Tag: Matt Urmy

The BGS Radio Hour – Episode 195

Posted on by Amy Reitnouer

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week, we look forward to new releases coming in 2021 as we continue to celebrate roots Grammy nominations and as we bid farewell to our January Artist of the Month. Remember to check back every Monday for a new episode of the BGS Radio Hour!

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Sheryl Crow – “Woman in the White House”

One thing we can celebrate this January is the first ever presence of a woman in our nation’s second-highest office. So, what better way to begin our show this week than with this song from Sheryl Crow’s re-release of “Woman in the White House?”

The Burnt Pines – “Diamonds”

A collaborative effort between Boston and Lisbon, the Burnt Pines bring us this week a twist on the typical love song. “Love isn’t easy,” they told BGS, celebrating their just-released, self-titled album.

Colin Macleod – “The Long Road”

From the Isle of Lewis in Scotland, singer-songwriter Colin Macleod weaves in and out of regret with “The Long Road.” From his upcoming album, Hold Fast, this music video is one of our most recent features here at BGS.

Dolly Parton – “Shine”

Dolly Parton – queen of country music and COVID-vaccine backer – just celebrated 75 years! And what better to celebrate than with her classic bluegrass trilogy of albums (newly made digitally available) and this song, which earned itself a few 2001 Grammy noms, as well as Best Female Country Vocal Performance for Dolly herself!

Jimbo Mathus & Andrew Bird – “Sweet Oblivion”

Diving into 2021, we’re excited about all of the new releases heading our way. One that sticks out in particular is the collaborative This Thirteen coming in March from Jimbo Mathus and Andrew Bird, two musicians who call each other heroes. This week, we have a sneak peek with “Sweet Oblivion.”

Matt Urmy – “Lightning”

NYC-based Matt Urmy caught up with BGS this week on a recent 5+5 – that’s five questions, five songs. We talked all things Cowboy Jack Clement, weird rituals, the dream meal pairing of French food and Leonard Cohen – and, this song from his upcoming South of the Sky. 

The Bright Siders (Featuring Ed Helms) – “The Mad Day”

Nashville-based musician Kristin Andreassen (Uncle Earl) has teamed up with Brookyn’s Kari Groff, MD, child-psychiatrist and violinist for A Mind of Your Own. The album, which focuses on children’s mental health, features a wide range of guests, including the Punch Brothers, the War & Treaty, and none other than BGS co-founder Ed Helms!

Adam Klein – “Halfway to Heaven”

Not that long ago, we featured Athens GA-based singer and songwriter Adam Klein and his Low Flyin’ Planes release. Well, this song was meant to be there, but things never work out like we expect. Klein gives us the best of both worlds with his new EP, Little Tiger: Outtakes from Low Flyin’ Planes, out now!

Lizzie Weber – “Blue Wave Boom”

Lizzie Weber takes us from her St. Louis home to the California-coast for “Blue Wave Boom,” from her just release How Does It Feel EP. The song was inspired by the bright blue colors enveloping the black sea after the red tide, which served as a metaphor for the toxicity in one’s own mind, especially during the long shutdowns of 2020.

The Secret Sisters – “Cabin”

We revisit our March 2020 Artist of the Month, The Secret Sisters, in celebration of their Grammy nomination for Saturn Return, produced by Brandi Carlile and the Hanseroth twins. The sisters recently gave “Cabin,” which is also nominated for best American roots performance, an acoustic makeover.

Marty Stuart – “I’ve Been Around”

King of Country Cool, Marty Stuart brings us a previously unheard Johnny Cash song from the new collective tribute, Forever Words Explained. This song was lined up to be recorded before Johnny Cash’s death, but was never brought to light. When this tribute came around, well, who better than Marty Stuart?

Pony Bradshaw – “Foxfire”

From Chatsworth, Georgia, Pony Bradshaw wrote “Foxfire” out of 19th century historical inspiration after reading Down by the Riverside: a South Carolina Slave Community and Shared Traditions: Southern History and Folk Culture. Celebrating his new album Calico Jim, we’ve featured the song and Bradshaw on BGS this week!

The Stanley Brothers – “Angel Band”

There’s nothing quite better to wrap up our January Artist of the Month tribute to the soundtrack of O Brother, Where Art Thou? than end the show with the song that ends the movie. So from all of us here at BGS, we honor 20th anniversary of the momentous film and soundtrack with the Stanley Brothers “Angel Band.”

Photos: (L to R) The Stanley Brothers; Dolly Parton, ‘Little Sparrow’; The Secret Sisters by Alysse Gafkjen

BGS 5+5: Matt Urmy

Posted on by Editor

Artist: Matt Urmy
Hometown: New York City
Album: South of the Sky

Which artist has influenced you the most … and how?

