Get Off Your Ass: December’s Halls Need Deckin’

Gary Clark, Jr. // The Theatre At Ace Hotel // December 1

Corb Lund // Resident  // December 7

The Wild Reeds // Echoplex // December 8

Lee Ann Womack // The Canyon // December 9

The Steel Wheels // Genghis Cohen // December 10

Tribute to Linda Ronstadt // The Theatre At Ace Hotel // December 11

Michael Kiwanuka // The Fonda // December 12

Sara Watkins // The Troubadour // December 14

Brothers Osborne // The Belasco Theater // December 15

The Dustbowl Revival // The Hi Hat // December 15

Cody Jinks // 3rd & Lindsley // December 2-3

Ruby Amanfu & Friends // 3rd & Lindsley // December 4

Billy Strings // The 5 Spot // December 7

Birds of Chicago & Michaela Anne // The Basement // December 7

Mary Gauthier // Bluebird Café // December 8

Shawn Colvin // City Winery // December 14

Brent Cobb // The Basement East // December 15

Luke Bell // Exit/In // December 15

Gillian Welch // Ryman Auditorium // December 27

Robert Earl Keen // Ryman Auditorium // December 28

Jason Isbell, John Prine, & Kacey Musgraves // Grand Ole Opry House // December 31

Old Crow Medicine Show & Dom Flemons // Ryman Auditorium // December 31

Andra Day // PlayStation Theater  // December 1

Donovan // Symphony Space // December 2

Chris Thile // Town Hall // December 3

Steve Earle // City Winery // December 5

Kacey Musgraves // Town Hall // December 8

Cris Jacobs // Brooklyn Bowl // December 9

Steep Canyon Rangers // Town Hall // December 10

The Stray Birds // Rockwood Music Hall // December 15

Albatross // Rockwood Music Hall // December 16

Anais Mitchell // Rubin Museum of Art  // December 23

Tony Trischka // Joe's Pub // December 24

Nathan Bowles // Terminal 5 // December 28

7 Holiday Maker Markets to Up Your Gift Game

Thanksgiving is about to rear its tiny, turkey-shaped head, and you know what that means: It's time to tackle that nagging holiday gift list. While it might be tempting to say, "Screw it, you're getting a gift card and you're getting a gift card!" like a maniacal, Scrooged-out Oprah, there's no denying that folks love a unique, thoughtful gift. Luckily, the growing popularity of holiday "maker markets (the Artist Formerly Known as "Craft Markets") makes finding one-of-a-kind gifts for everyone on your list far easier than actually sitting through a holiday meal with them, especially with that big, orange elephant currently taking up residence in all of our families' dining rooms.

To help you out, we've rounded up a few of our favorite upcoming markets. Now get to shopping!

Austin — Renegade Craft Fair — November 26-27

This free event at Austin's Fair Market features over 125 makers. Go for the holiday shopping, stay for live music, local food and drink, and a photo booth.

Brooklyn — Brooklyn Holiday Bazaar — November 26-27

The fourth installment of Brooklyn's free, annual Holiday Bazaar is its biggest yet, with 40+ makers on site at 501 Union. Sip a craft beverage while you browse handmade jewlery and home decor and, if you have little ones, be sure to stop by the Kids Craft Corner.

Chicago — Made in Chicago Holiday Market — December 18

As if a free event with dozens of makers, local food, and local drinks weren't enough, this holiday market at Chicago's Plumbers Hall also allows guests (while supplies last) to create their own free terrarium ornaments. 

Los Angeles — Artisanal L.A. Holiday Market — December 3

A $10 admission gets you unlimited re-entry into this weekend-long event at Los Angeles's CMC Penthouse. More than 150 makers will be on-hand, with 30+ opportunities for attendees to indulge in little on-site DIY of their own.

Louisville — Made Market — December 16-17

This holiday market at Louisville's Frazier History Museum is free, but if you want to check out all the goods before the general public, you can buy a ticket to a special preview event the evening before the big day. And, with vendors like BGS pals 1767 Designs in attendance, getting there early may not be a bad idea!

