Six of the Best: Songs About Gunslingers

Like movies? Like yodeling? Wow, is this a big week for you. And, as it happens, for Gillian Welch and Dave Rawlings, who will be mixing it with Lady Gaga and Mary Poppins on the Oscars red carpet on Monday as Best Song nominees. If you haven’t yet seen The Ballad of Buster Scruggs, the Coen Brothers’ latest movie, then believe us that it’s worth the Netflix subscription, if only for the sight of Tim Blake Nelson singing “yippie-kay-yey” while floating through the sky with a celestial harp. Maybe it’s the fact that we’ve been bingeing on the Sergio Leone/Clint Eastwood Man with No Name trilogy this week (God bless you, Ennio Morricone), but it’s about time for a list of great songs about gunslingers. (Please note: we don’t think that shooting people is cool, or a viable alternative to an impartial judiciary.)

“Big Iron” – Marty Robbins

Robbins’s iconic 1959 album, Gunfighter Ballads and Trail Songs, is packed with sharpshooters and outlaws – from Billy the Kid, to Utah Carol, to the nameless man about to be hanged for killing Flo and her beau. Sure, it’s most famous for Robbins’s biggest hit (and Grammy winner) “El Paso.” But if you’re looking for the classic quick-draw at high-noon (or in this case, twenty past eleven), you won’t find better than the opening track, “Big Iron.” Written by Robbins himself, it’s a classic tale of good vs evil as a handsome stranger (and Arizona ranger) rides into town to bring down murderous outlaw Texas Red. If those backing harmonies – especially the incredible bass drop – don’t give you goosebumps, check your pulse. You may be technically dead.

“Gunslinger’s Glory” – The Dead South

If there’s one thing Canada’s premier punkgrassers love to write, it’s songs about Westerns. Maybe it’s because lead singer Nate Hilts’s uncle, back home in Saskatchewan, was (as he puts it) “a big ol’ cowboy”. Either way, their albums are littered with shootouts and bodies, and their high-energy, high-drama approach to performance lends itself well to the subject. This is one of their best, tackling the age-old problem of being a famed gunfighter: that everyone else wants to bring you down. Tell us about it, punks.

“The Last Gunfighter Ballad” – Guy Clark

Johnny Cash’s version – the titular track from his 1977 album – is better known than Guy Clark’s original, recorded a year earlier. But Cash’s spoken-word rendition, given with his trademark rhythmic trot, isn’t perhaps as melodious, or as affecting, as Clark’s. A simple guitar line underlies the story of an old man drinking at a bar, recalling his former life of shoot-outs in dusty streets and “the smell of the black powder smoke”, and the twist in the final chorus is a reminder that modern living isn’t without its own dangers. That’s Waylon Jennings on the harmonies in the chorus, by the way.

“When A Cowboy Trades His Spurs For Wings” – Gillian Welch and David Rawlings

Probably the best thing about the Coen Brothers’ portmanteau of short stories from the Wild West is its opening, with Tim Blake Nelson clip clopping into frame on his white horse, strumming a black guitar and singing Marty Robbins’s “Cool Water.” The second best comes seven minutes later, when Willie Watson shows up as his nemesis. The duet that Welch and Rawlings penned for the pair may be a parody of a cowboy song, but the music’s so en pointe and beautifully sung that the humour takes second place to the artistry. Also, Welch and Rawlings invented a new word – “bindling” – for the song, which has got to be worth the Oscar nom.

“Gunslinging Rambler” – Gangstagrass

There’s a fair amount of reference to guns and violence in the songs of the world’s first (and only) hip-hop bluegrass fusion band. Despite the title, and the assertion of the protagonist that “you gonna wind up another notch on my gun belt”, you realise as the lyrics progress that this one’s not actually about a gunfight, but its modern-day equivalent, the rap battle. R-SON recorded this track for their 2012 album, Rappalachia, and it contains arguably the most devastating lines on the album. “I’m not killing these guys, please let me explain/But when I’m done, there’ll be very little left of their brains.”

