Basic Folk: Matt Smith (Club Passim)

Matt Smith is a living legend with his unbelievable 30-year run at Club Passim, the historic folk venue nestled in a Harvard Square basement. Currently in the role of Managing Director at Passim, Matt is the most passionate music lover I know. He has used his platform at the club to help establish artists like Lori McKenna, Anaïs Mitchell, Lake Street Dive, and so many more. I met Matt while working as a student at WERS 88.9FM, where he brought fantastic shows to a listening room filled with people who were clamoring for honest music in an intimate space. He’s been a very good friend and mentor to myself and thousands of musicians since he began his tenure at the club in 1995.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

In honor of Matt’s 30th anniversary at Passim, we brought two longtime friends on the pod to talk to him about his role in the Passim community – and beyond. Musicians Edie Carey and Dinty Child join us in conversation with Matt; he shares advice he would give his younger self, we chat about what a vacation without music would look like, and his incredible memory. That memory is tested in our lightning round where he answers Passim trivia (almost 100% correctly). There’s also a discussion about what Matt is most proud of in all his years at the club: the campfire. festival, which takes place every Memorial Day and Labor Day weekends featuring sets in-the-round of mostly unknown new acts. I would imagine if you’re listening to this episode of Basic Folk, you either know Matt or Club Passim. Hello to all our friends and I hope you enjoy this window into one of the best people we’ve ever known: Matt Smith!


Photo Credit: Barry Schneier

Our Trip to Live in the Vineyard Goes Country

Country music is all about place. Songs and locale, joined together. It’s a relationship so ubiquitous within the music we often lose sight of it, forest for the trees. But there would be no country music without… well, the country – or without rural places and their communities; without farms and ranches; without Texas or California; without Appalachia or the Southeast. Country also wouldn’t exist without urban centers, and the country folks who migrated to cities to find work, or reunite with their families, or build a better life. Even in concrete jungles seemingly divorced from country ideals, whether drawn by homesickness or nostalgia or longing for home – real or imagined or aspirational – country music and place always go hand-in-hand.

Lucky for all of us, this is a genre well-suited for a variety of places, from honky-tonks to front porches to internationally appealing festivals. Or even Napa Valley, California, vineyards.

Last month, we attended Live in the Vineyard Goes Country, a production of Austin, Texas’s Forefront Networks, an intimate three-day event that effortlessly denoted and celebrated that relationship between country and place. Guests, industry professionals, and country artists – from festival headliners to fresh discoveries – gathered at gorgeous locations on April 21, 22, and 23, throughout Napa and Napa Valley to enjoy stripped-down and essential performances, gourmet farm-to-table meals, delicious organic and biodynamic wines, and the lovely weather, views, and settings of California’s wine country. The eighth installment of the country edition of Live in the Vineyard, it showcased the genre with an elite yet still approachable level of quality, care, and intention.

Guests enjoyed a welcome reception featuring Jackson Dean, Lauren Watkins, and Chandler Walters on day one, sipping bubbles at Chandon in Yountville during golden hour. From there, separate groups of attendees were sorted into waiting coaches to be swept off to dinner for delicious food paired exquisitely with local wines – and still more small, up-close-and-personal musical performances. Our green group dinner, for instance, were treated to hilarious and touching stories and songs shared by Lauren Watkins and her husband, hit songwriter Will Bundy, at Cakebread Cellars over jaw-droppingly delicious chardonnay and perfectly lacquered short ribs.

 

The sun shines on Raymond Vineyards on day three of Live in the Vineyard Goes Country.

Though days one and two were punctuated with bursts of spring rain, throwing a logistical wrench into the works, the Forefront and LITV teams reacted with grace and ease, allowing attendees to relish the rarity of rainfall in Napa Valley without a second thought, and increasing the magical feeling of country music and country people basking in such a space. Day two began with the Texas Music Scene Tailgate, featuring performances by Sunny Sweeney, the Braun Brothers, and a songwriter round including Wade Bowen, Shelby Stone, and Cody Canada. During the live taping for Texas Music Scene’s long-running TV series, guests relaxed between sets by strolling the grounds, eating fresh Napa-grown produce, enjoying complimentary wines and sweets, and ducking in and out of the Frog’s Leap Winery barn to catch country songs sung amid the bright brass vats.

