Tag: Jesse Appelman

12 Mandolinists We Know You’ll Love

Posted on by Justin Hiltner

The mandolin’s role in music has changed a lot over time and with its steady pace of change comes a constant flow of new players. Nobody plays or interprets music in the same way as anyone else, bringing plenty of new ideas and explorations.

There have been many different eras of mandolin playing in bluegrass. Ranging from the classic Bill Monroe style to David Grisman to Chris Thile – and, lately, a more string band sound is being popularized by players like Andrew Marlin. And of course, there are countless other mandolin eras beyond and in between.

The mandolin has also been used in many other genres besides bluegrass; it lends itself to genres such as Choro, jazz, classical, and pop. The mandolin even fills major arenas. There have been a lot of folks making incredible music on the instrument and though this is just a starting point, here are 12 mandolinists who you might not be familiar with, but we know you’ll love!

Jean-Baptiste “JB” Cardineau

Franco-American mandolin virtuoso Jean-Baptiste “JB” Cardineau is currently Boston-based, having graduated from Berklee College of Music. JB’s mandolin playing delves into many genres such as bluegrass, classical, old-time, and some traditional French music, too. His style is quite adventurous; he dives deep into the old-school Monroe ways, looking towards Frank Wakefield for much inspiration. JB has spent a lot of time touring with different bands, such as the Ruta Beggars, as well as his own project, JB and Cardineau Sin. As well as being an incredible instrumentalist, JB is also a gifted songwriter. Above is one of JB’s original tunes, “Si Tu Vois Ma Mandoline.” This tune blends the more traditional French style with bluegrass influences.

Ian Coury

Raised in Brazil’s capital, Brasília, Ian Coury is a masterful, well-respected 10-string mandolinist currently based in Boston. Growing up playing Choro, Ian pushes the boundaries of the genre, writing original music that has won him “Best Instrumentalist” awards from the National FM Radio Festival (2020) and second place in Brazil’s eFestival (2021). He has shared the stage with renowned musicians such as Hamilton de Holanda and Armandinho. In 2019, Coury enrolled at Berklee College of Music and later earned his master’s degree from the program. Here is Ian playing an original composition entitled “Solando no Limbo” for Mandolin Mondays.

Maddie Witler

Originally from and based in California, Maddie Witler is a phenomenal musician. Primarily known for her mandolin playing, Maddie is also an incredible guitarist and banjoist. Having also attended Berklee College of Music, Maddie was a founding member of the Boston-based bluegrass group the Lonely Heartstring Band. Maddie also used to tour with powerhouse GRAMMY-nominated band Della Mae. In 2022, Maddie released her debut solo album, Astronaut, a truly incredible compilation of all original songs and tunes from Maddie. In this video, Maddie is joined by Jacob Jolliff at Mandolin Camp North shredding on a classic bluegrass tune by Frank Wakefield, “New Camptown Races.”

Jesse Appelman

Jesse Appelman is both a gifted mandolinist and tune writer. Based in California, Jesse frequently tours with the Sam Grisman Project, as well as his own group, Jesse Appelman’s West Coast Stringband Project. His debut album, Where We Go, which was released in February, is a collection of original tunes and select cover songs and was produced by John Mailander. His tunes are mellow yet groovy, capturing anyone listening. This clip is Jesse’s rendition of “The Hills of Isle Au Haut” joined by Eli West and Patrick M’Gonigle.

Ethan Setiawan

An Indiana native who now makes his home in Maine, Ethan Setiawan is an incredible mandolinist and tunesmith. Ethan was the 2014 National Mandolin Champion, and in 2017 was the first place winner of the Rockygrass mandolin contest. He is also a graduate from Berklee College of Music, and has also done some teaching there, too. Ethan has toured with bands like the Acoustic Nomads, Corner House, and currently tours with both his duo Hildaland and his own group, Ethan Setiawan and Fine Ground. He has released a few albums of his instrumental music, Flux (2018), Gambit (2023), and Encyclopedia Mandolinnica (2025). Bringing in elements of bluegrass, classical, jazz, and Scottish music, Ethan makes his own sound and brings his listeners along for the story. Enjoy a recording of Ethan playing his original tune, “Uncrossed.”

Korey Brodsky

Originally from Connecticut and now based in Asheville, North Carolina, Korey Brodsky is both a talented mandolinist and guitarist. Yet another of our mandolinist picks who studied at Berklee College of Music, Korey has toured all over. In 2021, he joined Boston bluegrass band Mile 12 and he’s traveled and recorded with artists such as Jody Stecher, the Tray Wellington Band, Nefesh Mountain, the April Verch Band, and more. Above, Korey plays a beautiful take of a Karl Suessdorf and John Blackburn tune, “Moonlight in Vermont.”

