Tag: premiere

LISTEN: Melody Duncan, “Over the Hill”

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Artist: Melody Duncan
Hometown: Mobile, Alabama
Song: “Over the Hill”
Album: Wolf Song
Release Date: March 12, 2021

In Their Words: “This was the last song I recorded for the album. I wasn’t sure if I was going to put this one on the record until the last moment, but I’m really glad I did. The track is made with only vocals and guitar, and it felt really complete to me. I think the lyrics are pretty straightforward; they’re a kind of journal entry mixed with sentiment I think many of us feel as we age. The longer we live, the more challenges, difficulties, and growth opportunities we face. We learn all these amazing life lessons and have to rise above the accompanying challenges. Sometimes through our experience or culture, we’re taught to fear aging and what it might mean for our bodies and minds. But the song is an expression of being resilient because of what we’ve been through, and despite whatever is ahead. It’s about making it through tough times at every age and stage we are in. It’s a dedication for all of those willing to invest in a good today, even if our bones ache in the morning.” — Melody Duncan

Photo credit: Katy Herndon

LISTEN: Jesse Brewster, “Amber Kinney”

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Artist: Jesse Brewster
Hometown: San Francisco, California
Song: “Amber Kinney”
Album: The Lonely Pines
Release Date: March 5, 2021
Label: Crooked Prairie Records

In Their Words: “This is the second song I ever wrote on mandolin as I’m relatively new to the instrument, but I love the different colors it gives me to work with. ‘Amber Kinney’ is set in a fictional town in 19th century Ireland, and is about a mistreated wife who finally gathers the courage to leave, under cover of darkness. Side note, this was largely written late night in the chill of the garage — the only place I could make noise at that hour as I hadn’t finished the studio yet.” — Jesse Brewster

Photo credit: Nino Fernandez

LISTEN: Ryanhood, “Appy Returns”

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Artist: Ryanhood (Ryan David Green & Cameron Hood)
Hometown: Tucson, Arizona
Song: “Appy Returns”
Album: Under The Leaves
Release Date: April 16, 2021

In Their Words: “I love instrumental music, having grown up on electric gunslingers like Joe Satriani and Eric Johnson, and later becoming infatuated with acoustic masters like Béla Fleck and Chris Thile. While most of our repertoire features vocals, we’ve been peppering our live concerts with instrumentals for years. I came up with the main theme for this one in a green room, just before a show back in 2016. I continued to tinker with it for years until I realized the main motif had some similarities to another instrumental of ours, ‘Appy Jam,’ which is a staple of our live set. I decided to lean into this resemblance and make it a full-blown sequel, referencing some of the rhythmic motifs and phrasings from the original, but taking the listener on a whole new journey. What made the song especially challenging to write was the fact that getting together to play-test it wasn’t always possible due to COVID-19. So I used music notation software to make ‘digital versions’ of each of our parts. This allowed us to practice playing the song (with our digital counterpart) for a couple of weeks before going into the studio and cutting our guitars together.” — Ryan David Green

Photo credit: Taylor Noel Mercado

LISTEN: Lauren Spring, “I Remember You”

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Artist: Lauren Spring
Hometown: Port St. Joe, Florida
Song: “I Remember You”
Album: I Remember You EP
Release Date: February 26, 2021

In Their Words: “‘I Remember You’ is about choosing to remember someone in a kinder light than what the relationship may have been in reality. If you chose pain, you feel pain when you remember it. If you choose love, then you’re flooded with love and nostalgia. I’ve had plenty of opportunities to learn that lesson and chose the more immature road for longer than I’d like to admit but I’m choosing love more and more and feel it coming back to me all the time now. I love the message of this song and am so glad to put it out in to the universe. It felt weird to celebrate the nostalgia of a past relationship and not honor the glorious human I love who puts up with my shit today. This line was for him: ‘Cracks in the story we learned to fill with something real.’ He’s my real. Here’s to ‘real’!

“My co-writer Scott (Feldman, Darkbloom Productions) wrote a lyric so ridiculously dope that it took me two months and 8.5 billion rewrites to feel like I had written the rest of the song anywhere close to the bar he set. (Jackass) ‘Ain’t nostalgia a funny thing, it paints a picture so carelessly. Prettier than it’s ‘sposed to be, that’s how I remember you.’ It became the chorus and I love it. That TikTok video of the guy skateboarding to ‘Dreams’ was everywhere when we were writing ‘I Remember You’ and when I listen back I definitely hear a Fleetwood Mac influence in there. Probably more Christine than Stevie, but still there. Crazy what you don’t even know what you’re absorbing sometimes!” — Lauren Spring

Photo credit: Shelli McMillan

LISTEN: Simon Flory, “Have Your Adventure”

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Artist: Simon Flory
Hometown: Virgie, Indiana
Song: “Have Your Adventure”
Album: Haul These Blues Away
Release Date: February 26, 2021