Nashville — Porter Flea Holiday Market — December 10

Nashville's Porter Flea gets bigger and bigger each year, and the holiday market is not to be missed. Held at Skyway Studios this year, admission is free, although, as with Louisville's market, there is a ticketed preview market the night prior.

Seattle — Fremont Foundry Holiday Makers Market — December 18

Seattle has a strong maker community, with markets popping up across town throughout the year. This particular holiday market happens later in the season than most, so it's perfect for all your last-minute shopping needs.


Lede photo via Porter Flea/Garner Blue

3×3: Renée Wahl on Home Bases, Underrated Movies, and Reliving with Presence

Artist:  Renée Wahl & Sworn Secrets
Hometown:  Nashville, TN
Latest Album: Sworn Secrets
Personal Nicknames: Riff, Riff Randall, R “Dub”, Dub

 

The Great Northern, coffee and cherry pie…

A photo posted by Renée (@reneewahl) on

What song do you wish you had written?  
Wow, that’s a tough one … I’m gonna go with “Into the Mystic” by Van Morrison. Such a beautiful song, lyrically and melodically. Always takes me to some faraway place when I hear it.

If money were no object, where would you live and what would you do?  
I would still have my farm outside of Nashville in Lebanon as a home base. It’s so open and relaxing. But I’d travel everywhere and play music. Whenever, wherever!

If the After-Life exists, what song will be playing when you arrive? 
"Angel" by Elvis Presley. I think that’s appropriate! Or “Where Is My Mind” by the Pixies. That would work, too.

 

A photo posted by Renée (@reneewahl) on

How often do you do laundry? 
Hmmmm, when I run out of clothes, sheets, or towels — whichever comes first.  

What was the last movie that you really loved?  
Again, so many movies I love. I will say Frailty.  It’s a bit older, but an extraordinary movie. It takes place in Texas. It’s very dark, lots of twists and turns … great acting, fantastic storyline. Certainly an underrated movie, in my opinion.

If you could re-live one year of your life, which would it be and why? 
I guess it depends on if I knew I was reliving it … if so, this year (2016). My mom passed away in July, and I would love to have been more present in the time I spent with her.

 

A photo posted by Renée (@reneewahl) on

What's your favorite culinary spice?  
Cayenne Pepper … flavorful and great for a sore throat!

Morning person or night owl? 
Not a morning person. For sure a night owl. Though I can’t quite seem to stay awake as late as I used to …

Coffee or tea?   
Hands down, tea.  I don’t drink coffee much anymore, but I can’t go a day without a cup of hot tea. There are some pretty cool tea places in Nashville, like Aromagregory.

The Heat Is On

This year is my third year gardening, but my first Fall garden. What a year to start one! With average U.S. temperatures the highest in almost 100 years, some seeds had to be replanted as the temperatures were too high for consistent germination, with some longer crops, that wouldn’t have time to mature if replanted, struggling to survive until the cooler weather. Whatever happens, the peas seem to power on through.

The big lesson from these extraordinary temperatures is that I don’t rely on first and last prospective frost dates anymore. First frost usually hits Nashville mid-to-late October. This year, we might not get it until early December, although it’s more likely late November. Instead, I’m relying on the more accurate germination rates and soil temperature. For example, carrot seeds will have the highest and shortest germination rate when the soil is in the upper 70s. They will do alright in the upper 60s and low 80s, but then the germination rate drops and the number of days for any to germinate increases. I planted my carrots in September, hoping the temperatures would come down as expected, but they didn’t, so I replanted in early October for a better chance of a healthy harvest.

This is the year I also decided to try to grow one of the most difficult groups of vegetables — the brassicas, which include, kale, broccoli, cabbage, cauliflower, and Brussels sprouts. The difficulty with this group is mainly due to the obscene amount of pests they attract that are hell-bent on eating them in hours. If you want to grow brassicas, it’s full-on war.

I started by growing the seeds outside. No luck: The cabbage butterflies were all over them and, in a few days, their eggs had hatched and the caterpillars were munching away. Plus, it remained just too darn hot. I managed to salvage the majority and bought them back inside far away from those pesky critters. They grew, and the new leaves were not eaten.

