Doc Watson & Earl Scruggs’ Friendship in Photographs

It’s no secret that Earl Scruggs and Doc Watson were great friends, collaborators, and mutual admirers. Both of the bluegrass, old-time, and mountain-music stylists took inspiration and borrowed heavily from the other across their careers, whether they were making music together or separately in any of their many endeavors. The moments they came together, though – from The Three Pickers album and concert film, to David Hoffman’s iconic backyard jam session film of the Scruggs and Watson clans picking together, to many more appearances and recordings – were always magical. Two legendary stylists bouncing musical ideas off of each other as only these two could.

In honor of our Doc in December series for Artist of the Month, we’ve partnered with our friends at the Earl Scruggs Center in Shelby, North Carolina, to bring you an exclusive look inside their collection and archives at photos of Scruggs and Watson together. The Center’s executive director, Mary Beth Martin, pulled a selection of historic photos from the collection as well as a handwritten quote directly from Scruggs’ notes about Watson and his influence:

“There are two people’s sound no man can, in my estimation, duplicate,” Earl states in a notebook. “Of course I’m referring to Mama Maybelle and Doc Watson. I’ve had the pleasure to work [with] and visit these people. I will never cease to admire the courage of these people.”

You can certainly hear the impact and influence of Watson and Maybelle Carter on Scruggs’ playing, especially his approach to acoustic guitar, when he would most often fingerpick the six-string.

“Earl had enormous respect for Doc and admired him deeply,” says Martin of the Earl Scruggs Center via email. “Both grew up in humble North Carolina homes surrounded by rich musical traditions and went on to leave an incredible mark on music. Having Earl’s personal memories and photos of Doc in our collection makes their connection feel especially meaningful.”

Over the course of their careers in roots music, Scruggs and Watson performed, collaborated, and recorded together dozens and dozens of times. We’re very proud to be able to share these photographs from the Earl Scruggs Center Collection to celebrate the cross-pollination of these two Bluegrass Hall of Famers and Doc in December.

The Earl Scruggs Center is located in downtown Shelby, North Carolina, and celebrates the life, legacy, and groundbreaking sound of Earl Scruggs. Their collection includes many treasured Scruggs family objects and remarkable pieces from Earl’s career – including more than 2,000 photographs. In January, they’ll install new interactive exhibits that dig deep into the roots of the region’s music and the history of bluegrass. The entire ESC team is excited to welcome everyone back to the museum when they reopen on February 3, 2026, after renovations and completion of the new exhibits.

Beyond the museum, the Earl Scruggs Center team are also restoring the Earl Scruggs Homeplace in the Flint Hill community of Cleveland County, bringing Earl’s childhood home back to the formative era that shaped him as a musician.

To stay in the loop and to catch upcoming Earl Scruggs Center events like the Earl Experience Banjo Camp, visit their website and connect with them on socials. We hope you enjoy our special photo story with our friends at the Earl Scruggs Center celebrating Earl Scruggs, Doc Watson, and Doc in December.


All photos courtesy of the Earl Scruggs Center Collection. Lead image: Earl Scruggs, Doc Watson, and Ricky Skaggs backstage at the taping for The Three Pickers.

PHOTOS: North Carolina’s Earl Scruggs Music Festival is One-of-a-Kind

The 3rd Annual Earl Scruggs Music Festival was a smash hit! Held over Labor Day weekend at the stunning, luxurious grounds of the Tryon International Equestrian Center in Mill Spring, North Carolina – a short drive from Scruggs’ hometown of Shelby and the small crossroads of Flint Hill, where he was born and raised – the event featured bluegrass, old-time, country, and Americana made at the highest levels on three stages. Featuring brick-and-mortar restaurants, a shaded grandstand, dozens of vendors and boutiques, a large campground, posh tiny home cabin stays, and so much more, this is not your standard flatbed-trailer-in-a-hay-field festival. It’s so much more.

BGS was on hand at this year’s event to once again co-present a special tribute set, renamed The Scruggs Sessions and paying tribute to Flatt & Scruggs’ iconic live album, At Carnegie Hall! Festival hosts Jerry Douglas and the Earls of Leicester helmed the special show on the Foggy Mountain Stage, a crowd favorite in years past that formerly highlighted the Earl Scruggs Revue. This year, artists and bands like Shadowgrass, Wyatt Ellis, Lindsay Lou, Chris Jones & the Night Drivers, Twisted Pine, the Faux Paws, Old Crow Medicine Show, and more played selections from Flatt & Scruggs’ legendary performance at Carnegie Hall in 1962. The ESMF crowd delighted in note-for-note replications alongside brand new reimaginations of the album’s essential songs and tunes – complete with a rendering of “Martha White” that elicited plenty of raucous singing along.

Horse jumping demonstrations were held nearby the Legend’s Workshop Stage, where artists from the lineup told stories, shared songwriting pointers, talked about banjo techniques, and so much more. Fine spirits and wines were available for sale at the Spirits of Bluegrass stands and the Earl Scruggs Center – a fantastic museum focused on Scruggs that calls the former courthouse in Shelby its home – sold their Scruggs-ian wares and passed out hand fans to festival goers throughout the weekend.

It was a perfect festival to mark the 100th year since Scruggs’ birth, with artists, bands, and musicians from across the musical spectrum demonstrating the wide scope of the innovative banjo picker’s impact and legacy. On the Flint Hill Stage, headliners like Marty Stuart & His Fabulous Superlatives – featuring Chris Scruggs, who received multiple standing ovations from the audience – Mighty Poplar, Yonder Mountain String Band, Old Crow Medicine Show, and Tanya Tucker illustrated that bluegrass is certainly not a monolith. And, that traditional-leaning festivals such as ESMF can be just as expansive and broad as their more Americana-geared or rootsy competitors.

Though Friday and Saturday were blisteringly hot and Sunday saw more than one weather delay while lightning storms rolled out of the Appalachians and over the foothills, the crowds were resilient and energized and the festival showed, yet again, that this event is being built for the long haul. Conveniently located a short drive from Greenville, SC, Asheville and Charlotte, NC and a mere five hour drive from Nashville, ESMF is a must-visit destination festival where everything you could ever need – from banjos to horse jumping to wood-fired pizza to glamorous camping to high-quality interviews and workshops to international superstars – are all combined in one convenient, luxurious location.

Below, check out select photos from the 2024 edition of the Earl Scruggs Music Festival – and make plans to join us next year over Labor Day weekend in 2025! Tickets are on sale now.

Tickets for Earl Scruggs Music Festival 2025 are on sale now.


All photos courtesy of Earl Scruggs Music Festival and shot by Cora Wagoner and Jess Maples, as marked.
Lead Image: Tanya Tucker performs on the Flint Hill Stage, photo by Jess Maples.