“Two Gunslingers” – Tom Petty and the Heartbreakers

What’s the best kind of story about gun violence? One where everyone agrees to give it up. Released in 1991 on Into The Great Wide Open, it’s a glorious moment of self-revelation that subverts both the genre and our expectations. As one of the gunslingers so eloquently puts it: what are we fighting for?


Photo courtesy of Netflix

BGS 5+5: Carsie Blanton

Artist: Carsie Blanton
Hometown: Luray, Virginia, but currently New Orleans
Latest album: Buck Up
Personal nicknames: My stage name ages 14-16 was Carsie Bean Blue. And “Carsie” is technically a nickname; my legal name is “Carson” (my namesake is Southern Gothic novelist Carson McCullers who was, by the way, a badass).

What other art forms — literature, film, dance, painting, etc — inform your music?

I find poetry and novels very inspiring as a songwriter. My new album has themes of desire and futility, and while I was writing it I had an excerpt from a poem by James Richardson hanging above my writing desk (which I also included in the album liner notes):

And what was King Kong ever going to do
with Fay Wray, or Jessica Lange,
but climb, climb, climb, and get shot down?
No wonder Gulliver’s amiably chatting
with that six-inch woman in his palm.
Desire’s huge, there’s really nowhere to put it
in our small world that it will stay put

What rituals do you have, either in the studio or before a show?

I write most of my songs in my writing studio, The Watermelon, which is a freestanding 8′ x 8′ shed in my backyard–it’s all mine and nobody else has a key! It’s green on the outside and watermelon-pink on the inside, and it’s filled with every object I own that inspires me or makes me feel lucky: terracotta pigs from Chile; a badger skull; milagros and alebrijes from Mexico; prints by my favorite artists; books by my favorite writers (plus a collection of rhyming dictionaries and thesauri); orchids and succulents; prayer candles from my local voodoo shop; and both of my guitars (a 1907 Washburn parlor and a cherry red 1972 Gibson ES-320). There’s also a sea-green writing desk with drawers full of markers, stamps, and newspaper clippings. When I’m ready to write, I light all the candles and water all the plants and make myself a cup of tea.

If you had to write a mission statement for your career, what would it be?

Pleasure and playfulness are serious business. I believe it’s possible–nay, necessary–to thwart fascism and make capitalism obsolete while having maximum possible fun, writing great hooks and taking breaks for sex and cookies.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Rare steak and old Scotch with Ray Charles.

What was the first moment that you knew you wanted to be a musician?

The one that comes to mind is seeing Gillian Welch and David Rawlings at Merlefest when I was ten or eleven. I was already a huge fan, and I had brought an autograph book and really wanted Gillian’s autograph, so I knocked on the stage door after her set. A bouncer answered, and for some reason, he let me in! I remember seeing all the people hanging around backstage–musicians and crew–and thinking, THIS! This is where I belong.


Photo credit: Jason Albus

LISTEN: Roses and Cigarettes, “California Going Home”

Artist: Roses and Cigarettes
Hometown: Los Angeles, California
Song: “California Going Home”
Album: Echoes and Silence
Release Date: February 22, 2019

In Their Words: “‘California Going Home’ was written about a relationship that didn’t work out but the love there remains. Not everyone will stay forever and this song is about appreciating that person for who they are and where they are, even if it means your heart is broken in the process.” — Jenny Pagliaro

“This was the last song we wrote for the album. We were over at Jenny’s house, and we were talking about needing one more rockin’ song for the album. I sat on her couch and summoned Janis Joplin to help us out. The chords literally poured out from my hands. Jenny and I looked at each other and she immediately grabbed her phone, a pen, and we recorded the first draft. The song came together fairly quickly. Jenny created this beautiful scenery and imagery with her lyrics and I just love the story she tells in this song. We’ve all been there, and have felt those feelings before.