In mid-September, they were planted back outside. Had the forecasts been better, I would have waited; but since they had already germinated into seedlings, at least they had a fighting chance.

The two main pests in my garden which could do the most damage to the brassicas are the purely evil cutworm and the cabbage butterfly caterpillar. The cutworm wraps itself around young seedlings about an inch above ground and squeezes, literally cutting the top of the plant off. Here’s a big fat adult and he’s fat for a reason, as he’s been munching on my carrots for the last few days.

The solution I tried, which worked on my bush beans this year, is putting toothpicks around the stem of the seedling, so it prevents the worm from doing its damage.

I was still losing some plants though and had no idea why until I kept seeing black crickets all over the place! I’m pretty sure they were chomping through the babies that the evil cutworms couldn’t get. I tell ya — it’s carnage out there. I lost about 60 percent of the crop, but being the first year, I’m actually quite pleased with that. I’m a big believer that, when it comes to gardening, you have to try something for three years before giving up on it. Otherwise, there are just too many variables to rule anything out before that time.

The ones that survived were still under attack from the white cabbage butterfly. The best way to deal with them — like pretty much any problem — is prevention. Row covers can overheat the plant,s if the temperatures are still high outside, but you can get fine mesh that will let the breeze in and keep the butterflies out. You can also spray/pick the eggs off daily and keep an eye out for caterpillars and remove them as soon as possible.

As of today, the remaining brassicas are still growing and, a couple of days ago, I could see baby sprouts starting to form.

These are slow growing plants, but with the frost still at least a couple of weeks away here in Tennessee, there will still be a harvest. Next Spring, I’ll try again — even more armed and even more dangerous.

WATCH: Adrian + Meredith, ‘More Than a Little’

Artist: Adrian + Meredith
Hometown: Nashville, TN
Song: "More Than a Little"
Album: More Than a Little
Release Date: November 4

In Their Words: "'More Than a Little' had to be our title track. It signifies everything this record is to us. It was our first co-written song as a duo and it solidified the project, the sound, and direction of the following record. Festival editorials have been speaking to Meredith's driving rhythm and hook on this particular track, since we started playing it live.

Living in changing Nashville for five years already, the tunnel vision was strong with the branding, marketing, and push that city has a history with. I took a step back, left our current management, and got back to the root of the entire industry — the creative process. Once on the outside looking in, it became obvious that the generic and crowd-pandering lyrics, the already-been-done-before sounds/songs, and the built-for-commercial successes that I was living and participated in. With new perspective — mostly upon my own craft — came an honest, brutally truthful, and cleansing display of self- and scene reflection. The chorus tagline came first: 'Theres a science to selling bullshit by the pound,' meaning anything can be sold and bought. Do songs lose authenticity of honest emotion, when it's so calculated?" — Adrian Krygowski


Photo credit: Lauren Hanson

Amanda Shires Flips Her Lid

The only place I would ever call home, outside of the Lone Star State, would be Tennessee. Sure, one is in the South and has the best fried green tomatoes and hot chicken. The other is in the West and has breakfast burritos and endless amounts of Topo Chico (if you don’t know, now you do), but there is definitely a common thread between these two states when it comes down to the people, music, and style.

Being the clothing junkie that I am, one of my style connections between Texas and Tennessee is the love of hats and boots. (We will save boots for another day.) Much like a graphic tee, a hat can tell you a lot about a person without spelling it out. With the switch of a hat, you can take your look from Doll to Outlaw, and vice versa. (Speaking of Outlaws … any fellow hat lovers crushing on the Waylon-inspired collaboration between Stetson and Midnight Rider? I can’t wait to get my hands on the Lash Stetson.) That’s why I never leave home without one on my head, in my car, or stuffed in a bag.

One of my most-favorite style secrets is my hats. It’s especially great if you are a traveler, like me. You would be surprised at how different your look will change based on a few items. When I pack, I am often limited to one bag so I have to be mindful of what I pack. This isn’t such a bad thing — who wants to lug around a ton of stuff anyway? In my bag I put my favorite hat, a pair of boots to compliment the hat, one pair of denim, a jacket (denim or leather, depending on season), and I fill the rest with various top options.

