Tag: Solstice

BGS Wraps: Our Wintry, Holiday Collection

Posted on by Justin Hiltner

Each year, the BGS Team likes to “wrap up” the year in music by featuring holiday, seasonal, and festive tunes and songs throughout the month of December. It’s a perfect way to generate holiday cheer while shining a light on some of the high quality new – and timeless! – seasonal music we’ve got playing on repeat each winter. And, it gives us the chance to infuse our veteran/stalwart holiday playlists with some new life, too.

This year, we’ll be sharing songs, albums, shows, and events each day for the first three weeks of December, a musical bridge to bring us to the peak holiday season, the end of one year, and the beginning of another. Check back each day as we add more selections to these weekly posts, highlighting roots music that will soundtrack our solstice, Christmas, Hanukkah, Kwanzaa, and New Year.

What are you listening to this time of year? Let us know on social media! You can scroll to find our complete BGS Wraps playlist for 2024 below. Check out Week 1 of BGS Wraps here and Week 2 of BGS Wraps here.

Tim O’Brien and Ben Winship, “Santa Ate a Gummy”

Artist: Tim O’Brien & Ben Winship
Song: “Santa Ate a Gummy”
Release Date: November 22, 2024

In Their Words: “Hope you enjoy this video for my new single with Tim O’Brien, ‘Santa Ate a Gummy’ animated by Peter Wallis.” – Ben Winship, via social media

“Share away! It is sure to put a much needed smile on your faces. Thank you Ben for taking me on this trip with you.” – Tim O’Brien, via social media

From The Editor: “Let’s follow in Santa’s footsteps on this one, for a perfect way to close BGS Wraps for 2024 and really enter the holidays, full plunge. Multi-instrumentalist and singer-songwriter Ben Winship joins forces with bluegrass legend Tim O’Brien on a hilarious and charming new holiday single they co-wrote, ‘Santa Ate a Gummy,’ about an extra exciting and dreamy Christmas Eve journey for the ol’ Kris Kringle. Sugar plum fairies may be dancing in his head, but that toy-making-season backache must surely be on retreat. As we move into the holiday break, take a page out of St. Nick’s playbook – got a headache? Need a moment of chill? Consumerism wearing you out? Wrapping paper cuts riddling your fingers? Pop your favorite THC or CBD treat, sit back, relax, and put on ‘Santa Ate a Gummy’ on our BGS Wraps playlist. And we’ll see you in January. Happy Holidays!”

Zach Top, “Hard Candy Christmas”

 

@zachtop Tis officially the season! Go stream the Christmas hits! #classiccountry #countrymusic #christmasmusic ♬ Hard Candy Christmas – Zach Top

Artist: Zach Top
Song: “Hard Candy Christmas”
Release Date: November 17, 2023

In Their Words: “Tis officially the season! Go stream the Christmas hits!” – Zach Top, via social media

From The Editor: “One of our favorite Good Country artists of 2024, Zach Top often delights his fans and followers with incredible covers of country standards and hits on his social media feeds. This short cover of ‘Hard Candy Christmas’ has more than 2.1 million views since it was posted at the beginning of this month. We can see why! Just over a minute of the iconic holiday country number – popularized by Dolly Parton – has us immediately returning to his 2023 single release of the song. (We wouldn’t have survived without a full rendition!) The picker-singer-songwriter and ’90s country time capsule has certainly been one of the major music stories of the year, with a grassroots, ground-up following hellbent on loving the honesty and ease of his trad sounds. Check out our GC interview with Top from earlier this year as we crank the classic country Christmas vibes on the stereo. We’ll be fine and dandy…”

Authentic Unlimited, “Christmas Time Is Here”

Artist: Authentic Unlimited
Song: “Christmas Time Is Here”
Album: Christmas Time Is Here
Release Date: November 15, 2024

In Their Words: “A Christmas song is like wrapping up a warm memory, ready to be shared with the world. In true Authentic Unlimited fashion, we unwrap our musical gift to listeners, hoping it brings joy and a touch of holiday spirit to every heart.” – Jerry Cole, bass, via press release

