BGS 5+5: The Sweet Water Warblers

Artist: The Sweet Water Warblers
Band members: Rachael Davis, Lindsay Lou, and May Erlewine
Hometown: Hoxeyville, Michigan
Latest album: The Dream That Holds This Child
Personal nicknames (or rejected band names): “Party RD,” “Lou,” “Segue May” …also, Rachael’s daughter Lela calls the two other Warblers “MayLou” collectively

Which artist has influenced you the most … and how?

Rachael: That’s hard to say for a trio, but for me (Party RD) that’s the simplest question. My parents are musicians and no other artists could have possibly influenced me more. They taught me how to play instruments, and sing harmony, and write songs! They taught me how to set up equipment and make a budget and how to be gracious and approachable and original. They supported me in all my artistic endeavors and never gave a shadow of a doubt that I could succeed. I’m not sure there’s any other artist that could approach that degree of influence.

May: It’s really hard to say, it’s an evolution of things. One influence leading to the next one. I will say Joni Mitchell’s bravery in her vulnerable music and also in using her voice to speak for justice is something I continue to draw from.

What other art forms — literature, film, dance, painting, etc — inform your music?

May: I draw from everything I possibly can. I believe that the art of noticing is directly connected to the act of being present. I try to explore and notice the world around me and use it to fuel my songs. I like to paint, draw, sew, cook, garden, run, walk, bird, read, write poetry, talk about things deeply.

Lindsay: The Dance of the Dissident Daughter by Sue Monk Kidd was a book we were reading and referenced a lot while we were putting the album together. It’s a moving memoir of a woman’s journey to find the sacred feminine, and it spurred some exciting late-night conversations.

What’s the toughest time you ever had writing a song?

Rachael: When we write together for The Sweet Water Warblers, we always carve out a good amount of time, space and intention for being creative. I think the first time we did a co-writing session with the three of us, Lindsay had just moved to Nashville, where I had already been living for a few years, and May was still living in Northern Michigan. Lindsay and I met at her house and we FaceTimed May in Traverse City. The distance and delay made the process not as fluid as it could have been. That is to say, that it really wasn’t that difficult, but it was technically the toughest time we had writing. After that, though, we did resolve to all being in one place for that process in the future, which we have adhered to since.

What rituals do you have, either in the studio or before a show?

Lindsay: There were a few ritual-like things we did while making the album that focused our intentions. At the beginning of each day in the studio, every person there brought in a mentor to the spiritual space of making music together. We went around and spoke their name and who they are to us into the studio mics. It didn’t take much time but hearing about all the people who’d brought us to that moment gave our task an even deeper sense of purpose. I loved hearing who was named and the way they were remembered.

We lit a candle to mark the beginning of tracking for each song. The flame seemed symbolic of the offering in each like a unique being we set out to shine a light on. We also started our first in person meeting with Dan Knobler by sharing 10 minutes of silence. Nothing like silence to frame the experience of making sound.

For live shows we come together and sing in a quiet private space before we take the stage. Allowing our souls to harmonize for the sake of sharing the vibration is a sweet reminder of why we’re there, and it gets us aligned and ready to connect with the audience as one.

What’s your favorite memory from being on stage?

May: There are so many, but I’ll get specific with this band in recent times. We finished a song at one of our shows this February and the emotional quality in the room was so thick, that nobody even clapped for a good 30 seconds. That was magic right there. I hope to always have new favorite memories on stage and with these ladies, that’ll be an easy dream to achieve.


Photo credit: Scott Simontacchi

LISTEN: Jarrod Dickenson, “A Cowboy & The Moon”

Artist: Jarrod Dickenson
Hometown: Nashville, Tennessee
Song: “A Cowboy & The Moon”
Album: Ready the Horses
Release Date: May 22, 2020

In Their Words: “‘A Cowboy & The Moon’ is a song about change. It’s told through the lens of an aging cowboy, as he remembers a time that’s long since passed. It’s a nostalgic look back at what was once here, and now only lives in the memories of those who experienced it. While this concept is presented in a fictional manner through this song, I think it’s something to which we can all relate. The older we get, the more change we see. It’s inevitable. Places, things, and people who were once a part of our lives will change or disappear altogether. That’s the beautiful and tragic thing about life; none of it lasts forever.” — Jarrod Dickenson


