WATCH: Jomo & the Possum Posse, “Self Quarantine”

Artist: Jomo & the Possum Posse
Hometown: Austin, Texas
Song: “Self Quarantine”
Album: Self Quarantine EP
Release Date: March 26, 2021
Label: Guy on a Buffalo

In Their Words: “I started 2020 with a challenge to myself to write a song every week for a full year. I had no idea the year would give me so much material! ‘Self Quarantine’ was written right at the time of the lockdown, when things were starting to get really crazy. People were hoarding groceries and supplies and generally freaking out. I loved the idea of using that as an excuse/metaphor to break it off with somebody. After more than a year of weekly songs, and the pandemic being such a big part of our lives, we decided to release an EP of some of our favorites.” – Jomo Edwards


Photo credit: Mike Wolfe

BGS 5+5: Israel Nash

Artist: Israel Nash
Hometown: Dripping Springs, Texas
Newest Album: Topaz
Nickname: Izz

Which elements of nature do you spend the most time with and how do those impact your work?

Nature is a big part of my creative process. We have a ranch out here in the middle of Texas Hill Country. It’s a place like no other, surrounded by cascading hills, cedars, oaks and scrub brush, it’s a wild land really with rocks and cactus, and the sunsets are a pure psychedelic wonder. They kind of look like those Thomas Kinkade paintings that were in every dentist office in the ‘90s. Endless pink and purple pastel swirls. And the night sky is one of a kind. Dripping Springs is one of 27 designated Dark Sky cities in the entire world. Which basically means just look up at night time. It’s cosmic.

I built a studio out here where I make all of my albums and write. It has a patio and a pair of big double doors that I keep open most of the time to feel like the outside is always inside. It’s definitely a part of not only the process, but something you hear in the records I make. Magic is in nature, we take that for granted, but trees just grow and give us breath at the same time, I mean birds fly around in the air, like naturally! Gotta see the beauty in all that, be aware of it and let it be something that keeps you open.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I think it’s important to keep up my chops through other mediums of art other than music. Taking the music hat off for a bit and working on other creative outlets can be really magical. And I always find some melodies while I’m working on that other stuff that creates a nice yearning to get back to music. It’s a cycle. Doing one always informs the other. Music will always be my main outlet, but ultimately I want to be a creator and maker of things. I want to chase inspirations wherever they lead me and bring ideas to life, adding form to the formless. Lately I’ve been working with film, from shooting/editing to finishing up this movie script I’ve been working on. Who knows? Just make stuff. That’s my mantra.

What’s the toughest time you ever had writing a song?

On Topaz, I have a song called “Dividing Lines” about how divisions separate us and drives out love. Took me about two years of rewriting this song. I always had what I call the anchor, which here for me was the chorus and those words, dividing lines. But that version was completely different from one now. It just didn’t work yet. My wife is always my first line of listening and when she kind of puts her head down and is like “ummmm” I know I need to go back until I get a better response. It took two years on and off to work it out. And not because I was focused on it, rather it would pop back up in my mind and I would have a new idea to chase. Ultimately, I completely changed the verses, added a musical break and then this big outro. I finally got the head nod/wild dancing response I wanted from her, I knew it was done.

What was the first moment that you knew you wanted to be a musician?

I loved music since I was a kid and took piano lessons, but I fell in love and knew my path the moment my uncle picked up a Strat and showed me “Johnny B. Goode.” Electric guitars got me. Somehow I convinced my parents to let me quit piano lessons and take guitar lessons and I got this red Strat knock off and a tiny Gorilla guitar amp. My piano lessons were at an old church lady’s house, but guitar lessons were held in the backroom of a guitar shop and the teacher would literally smoke cigarettes through the lessons!

I guess it was all slowly preparing my folks for the future with me. Music was my childhood dream, I’m talkin’ 11 years old childhood dreams. I’m proud of that and have been able to learn and grow so much. It makes me excited for the future. I think we all get a little better at things as we get older, and I mean “better” in this holistic way that encapsulates your feelings, perceptions, experiences, talents, understanding, knowledge, reflections, all that good stuff. My vision and path might have changed over time, but I’ve always been moving and chasing new places. Music has been so centric in allowing me to pursue life, learn about myself and strengthen my craft.