From The Editor: “Reigning IBMA Vocal Group of the Year Authentic Unlimited released their first full-length Christmas album in November. Christmas Time Is Here features an array of covers, from veteran classics to modern hits, rendered in the group’s clean, crisp, signature sound with those striking (award-winning!) vocals. The title track is beautifully done, with mandolin trills to emulate Vince Guaraldi’s twinkling piano keys and acrobatic, jazz fiddle licks inserted tastefully just like the iconic original recording from A Charlie Brown Christmas. Sure, this doesn’t listen like Authentic Unlimited’s standard, largely traditional bluegrass fare – for one, there’s piano, and the track does sounds perfectly suited for wafting through a JCPenney – but the album’s polish and shine certainly serves the season. And there’s still plenty of ‘grassy grit to go around.”

The Wildwoods, “Somewhere in the Snow”

Artist: The Wildwoods
Song: “Somewhere in the Snow”
Album: Christmas Through the Years (EP)
Release Date: November 19, 2023 (single); November 29, 2024 (EP)

In Their Words: “Ladies and gentlemen! Our Christmas EP, Christmas Through the Years, is now available on all streaming platforms. … Celebrating the holiday season with an original Christmas song captured on our favorite AEA mic.” – The Wildwoods, via social media

From The Editor: “Diehard fans of Nebraska-based Americana trio The Wildwoods will remember this strikingly lovely song, ‘Somewhere in the Snow,’ from 2023, when it was first released as a single and animated video. This year, they’ve released the track on an equally lovely EP, Christmas Through the Years, accompanied by a few tasteful and unique covers of holiday classics, too.

“The group’s brand new live performance of ‘Somewhere in the Snow’ shines bright through the winter cold, lush and warm, shot in a beautifully reverby church sanctuary decorated with twinkle lights and a festive wreath. Their tight vocal harmonies and lonesome (or perhaps winsome) chord changes bring that slight existential tinge we know and love in stalwart Christmas songs and traditional carols. It’s a fresh take on the idea of snow and winter as purifying, cleansing, and a transformative time of year – especially as we all look ahead to 2025 and what the new year might bring. Let’s bury our troubles somewhere in the snow? Sounds like a great idea to us.”

Shane Pendergast, “Winter Grace”

Artist: Shane Pendergast
Song: “Winter Grace”
Album: Winter Grace
Release Date: November 22, 2024 (single); January 2025 (album)

In Their Words: “It was such a liberating and joyous feeling, as if we were skating on the world’s biggest rink. Wintertime on [Prince Edward] Island can be so stifling, so it was a gift to be able to get outside for a skate.” – Shane Pendergast, via press release

From The Editor: “Each winter, it’s a bit of a brain teaser or a musical sudoku puzzle trying to find festive, wintry, holiday-themed songs that aren’t just about Christmas. We want holiday music for everyone, after all! We especially crave music for those of us reaching, ever-so-longingly, for solstice and the eventual lengthening of the days.

“We were very excited, then, to discover Shane Pendergast’s ‘Winter Grace,’ released late last month. The title track for his upcoming album, dropping in January 2025, ‘Winter Grace’ is cozy, warm, and enveloping. It’s a tender paean to Prince Edward Island that has a timeless production style, as if plucked from late ’60s or early ’70s folk songs of the Atlantic seaboard. A perfect soundtrack for your ice skating date – whether on a plastic public square rink, slipping and sliding on dull skates at a shopping mall, or speeding off on wild Canadian ice.”

BGS Wraps: Patty Loveless, Darin & Brooke, Brei Carter, and More

Posted on by Justin Hiltner

How is December already half over? Christmas is merely 10 days away – and in just over six days, Winter Solstice will bring the light back into our lives. We hope your home smells of evergreen and sugar cookies and that a seasonal roots music tune is wrapping you up in wintry coziness. If that isn’t the case, we can help with the rootsy seasonal tunes bit!

For our third week of BGS Wraps, we have celebratory bluegrass alongside loping country, introspective indie and gothic Tim Burton-esque tales, too. Plus, don’t miss Jeannie Seely as Grand Marshal of the Donelson Hermitage Christmas parade in Nashville tomorrow.

Whatever you’re celebrating this season, we’ve got the music, songs, albums, and events to pair with your peace and joy.