In Their Words: “‘Have Your Adventure’ was a saying of my late Granny, Mariel Mae Summers Flory of Catlett, Virginia. It was a reminder to get out and see the world, make up my own mind about it, and also her way of saying I could always come home. It was the kind of knowledge gleaned from a life tethered to the seasons on our family farm for 91 years. I wrote this song as a mantra of sorts — we haven’t had a shortage of hardship in America lately, or opportunities for an adventure. My Granny would hope you’ve found your own.” — Simon Flory

Photo credit: Brooks Burris

WATCH: The Wild West, “Better Way”

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Artist: The Wild West*
Hometown: Los Angeles, California
Song: “Better Way”
Release Date: February 26, 2021
Label: Blackbird Record Label

In Their Words: “When the idea of ‘Better Way’ formed, society was and still is struggling with the differences that divide us. If one does not take the time and compassion to honor differences and look at the commonality that unites us, it’s blinding and tears us apart. Lyrically the idea of being born with love and born without hate is at the root of ‘Better Way.’ Finding the way back to that innocence, compassion and understanding brings a hopeful lens for the future if we can hold onto it and lift each other up. This group of women does exactly that for each other.” — Manda Mosher

*The Wild West: Tawny Ellis (vocals, lap steel, omnichord); Amilia K Spicer (vocals, guitar, mandolin, keys); Pi Jacobs (vocals, guitar); Manda Mosher (vocals, guitar, harmonica); Heather Anne Lomax (vocals, guitar); Deb Morrison (vocals, bass guitar)

Photo credit: Jason Willheim

WATCH: Cristina Vane, “Prayer For the Blind”

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Artist: Cristina Vane
Hometown: Turin, Italy
Song: “Prayer For the Blind”
Album: Nowhere Sounds Lovely
Release Date: April 2, 2021

In Their Words: “‘Prayer For the Blind’ is inspired by a friendly couple I met while camping on the border of Nebraska and Iowa. She told me her mother suffered from dementia, but that it couldn’t help but make her laugh when her mother claimed that her husband was cheating on her, going dancing with a woman with two peg legs, and that she was going to wring her neck. The anecdote got me thinking about how we try and find levity in heavy situations, and also about the bond between mothers and daughters and the intergenerational burdens that can be passed along through them. I wanted to find a tone that matched the difficult nature of these questions, and the lonesome modal banjo seemed perfect for that, paired with Nate Leath’s great fiddling. The issues of motherhood and illness are no new phenomenon, so I thought old time sounds fit the theme well — you can’t beat a fiddle and banjo!” — Cristina Vane

Photo credit: Oceana Colgan
Video credit: Jeremy Harris

WATCH: Raine Hamilton, “Brave Land”

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Artist: Raine Hamilton
Hometown: The flatland prairies of Winnipeg, Manitoba
Song: “Brave Land”
Album: Brave Land

In Their Words: “I am a prairie person, but this album is about the mountains. As a flat lander, I was in a good position to appreciate the contrast of the open, vulnerable spaces of my upbringing, with the courageous, up-reaching lands of the mountains. We don’t have ‘up’ where I come from, so I really had a lot to learn from the mountains, this brave land that connects both the earth and the sky. This song, ‘Brave Land,’ is the title track of the record, and speaks to the courage of these landforms that reach out beyond their earthly world, and the spiritual connection that represents. ‘Brave Land’ is a joyful song that celebrates being alive on the Earth! What an amazing time that can be!” — Raine Hamilton

Photo credit: Megan Steen

LISTEN: Lonesome River Band, “Love Songs”

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Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Love Songs”
Release Date: February 19, 2021
Label: Mountain Home Music Company

In Their Words: “‘Love Songs’ is another great song written by our friend Adam Wright. It tells the story of a songwriter who has had bad experiences with love and can’t find ways to be positive about it. The lyrics depict the songwriter’s frustration: ‘They say write in what you know / And all I really know is the losin’ and the leavin and the left.’ Adam puts a comedic twist to selling sad songs, and Brandon Rickman, our guitarist and vocalist, portrays it in his unique way.” — Sammy Shelor, Lonesome River Band

Photo credit: Anthony Ladd

WATCH: Chris DuPont, “Sandpaper Hymn”

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Artist: Chris DuPont
Hometown: Ypsilanti, Michigan
Song: “Sandpaper Hymn”
Album: Floodplains
Release Date: February 5, 2021
Label: Sharehouse Audio

In Their Words: “‘Sandpaper Hymn’ was written during a time of massive loss. At the time, it felt as if the universe was grinding away at me, taking little bits of material off of my heart and body with every stroke. But with every loss, I feel like I have a choice to stretch and grow, or otherwise allow bitterness to overshadow the narrative. If loss is a great ‘sanding,’ perhaps my edges can be made smooth, less jagged, less likely to snag people. I recorded the studio version during the early phases of the 2020 lockdown, giving the themes of loss and isolation a greater meaning during the recording process.” — Chris DuPont