If you had to write a mission statement for your career, what would it be?

To make things always that fulfill the cycle of inspiration. Be inspired > Create > Inspire Others to Create…. We can all feed off that and see where it flows. That’s what keeps me interested and moving forward, chasing inspiration. Not just expecting it to fall on my lap, but living and being among it.


Photo credit: Chad Wadsworth

BGS, Yamaha Partner on SXSW Official Showcase

BGS is thrilled to partner once again with our friends at Yamaha to bring you the Yamaha Guitars x BGS SXSW Official Showcase. While this year’s music festival may look a little different than the standard event, the essence is still the same: bringing together an international community of artists and music professionals for a unique celebration, discussion, and exploration of music.

Hosted by actress and Harmonics podcast host Beth Behrs, this hour-long virtual performance features mini-sets from four artists we can’t wait to hear more from in 2021, including:

• Jade Jackson & Aubrie Sellers
• Aaron Lee Tasjan
• Katie Cole

The Yamaha Guitars x BGS showcase premieres for all SXSW virtual attendees on Saturday, March 20 at 4p PT / 6p CT and will be available to re-watch for one week.

Clips from each artist’s performance will be released via the BGS website at a later date!

To register for SXSW, visit SXSW.com

Discover more about YamahaGuitars at YamahaGuitars.com


 

LISTEN: The Golden Roses, “When I’m Gone”

Artist: The Golden Roses
Hometown: Austin, Texas
Song: “When I’m Gone”
Album: Devil’s in the Details
Release Date: March 19, 2021

In Their Words: “Before I moved to Texas, I went to visit the grave of my grandfather. It was apparent no one had been there in years (myself included). I got to thinking about being forgotten after we die. My grandfather was a well-respected bluegrass man (a banjo picker). Unfortunately, he did his drinking Saturday mornings and not Saturday nights. I think he sent that song to me as a parting gift before my move.” — John Mutchler, The Golden Roses


Photo credit: Trista Alley

LISTEN: Jackson Scribner, “County Rd 497”

Artist: Jackson Scribner
Hometown: Melissa, Texas
Song: “County Rd 497”
Album: Jackson Scribner
Release Date: March 26, 2021
Label: State Fair Records / We Know Better Records

In Their Words: “I wrote the first verse of this song in the front yard of my grandparents’ house on County Rd 497. That’s the place ya go when ya feel unstable. The song is about the things you have when you’re younger that you don’t expect will ever go away, the ‘it’ll be like this forever’ mentality. Then you grow up and life changes, people and places come and go, and you can really only guess what might stay in your life, you’re never really sure.” — Jackson Scribner


Photo credit: Elaine Dela Pena

Tipping His Hat to a Hero, Charley Crockett Gives a “Lesson in Depression”

One of Texas’ brightest stars has just released new music in honor of a musical hero. Charley Crockett, the velvet-voiced monolith with a country and western sound, was a devoted student and fan of legendary Texas artist James “Slim” Hand. “If you listen to his writing style and the portraits he painted in his music, or that plaintive one of a kind voice he had, then you know he was without equal in our time,” said Crockett of the beloved singer-songwriter, who died in 2020.

To fulfill a promise made to his dear friend, Crockett released the full-length album, Lil’ G.L. Presents: 10 For Slim Charley Crockett Sings James Hand, in February. The record is a beautiful homage to a great artist, musician and Texan, and of course the music itself is performed with the highest degree of touch and style, two things for which Crockett is well-loved. Ahead of the record release, Crockett released a music video for “Lesson In Depression” that heavily features steel guitar and Crockett’s sultry baritone. Get your fix of classic country and celebrate the life and music of James Hand all while taking in the fresh yet familiar stylings of Charley Crockett.


Photo credit: Ryan Vestil

BGS 5+5: Melissa Carper

Artist: Melissa Carper
Hometown: Bastrop, Texas (outside of Austin)
Latest album: Daddy’s Country Gold (out March 19)
Personal nicknames: Daddy

Which artist has influenced you the most … and how?