If I had to choose one person who has had the widest impact on me and the way I approach my work, I would probably have to say, Cowboy Jack Clement. Jack was someone that I was able to get close to personally, which allowed me to be imprinted by him in a deeper way than just connecting to his art. He was also a businessman and producer, like myself, so he came at things from more than one perspective. … He was an all-around “content creator” before that term was ever even used.

For instance, Jack was vlogging before vlogging existed, he was vlogging before the internet existed! In the times I spent recording in his studio, sitting in his office and talking about art, business and life over coffee and cigarettes, or performing alongside him here in Nashville, I absorbed as much as I could from him. He had such a wide lens perspective on creativity, finding your voice, and being true to your vision. Our paths crossing was a real revelation for me.

What other art forms — literature, film, dance, painting, etc. — inform your music?

All of the above. And not just those, but business (which I consider an art form), the healing arts, and nature all have an impact on my creative process. I find myself inspired every single day (to varying degrees) by things I experience personally, things the people in my life experience and tell me about, things I see on the news or in movies… and I just allow myself to feel those feelings and then toss it on my creative compost heap to breakdown and become part of the soil that I garden in, artistically speaking.

When it comes to those other forms of expression specifically, the way they inform my process is on two levels: 1. the direct inspiration they provide (feelings, thoughts, etc.) and 2. the way they inform craft and/or process. For instance, sculpting really has informed the way I view the craft and process of songwriting. There are techniques that I can draw from and apply to my forms of expression. So, I may see someone dancing, and be moved to go home and create, but also I may learn something that inspires a new technical approach to the craft itself. I hope that makes sense.

What rituals do you have, either in the studio or before a show?

Ritual factors into my creative process across the board. One ritual is to make sure that I write at least one or two lines every day. In the studio, one ritual might be something like listening to a specific type of music or sound source before starting to work on something, just to clear the mind before beginning a session. Or, before a show, nursing a shot of tequila or mezcal for an hour or so before the show, so I slowly feel the effects of the spirit in my body before taking the stage. I find that my rituals change over time. I do believe they are important, but also that they are extremely personal. an artist has to find rituals that resonate with them and their unique processes for whatever situation they are in.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

This is fun to think about. I think I would have to go with French cooking and Leonard Cohen. I choose French cooking, not just because I love it, but because it’s traditionally served over many courses, slowing the meal down and drawing things out. I choose Leonard Cohen because he was an artist who also wrote poetry, like myself, and was an artist who publicly savored drawing the creative process out over long periods of time. I would like to imagine that dinner and a bottle of wine with Leonard Cohen would yield a memorable conversation that would be an art form unto itself. I guess I’ll have to wait for another lifetime to have the chance to find out. Bummer.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I don’t think this ever really happens to me. The reason for that is that I don’t think I’ve ever written a song that was 100% informed by my own life. Obviously, everything that I write is heavily influenced by my personal experience… however, I find that experiences or pieces of information from the outside world always find their way into my work. For example, if a dear friend is going through something in their life, witnessing them work through their life creates feelings that intertwine with my personal story. The result of this is that I don’t ever feel as if I need to hide. All of my songs are made up of elements from my personal experience, as well as things I encounter in the world around me. It actually makes me feel more connected to other people and the world around me.

Photo credit: CM Howard Photography

Matt Urmy, ‘We Must Believe in Magic’

Posted on by Editor

The longevity of music is predicated on the consistent passing of the baton — transferring sonic power and rich histories from one artist to another. Songs are not things that just spontaneously generate from the sky, anyway: Every note has a genetic component of one before it, every melody a mother or father. Nashville’s Matt Urmy knows this well. His new album, Out of the Ashes, was co-produced by the late Cowboy Jack Clement. But it’s also a testament to how fragile the art of creating can be. After the two made the bulk of Urmy’s record at Clement’s Cowboy Arms Hotel & Recording Spa, it suffered a tragic fire, and everything they built was assumed to have gone up in flames. A year later, the remnants surfaced — quite literally out of the ashes.

Urmy’s “We Must Believe In Magic,” recorded after the fire to help complete the newly unearthed album, was originally released by Johnny Cash, and features Clement’s sturdy and soothing vocals. The lyrics — and the majestic chug conjured up in this ethereal rendition — are a message to never lose hope when it feels like your world (or the fruits of your artistic labor) are burning. “We must believe in magic. We must believe in the guiding hand,” they sing. “If you believe in magic, you’ll have the universe at your command.” Clement passed away soon after at the age of 82, leaving a lifetime of work behind — and a guiding hand to help the new generation of musicians keep the magic alive.