Photo credit: Josh Wool

WATCH: Old Crow Medicine Show, “Quarantined”

Artist: Old Crow Medicine Show
Hometown: Nashville, Tennessee
Song: “Quarantined”
Release Date: May 15, 2020

In Their Words: “Hey Bluegrass Situation friends, the Old Crows are wishing you all health and wellness this spring. We’ve been going a little stir-crazy here in Nashville as of late, but thankfully the healing power of music has been particularly strong and the band and I have felt some deep cleansing thanks to new songs and projects. The latest is a tune written and recorded under self quarantine, with a little homespun video that embraces the crazy homeschool dad feeling so pervasive around my house. So… sit back, put on your face mask, and pucker up!” — Ketch Secor, Old Crow Medicine Show


 

LISTEN: Ben de la Cour, “Shadow Land”

Artist: Ben de la Cour
Hometown: Nashville, Tennessee
Song: “Shadow Land”
Album: Shadow Land
Release Date: May 15, 2020
Label: Flour Sack Cape Records

In Their Words:

“Everyone carries a shadow, and the less it is embodied in the individual’s conscious life, the blacker and denser it is.”
— Carl Jung

“All the things we have rejected and pushed deep down into our collective unconscious have risen like leviathans from the deep to destroy us. What we once thought was reality has been transformed into an unrecognizable inversion of what once was. But it was always this way. We couldn’t see it before, but now that we can, we’re all just strangers in this Shadow Land.” — Ben de la Cour


Photo credit: Neilson Hubbard

LISTEN: Gretchen Peters, “Leavin’ Kentucky”

Artist: Gretchen Peters
Hometown: Nashville, Tennessee
Song: “Leavin’ Kentucky”
Album: The Night You Wrote That Song: The Songs of Mickey Newbury
Release Date: May 15, 2020
Label: Scarlet Letter Records

In Their Words: “This song was one of the first ones of Mickey’s I ever heard, and the line ‘the road down to Nashville’s like crystal and stone’ is what hooked me. That a country song could wring as much poetry out of a line about asphalt still floors me. This is a song about the agony of love — not just heartbreak, but a hurt so deep that you wish you could cut it out of yourself (‘take a .44 pistol to me’). That was something Newbury did better than anyone — pure pain. We wanted it to feel loose and a little ragged, like a track The Band would’ve cut.” — Gretchen Peters


Photo credit: Gina Binkley

LISTEN: Nate Lee, “Love Medicine”

Artist: Nate Lee
Hometown: Nashville, Tennessee
Song: “Love Medicine”
Album: Wings of a Jetliner
Release Date: June 12, 2020
Label: Adverb Records

In Their Words: “’Love Medicine’ embodies all the things I wanted for Wings of a Jetliner — toneful players, exciting rhythm, meaningful lyrics, and songs that are brand new, or presented in a new way. From the beginning stages of planning the album, I wanted the instrumentalists to be the main event, with their solos heavily featured and not just an afterthought. Professor Dan Boner, who produced Wings of a Jetliner, is an accomplished instrumentalist himself and he really helped my vision come alive by creating an environment where everyone was comfortable trying new things and letting their ideas flow. Wyatt Rice, Bronwyn Keith-Hynes, Ned Luberecki, and Todd Phillips are world-class players, and trading solos with them was thrilling!

“My dear friend Chris Sanders, who wrote ‘Love Medicine,’ has a masterful grasp of chordal harmony and dissonance that perfectly supports the song’s message about addiction. Her harmonic choices, influenced by the Red Hot Chili Peppers, offer a perfect tonal palette for improvisation. Although ‘Love Medicine’ was written about addiction, the lyrics resonate with people who are in all kinds of tough situations. The first line is especially resonant during this time of social distancing: ‘Draw the line, close the door, ain’t gonna cross that threshold no more.'” — Nate Lee


Photo credit: Scott Simontacchi

Bright Sunshine and Intense Badassery: Lilly Hiatt’s Rock ‘n’ Roll Style

This shoot happened just a few days after venues began closing and tours were being cancelled due to the coronavirus. Lilly Hiatt and I decided to continue, holing up in an empty venue called Drkmttr Collective here in Nashville by ourselves for a few hours. (You can support Drkmttr’s GoFundMe to help keep them afloat, if you feel inclined.)