Megan Cody

Originally from Colorado and now living in New York City, Megan Cody is a killer mandolinist as well as an incredible guitarist and singer. Fronting the band the Cody Sisters alongside her younger sister Maddie, Megan’s mandolin approach is playful and thoughtful. Megan tours year round with the Cody Sisters and frequently plays all over New York City. Here is a recording of the Cody Sisters playing a medley of a few songs and tunes.

Casey Campbell

A rare Nashville native, Casey Campbell is a fourth-generation bluegrass musician. An extraordinary mandolinist, Casey has performed with musicians like Bryan Sutton, Chris Stapleton, Vickie Vaughn, Becky Buller – and the list goes on! Casey was the 2017 winner of the IBMA’s Momentum Award for Instrumentalist of the Year. He has a duo mandolin album that was released back in 2017, Mandolin Duets: Volume One, which features Casey playing with various masters of the mandolin. In the video above, Casey is joined by Sam Bush as the two play a Jethro Burns tune in honor of Sam called “Sam’s Bush.”

Michael Prewitt

Originally from Kentucky, Michael Prewitt spent many years touring with the iconic bluegrass band Special Consensus. In 2024, he released his debut album, The Peerless Mountain Sessions, and then followed that up later that year with an incredible album of all original music, Something He Can Handle. Michael currently tours around the country with his own band, Michael Prewitt & CrunchGrass Supreme. The video above features one of Michael’s original songs, “Winnipeg” played by Prewitt with CrunchGrass Supreme.

Thomas Cassell

From Southwest Virginia, Thomas Cassell now resides in Nashville. A a founding member of the band Circus No. 9, he currently tours with the Wood Box Heroes and performs as a sideman with many other groups. Thomas has won many awards – he was the 2021 National Mandolin Champion and in 2020 he won the IBMA’s Momentum Instrumentalist of the Year Award. Thomas fronts his own band as well and has a few of his own albums out, Voyager (2018), What You Need to Prove (2022), The Never-Ending Years (2024), and he has a forthcoming album soon to be released! The video above is of Thomas’ new single, “Ramblin’ Heart,” featuring Tim Stafford. This is the first single off his upcoming album, so stay tuned.

Lauren Price Napier

Based out of Owensboro, Kentucky, Lauren Price Napier is a talented mandolinist and singer who digs deep into Monroe-style mandolin playing. Fronting the traditional bluegrass band the Price Sisters with her twin sister Leanna, Lauren has been nominated for multiple awards from the IBMA, such as Momentum Vocalist and Momentum Instrumentalist of the Year in 2019 and 2020, respectively. Lauren brings her own spin to playing traditional Monroe-style mandolin while also sticking to the roots of the genre. Above is a video of Lauren playing one of her original tunes entitled, “Tuel’s Landing.”

Tristan Scroggins

Tristan Scroggins is a GRAMMY-nominated mandolinist who also won the IBMA’s Momentum Instrumentalist Award in 2017. He spent years touring with his dad’s band, Jeff Scroggins and Colorado, but he also has a duo with violinist Alisa Rose called Scroggins & Rose and recently toured full time with Missy Raines & Allegheny. In 2019, he released an all-instrumental EP featuring his style of mandolin crosspicking called Fancy Boy. Tristan also has an ongoing, multi-volume project with fiddler George Jackson recording 100 of the most popular old-time tunes called Old Time 100. Tristan currently tours with Bronwyn Keith-Hynes. Here, Tristan is joined by fiddler Ellie Hakanson playing a bluegrass tune, “Ashland Breakdown.”

Photo Credit: Lead image (L to R), Jesse Appelman by Giant Eye Photography; Lauren Napier Price by Jay Strausser; Thomas Cassell by Scott Simontacchi.

BGS 5+5: Jesse Appelman

Posted on by Justin Hiltner

Artist: Jesse Appelman
Hometown: Oakland, California
Latest Album: Where We Go (released February 20, 2026)

If you had to write a mission statement for your career, what would it be?

For me, music is about community, connection, and collaborative creation.

It’s about the intimacy of singing harmony with someone, or finding musical ideas that only occur to me because of what someone else just played. I’m in awe of people like Keith Jarrett who can carry a full solo show, but my musical voice only feels complete in collaboration. I play best when I have things to respond to.