Amanda Shires is one of my favorite people to travel with and she happens to have a killer hat collection. Also from Texas, she’s a lover of quality hats like the Stetson, and is always introducing me to new hat makers and designers. When I met up with Amanda a couple of weeks ago, she was rocking an awesome, wide-brimmed hat from White’s Mercantile. What really set the hat apart for me was the thin gold metal hatband. Needless to say, this lead to a fun afternoon of trying on the Mercantile's great selection of hats. The two beautiful hats shown in the photos are James (brown) by Janessa Leone and the Floppy Brim Fedora by Rag and Bone (black). Amanda wears them with some of her favorite Midnight Rider t-shirts. 

Grab your best friend and go try on some fun hats. Pick something you wouldn’t normally go for. Maybe that means a larger brim or brown versus black. I promise you’ll walk away with a big smile and rocking a new style. I’m interested to know where you are finding your awesome hats. Let us know!

Sean McConnell’s Denim on Denim

“I’ve gone through many 'looks' … if you can call them that. As I get older, I know what I want and who I am and what I feel comfortable in and what reflects my insides. It’s kind of like songwriting: As you get older, you’re trying less to sound cool and just trying your best to be honest.” — Sean McConnell

It’s your favorite outfit. You put it on to grab a drink with friends at the local dive or new restaurant in town. It’s what you are wearing every time you leave for tour or head into the office. Whatever the occasion, we all have our default items/combinations we depend on for confidence. A sure win. Whether we meant to or not, we have begun creating uniforms for ourselves.

As a kid, dressing myself was one of the first forms of creative expression I knew — my first taste of independence, even. The thought of trading that in to look like everyone else in a school uniform was the worst thing ever! Parents held the control over my schedule, diet, haircuts, etc. But the one thing I had was a closet full of decisions I got to make. Even before kindergarten, my mom let me pick out my (mostly cringeworthy) outfits from my hodgepodge of hand-me-downs. I was enthusiastic when it came to creating a new outfit, makeup, and hairstyle every day.

So what changed?

We all started out associating uniforms with the idea of looking just like everyone else. Our only association to the uniform was private school, military, or the service industry. Structure and conformity? No thank you!

Once I put some miles between myself and my youth, I started realizing that, in a way, having the very thing I avoided in my youth could now be the factor that sets me apart. Embracing a personal uniform is not the same as sporting a group uniform. Taking that thought a step further: Creating a uniform for yourself that is based on what fits you best, regardless of trends and hype, pulls your further away from the majority of shoppers, making your style and outfit different. The bonus here is that, once you have identified the outfit that works best for you and commit to it, your mornings get longer and your bed won't be covered in clothes from failed attempts of “What should I wear?” Sure, I get that not everyone cares about time, identity, and efficiency. But if you are an entrepreneur, musician, fashion junkie, sleep-deprived parent, or under the limelight in anyway, exploring a personal uniform might not be so bad.

One Nashville local getting cozy with their uniform is singer/songwriter Sean McConnell. When it comes to Sean’s uniform, he likes to stick to the three Southern style basics: denim, denim, denim. Any time I’ve seen him around town, he’s sporting a denim button-down, denim jeans, Doc Martens, and maybe, if the wind is blowing just right, a denim jacket. His denim uniform is almost always accompanied by either Ray-Ban sunnies or glasses. If frames are missing, you know he woke up on the wrong side of the bed.

Having a uniform doesn’t mean trying hard, either. I feel it’s more of the opposite: Identifying your personal uniform and letting go of all the extras. It’s being comfortable with yourself to know what you like and know what fits best, and walking with confidence because you know what you’re wearing is what works. A few notable public figures ranging from Steve Jobs to Vera Wang have been questioned about their outfit-repeating. The discussions range from the practical response of simply avoiding “decision fatigue” to the more style-conscious end of curating the closet to obtain a strong signature look.