Darin & Brooke Aldridge, Hometown Holiday

One of bluegrass’s preeminent couples, Darin & Brooke’s new Christmas album, Hometown Holiday, feels like an afternoon visit in their living room, as they play down a few of their favorite seasonal numbers. The husband and wife duo are known for their covers of non-bluegrass songs, and several among this collection truly shine – like Joni Mitchell’s “River,” rendered beautifully by Brooke. You’ll hear country piano, a modern classic popularized by Amy Grant, “The Chipmunk Song,” and more, all packaged with a neat and tidy bluegrass bow.

Beth // James, Christmas at the Burchills

Friends of BGS will know this team loves a good tiki drink, so including this Beth // James original seemed essential for our holiday Wraps. “Tiki Christmas Land” is one of four originals – joined by a cover of “Blue Christmas” – on Beth // James’ new EP, Christmas at the Burchills. Make yourself a holiday mai tai or painkiller and enjoy your visit with Beth, James, and the Burchills.

Brei Carter, Twinkling Tales of Christmas

Your cheeks may be a bit rosier after listening to Brei Carter’s jazzy, pop country holiday collection, Twinkling Tales of Christmas – and not just because of the chill in the air! “50 Shades of Christmas” will certainly get you in a festive and adventurous mood, and “Santa Wontcha” is for all Christmas season fans who proudly extend the season well prior to Thanksgiving. But “Bow on You” and “Christmas Is You” are certainly the stand out tracks.

38th Annual Donelson Hermitage Christmas Parade December 16, with Grand Marshal Jeannie Seely

If you’re near to Music City USA, head out to Donelson tomorrow afternoon, December 16, to catch country legend Jeannie Seely as she Grand Marshals the 38th Annual Donelson Hermitage Christmas Parade. Seely is standing in for Brenda Lee, who ended up being unable to attend the event – and who better to step into Lee’s Christmas hit-singing shoes? Seely has been involved with the parade many a time before and this year is an especially perfect time for the Grand Ole Opry member to Marshal, as she just released a holiday single with the Flat River Band entitled “Christmas Time.”

Pat McGrath, “Let’s Just Get Past Christmas”

A smooth, swingin’ Christmas song from singer, songwriter, studio musician Pat McGrath that looks forward, willing the new year to come fast and wipe the slate clean. A great tune for anyone who feels the holidays are often bittersweet, with a heavy dose of love and putting one foot in front of the other, you can get past just about anything. Christmas included.

Drake Milligan, “Cowgirl for Christmas”

More Christmas songs need yodeling, right? Right. Drake Milligan’s “Cowgirl for Christmas” is a delight, from the sound stage music video set that feels direct from a ‘50s western to the catchy, yodeled hook, to the danceable, western swing beat. Not a brand new track or video, but one worth remembering each year when December rolls around for sure. You’ll be wishin’ for a cowgirl under your tree, too.

The Nields, “The Darkest Day”

A harmony rich neo-folk song from The Nields, “The Darkest Day” was released earlier this year on their brand new album, Circle of Days. To herald solstice, they’ve brought out a video to highlight the track and ask the titular question, “What do you want on the darkest day?” A timely reflection, as we welcome back the sun and look ahead to spring – however far away it may feel.

Malin Pettersen, “Santa”

Malin Pettersen’s first ever Christmas song is an entire vibe. With a classic R&B back beat and conversational tone with Americana touches, Pettersen lays out her wishes for the holiday – for her longing to end and for some light to brighten the holidays and dark January. Whomever you’re trying to manifest into or out of your life, Pettersen can offer a shortcut to writing your letter to the big man at the North Pole.

Hannah Rose Platt, “The Wendigo Rag”

Wendigos and skinwalkers, oh my! If your TikTok For You Page knows that you love a cryptid tale or the paranormal or other unexplained phenomenon, Hannah Rose Platt has made a wintry, stop motion, Tim Burton-esque video just for you. And if you’d like to continue your rootsy Wendigo songs playlist, we have another selection from back around Halloween by Thunder & Rain you’d enjoy, too.