I leave most festivals with at least one new real friendship, forged through a shared language and the vulnerability of playing music together. There are not a lot of spaces where this can happen so easily, especially once you’re past your 20s, and they only exist because people keep showing up and participating.

I’m most interested in the music that results when musicians prioritize the collective sound while still bringing their full and unique personality to the table. When everyone listens and tries to make everyone else sound better rather than demonstrating their own ability. It’s easy to take for granted the ability to sit down with strangers and create music in real time but we are so lucky to get to do it.

Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?

I don’t think anyone involved in this record ever discussed what genre of music we were making. Not John Mailander, who produced the album, and not the band (Eli West, Sami Braman, and Emily Mann). We talked a lot about the how and the why. We talked about density and space, groove, melody, interaction, texture, and flow. Nobody asked if they should be playing these tunes like bluegrass, old-time, Americana, or anything else.

So what kind of music is it? It’s the sound of these particular musicians playing these tunes, trusting their ears and instincts, and adding their unique personalities to the stew. Bluegrass is certainly in there, and old-time, and probably some jazz and classical, but it’s not a conscious “little bit of this and little bit of that,” it’s just what comes out when we play without thinking too hard.

I remember listening back to the tunes at the end of the first day in the studio and John said something like, “Isn’t it cool how you can do all this planning and arranging and preparing, but you have no idea what the album will sound like until you start making it?”

Some musicians immerse themselves in a single tradition or lineage and spend a lifetime going deep inside it. I listen to a lot of stuff like that, and it’s some of my most beloved music, but when I play I’m most interested in what happens when you agree on priorities and principles, and let musical identity emerge. My priorities come from lessons learned from musicians in my West Coast string band community. Some get called innovators, some traditionalists, but all share a commitment to deeply-felt, collaborative, and highly personal music-making.

Music is an activity and genre is a labeling system; the best I can do is focus on the activity and get the right people together and trust that the result will sound like us.

If it needs a label, maybe string band music that breathes?

What rituals do you have, either in the studio or before a show?

I have a loose mental checklist that I try to review before I go on stage or into the studio or even to a jam. I don’t succeed at all of them all the time but it’s a north star to aim for.

The first is from Chick Corea:

1. Play only what you hear.
2. If you don’t hear anything, don’t play anything.

This is simple and sometimes really hard. To me it means that every note should exist in my mind before it comes out of my hands – whether it’s a particular texture when playing backup or a phrase in a solo. Even down to the tonal color, dynamics, and articulation. This takes deep focus and deep listening both outward to the band and internally to your own ideas. When I listen to my favorite improvisers – Jim Hall, Stuart Duncan, Keith Jarrett, David Rawlings – I hear this level of intentionality.

The second is from John Hartford: “Style is based on limitations.” This means giving myself permission to play within my actual capabilities rather than the ones I wish I had. If I have to take solo over something that is outside of my comfort zone in terms of tempo, harmony, or whatever, I search for the most musical solution available within the boundaries of my own technical and conceptual limitations. This might be something simpler and more spacious than what I might feel like I’m supposed to play, and consequently truer to my own voice.

The rest of the checklist: Stay relaxed in mind and body. Listen deeply at all times. Never sacrifice groove or tone to execute an idea. Never go on autopilot when playing behind someone else’s vocal or solo. Search for the most beautiful idea, not the cleverest.

Which elements of nature do you spend the most time with and how do they impact your work?

My happiest place outside of music and family is underwater. I scuba dive and snorkel for the same reasons I play music. It feels like a portal into another universe. Diving requires an intentionality of every movement that I try to apply to making music. Your time underwater is limited by the air in your tank, and the more you exert, the faster you breathe. Every muscle movement costs you air and time, and the best divers carry themselves in the water with a calm and economy of movement that is almost meditative. It’s a flow state that slows your breathing and lets you focus your attention fully on the environment around you. I make my best music when I find that same state and put most of my awareness on what’s happening around me.

I find a lot of inspiration in California’s landscapes and colors. Kelp forests, rocky coasts and windswept coastal meadows with washed-out browns and green, golden hills dotted with green oaks, the pale gray granite of the High Sierra. There’s an aesthetic minimalism to these environments that I think shows up in some of my music, like “Lyell Fork,” a stream that flows from a glacier on a high peak in Yosemite and flows through alpine meadows and over granite slabs before joining the Tuolumne River. Or “Montaran” which is a stretch of coast south of San Francisco. In both cases I thought those tunes sounded like how those places feel.