I’d love to say I fall on the brainier side of the whole shebang and be all about saving my brain for more important decisions, but that’s not me. I fall somewhere between style consciousness, shallow pockets, and being a creature of habit. I don’t think I’ll ever fully commit to one uniform — I’m more of a uniform of the week kind of gal — but I do enjoy seeing others practice a solid signature look.

Lera Lynn Gets Her Jacket On

Like the rest of us fashion junkies, singer/songwriter Lera Lynn’s style steadily evolves year to year reflecting her current interests. But the one thing that remains constant is her affinity for fun, unique pieces. With a particular love for jackets and rare blazers, she knows a thing or two about the perfect leather jacket. If finding the perfect leather is as good as finding gold, thanks to Lera, I have found the treasure trove.

Hidden in plain sight, AtelierSavas is located down an alley behind Cannery Row right here in Nashville, Tennessee. It is there you will find Savannah Yarbrough, creator of one-of-a-kind, bespoke luxury leather and fur outerwear. Once you walk through the black double doors addressed 125, you will begin the flawless process that will result in you standing an inch taller and feeling like a baller. There’s no better way to express creativity and make a statement about who you are than with a distinctive wardrobe piece that no one else can duplicate.

At AtelierSavas, Savannah brings both her unique design perspective and technical skills for tailoring to the table with each leather jacket made. This — along with the fit, style, attention to details, and craftsmanship — are what make these leathers unmatched.

To give you a brief understanding of the Savas journey, every leather jacket begins with a client meeting in which the measurements are taken to tailor the fit perfectly to that client’s individual body. Leathers are chosen, custom details discussed, and a sketch is drawn up. From there, patterns are made and a fabric mock-up of the leather jacket is created. There’s a fitting and adjustments are made to both details and fit. Once approved, the leather jacket of dreams finally arrives in this world.

Although each of these beautiful jackets is unique, Savannah has a few signatures, distinguishing them as her works of art. My favorite AtelierSavas style signature is something you catch from the profile view. There’s a curve from the arm hole to the wrist, inviting movement and creating a lived-in feel. Complimenting the arm curvature is the back hem resting slightly higher up than the front hem, which is damn sexy.

Whether you want your leather to make a subtle statement in a brown washed leather or a loud one in shiny gold or polka-dots, these jackets are designed to be an everyday piece. They are meant to become a part of your daily journey, continuing to tell your story. Like us, this wardrobe staple gets better with age.

Since you and this jacket will live out the rest of your days together, it’s important that it meet your specific daily routine needs. If that means extra pockets in the lining for your favorite pen, cigarettes, or even your snake-killing pistol, Savannah will customize the jacket in the design stages to make sure you have what you need and make it look good. Other custom details include chain-stitched designs on the jacket lining. An AtelierSavas jacket will compliment your quirks, as well as your inner badass. It will capture the story you wish to tell and with a medium so unique and well-crafted, you are sure to have an audience. Trends come and go, this tried and true is forever.

Tats and Tees Tell the Elise Davis Tale

I can’t quite pinpoint what makes singer/songwriter Elise Davis’s style so dang appealing. Yeah, it differs depending on whether you catch her on a show day or an off day, but there’s something effortless, confident, and unique that remains constant, on and off stage.

Onstage, her priority is feeling comfortable and confident, to minimize distractions for her and her audience during her set. For Elise, something high-waisted and all black helps create this comfortable blank canvas. Other components to this look are her signature smokey eyes, bold lips, and bright blonde hair. By creating a look that instills self-confidence, she has unintentionally created a mysterious, grungy, sexy vibe that sparks curiosity and matches the mood and tone of her latest album, The Token. It’s interesting finding the things that stay the same and those that change from onstage to off.

Unconcerned with minimizing distractions on “off days,” Elise’s focus shifts from a blank canvas to a colorful one which reveals her interests and hobbies, as well as the art of those she admires. Any normal day, you are likely to find her in her jeans and tees, proudly displaying her tattoos. All while continuing to rock her big, bright, blonde hair, bold lips, and that steady confidence.

Her tees are intentionally selected to represent bands, businesses, and activities she loves and supports. She shared a few of her favorites with me when I met up with her at Mickey’s Tavern.