The Braun Brothers (L to R: Micky, Gary, Willy, and Cody)– known from Micky & the Motorcars and Reckless Kelly – swap songs and stories while performing at Frog’s Leap Winery for the ‘Texas Music Scene’ Tailgate.

On the evening of day two, the entire Live in the Vineyard Goes Country entourage traveled together to the Uptown Theatre in gorgeous downtown Napa for the headline show of the event, featuring sets by Abbie Callahan, Alex Lambert, and Marcus King. Once again performing in pared-down, intimate setups for the around 800-seat venue, the crowd was nevertheless animated and engaged, hooting and hollering as if they were polishing the floorboards for rowdy, full-band sets on a stage wrapped in chicken wire, rather than a gilded theatre in wine country. Even in as manicured and lovely a location as Napa Valley, the old saying holds: You can take the folks out of the country, but you can’t take the country out of the folks!

Marcus King performs for the Uptown Theatre audience at Live in the Vineyard Goes Country.

On day three, already feeling like Live in the Vineyard was much too short, attendees gathered at Raymond Vineyards in St. Helena, California, for one final hoorah, a lovely send-off brunch featuring a mimosa bar, lemon-blueberry pancakes, JCB Wines, and performances by Frankie Ballard and Zach John King. In the shade of palm trees and snacking on scratch-made frittatas, it was clear – from start to finish – that Live in the Vineyard Goes Country gives this genre, the folks who make it, and the fans who love it the treatment they all deserve. Yes, country is made for barn dances and radio shows and flatbed trailers in pastures, but isn’t it made for Napa Valley, too? For barns aging fine wine, for farms growing gourmet salads, luxurious wines, and handmade breads?

Country is a music for everyone, for every setting, and for every place imaginable. The GC team was excited to be on hand for Live in the Vineyard Goes Country 2026, capturing lo-fi photos with our trusty Camp Snap camera and reflecting on how delicious country music can be when it’s made with this level of intention and care in a beautiful setting such as this. Scroll to enjoy even more photos and dispatch notes from our trip with LITV to Napa Valley.

If you missed Live in the Vineyard Goes Country, don’t worry, Forefront Networks have more music and roots music events on the docket so you, too, can experience country in gorgeous places like this. For a near-immediate fix, Hill Country Reserve will take place in November 2026 in Fredericksburg, Texas. And stay tuned for future editions of LITV, Elevation Bear Creek, and more from Forefront.


All photos by Justin Hiltner, shot on Camp Snap.

Another Glorious Voyage Aboard
Cayamo: A Journey Through Song

Last month, the BGS team once again embarked on Cayamo: A Journey Through Song, the 18th edition of the beloved week-long floating roots music festival that crisscrossed the Caribbean aboard the Norwegian Pearl. With performances by Jason Isbell & the 400 Unit, Dawes, Watchhouse, Patty Griffin, and many, many more, plus port visits in San Juan, Puerto Rico and Cayo Levantado, Dominican Republic, our team was more than ready to yet again partner with Cayamo and Sixthman to bring you special Basic Folk podcast live tapings on board and our fan favorite BGS Nightcap jam set, our fourth edition of the event.

There’s no festival or live music event quite like Cayamo, where ardent roots music fans and the best and most buzzed-about artists and bands come together on a floating sanctuary to enjoy music, art, community, and togetherness – and a break from the wintry weather, too. Below, enjoy a couple of clips captured on board and a series of photos from Cayamo 2026 that clearly demonstrate the joy and fun of this one-of-a-kind event.

Great news, too! The 2027 lineup for Cayamo: A Journey Through Song has already been announced (see above). Tickets go on sale on April 16th at 2pm EDT, but you still have time to join the final presale. More info here.

Days 1 & 2


Sierra Hull and the Milk Carton Kids perform “Everybody’s Talking” at the Stardust Theater during Cayamo 2026, captured by BGS on board.


Days 3 & 4


During our favorite event of the voyage – ahem, the BGS Nightcap of course – Kathleen Edwards joined Della Mae to perform “Six O’Clock News.” Thanks to Della Mae for recording and sharing this clip.


Days 5 & 6


BGS Nightcap

The BGS highlight of the week! A Nightcap jam session is our favorite pastime, especially aboard Cayamo. What a lineup of artists and bands and special collaborations. And this year it happened to fall on St. Patrick’s Day itself – perfect for a roots music party.


Day 7


Photos courtesy of Sixthman, credits as listed in each watermark. Lead image: Will Byington.

