BGS 5+5: The Down Hill Strugglers

Artist: The Down Hill Strugglers
Hometown: Brooklyn, New York
Latest Album: Old Juniper
Personal Nicknames (or rejected band names): We are sometimes mistakenly called the Down Home Stragglers.

Editor’s Note: Answers have been provided by band member Eli Smith.

What’s your favorite memory from being on stage?

Lots of great memories there. Being on stage at the Jalopy Theatre, the Brooklyn Folk Festival, or Washington Square Park Folk Festival with Walker, Jackson, and our dear bandmate, now gone, John Cohen would probably be my favorites.

It was also wonderful to play at the Library of Congress, in that hallowed hall. And the Oldtone Music Festival is an important one for us.

What’s the most difficult creative transformation you’ve ever undertaken?

It’s been interesting running the Brooklyn Folk Festival all these years, and now running the Jalopy Theatre’s record label, Jalopy Records, while also maintaining a musical life with the Down Hill Strugglers and solo, under my own name. Many musicians are also producers, as I am. It can be a challenge to switch back and forth between those mindsets, but it is satisfying to see both types of work progress. Finally, it’s all about sharing good music, however you can.

Genre is dead – long live genre! – but how would you describe the genres and styles your music inhabits?

We are working in the field of traditional music from the United States, with an ear also turned to traditional music from all over the world. One song I wrote, that’s on our new album, was inspired by a 78rpm record from Central Asia re-issued on the Secret Museum of Mankind series. It had a sound that stuck in my head and made sense to me. We changed it around until it became our own song in our own style. That seems natural.

The Down Hill Strugglers is an old-time string band. However, old-time music is a catch all for historic American folk music. It encompasses fiddle music, banjo tunes, guitar picking, songs & ballads, blues, religious music, work songs, and more; diverse music ministering to different parts of life.

What is a genre, album, artist, musician, or song that you adore that would surprise people?

Longmont Potion Castle has remained popular with the Down Hill Strugglers, driving around on tour, for years. That’s some funny stuff…

If you didn’t work in music, what would you do instead?

I might drive a cab, or something like that. I’d have great music playing in the cab and deck the vehicle out my own way. It’d be nice. Also, I’d do more organizing work as a leftwing activist. And I used to be a clerk in record stores. The best job I had was at the Arhoolie store, Down Home Music, in El Cerrito, California.


Photo Credit: Fernando Armenghol

You Gotta Hear This: New Music From Ana Egge, Jaelee Roberts, and More

In the words of Chris Stapleton, “What are you listening to?” This week, our premiere round up is full of music we’re very excited to bring to your speakers and earphones.

Below, check out new videos from Ana Egge, Ordinary Elephant, and our brand new Rootsy Summer Session featuring Jim Lauderdale performing at a cute music shop in Falkenberg, Sweden. Plus, we’ve got new tracks from Jaelee Roberts, Parker Smith, Wyndham Baird, and Will Kimbrough. To top it all off, Phillip Lammonds performs “Forever Ain’t That Far Away” with his pal, the legendary Pam Tillis.

There’s so much to enjoy in our latest premiere round up, and if we do say so ourselves – You Gotta Hear This!


Ana Egge, “Door Won’t Close”

Artist: Ana Egge
Hometown: Ambrose, North Dakota
Song: “Door Won’t Close”
Album: Sharing in the Spirit
Release Date: May 17, 2024
Label: StorySound Records

In Their Words:“‘Door Won’t Close’ is about confronting an abusive person. One of the hardest things I’ve done in my life. I stood up to him on behalf of my sister and nephew. I opened the door to what he’d done by telling the truth and not allowing myself to be shut down by fear. Then I left the door open by telling his wife and friends about it. The song is mostly in conversation with his wife — her denial of his abuse and her support of him.” – Ana Egge

Track Credits:

Ana Egge – Vocals, acoustic guitar, harmony vocals
Michael “Squeaky” Robinson – Pedal steel
Alex Hargreaves – Fiddle
Rob Heath – Drums
Lorenzo Wolff – Bass
Devon Yesberger – Organ, Wurlitzer

Video Credits: Directed, filmed and edited by Haoyan of America.
Special thanks Alden Harris-McCoy and Cole-Berry Miller.


Jaelee Roberts, “Stuck In The Middle With You”

Artist: Jaelee Roberts
Hometown: Murfreesboro, Tennessee
Song: “Stuck In The Middle With You”
Release Date: April 5, 2024
Label: Mountain Home Music Company

In Their Words: “‘Stuck In The Middle With You’ is a song that I have loved for a really long time and I’ve been keeping it in mind to record, because I felt like it would be so much fun to cover. Of course I love the original version by Stealers Wheel (written by Gerry Rafferty and Joe Egan), but when I was pretty young I found Keith Urban’s version from the ’90s with his band, The Ranch, and I was really hooked on it. I have literally listened to it hundreds of times and it never gets old. I love all genres of music and I recorded a ’70s rock song (“Landslide”) on my debut album and people really seemed to enjoy it, so I wanted to include a song from that era on my new album, too. I knew ‘Stuck In The Middle With You’ was the one. I’m excited that it just happens to be the first single!