Out of the tees pictured above, the ones I immediately recognized were John Prine, Neko Case, Big Star, marijuana, and Wilco … leading me to believe we were going to get along great. The only tee I wasn’t familiar with was Brain Freeze. Elise went on to tell me about this awesome Nashville gem that sells alternative and small press zines. I had no idea Nashville had a shop like that or that Elise was into comics and zines! Brain Freeze even sell Elise’s illustrated poem, "It’s Okay to Be Broken."

She keeps her accessories to a minimal because she considers her tattoos to be accessories. They stand alone and subtly accent whatever she wears. Each one holds an important memory or influence in her life. My favorites include the Lucinda Williams (her hero) heart, the drunken teenager tattoo, and the logo from the recording studio that The Token was recorded at. Elise explained that the whole experience was unlike any other music experience she has ever had. It impacted her life so much so that it made the list of permanent memories on her arm.

Although fashion isn’t her top priority, between her minimal stage attire and her tees and tattoos, this gal is stylistically packing punches.

MIXTAPE: 3rd & Lindsley

For music venues in Music City, the competition for both artists and audiences is stiff. But Ron Brice and his 3rd & Lindsley crew — which includes the same door man, head chef, and sound engineer since the club's opening — have made a successful go of it for the past 25 years. Along the way, they've enjoyed a weekly residency with the Time Jumpers (featuring Vince Gill), a 20-year partnership of weekly broadcasts on WRLT-FM, a talent buyer (Santo Pullella) whose first confirmed act was Chris Stapleton, and a calendar filled with legends — and legends in the making.

Here, Pullella selects some of the artists the club is proud to have hosted: 

The Wood Brothers — “Postcards From Hell”
Chris and Oliver Wood blew us all away with their 2006 debut album, Ways Not to Lose, and a performance at 3rd & Lindsley. Now, they’re an international success and one of the world’s best bands.

Sturgill Simpson — “Brace for Impact (Live a Little)”
Sturgill’s name and music had been on our radar, but when he opened for the Devil Makes Three in 2013 on a cold January Lightning 100 Nashville Sunday Night, it looked like the world would know him soon.

The Devil Makes Three — “Do Wrong Right”
We think about whiskey and dark places when we hear this band, and seeing them live is only a real good time.

Nikki Lane — “Seein’ Double”
She is living proof that it is "always the right time to do the wrong thing," and it really works for her! She’s just cool with always being herself — and that’s a unique woman.

Chris Stapleton — “Might as Well Get Stoned”
Chris is a man who worked so hard for so many years in Nashville until it all seemed to tip in his favor, all at once. We’re really happy for him … and even proud.

Lucinda Williams — “Can’t Let Go”
The legendary songwriter has no fear of digging deep into herself and showing it to the world.

Ray Wylie Hubbard — “Mother Blues”
Ray, the National Treasure! Storytellers do not get any better than Ray.

Paul Thorn — “Pimps & Preachers”
Paul is a part of the family here at 3rd & Lindsley. He walks in and its non-stop one-liner jokes and stories until the night is done. Killer band, killer show.

The Mavericks — “All Night Long”
When these guys got back together a few years ago, it was like a legendary athlete showing up at halftime, telling the coach he’s going in, and then taking over. And none can make their sound.

Sam Lewis — “3/4 Time”
We’ve been watching him for the past year, and he’s someone everyone should be watching with his style of blue-eyed country soul. There’s some Van Morrison, James Taylor, and a whole lot of Sam Lewis here! He’s doing a lot of dates this year with Chris Stapleton. The future is very bright for him.

Lake Street Dive — “Call Off Your Dogs”
We’re very happy for Rachael Price and the band. Many, many years of hard work is paying off.

Margo Price — “Hands of Time”
Another artist we’re so proud to see achieving what they deserve. Her two-night run this June sold out fast, and it doesn’t appear there is a limit to her success.


Lede photo: Lee Ann Womack performs during the 16th Annual Americana Music Festival & Conference at 3rd & Lindsley on September 18, 2015 . Photo credit: Terry Wyatt/Getty Images for Americana Music.