Headed to Earl Scruggs Music Festival? Here’s What to See and Do

On March 4, 2026, the team behind Earl Scruggs Music Festival announced the lineup for the 5th annual edition of their event, which was recently honored with the 2025 IBMA Award for Event of the Year. Held each year in Mill Spring, North Carolina, at the Tryon International Equestrian Center, the festival will take place September 4 through September 6 with performances from headlining acts Béla Fleck: My Bluegrass Heart, Greensky Bluegrass, and the Avett Brothers as well as many, many more artists and bands. Tickets are on sale now; see the full lineup below.

BGS has been proud to partner with ESMF since the very first year of the festival, presenting special sets of music, doing on-site coverage, and bringing the unique setting and community of the weekend to our audience. This year we’ll be back again for still more of our partnership – and to enjoy some of the best bluegrass, Americana, country, and roots music on offer anywhere in the country.

Get a sampling of Earl Scruggs Music Festival with our photo stories, previews, and recaps from previous years: 2025; 2024; 2023; 2022.

The most striking feature of ESMF each year – besides their superlative lineups, of course – is the grounds and festival footprint. Tryon International is a luxurious, resplendent location for a music festival, featuring brick-and-mortar restaurants (we love Campagna – scratch made Italian and wood-fired pizzas at a bluegrass festival? Yes.), adorable boutiques, horse riding and jumping demonstrations, a shaded grandstand, multiple bars, a general store, posh VIP areas, and much more. There are campsites for RVs and tents, glamping options and tiny homes, and even a just-opened on-site lodge. Tryon International may just be the most amenity-rich site for a bluegrass festival we’ve ever encountered.

Still, it’s worth getting off-site when you can and exploring the foothills of the Blue Ridge Mountains and the many adorable, vibrant communities surrounding Mill Spring and Tryon International. We’ve attended ESMF for five years now and each time we uncover new (to us) hidden gems, restaurants, activities, shops, and highlights around every corner. In 2025, we decided to take our audience – and any potential ESMF attendees who may need extra convincing – along with us for a Camp Snap photo journey as we adventured down the mountains from Asheville, North Carolina, to the festival and beyond. We stopped in Saluda, Tryon, Shelby, and Boiling Springs, North Carolina, getting lunch, shopping for antiques, stopping in adorable boutiques, and visiting the homeplaces of two local legends: Nina Simone (in Tryon) and Earl Scruggs himself (in Boiling Springs). We also hopped just across the border to Landrum and Gaffney, South Carolina, for more markets, horses, and trains – and live music, too.

We’ve only just scratched the surface but if, like us, you’re looking forward to getting back to Earl Scruggs Music Festival this year, we’ve got the list of things to do and see outside of the festival grounds while you’re there. Make your plans to attend ESMF in 2026 here and scroll for more of our tips, tricks, and local favorites.

Saluda, North Carolina

If you’re headed across the Blue Ridge Mountains to ESMF from Asheville, the Asheville Airport, Johnson City, Bristol, TN/VA – or even as far as Knoxville, Nashville, Lexington, or Louisville – a stop in Saluda, North Carolina, is in order before taking on the grade down the mountains to Mill Spring. Here, the United States’ steepest standard gauge railway grade crests in an adorable little music-steeped and outdoor activity-obsessed community.

Stop by the Saluda Historic Depot & Museum and the Saluda Visitor’s Center next door – and snack on some delicious ice cream while you’re there.

Picturesque and adorable downtown Saluda on a bright late summer day.

Stop inside a classic, time capsule of a shop, the M.A. Pace Co. General Store, open and in operation since 1899. Refreshing drinks, sundries, souvenirs, local produce, and an array of jams, preserves, sauces, salsas, honey, syrups, and more from local vendors are on sale.

A mural depicting downtown Saluda and the iconic rail lines as seen on side of the building of K’s NY Pizza.

The Purple Onion is an excellent restaurant and cafe and an important community music venue at the heart of Saluda on Main Street. Bluegrass, folk, and Americana artists, bands, and songwriters perform on Thursday and Saturday nights – and select Sundays for their special Sunday Evenings Concert series. It’s intimate, the food is delicious, and the musicians they feature are incredibly talented whether local, regional, or nationally touring acts.

A view of the crest of the now out-of-service rail line topping the Saluda grade.

The railroad is clearly an important keystone of the Saluda community, even in the 2020s.

