tour proved to be one of The Band’s most successful, as crowds all over the continent displayed frenzied adoration at their shows.
So to celebrate not only a classic album, but also the memory of a landmark tour, The Band has unveiled a 50th anniversary edition of Stage Fright. Its original multi-track masters are presented by Bob Clearmountain in a new stereo mix; guided by The Band’s Robbie Robertson, it’s also reissued in the originally planned song order. The set includes alternate versions of “Strawberry Wine” and “Sleeping,” plus seven unearthed cuts, compiled as Calgary Hotel Recordings, 1970, which capture a late night hotel jam session between Robertson, Rick Danko, and Richard Manuel.
The expanded album also offers a wealth of previously unheard recordings from that tour. Presented on a second disc (a simple continuation on the digital release), Live at the Royal Albert Hall, June 1971, bears witness to what was truly a peak performance for a group loved and revered by so many. The 20-song set, originally recorded to a four-track tape machine, has been remixed and remastered for a clearer experience of the electrifying performance, providing fans an opportunity to be transported right back to London, 1971. Hear The Band perform classics from their first three records as well as covers of Bob Dylan and Stevie Wonder with the deluxe 50th anniversary edition of Stage Fright.
Photo credit: Norman Seeff
This week, we feature a conversation with one of the rising stars in our current roots music renaissance: Parker Millsap, a gifted Oklahoma-born singer-songwriter who grew up in a Pentecostal church and creates a fiery gospel backdrop for his tender then window-rattling rock ‘n’ roll voice.
His brawnier, self-titled record from 2014 showed his rebellious electric side coming to the fore, followed by his beloved, fire-and–brimstone bopping breakout The Very Last Day two years later, which confronted our country’s obsession with destruction. Then there was the toothier, glossier, pop-leaning Other Arrangements, which finally brings us to his soulful newest record, Be Here Now. It’s not hard to see that this young songwriter is coming into his prime years. With a new maturity and wisdom behind his writing, standout, incendiary songs like “Dammit” are allowed to unfold in a distortion-dipped, John Lee Hooker meets U2 slow-burn build; never resolving, never relenting while he confronts the tough truths and hypocrisies that are threaded into our modern lives. What is our purpose? What can we do about the violence and greed all around us? Without pushing or preaching, the song is trying to convince its listener to never give up in making our broken world a little better every day.
What always set Millsap’s songwriting apart, though, isn’t just his ability to get us fired up with stomping roots-n-roll hysterics (though he’s pretty great at that), it’s the tender left-turns he takes when he goes acoustic, bringing the volume down and the emotion up. Reminiscent of a southern Paul McCartney, his scratchy, soulful tenor shines most on his gorgeous ballads — think “Jealous Sun” (from The Very Last Day) as his own “Yesterday” or on the newest record, the psychedelic and heart-string pulling “Vulnerable,” which asks us all to try and see our own weaknesses and past wounds as potential strengths.
While it is bittersweet to not be able to kick off his new record release this April with a typical cross-country tour, on April 23 Parker will be playing Be Here Instead in its entirety with his longtime band live on Mandolin — which you can stream from anywhere.
Photo credit: Tim Duggan
Artist: Richie Furay
Hometown: Yellow Spring, Ohio
Song: “Go and Say Goodbye”
Album + DVD: 50th Anniversary Return to the Troubadour
Release Date: April 23, 2021
Label: DSDK Productions, distributed by MRI Entertainment
In Their Words: “‘Go and Say Goodbye’ is one of my all-time favorite Stephen Stills songs. I’ve recorded it in every band configuration I’ve been in — Buffalo Springfield, Poco, and the Richie Furay Band. Stephen shared the song with me before there ever was a Buffalo Springfield as we sat in his apartment in Los Angeles on Fountain Avenue, learning all the songs he had written for what would become the first Buffalo Springfield album. Over the years I’ve given it a few arrangement changes, musically, while keeping the original feel and dynamic of the song.” — Richie Furay
Pictured: Richie Furay and his daughter Jesse Furay Lynch. Photo Credit: Howard Zryb
Artist: June Star
Hometown: Baltimore, Maryland
Song: “I Don’t Wanna Know”
Album: How We See It Now
Release Date: April 16, 2021
Label: WhistlePig Records
In Their Words: “Human beings are messy emotional creatures. Sometimes when we struggle to communicate in relationships it’s because there’s the voice we speak with and that voice in our head. ‘I Don’t Wanna Know’ bounces between a professed love to another person and a confessed loneliness on the inside.” — Andrew Grimm, June Star
Photo credit: Shane Gardner