“We took a lot of inspiration from The Allman Brothers, John Mayer, and Susan Tedeschi for ‘California Going Home.’ After recording our debut album in 2015, I knew I wanted Album 2 to have a song with harmonizing guitar parts. I really had fun playing my Fender Telecaster on this track! Jenny and I both wanted a jam song and a sing-along on this album, and we are so thrilled with how this song turned out! Our producer and bassist, Michael Lyons, really dug deep to create a beautiful production on this song that truly grasps that down-home, sparkly, Americana vibe Jenny and I had envisioned when we wrote it. We were very honored to have Ryan Lipman mix this album, and he really hit it home on this track. Chris Lawrence (pedal steel,) Bobby Victor (keys,) and Vic Vanacore (drums/percussion,) completed the circle with their great energy and musical vibe in the studio to make the song a real jam! — Angela Petrilli


Photo credit: Rachel Louise Photography

LISTEN: Jennah Bell, “Green & Blue”

Artist: Jennah Bell
Hometown: Oakland, California
Song: “Green & Blue”
Album: Anchors & Elephants
Release Date: February 22

In Their Words: “In my early twenties, I would often find myself trying to have ‘the correct emotional response’ in confrontational situations. Smile instead of cry. Laugh instead of scream. This song was written in a moment of observing how fear was standardizing my ability to be vulnerable. Over time, I realized that one small act of bravery could be crying instead smiling, and living that truth out in the open. This song is an ode to that.” — Jennah Bell


Photo credit: Mallory Talty

LISTEN: Seth Walker, “Hard Road”

Artist: Seth Walker
Hometown: Nashville, Tennessee
Song: “Hard Road”
Album: Are You Open?
Release Date: February 15, 2019
Label: RPF Records

In Their Words: “I grew up in rural North Carolina on a little dirt road called Busick Quarry Rd. We had 15 acres of land surrounding our log house and I traversed, trampled and pedaled my bike all over that Carolina clay. Out beyond that dirt road was a paved one: Osceola-Ossipee Rd, and we all called it the ‘Hard Road.’ My momma gave strict orders not to go riding my bike up there by myself, as the big farm trucks would howl and unwind up there. I will never forget the day I broke that rule and rolled up on that road for the first time. The long white line, the smell of freedom and subsequent danger. Now I am up here on this hard road chasing the muse, and there is no end in sight. It is all so intoxicating, daunting and strangely comforting.

“Musically I wanted this track to roll like a wheel with little chord change. A rhythmic trance of sorts. The groove has a strong African blues influence. All to set the tone of rolling up on the ‘Hard Road.'” — Seth Walker


Photo credit: Joshua Black Wilkins

LISTEN: Jane Kramer, “Hymn”

Artist: Jane Kramer
Hometown: Asheville, North Carolina
Song: “Hymn”
Album: Valley of the Bones
Release Date: March 1, 2019

In Their Words: “This song was a kind of ‘homework’ assignment from my songwriting mentor, Mary Gauthier. She looked me in the eye and told me that all of my self-deprecation wasn’t cute or charming and asked me, ‘When are you going to drop the bullsh*t and really own your power and talent?’ She told me that only then would I write the kind of songs that were up to my full potential. She challenged me to write a song from a perspective of self-love. Like, full, real, spiritual and true self-love, and to call it my ‘Hymn,’ whatever that meant to me. I spent a few weeks after that alone, backpacking around Italy with a little travel guitar. I wrote this song in a little mountain village called Vetulonia, where I slept in a little cottage with a hammock for a bed, looking out over mountains that reminded me of home, and it sunk in then that I couldn’t really come home till I came home to myself. So I did.” — Jane Kramer


Photo Credit: Rose Kaz

LISTEN: David Huckfelt, “Everywind”

Artist: David Huckfelt
Hometown: Minneapolis, Minnesota
Song: “Everywind” (featuring Sylvan Esso’s Amelia Meath)
Album: Stranger Angels
Release Date: February 22, 2019

In Their Words: “At the Mishipeshu Trading Post, named for a mythical Ojibwe underwater panther, at the foot of the Mackinac Bridge in Michigan’s Upper Peninsula, I found an old postcard with a woman wrapped in a blanket… Photographed in 1907 by Roland Reed, and standing on the shores of what surely must be Lake Superior, the card simply read ‘Everywind.’