“I have to say that I am absolutely thrilled with how this song turned out with the help of my producer and bass player, Byron House, and all of the other STELLAR musicians: Ron Block on banjo/guitar, Cody Kilby on guitar, Andy Leftwich on mandolin, Russ Pahl on dobro, and John Gardner on percussion along with backing vocals by John Cowan.

“It was truly amazing to hear this come to life and I really think we made it our own by combining two awesome versions and throwing in a twist or two for a new take on ‘Stuck In The Middle With You.’ I hope it makes you smile and maybe even want to get up and dance!” – Jaelee Roberts

“Jaelee’s voice is THE GOLDEN THREAD shining so brightly in what feels to me like a well-woven tapestry of mighty fine playing, all supported by this classic groove. Her version of ‘Stuck In The Middle With You’ was every bit as fun to play and produce as I hope it will be for you to hear! So grateful to be working with Jaelee Roberts!” – Byron House, producer


Parker Smith, “Air Stream”

Artist: Parker Smith
Hometown: Atlanta, Georgia
Song: “Air Stream”
Album: Short Street
Release Date: June 7, 2024

In Their Words: “My brother and I drove up to Unicoi State Park with his two kids, a couple of cots, one tent, and not enough warm clothing. We debated not making the trek, because the weather was supposed to dip below freezing, but we didn’t want to disappoint his kids, who were looking forward to it. When we rolled up to the campsite, our neighbors, an elderly couple, were sitting outside in a couple of crazy creek chairs with their dog in front of an Airstream.

“I’ve always wanted an Airstream camper, and I am big into double meanings to a fault when it comes to song lyrics; ‘Air Stream’ also refers to the cold snap we were experiencing in North Georgia. We said maybe two words to the couple, but it was so interesting how we interacted with neighbors pretty much the same at home and on vacation. We overheard them bickering with each other and then making up at the end of the night. It was also interesting to see how they had everything figured out with some warm shelter and supplies, and we were out here roughing it with two young kids in a cold tent. We ended up having a great time outdoors, swinging on hammocks and making a fire, but the kids were complaining and shivering in the middle of the night, and we ended up leaving at 5 a.m. to head home.

“My favorite line in the song is ‘growing cold together, blaming it on the weather’ in the last verse. This line can be interpreted in several ways, and I liked substituting ‘cold’ for ‘old.’ This verse is when the song gets quiet, and the vocals are upfront before all the instruments tumble back in for the last chorus. Sonically, the song has a floating quality, especially with the sound of the pedal steel and the faraway fiddle solo. I wanted a simple chorus that people could sing along around a campfire, and my producer Colin had a great idea for me to overdub my vocals an octave apart to give it that vibe. ‘Air Stream’ has been a fun one to play live.” – Parker Smith

Track Credits:

Parker Smith – Guitars, vocals
Trygve Myers – Bass
Christopher Case – Keyboards
John Kingsley – Pedal steel, lap steel, fiddle, slide guitar
Colin Agnew – Drums, Percussion, Background Vocals

Mixing & production – Colin Agnew
Mastering – Bob Weston, Chicago Mastering Service


Wyndham Baird, “Meet Me By the Moonlight, Alone”

Artist: Wyndham Baird
Hometown: Brooklyn, New York
Song: “Meet Me By the Moonlight, Alone”
Album: After the Morning
Release Date: May 31, 2024
Label: Jalopy Records

In Their Words: “I learned ‘Meet Me By The Moonlight’ from The Carter Family when I was about 20 years old. When I first heard The Carter Family it felt like I was listening some long lost relatives. They sounded like they had been my great grandmother’s neighbors. Taking up Maybelle’s picking style set me free from the doldrums of riffing. Her playing taught me how to make the guitar sound good enough all by itself. That being said, Eli Smith’s autoharp lends our recording of ‘Moonlight’ some rocking chair rhythm and Samoa Wilson’s harmony vocal sounds somehow like a roll top bread box.” – Wyndham Baird


Will Kimbrough, “Every Day”

Artist: Will Kimbrough
Hometown: Nashville, Tennessee
Song: “Every Day”
Album: For the Life of Me
Release Date: April 5, 2024 (single); May 3, 2024 (album)
Label: Daphne Records, Soundly Music

In Their Words: “David Henry and I wrote ‘Every Day’ trying to create something carefree and joyful. We pulled it off! I needed it then and we need it now. Favorite lyric: ‘Singing in the sunshine. Laughing in the pouring rain. Gonna have a good time. Everybody it’s a sunshine day.'” – Will Kimbrough

Track Credits: 

Bryan Owings – Drums
Chris Donohue – Bass
Will Kimbrough – Vocals, guitar, keyboards


Ordinary Elephant, “I See You”

Artist: Ordinary Elephant
Hometown: Lafayette, Louisiana
Song: “I See You”
Album: Ordinary Elephant
Release Date: May 3, 2024
Label: Berkalin Records

In Their Words: “We can talk to anyone in a song. Time, space, beliefs, viewpoints — none of those can keep the ‘I’ from having a conversation with the ‘you.’ The ‘you’ can be Gandhi, a grocery store clerk, the President, or your dog. It can also be yourself, perhaps at some future point in time.