Lilly is a mixture of bright sunshine and intense badassery; her good nature and spirit was a welcomed respite from the scary unknown so many of us artists were heading into then, and of course are still navigating. I thought Drkmttr Collective would be a great spot for her — a little quirky, a lotta rock ‘n’ roll. The three outfits she sported fit easily into the feel of the place.

As it stands, this was my last shoot before so much was canceled and shut down, but we no doubt ended on a high note. Until next time! Stay safe and well out there, y’all. — Laura Partain

Pictured above, Lilly wears a Low Cut Connie tee and Blank NYC leather jacket.


Lilly wears a glitter mock turtleneck top from H&M, Top Shop jeans, and Frye boots.


Strap and buckle detail of Lilly’s Frye boots.


Lilly wearing a red Petites by Willi top from Anaconda Vintage in Nashville, necklace by Madewell, and Top Shop jeans.


Necklace by Madewell, Frito Pie ring by Snash Jewelry, black stone ring by Pale Silver, and red Petites by Willi top.


The top by Petites by Willi, necklace by Madewell, Frye boots, and Top Shop jeans look is completed with a Rickenbacker and an earplug dispenser at Drkmttr Collective in Nashville.


All photos by Laura Partain

LISTEN: Glenn Thomas, “Give a Damn”

Artist: Glenn Thomas
Hometown: Nashville, Tennessee by way of New England
Song: “Give a Damn”
Album: Reassure Me There’s a Window
Release Date: May 15, 2020 (album); May 1, 2020 (single)
Label: Palace Flophouse Records

In Their Words: “I wrote this song in the beginning stages of a new relationship I was in. I really cared about the person and wanted it to work, but still carried the ghosts of past relationships and dating woes. I felt like I didn’t really have anything new to bring to the table, but ultimately what mattered was I cared and was going to do what it took to make it work. Ultimately, the past is exactly that — the past. I remember sitting on a friend’s speedboat a couple of summers ago getting bounced around by the waves, and the fast up and down movement put this melody into my head. I had the lyrics in my phone notes and sang it into a voice memo right there on the boat. Stranger things have happened!” — Glenn Thomas


Photo credit: Chelsea Mandes

LISTEN: Pam Tillis, “Dark Turn of Mind”

Artist: Pam Tillis
Hometown: Plant City, Florida (born) + Nashville, Tennessee (lives)
Song: “Dark Turn of Mind”
Album: Looking for a Feeling
Release Date: April 24, 2020
Label: Stellar Cat via OneRPM

In Their Words: “While the album is called Looking for a Feeling, I was drawn to ‘Dark Turn of Mind’ because it’s about owning your feelings. Letting yourself slow down long enough to acknowledge the shadows in your soul helps you experience the light in a deeper way. In this era of everybody trying to keep up some facade on social media, I loved that this song unapologetically says, ‘Yes I reserve the right to have my good old meltdown, pity party, wallow-in-my-misery moments and that will probably keep me way saner than having to fake-smile my way thru these crazy-ass times.'” — Pam Tillis


Photo credit: Matt Spicher

LISTEN: Brian Wright & The SneakUps, “What You Don’t Know”

Artist: Brian Wright & The SneakUps
Hometown: Nashville, Tennessee
Song: “What You Don’t Know”
Album: Lapse of Luxury
Release Date: May 8, 2020
Label: Cafe Rooster Records

In Their Words: “‘What You Don’t Know’ was one of three songs written in an afternoon/evening a few days after I got back from a particularly long tour. The other was ‘Heavy Metal Shed Kids’ and the third got chopped up and used for parts. I was nearly finished with LOL (Lapse of Luxury). It needed a simple song to bring it back down to earth. I was burned out. I had taken on too much and couldn’t keep up. You can hear it. Moving too fast and missing out. The song was a way to let the people I loved know I that I knew something had to change. While I was writing it there were people over; I could hear them outside the shed. They’re in the recording if you listen really close. I walked outside and our guests were naked, dancing around a fire pit to something perfect. It was light and free. It was cool. I felt better. I was home and I was lucky again.” — Brian Wright


Photo credit: Stacie Huckeba