“Nothing else was written and nothing more could be found on who she was, or where, or how she lived. Immediately the wheels began turning on how this woman over a hundred years ago was part of this royal, nurturing, fierce and life-giving lineage of women who have endured all that men have done to them, and this planet, from time immemorial. I flashed ahead to Winona LaDuke, Buffy Sainte-Marie, Tara Houska, Faye Brown, and the countless women I know who have stood up and spoken up for the Earth from Alcatraz to Standing Rock in North Dakota; to Louise Erdrich whose novels are staggering in their beauty and whose Birchbark Bookstore in Minneapolis stands as a beacon of truth-telling of a deeper American history vibrant in its resistance ‘Everywind’ is about then and now, the link, from mother to earth, and this moment in our culture when it’s time for men to say to women: ‘You talk. We listen.'” — David Huckfelt


Photo credit: Graham Tolbert

LISTEN: Daniel Steinbock, “Pine Needles”

Artist: Daniel Steinbock
Hometown: Santa Rosa, California
Song: “Pine Needles”
Album: Out of Blue EP
Release Date: Single, February 4; EP February 15, 2019

In Their Words: “Following in the long tradition of poets, bards, and mystics, I open the album with a dedication to the Muse in ‘Pine Needles.’ Without her, I wouldn’t be here singing to you. The song asks you to wonder, ‘Is there anything that is not holy?’ Pine needles point in every direction at the beautiful dream we live inside of. And if our very flesh is holy, what better way to worship God than to make love?” — Daniel Steinbock

Photo credit: Bradley Cox

LISTEN: Michael McDermott, “Ne’er Do Well”

Artist: Michael McDermott
Hometown: Chicago, Illinois
Song: “Ne’er Do Well”
Album: Orphans
Release Date: February 8, 2019
Label: Pauper Sky Records

In Their Words: “The first time I heard the term ‘ne’er do well’ I must have been 8 or 9 years old. I heard it from my father describing his uncle who ended up dying on skid row in Chicago… That kind of stuck with me I guess. I became a sort of ne’er do well of my own, afflicted with drug and drink, who let his career go to hell and lived for the next fix and drink. Those are just external solutions for internal problems, and what they really need is love, faith, connection. I was always amazed that there was more real discussion about God and Jesus in crack houses than there was in the church I went to. One time in Wayne, New Jersey, I was checking into a hotel and they asked for my name, and I said ‘Ne’er Do Well.’ They asked me, ‘Can you spell that?’ and I just said, ‘Ne’er Do Well, it’s French.’ — Michael McDermott


Photo credit: Tony Piccirillo

LISTEN: Ari & Mia, “Little Bit Like Me”

Artist: Ari & Mia
Hometown: Boston, Massachusetts
Song: “Little Bit Like Me”
Album: Sew the City
Release Date: March 1, 2019

In Their Words: “‘Little Bit Like Me’ is a conversation between myself as an adult and myself as a nine-year-old. In the song, I reflect on the sense of creativity and openness that came naturally to me as a child, and I wonder if I’ve lived up to the expectations I set for myself back then.” — Mia Friedman

“I love ‘Little Bit Like Me’ because of its simple intention and the sweet melody that mirrors it. The song’s nostalgic message feels relatable and honest, and the process of arranging it together was seamless. It clicked right away.” — Ari Friedman


Photo credit: Kat Waterman