I’d have to say Jimmie Rodgers, the Father of Country Music, has influenced me the most. My dad gave me the full collection of Jimmie Rodgers on tape when I was about 20 years old. I had grown up listening to Hank Williams, but I’d never heard anything like Jimmie Rodgers. The quality of the recording was raw and initially harder to listen to, but I became addicted and listened over and over to these tapes. When I first started trying to write country songs I would copy the formula in Jimmie Rodgers songs, or rather they had become such a part of me that I couldn’t help but write something similar. Come to find out years later, a lady name Elsie McWilliams co-wrote on many of Jimmie’s songs, so I guess I have been copying her as well. Jimmie Rodgers combined blues and jazz into his country songs and even had horn sections and collaborated with Louis Armstrong on some recordings. Hank Williams and so many country artists coming after Jimmie Rodgers were influenced by his style.

What’s your favorite memory from being on stage?

I have many great memories on stage. One of my favorites is playing a farm party and the stage was a trailer bed and one of their goats jumped up on the stage while we were playing. Also, a fun memory is performing at NYC’s Town Hall for Prairie Home Companion‘s Talent in Towns Under 2000 Contest. At the time I lived in a town that was just under a population of 2000 — Eureka Springs, Arkansas. This was in the year 2000, and back then my band, the Camptown Ladies, auditioned by leaving a song on their answering machine — this was one of the ways you could audition! We were one of six finalists chosen and they flew us to Manhattan for the contest. I think the contrast of living in a small town and then being brought to this grand theater in NYC is an amazing memory for me. We won the toolbox prize — which was the staff’s vote for their favorite band.

Which elements of nature do you spend the most time with and how do those impact your work?

I love to meditate sitting under trees and listening to the birds. I don’t know that this exactly impacts my work directly. I also just enjoy being in the country where there is space and plenty of nature around. I have noticed that if I spend time in nature I will write a different type of song. I moved from Austin, Texas, to the middle of nowhere in Arkansas in 2014 and rented a cabin in the woods. I felt like I was decompressing from being in a city and I had several old-time songs come out that were nature-oriented. I enjoy writing about birds, trees, flowers, seasons, moons, stars. If I spend a lot of time alone my creativity will open up. Also, I often write when I am driving on a road trip or going for a walk. I almost always write a melody and words first without an instrument, and then I’ll go back with a guitar and figure out what chords go with the melody.

What’s the toughest time you ever had writing a song?

When I have to try too hard to write something it usually doesn’t turn out to be as good of a song. There have been several times I’ve rehashed a song over and over and am still not satisfied with the outcome. Sometimes I’ll try a song out at a performance and if it feels good and resonates with people then I know I’ve got a good song. I love it when I’m writing and a song just flows right out almost seamlessly as if the universe is helping. Usually, I’ll know right away if I’ve got one of those magic songs happening. I don’t like to force myself to write but I have had long dry spells in which I have tried to do this and sometimes I have some success by just trying to be more aware of ideas and inspiration that is coming in.

What was the first moment that you knew you wanted to be a musician?

I had no choice. We had a family band growing up, and I was probably 5 when we started playing gospel music at churches and retirement homes. Then when I was 12 years old we started the family country band and we would play four-hour shows in the American Legions, Eagles, Elks and Moose clubs around our area. I did enjoy it and the siblings that didn’t enjoy it did get to drop out of the band. The four-hour-long shows were a bit long but my dad bought us as many Shirley Temples as we wanted and they paid us for the gigs as well. I was one of the few kids that had their own money at the age of 12 and I would take my friends out for pizza. My mom and dad wanted all their kids to be musicians and I am glad they encouraged and supported us in this.

I received a scholarship for studying music, upright bass, at the University of Nebraska in Lincoln. I had been considering being an English major also, but I chose music. I dropped out of college after two and half years and didn’t play music for maybe a year or so, but I just kept coming back to music and eventually realized I could make a living playing all sorts of styles. I also realized that my choice of upright bass as my instrument was a smart choice as I was able to join bluegrass and old-time bands, country bands, blues and jazz, just about anything and everyone always needed a bass player.


Photo credit: Aisha Golliher

BGS 5+5: Mando Saenz

Artist: Mando Saenz
Hometown: Corpus Christi, Texas
New Album: All My Shame
Nickname: Mando Calrissian

What other art forms — literature, film, dance, painting, etc. — inform your music?