Larry Sparks, “White Christmas”

Each Christmas we’re reminded of this amazing album by bluegrass legend Larry Sparks and especially of this four-chord version of a holiday classic, “White Christmas.” Only a picker like Sparks could pave over such an iconic chord progression without leaving the listener missing it – at all. “White Christmas” is a jam buster no more, anybody can play along. We put this album on every year around the holidays and are never disappointed.

Sofia Talvik, “Alone for Christmas”

Swedish folk and Americana singer-songwriter Sofia Talvik utilizes jazz touches and dramatic strings to paint a lonesome Christmas portrait that both relishes and abhors the season. Playing around within that paradox – how can lonely holidays feel so bereft of Christmas spirit, while also epitomizing so many of the feelings of the season? The repetition in the song (“Alone for Christmas… Again. Again.”) underlines how being “Alone for Christmas” really isn’t as uncommon or unfamiliar as any of us would hope it is.

The Wildwoods, “Somewhere in the Snow”

Nebraska-based folk trio The Wildwoods offer their first-ever holiday song, “Somewhere in the Snow,” replete with a Peanuts-style animated video. It’s gauzy and sweet with a burnished patina and tone of redemption. Whether you love or hate the snow, it certainly seems like a perfect place to bury your troubles and fears.

Our Classic Holiday Album Recommendation of the Week:
Patty Loveless, Bluegrass & White Snow, A Mountain Christmas

Patty Loveless’s bluegrass bona fides are unassailable, it’s true, but this album might clinch her claims to the genre, if ever challenged by a naysayer or proverbial chair snapper. Bluegrass & White Snow is a perfect combination of classic, sing-along carols and bluegrass staples, plus a couple of bespoke beauties, too, sung as only Patty could sing them. With a big, belty voice that carries with it some of that signature high lonesome grit. Dr. Ralph would be proud. (And he was.)

Photo Credit: Darin & Brooke Aldridge by Kim Brantley; Brei Carter courtesy of the artist; Drake Milligan courtesy of the artist.

BGS Wraps: Irene Kelley, Jon Pardi, Wynonna, and More

Posted on by Justin Hiltner

To celebrate one of the most roots music-y times of year – the winter holiday season – we’ll be showcasing the best in new and classic holiday music from our BGS family with a weekly BGS Wraps round up. Welcome to its first edition!

Whether you adore or abhor holiday music – and we certainly understand both of those mindsets – we hope you’ll find plenty to love with our BGS Wraps playlist (below) and these bluegrass, country, folk, and Americana albums, songs, videos, and shows all celebrating the most wonderful time of the year. From Irene Kelley to Jon Pardi, Wynonna to Brandy Clark, Daniel Donato’s Cosmic Country Christmas to Warren Haynes’ Christmas Jam, BGS Wraps is a splendid roots music family reunion. Plus, don’t miss our weekly Classic Holiday Album Recommendations to close out each edition of this mini-series. Check it all out:

Brandy Clark, “My Favorite Christmas” / “I’ll Be Home For Christmas”

Brandy Clark’s self-titled, Brandi Carlile-produced album released earlier this year has been a favorite good country record of the BGS team this year. For the holidays, Clark has followed up the success of her full-length 2023 release with an A side / B side single of an original, “My Favorite Christmas” and a classic, “I’ll Be Home for Christmas.”

Helene Cronin, Beautiful December

Singer-songwriter Helene Cronin has released an EP of six original holiday songs entitled Beautiful December. This track, “I Could Use a Silent Night,” is described by Cronin as “a song for all who are holiday weary, tired of the commercial chaos that comes around every year at Christmas.” We can certainly relate! Roots music is always a perfect reminder of what really matters this time of year: People, love, kindness, and togetherness.

Daniel Donato’s Cosmic Country Christmas Jam (December 16, Nashville, TN)

If you’ve been enjoying Daniel Donato’s recent Cosmic Country Mixtape – a BGS exclusive – you won’t want to miss his Cosmic Country Christmas Jam at Brooklyn Bowl in Nashville on December 16. (Tickets and info here.) It’ll be pickers’ polar paradise with appearances by Sierra Hull, Duane Trucks, Grace Bowers, Willow Osborne, and many more. 