Perhaps stop in for a meal at Ward’s Grill for excellent, down-home Southern cooking and American classics. Wherever you end up in Saluda, there’s plenty to enjoy – and many fine food options for fueling up before heading down the mountains and toward Mill Spring for the festival.


Tryon, North Carolina

Maybe you’re coming down the grade from Saluda or perhaps you’re driving in from Charlotte, North Carolina, or from Greenville, South Carolina – or beyond! Wherever you’re coming from, Tryon is just a hop, skip, and a jump from the festival grounds at the Tryon International Equestrian Center in Mill Spring. Nestled into a holler in the foothills of the Blue Ridge, it’s a town full of art, music, culture, and heritage. You’ll find that horses and the railroad are important here, too. Stroll down the main drag and enjoy cute shops, tasty food offerings, and more.

Sometimes it gets hot during the late-August/early-September festival, especially at the lower elevation of the Tryon International grounds, so why not cool off Tryon proper in the cozy dark and air conditioning watching a film at the Tryon Theatre?

There are plenty of independent shops, boutiques, and retailers in the adorable downtown area offering local and far-flung products.

American musical icon Nina Simone was born in Tryon and her presence is felt throughout the little town. Nina Simone Plaza is conveniently located downtown and features a sculpture of Simone by Zenos Frudakis that contains a portion of Simone’s ashes enclosed inside a bronze heart within the gorgeous work of art.

Always a good sign! Blue Ridge Music Trails of North Carolina is such a great resource and community builder in the region, highlighting art and music born in the mountains and made by mountain folk. In 2025, we partnered with Blue Ridge Music Trails, ESMF, and local partners on a special set of music at the festival called “Healing the Hollers,” which raised funds and awareness for the ongoing relief efforts after Hurricane Helene tore through and devastated the area in 2024.

There’s so much more to do, see, and explore via Blue Ridge Music Trails.

Horses show up in a variety of ways in Tryon – and not just at the equestrian center!

The Nina Simone Childhood Home stands on top of a hill in the middle of Tryon overlooking the village – and with gorgeous views of the surrounding ridge tops. Last year, while traveling to the festival, the humble home was in the final stages of its renovation and preservation by the National Trust for Historic Preservation and many other local, regional, and national partners.

Simone’s impact on American roots music and popular music – nationally and globally – cannot be overstated. Still, she’s rarely placed, understood, or honored as an Appalachian musician, despite where she grew up. A visit to Simone’s homeplace in Tryon is essential for all music fans, especially now that the renovations were completed in fall 2025, just after the festival.

The view of the ridge line of the stunning Blue Ridge Mountains behind St. Luke Christian Methodist Episcopal Church, as seen from the property of Nina Simone’s childhood home.

You can learn more about Tryon and Nina Simone in a bonus episode of our podcast, Carolina Calling, made with Come Hear NC.

Downtown Tryon is full of adorable sights and diverting activities.

Put “Molly & Tenbrooks” or “Goodbye Old Pal” on the speakers and get into the bluegrass and equestrian mindset. No judgment if your horse is on wheels!

Team BGS always brakes for antique stores, and this area is dripping with excellent shops, flea markets, and antique vendors offering wares at remarkably reasonable prices. On our journey, we traveled from Tryon to Landrum, South Carolina – passing the Antique Emporium & American Vintage, Old Mill Market Square, Tryon Antique Mall & Marketplace, and Dark Horse Antique Market in one fell swoop; all are within a quarter mile of each other and are worth stopping to peruse. Plus, many more antique shops and stands and vintage stores are in the area. Keep your eyes peeled, there are plenty of treasures to find.


Landrum, South Carolina

Some of the best little shops and stores we found nearby Earl Scruggs Music Festival, though, were the little holes-in-the-wall or mom-and-pop shops. Our favorite doesn’t have a name, doesn’t have posted hours, doesn’t have a website – or any kind of point on Google Maps at all. Heading out of Tryon toward Landrum, you’ll just cross over the state line on US Highway 176, Asheville Highway, when you come across a couple of small buildings covered in antiques. Stop at the intersection of US 176 and State Rd S-42-183.

Run by a pair of sisters, the shop is only open Thursday through the weekend and takes only cash, but you will find an inventory unlike any other. Sure, they may package your local North Carolina pottery finds in a (clean) reused Burger King bag. It only adds to the charm! The sisters will be happy to give you a tour and show you the historic property. We return every year and strolling through the crowded, historic house full of their collection of finds is a highlight of attending ESMF.