What would a perfect day as an artist and creator look like to you?

Waking up to my kiddo climbing in bed for a cuddle. Breakfast, immediately followed by some quiet unstructured time with an instrument in my hands with an extremely good cup of coffee, before all the details of life fill my brain. A hike or bike ride with my wife. Some silly afternoon play time with my kid. Cooking mapo tofu for family dinner. Tunes and songs in the evening with a few dear friends. Someone else sends all my emails for the day.

Photo Credit: Giant Eye Photography

You Gotta Hear This: New Music From Ber, Pert Near Sandstone, and More

Posted on by Justin Hiltner

Somehow it’s December and we’ve already reached our final collection of new roots music, songs, and videos for 2025. It’s been a year absolutely packed with essential new music that you gotta hear, hasn’t it? We think this final roundup is the perfect way to go out, as we look ahead to plenty more fresh tracks to share in 2026.

First, mandolinist Jesse Appelman previews the first single from his upcoming debut solo album. “Glacier Song” is sung from the perspective of the titular glacier, examining the inevitability of time and change with bluegrass trappings and tasteful dashes of old-time from his talent-stacked ensemble. Texan singer-songwriter Dustin Brown calls on fellow Texan Billy Hartman and Nashville-based Rachel Cole for his new track, “Ballerina.” Out next week, it’s a simple, stripped-down, and twangy arrangement for a song about yet another tale as old as time: a love triangle between two people and their freedom.

Also, Kara Arena draws inspiration from the Hindu deity Hanuman for a new single, “Whose Face Is On Your Heart.” A harbinger for her upcoming EP, which is set for release in January 2026, the vibey modern folk number finds the singer-songwriter considering the concept of our loved ones leaving indelible marks on our hearts while wrapped in cinematic strings. From Toronto, Meredith Moon returns to her just-released September album, From Here to the Sea, to share a brand new performance video for “Poseidon.” She’s accompanied by Tony Allen, Rachel Melas, and Mikey Shakes as they play the song down at Compass Records’ Hillbilly Central studio. “Poseidon” is about rising above the tumult of toxicity and negativity and choosing your own heart.

To conclude, we take a trip to Minneapolis and St. Paul, Minnesota, to catch new singles debuted this week by both Ber and Pert Near Sandstone, two acts from the incredibly music-rich Twin Cities. Today, Ber announced her upcoming new album, Good, Like It Should Be, set for release in early April 2026. The lead single from that project, “Book Cover,” is about the deeper meaning and understanding that can be hidden inside ourselves and is found in the delicious sonic territory where country, indie, and pop overlap. You can easily picture the song on mainstream country radio and an indie-pop playlist, too.

Pert Near Sandstone, for their part, lean into Irish folk and Celtic sounds with accordion, tenor banjo, and a shout-along, pub-ready lyric. “Side by Side” is about perseverance and rising above interpersonal challenges together. With resonant accordion and banjo tremolos, you’ll feel like you’re huddled up with the band in the corner of a cozy pub jamming along.

There’s plenty to hear and enjoy below. Thanks for sharing a year’s worth of new music with us! We’ll see you in 2026 right here for more premieres, but for now… You Gotta Hear This!

Jesse Appelman, “Glacier Song”

Artist: Jesse Appelman
Hometown: Oakland, California
Song: “Glacier Song”
Album: Where We Go
Release Date: December 12, 2025 (single); February 20, 2026 (album)

In Their Words: “This song might not make much sense until you realize that it’s sung from the first-person perspective of a glacier – and what better inanimate object could there be to explore the inevitability of time and change? Written one of my oldest friends, Will Fourt, the crooked and circular structure was a perfect vehicle for this ensemble to weave the spontaneous and lush whirlwind of melody that ends the track. The refrain, ‘I don’t know where we go,’ here an expression of uncertainty, gave rise to the album title, reworked as a statement of intent: Where We Go.” – Jesse Appelman

Track Credits:
Jesse Appelman – Mandolin, vocals
Sami Braman – Fiddle
Allison de Groot – Clawhammer banjo
Emily Mann – Bass, harmony vocals
Eli West – Guitar, harmony vocals

Kara Arena, “Whose Face Is On Your Heart”


(Click to listen)

Artist: Kara Arena
Hometown: New York, New York
Song: “Whose Face Is On Your Heart”
Album: Whose Face Is On Your Heart (EP)
Release Date: December 5, 2025 (single); January 2026 (EP)