Steven Gellman, “Jewish Christmas”

An adorable and delightfully cheesy holiday song – as all of the best holiday songs are – that reminds us how cultural traditions blend and transform, not only in the American “melting pot,” but all around the world, too. Hear more from this award winning folk singer-songwriter with our October premiere of “Little Victories.”

Warren Haynes Presents: Christmas Jam (December 9, Asheville, NC)

If you’re in North Carolina’s High Country, here’s a rockin’ Americana Christmas Jam you won’t want to miss. The annual event, organized and hosted by Grammy Award winner Warren Haynes, will be held on December 9, benefits Asheville Area Habitat for Humanity, and will feature appearances by Billy F. Gibbons, John Medeski, Gov’t Mule, Bill Evans, and many more. Plus, its bonus/offshoot event, Christmas Jam by Day, will showcase a handful of fast-rising roots artists including Colby T. Helms and Red Clay Revival. Tickets are still available and, if you don’t happen to live within striking distance of the Blue Ridge Mountains, you can stream Christmas Jam live on Volume.com.

IBMA Holiday Benefit Concert (December 11, Nashville, TN)

A heavenly host of our bluegrass buddies will be convening at the World Famous Station Inn in Nashville on December 11 to raise funds for the IBMA Trust Fund and the IBMA Foundation. The lineup – anchored by house band Missy Raines & Allegheny – features a wide swathe of artists and community members from reigning IBMA Award winners to acclaimed songwriters to exciting up-and-comers. Holidays in Nashville are truly incomplete without a visit to a festively decorated Station Inn.

Irene Kelley and the Kelley Family, The Kelley Family Christmas

Staying with bluegrass for another moment, venerated bluegrass songwriter Irene Kelley has brought along her two talented daughters, Justyna and Sara Jean – both successful artists and songwriters in their own right – for a cozy and comforting album of holiday classics, Kelley Family Christmas. The project benefits Patio Records’ Healing Gardens initiative, with a goal of raising funds to build healing gardens at hospital treatment centers. It’s a lovely family-centered album that showcases how much great music runs in the veins of the Kelleys. 

Paul McDonald & the Mourning Doves, “Maybe This Christmas”

If the holidays make you blue, you’re not alone. There’s plenty to enjoy in this tune of Christmas misery from Paul McDonald & the Mourning Doves. “So maybe this Christmas folks will just leave me alone,” he sings, plaintively. “And quit asking how I’m doing without her and if I’m ever going to let that girl go.” There’s a delicious quality to holiday melancholy and that’s on full display here, in this languid and loping alt-country holiday song of lost love.

Mr Sun, Mr Sun Plays Duke Ellington’s Nutcracker Suite

We’re big fans of the bluegrass, old-time, and new acoustic tradition of artful and virtuosic cover albums. Here, Mr Sun bring the form to its highest level, synthesizing and transforming Duke Ellington’s Nutcracker Suite into compositions fitting of a four-piece, ostensibly bluegrass string band. We premiered a track from this collection, “Shovasky’s Transmogrifatron (Ballet Snow Scene),” earlier this week, so we can guarantee Grant Gordy, Joe K. Walsh, Aidan O’Donnell, and Darol Anger’s rendition of this classic record will make your jaw drop – and your toe tap!

Jamie O’Neal & Ty Herndon, “Merry Christmas Baby”

Pop country is often good country too, and this collaboration from Jamie O’Neal and Ty Herndon demonstrates how artful the format can be – that ear-grabbing chromaticism in the melody of the first line, for instance. “Merry Christmas Baby” is another holiday lament, but packaged in a radio-ready production style that belies the loneliness in the lyrics, co-written by O’Neal and Allen Mark Russell. If this track came on the local Top 40 country station, none of us would be complaining. Merry Christmas, BGS readers – wherever you are!

Jon Pardi, Merry Christmas From Jon Pardi

We can’t believe just how perfect this intro is played on pedal steel and, despite the fact that we don’t think Jon Pardi could hit Mariah’s whistle notes, his rendition of this quintessential holiday smash hit is ideal for Christmas boot scootin’. Pardi is a definitional example of timeless country traditions packaged for the mainstream. His entire holiday album, Merry Christmas From Jon Pardi, is a heavy dose of joy, fun, and delight executed with flawless old country musicality. Twin fiddles on “All I Want For Christmas?” Yes, a thousand times, yes.