You may even find a bluegrass belt buckle along the way! While we can’t tell you the name of the business or really any more information than what’s included here, we cannot recommend a stop at 21919 Asheville Highway in Landrum enough. It is truly a hidden gem.

When you get to Landrum, you’ll notice we’ve rolled entirely out of the Appalachian foothills, topographically. Still, horses abound and there’s plenty to do, see, and enjoy. Stop first at the Landrum Depot, a rail and history museum, event venue, and community gathering place – including a refurbished Pullman sleeper car.

Beautiful and quaint downtown Landrum also includes many restaurants and stores ready for visitors.

Stop and peruse antiques and goodies at stores like The Yankee Peach (above) or Expressions Antiques (below), just across the street from each other.

We always enjoy stopping for a drink, lunch, or dinner at The Hare & the Hound in Landrum. They often feature live music and whether you’re sitting in the cozy indoors or outside on the shady street, the vibe is perfect. Need to park your horse trailer? They’ve got that covered in Landrum, too!


The Peachoid, Gaffney, South Carolina

Just around the corner from Landrum and mere minutes from Earl Scruggs’ childhood home near Boiling Springs, North Carolina, is Gaffney, South Carolina, home of the infamous Peachoid. There are lots of prime roadside attractions worth a visit in the area surrounding Earl Scruggs Music Festival, but the Peachoid may top the list.

If you’re heading to or from Scruggs’ homeplace or the Earl Scruggs Center in Shelby, North Carolina, as we were, stop by for a photo opp – and put Netflix’s House of Cards theme song on full blast.


Boiling Springs, North Carolina

Why not take a tour of historic homeplaces while attending ESMF? The musical dichotomy of Nina Simone and Earl Scruggs is perceived as incredibly distant or far-fetched, yet the two were born and raised barely 40 miles from each other. Why do we perceive one of these megaliths of American music as Appalachian, but not the other? (Meanwhile, Scruggs was raised decidedly outside of the mountains in southern Cleveland County, while Simone was raised nestled within them.)

Scruggs’ childhood home was recently purchased by the Earl Scruggs Center and during our visit last year at the time of the festival, preservation and renovation activities had just begun at the property.

Like Simone’s homeplace, the Scruggs property on Riverside Road in the Flint Hill community of Boiling Springs feels sacred, immediately grounding fans, visitors, and passersby while reminding of the humanity of these larger than life musical figures. Hit play on “Reuben” or “Shuckin’ the Corn” and revel in being in the exact place where Scruggs first unlocked three-finger style himself and started a century-long banjo craze that’s still going today, at ESMF and beyond.

Learn more about the Earl Scruggs Center’s plans for Earl’s childhood home here.


Shelby, North Carolina

Of course, no visit to Earl Scruggs Music Festival is complete without visiting the Earl Scruggs Center in Shelby, the county seat of Cleveland County, where Scruggs was born and raised. The Center is a host and presenter of ESMF and they offer special events and ticket discounts to ticketholders during the festival.

Over the winter, the Earl Scruggs Center closed for renovations, updates, and new and revitalized exhibits, so it’s worth another visit if you haven’t been in a while. An easy 30 mile drive from the festival grounds, during ESMF there’s plenty of special programming, music, and events worth the field trip. Plus, Shelby boasts great restaurants, breweries, shops, and – of course – antique stores, so there’s something for everyone to enjoy.

We particularly recommend Newgrass Brewing Co., where the beer is just as good as the name – and the food is excellent, too. Especially the homemade chicken tenders. It’s just around the corner from the Center. Don’t forget to step outside and take a turn into the alley, though, for a superlative mural photo opportunity of the man himself, two stories tall.

Just across the street from the Earl Scruggs Center on the square you’ll find the Antique Market of Shelby. Because we know, like us, you won’t be sick of antiques yet.

While Scruggs hailed from just down the road in Flint Hill, country star and singer-songwriter Don Gibson was born in Shelby proper. A hitmaker and stalwart of country from the late ’50s through the early ’80s, Gibson’s legacy is on display in Shelby in a variety of ways, chief among them the Don Gibson Theatre. Catch movies, live music, and special events throughout the year – including an incredible slate of bluegrass and country shows. The Don Gibson Theatre is also a stop on Blue Ridge Music Trails.