In Their Words: “‘Whose Face Is On Your Heart’ was born after I encountered the story of Hanuman, the Hindu deity. What truly distinguishes Hanuman is his deep devotion to his Lord, Rama and Devi Sita. When his loyalty comes into question, Hanuman says, ‘Every inch of my body has Rama in it. My heart and soul are made of Rama.’ When doubt of his love persists, he tears open his chest to reveal images of Rama and Sita glowing within his heart. When writing this song, I thought about what it would be like if our hearts were branded with the ones we love most. We wear their faces like a badge of honor. And when love leaves, do those sketches become scars?” – Kara Arena

Track Credits:
Kara Arena – Vocals, guitar, songwriter
Michael Lepore – Piano
Brett Bass – Upright, electric bass
Matt Bent – Drums, percussion
Mae Roney – Violin
Rachel Rice – Cello
Joe Cilento – Electric guitar, keys

Ber, “Book Cover”

Artist: Ber
Hometown: Minneapolis, Minnesota
Song: “Book Cover”
Album: Good, Like It Should Be
Release Date: December 5, 2025 (single); April 3, 2026 (album)
Label: Nettwerk Music Group

In Their Words: “I wrote ‘Book Cover’ last year over a cup of tea with my friend Corey Sanders, who at the time was consoling me as I was feeling very overlooked and invisible as a small, independent artist and writer in the music industry. At its surface, ‘Book Cover’ is about heartache and longing to be known for what’s inside, to be given a shot by someone not based on your looks or appearance, but because of the person you are. In its bones I’ve personally found deeper meaning— ‘Book Cover’ is a sweet reminder to myself to know your worth and acknowledge what you bring to the table. It’s one of my favorite songs from my forthcoming album, and I hope you like it!” – Ber

Dustin Brown, “Ballerina” (with Billy Hartman, Rachel Cole)

Artist: Dustin Brown, Billy Hartman, Rachel Cole
Hometown: Moody, Texas (Dustin); Texas (Billy); Nashville, Tennessee (Rachel)
Song: “Ballerina”
Release Date: December 12, 2025
Label: New Usual Records

In Their Words: “Writing a song can be as complex as the characters in it. Some fall out on the table, but this one definitely reflects its process as much as its meaning. The turmoil behind the writing of this song influenced its jaded undertones. It’s a tale as old as time, a love triangle between two souls and freedom. A dilemma of one’s resolve and another’s yearning.” – Dustin Brown

Meredith Moon, “Poseidon”

Artist: Meredith Moon
Hometown: Toronto, Ontario, Canada
Song: “Poseidon”
Album: From Here to the Sea
Release Date: December 2, 2025 (video); September 12, 2025 (album)
Label: Compass Records

In Their Words: “‘Poseidon’ was written during a pretty tumultuous time in my life, juggling priorities and in the end choosing my heart over all else. I felt the weight of the negativity inflicted on me by the toxic situations I’d left recently and ‘Poseidon’ was about re-instilling my own power and safety, like surrounding myself by an orb of protection.” – Meredith Moon

Performance Credits:
Meredith Moon – Guitar, vocals
Tony Allen – Fiddle
Rachel Melas – Bass
Mikey Shakes – Drums

Video Credit: Filmed at Compass Studios by Emma McCoury.

Pert Near Sandstone, “Side by Side”

Artist: Pert Near Sandstone
Hometown: Minneapolis / Saint Paul, Minnesota
Song: “Side by Side”
Album: Side by Side
Release Date: December 3, 2025 (single); February 27, 2026 (album)

In Their Words: “I originally started writing ‘Side by Side’ about my relationship with my wife and us pushing through challenging times. However, as the song came together, I realized the message of perseverance applied equally to the band and the challenges we go through together as professional musicians touring on the road. The music is traditional Irish-folk inspired, featuring wonderful accordionist Patrick Harison and Nate Sipe on Irish tenor banjo. I sing the lead along with full band group vocals and harmonies, which add to that real pub anthem sound. While in the recording studio we pulled the title ‘Side by Side’ from the lyrics which eventually became a rallying cry and decided it would be a fitting name for the new album.” – J Lenz

Track Credits:
J Lenz – Acoustic Guitar, vocals, songwriter
Kevin Kniebel – Clawhammer banjo, vocals
Nate Sipe – Mandolin, tenor banjo, vocals
Justin Bruhn – Upright bass, vocals
Patrick Harison – Accordion

Photo Credit: Ber by Tom Thornton; Pert Near Sandstone by Tony Nelson.