Wynonna, “Beautiful Star of Bethlehem”

While we argue over which modern version of this track is the exemplary version – The Judds’ or Patty Loveless’, of course – the holiday season is the perfect time to hold our fond memories of Naomi while we celebrate how Wynonna and her husband/producer Cactus Moser pay tribute to 1987’s Christmas Time with The Judds with this new iteration of “Beautiful Star of Bethlehem.” No matter who sings the song, its bluegrass bones and Stanley Brothers touches are obvious, and we adore how simple and unpretentious this recording by Wynonna and Cactus is.

Our Classic Holiday Album Recommendation of the Week:
Sharon Jones & the Dap Kings, It’s a Holiday Soul-Party

We miss Sharon Jones desperately. Each year, when the holidays roll around, we go back to our (now classic) Non-Crappy Christmas Songs playlist and, in general, try to remind ourselves just how much actually good Christmas and holiday music exists out there. As we do, this album from Jones & the Dap Kings is one of the first to come to mind. It’s iconic, it’s traditional, it’s far out, it’s comforting, it’s surprising, and it’s effortlessly inclusive in its scope and its sonics. We come back to this record year in and year out, so it’s a perfect first pick for our Classic Holiday Album Recommendations.

More BGS Wraps are coming your way next week!

Photo of Jon Pardi: John Shearer
Photo of Wynonna: Eric Ryan Anderson
Photo of Brandy Clark: Victoria Stevens

Sing to Me: Luther Dickinson & Sisters of the Strawberry Moon

Posted on by Editor

Luther Dickinson trusted his intuition when he set aside two or three days to make an album with like-minded friends who had never met each other. By pulling together these kindred spirits — now known as Sisters of the Strawberry Moon — Dickinson crafted a beautiful roots collection, simply titled Solstice.

“It was amazing that we all converged. We picked two or three days, met in Mississippi, and recorded the record,” he says. “Everybody brought two or three songs and we just took turns backing each other up.”

The luminous cast include Birds of Chicago, gospel group The Coco Mamas, Amy Helm, Amy LaVere, and Shardé Thomas, with finishing flourishes from fiddler Lillie Mae and B3 organ master Charles Hodges. Intimate as well as immediate, Solstice serves as a testament to the power of fast friendship.

The Bluegrass Situation caught up with Dickinson, Amy Helm, and Birds of Chicago’s JT Nero before a show at Nashville’s City Winery.

BGS: You only had two days together, people were bringing their own songs, and not everybody knew each other. You must have been operating on instinct. Is that fair to say?

Dickinson: Totally. I feel the most alive when I’m producing because you’re in the moment and you’re making instinctual decisions, but you’re drawing from your whole life and all of your experiences, and everything I learned from my dad and everything he’s taught me, and everything he’s learned from all the producers who taught him. But also you have to be open and sensitive to what’s going on in the room.

It really is a very exhilarating feeling, producing records. And sometimes it can go completely wrong if you say the wrong thing. But I really do love it. Yeah, you’re running on instinct and you’re running on blood and guts. But it’s like doing anything when you’re in the zone, whether you’re an athlete or a pilot. You’re just trained to be in that moment. Time slows down and everything comes together.

Amy, why did this concept appeal to you, to go to Memphis and make this record?

Helm: I mean, any invitation to go hang out with Luther and a bunch of cool people in Memphis is an instant yes. I had not met any of the other people on the project but I was excited about it and I trust him and trust his compass of coolness. It was a delight to be down there and hang out in Memphis. I rented a Jeep and drove around down South, which is always one of my favorite things to do — to just roll around down there. My aunt Mary lives in Memphis so I got to see her. It was a really, really nice time, and it’s led to some incredible friendships that have turned into other projects. Ally [Allison Russell from Birds of Chicago] and JT came and sang on my record that I made with Joe Henry. Now we’re doing this tour with this record. Those guys made a record together afterwards, so it’s been a nice chain reaction – the right kind of chain reaction.