Learn more about Don Gibson and Shelby in our Carolina Calling episode about the city, featuring Gibson, Scruggs, and more.

A visit to Cleveland County wouldn’t be complete without a plate of livermush, so head over to the Shelby Cafe for breakfast, lunch, or dinner and a sampling of this local delicacy. Just like Earl would have enjoyed it? Certainly!

There’s so much to see, do, and enjoy at Earl Scruggs Music Festival and the surrounding territory, we know we barely scratched the surface. Hendersonville, Chimney Rock, Gastonia, and Rutherfordton are just up or down the road; so many nature preserves, parks, and trails are nearby; Spartanburg, South Carolina, is a stone’s throw away. While Tryon International is a lush, hospitable location for the festival, we encourage all attendees to get out and enjoy the places that birthed these musical forms we all hold so dear.

We’ll see you in Mill Spring, North Carolina, for Earl Scruggs Music Festival September 4-6, 2026! Tickets are available now. And we hope we run into you out adventuring and antiquing, too. Do you have a favorite local haunt in the area? Let us know on social media.


All photos by Justin Hiltner, shot on Camp Snap. Poster art courtesy of Earl Scruggs Music Festival.

This content brought to you in partnership with Earl Scruggs Music Festival.

ANNOUNCING: Bourbon & Beyond’s 2026 Lineup is Here

Danny Wimmer Presents has announced the full lineup for the 2026 edition of Bourbon & Beyond, the world’s largest music and bourbon festival. Held September 24-27 at the Kentucky Expo Center in Louisville, Kentucky, the hugely popular event – which attracted more than 200,000 attendees in 2025 and boasted more than $40 million in local economic impact that year alone – will include headline performances by Foo Fighters, Queens of the Stone Age, Mumford & Sons, Kacey Musgraves, Chris Stapleton, the Red Clay Strays, Dave Matthews Band, and Hootie & the Blowfish. Passes are on sale now; view the full lineup poster below.

For our eighth consecutive year, BGS will return to Bourbon & Beyond to curate and present the Bluegrass Situation Stage inside the mouthwatering Kroger Big Bourbon Bar tent. Over four days, Thursday to Sunday, the BGS Stage will include performances by some of the most exciting and buzzworthy bands in bluegrass, Americana, jamgrass, and folk. Headlining acts on our stage will include mandolinist and GRAMMY nominee Sierra Hull, psychedelic jamgrassers Kitchen Dwellers, our current February Artist of the Month the Infamous Stringdusters, and the expansive sonic universe of Daniel Donato’s Cosmic Country. Other performers on the BGS Stage include Wood Box Heroes, Magoo, Shelby Means, Rainbow Girls, Meels, Caleb & Reeb, and many more. See our full BGS Stage lineup below.

Though we tend to stay close to our own stage during Bourbon & Beyond – we’re partial, what can we say! – each year the DWP team does an excellent job of spreading roots music, country, bluegrass, and Americana across the event’s five stages. This year, we’re excited to catch performances by so many of the artists and musicians included on the lineup, from Charley Crockett, the Red Clay Strays, Mumford & Sons, and Kacey Musgraves to Langhorne Slim, Maoli, Paula Cole, Kaitlin Butts, Clover County, S.G. Goodman, the Devil Makes Three, Palmyra, Amos Lee, Max McNown, and many more. Plus, we’ll be sure to catch Kentuckian viral sensations the Creekers while on-site.

Music isn’t the only draw, of course, as bourbon, food, and fellowship are equally tempting alongside the superlative roster of bands and artists. Hundreds of bourbon labels from dozens of distilleries will be on sale or available for tastings as well as impeccable food by local chefs and celebrity culinary personalities. Catch cooking and beverage demonstrations at the Fork & Flask stage curated by Kroger or enjoy bourbon panels and workshops at the Bourbon Experience. Our team, partial to tiki vibes and tiki drinks, will be sure to stop by the Jim Beam Black Tiki Barrel Bar over the course of the weekend, as well.

BGS has been proud to partner with Bourbon & Beyond and Danny Wimmer Presents ever since the festival’s very first iteration more than eight years ago. We are so excited to return to Louisville to celebrate bluegrass, roots music, bourbon – and beyond! – with you all in 2026. Buy your passes now and check out our full BGS Stage lineup below. We’ll see you at the Big Bourbon Bar in September.