I’d have to say film or film/documentary informs me the most. It’s the closest thing to actual life observation there is for me. I get lost in good movies and forget it’s acting. When I write, I write scenes of movies I make up in my head. When I sing, I sing shapes and colors of movies I make up in my head. I can feel them leave my mouth. I swear it’s better than dreaming. Good movies are like good dreams. Can’t put a price on them.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Quite often actually. I never did it consciously at first. Now I just kind of accept that when I’m singing about someone else it’s usually about me. My mom, who’s a counselor, told me years ago that I was singing about myself. Eventually I gave in and agreed. There’s a song off my new record called “Shadow Boxing” that kind of comes to terms with that: “Some say they’re better, yeah, but you’re the best. That gets the best of me.”

What was the first moment that you knew you wanted to be a musician?

I was in my last semester of graduate school in San Antonio. I was miserable so I started to write songs. The moment I finished my first song called “Rusty Steeple,” I decided that I wanted to be a singer-songwriter. That song and the next nine I wrote ended up being on my first record, Watertown.

What’s the toughest time you ever had writing a song?

Writing a song I have called “Hard Time Tennessee,” which fittingly took a couple of years to finish. Not sure why, but it was just something I had to keep coming back to. I think I was just trying to make each line as meaningful as the last. Perhaps the line I’m most proud of ever writing came out of that song though: “I wanna see what the blind man sees when he paints a picture in his mind.”

If you had to write a mission statement for your career, what would it be?

To create music that’s true to my heart. Put as many willing ears on it as possible. Collaborate with those who inspire me.


Photo credit: Chris Bickford

LISTEN: Ross Cooper, “Named After a River (Brazos)”

Artist: Ross Cooper
Hometown: Lubbock, Texas
Song: “Named After a River (For Brazos)”
Album: Chasing Old Highs
Release Date: February 26, 2021
Label: Ross Cooper Music/Ingrooves

In Their Words: “I wrote this song for my nephew, Brazos (who was named after the Brazos river). I wanted it to be a constant reminder of how strong he can be especially when being tough isn’t easy. I can’t even imagine how hard it is being a kid today. I want him to remember that, like a river, he could shape mountains, instead of mountains shaping him. This song and that bigger message mean a lot to me. It would be really easy to let the last year define us; everything we did or didn’t do. But sometimes it’s a choice to carve through the mountain. For me, I can’t wait. This album has been a long time coming and I’m ready to get back on the road in whatever capacity. Lots of work went into getting this album ready and I’m ready to see America again from a van window.” — Ross Cooper


Photo credit: Jody Domingue

WATCH: Nathan Vincent, “Blue Ridge State”

Artist: Nathan Vincent
Hometown: Austin, Texas
Song: Blue Ridge State
Album: Cedar and Pine

In Their Words: “‘Blue Ridge State’ is one of those songs when you realize you’ve reached an inflection point in a relationship and you’re right in the middle of it. I’m really interested in the idea about how a compelling event can trigger a physiological response (‘heavy breathing, I’m biting down my fingernails’) at the thought of having to let someone go or hoping they’re also on the same page as you. I was also interested specifically with how certain places, songs, and catchphrases flood you back to memories that you want to hold on to.

“That’s why I think the title ‘Blue Ridge State’ is so powerful because it has a double meaning to it — it is both a physical place (the Blue Ridge Mountains) but also an emotional place (recognizing a relationship should end but trying to force the issue to make it work). I also love that the musical textures we used to craft the song (ringing banjos, doubled acoustic guitar fingerpicking. orchestral strings) are so deeply ingrained in the lifeblood and nature of North Carolina folk music culture.

“With such a short timeline, Derrick Mills, Austin Moses, and the team did an incredible job capturing the sentiment of the song and creating a visual motif that shows the tension of a romantic rise and fall relationship. North Carolina holds a near and dear place in my heart so it was really special getting to go back there and work with the local filmmakers and actors there to tell that story and show the landscape and culture of Asheville and the Appalachian mountains in the backdrop.” — Nathan Vincent

Photo Credit: Barron Northrup