For this record, everybody brought in their own songs, but the record feels unified as a whole. Do you sense a common thread that runs through the album?

Helm: I would say that, the spirit of friendship is where everybody was coming from with it. So there’s a relaxation that happens with that for me, and I’m sure for these guys. When it’s your own thing and the clock is running and there’s money going down the drain fairly quickly, you’re trying to make it work and hope you got the best performance, it’s really easy to get inside that head for me. So if you’re in a cool room in the middle of Memphis, and you’re eating great food and having great conversations on your way to the studio, and then you get to hear a singer like Allison Russell, that’s it, you’re there.

Nero: The thing that will always be particularly special about this record to me is that you can hear lifelong friendships being made on record. We hadn’t met each other, really, but we’re a family now, and part of that is Luther’s instincts. That’s the thing with music – there are a million things out there that are brilliant but they wouldn’t easily be simpatico with what we’re doing. So finding your tribe members is what it’s all about. I think Luther had an inkling that it would be that way, but you never know – and it was that way. And you can hear that happening on record. It’s rare you get to bottle that lightning.

Dickinson: Man, the music is just an artefact of our friendship. I hope that’s maybe what they’ll feel. A warmth, and we all have longing in our music, and we’re singing about our musical families and our loved ones who aren’t with us. So, hopefully we will generate a place of love. It has a grandmother’s Sunday dinner type of vibe to it.

I like “Sing to Me” — there’s power in that song. What mood were you hoping to set with this recording of it?

Helm: I recorded that song on my first record, with my dad playing drums on it, but I recorded it then with no harmonies. I knew that there were going to be a lot of other voices there this time, and I’ve always wanted to hear that song with an angel choir on it. So I brought it in for that, hoping to gain that, and it became a very cool, vibey thing. I love the way it turned out.

What goes through your mind when you hear that song now, in its new incarnation?

Helm: Just really the mastery of a master player, and how it can change a song and make you sound better! [Laughs] That’s one of the things! Because the playing on it is so exquisite, with the organ that Charles Hodges put on and the guitar that Luther put on. And just also getting to sing it with Ally and finding the magic of that vocal collaboration, and the overtone that she and I get.

Dickinson: Do you remember that take when they walked in? Like, that was the moment that you guys met, right?

Helm: Yeah, that was it.

You met basically in front of a vocal mic?

Helm: We did! They came in and sat down. Ally sat there cross-legged and started listening and closing her eyes. I don’t know, I was a little intimidated …

Dickinson: But that second take — that was the one.

How often did that happen, with the second take being the one?

Dickinson: Oh man, some of this record, especially on Ally’s songs, are the run-throughs! We had to go back and save the run-through because she pours blood and guts into the microphone. Just this heartbreak, I get goosebumps thinking about it! I usually edit two takes together – like the second half of the first take, and the first half of the second take.

But a lot of her stuff was the run-through and we’d patch it up from there. That’s the great thing about modern technology – you can capture moments. Amy LaVere, on the bass, she’d done her homework. She knew every song and had them charted out, and the fact that she was nailing the run-throughs even, really made it work. She really did a good job.

There was a lot of re-interpreting going on, with some of the songs being recorded a long time ago, but Shardé has a real unique beat. She’s a character, man, and growing up with her grandfather [Otha Turner]’s fife and drum music, but also growing up with Beyoncé, who is her idol, she is a very unique musician with great instincts. What I like about her is that you can bring a country song to her, and she won’t play anything near a country beat. And I love that!

Amy, what does that feel like when you’re singing so closely with these people you just met?

Helm: You know what, that is my favorite of all time! That’s the thing that makes all of us gamble everything else in our lives, for better or for worse. [Laughs] For financial distress or not, to keep on doing it because there’s nothing more satisfying than finding that. It revitalizes my faith, honestly. It’s like a spiritual ease that I feel when I get to do that stuff.

It reminds me that all things are possible, and all things are new upon each song and each recording. And it’s limitless, the people you can connect with and interact with in music. There’s such joy in that way. I think for people who make it and for people who listen to it, you’re having that same experience. Following that and finding that – as you can see, I could go on and on about this. It’s magic for me.

Photo credit: Joshua Black Wilkins