“I started this song a few months into my journey with sobriety. Because there were things I couldn’t escape from seeing about myself. And there were, and are, so many things I don’t yet know, or know how to figure out, but there’s a sense of what I want this unraveling to look like when it’s sewn back together.

“Being in the moment and accepting who and where we are is valuable, and I believe that getting better at this is a practice that can hold a lot of happiness. But it also seems that if we don’t look ahead and think of a future self, it can be difficult to grow in ways that feel meaningful. So this is a talk with that future self, letting her know that I see her.” – Crystal Damore

Video Credits: Directed & edited by Syd Horn & Olivia Perillo.
Cinematography & color by Olivia Perillo.
Honest Art Productions, Lafayette, Louisiana.

Phillip Lammonds, “Forever Ain’t That Far Away”

Artist: Phillip Lammonds
Hometown: Nashville, Tennessee
Song: “Forever Ain’t That Far Away”
Album: Cowboy Things
Release Date: April 5, 2024
Label: Freestone Records

In Their Words: “It’s a song that I wrote with Matt Wynne – a great singer-songwriter from Missouri and just a great guy. We were co-writing one day and we didn’t really have anything. We were working around in the writers room and he said, ‘You know, the afternoon is not that far away,’ and I said, ‘Wait a minute…’ and we backed into this title, ‘Forever Ain’t That Far Away.’ It’s turned into one of the coolest songs. One of the greatest things about this song is that on the record, Pam Tillis sings the background vocals on it. There is no question you can hear her. She is amazing, and she’s still the same star she’s ever been.” – Phillip Lammonds

Track Credits: Written by Phillip Lammonds & Matt Wynne.
Produced by Lee Brice.
Co-Production by Gabriel Klein, Gideon Klein, Phillip Lammonds.
Engineered & Mixed by Cody Labelle, Gabriel Klein, Gideon Klein.

Video Credit: Brooke Stevens


Rootsy Summer Sessions: Jim Lauderdale

This week, we bring you a brand-new installment of our Rootsy Summer Sessions, which were shot last year in gorgeous Falkenberg, Sweden, during Rootsy Summer Fest ’23. The videography team behind I Know We Should set aside time during the summertime roots music festival with Nashville renaissance man, Americana magnate, and hit songwriter Jim Lauderdale while on his trip to Scandinavia.

For his first performance, he performs “The Road Is a River,” a song from his 2018 album, Time Flies, in an adorable local music store, Liljedahls Musik. Joined by his band, including recording artist and fiddler Lillie Mae, guitarists Craig Smith and Frank Carter Rische, Jay D. Weaver on bass, and Dave Racine on drums, they cheerfully lope through the darker tinges of the song, harmonizing in three parts on the track’s foreboding and certainly apocalyptic lyrics. “The Road Is a River” demonstrates the ease with which Lauderdale combines styles, textures, and sonics with his deep understanding of history and a literary reckoning with the machinations of the earth – natural and unnatural.

Read more and watch the entire session here.


Photo Credit: Ana Egge by Lorenzo Wolf; Jaelee Roberts by Eric Ahlgrim.

STREAM: Secret Museum of Mankind – Atlas of Instruments: Fiddles Vol. 1

Album: Secret Museum of Mankind – Atlas of Instruments: Fiddles Vol. 1
Release Date: September 15, 2023
Label: Jalopy Records

In Their Words: “The museum’s musical atlas of instruments continues with the opening of another wing, the first in a series on bowed instruments. To stretch boundaries over the earth and over time is to forsake them; whether it is a matter of Synchronizität or just the plain unconscious. In Western cultural history, the bowed instrument is a late installment, after centuries, of an almost primordial vibration that we imagine in sound; see in the old paintings; and yet can sample in the remnants of the ancient world captured on gramophone records.” – Pat Conte, curator

The Secret Museum series is legendary. It opened up new possibilities for me when I first heard it in the 1990s. The curator is Pat Conte, he did something remarkable, even more so because it was before the internet: Starting in the 1970s he began assembling the first and arguably greatest collection of world music recorded in the 78 rpm record era of the 1920s – 1950s, give or take. He did it by casing junk stores in Queens, New York, the most diverse place in the world, and by maintaining letter correspondence with collectors and dealers across the globe. That is the music you will find on the Secret Museum of Mankind albums.

“Conte programs the records by feel, not with a predefined structure. The records are not meant to be academic, they are meant to move the listener. The movement is emotional, using music that was recorded in different places and at different times. Each listener will experience the sequence in their own way, and each track is its own world.

The Secret Museum of Mankind: Atlas of Instruments – Fiddles, Vol. 1 continues the series and presents fiddle sounds developed and practiced across the globe. The compilation, drawn from Conte’s pioneering and remarkable personal collection of 78 rpm discs recorded in the 1920s – 1950s, offers fiddle music recorded across the world from Crete to Madagascar, Mexico, England, Sicily, Norway, India, the USA, Cape Verde, China and more.” – Eli Smith, producer


Image courtesy of Jalopy Records, Nick Loss-Eaton Media