The 2026 Bourbon & Beyond Bluegrass Situation Stage Lineup

Thursday, September 24

Wood Box Heroes
Mason Via
Magoo
Sierra Hull

Friday, September 25

Fireside Collective
Rainbow Girls
Shelby Means
Kitchen Dwellers

Saturday, September 26

The Fretliners
Meels
The Infamous Stringdusters

Sunday, September 27

Vickie Vaughn Band
Caleb & Reeb
The Steel Wheels
Daniel Donato’s Cosmic Country


All artwork courtesy of Bourbon & Beyond and Danny Wimmer Presents.

John Dickson on Only Vans
with Bri Bagwell

John Dickson has been fostering the Texas music scene for over five decades and is the brains behind one of the best country music festivals in the United States. John joins me on Only Vans to talk about the 40th anniversary of MusicFest, which is held annually in Steamboat Springs, Colorado.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3


 

PHOTOS: The 2025 Desert Bluegrass Festival in Marana, Arizona

The first Desert Bluegrass Festival was held in 2000. Its 2025 iteration took place over the weekend of March 7 to 9 just northwest of Tucson in a beautiful desert park in Marana, Arizona. Despite a windy and rainy Friday night, the festival artists played on Saturday and Sunday bathed in beautiful south Arizona sunshine. The festival is 100% volunteer-run and its mission is to bring “family-oriented, high quality bluegrass and acoustic music entertainment” to the community and to visitors.

Perhaps this was not a high-powered festival, but it stayed true to its ambitions by creating a friendly atmosphere and a comfortable way to hear and see some excellent performances. The sound system was first class, there was plenty of room to sit, stretch out, or to get as close to the stage as anyone could want. Festival organizers made sure there was enough shade for listeners to cope with the bright desert sun and the artists performed with the beautiful Rincon Mountains and a snow-capped Mt. Lemmon in the background. Several hundred people arrayed themselves around the stage. As is often the case at bluegrass festivals, artists were accessible and friendly. And there were plenty of well-behaved bluegrass dogs enjoying the music.

Saturday’s headline group was the Becky Buller Band. Band members had been slated to lead workshops during the lunch break, but due to the crapshoot that is airline travel they were unable to get to the venue in time. However, they did an engaging set to close out a beautiful evening. Fiddler and band leader Buller led her outstanding fellow musicians through a performance of the song cycle of her newest album, Jubilee, with its message of hope, survival, and healing. This, together with some bluegrass-ified versions of Simon & Garfunkel and Joni Mitchell, contributed a more contemporary feel.

JamPak Blues ‘N’ Grass Neighborhood Band kicked off Sunday morning’s program. Based in Chandler, Arizona, the venerable Mrs. Anni Beach leads this long-running community youth band. JamPak musicians start young and some have played long enough to do some very respectable picking. Musical values are strong, and JamPak has spun off several generations of performers, including another band featured on Saturday, Cisco & the Racecars.

This was never going to be a jamgrass festival (as one attendee grumbed), given that its headline act took the stage before sunset. But the 2025 Desert Bluegrass Festival achieved a good mix of contemporary and traditional music, with consistently high level performances. It was a good chance to catch some regional bands, listen to some good sounds, and enjoy the beautiful desert setting. – Peggy Baker, Mad Angel Photos


All photos by Peggy Baker, Mad Angel Photos.

Photographer Mario Alcauter’s Beautiful Portraits From Park City Song Summit

In August earlier this year, BGS was on hand for the latest edition of Park City Song Summit in Park City, Utah. An intentional and unique event focusing on songwriting, songcraft, singer-songwriters, and more – like mental health, community, wellness, and thought leadership from a musical and artistic perspective – PCSS is a premier event. It’s certainly one-of-a-kind, and in so many ways.

This year, the lineup included artists like Nathaniel Rateliff & the Night Sweats, Mavis Staples, Larkin Poe, Tank and the Bangas, Steve Poltz, Duane Betts, and many more, as well as programming like song summits, sound baths, and panels, conversations, and dialogues.

Beautiful Park City is the perfect home for such a festival, with stunning natural surroundings, an excellent art scene, incredible food and restaurants, but a relatively cozy and small-town feel.

This year at PCSS, photographer Mario Alcauter shot a series of gorgeous portraits of many artists on the PCSS lineup. For BGS, Alcauter collects a handful of his favorite shots and subjects, sharing his thoughts on each.

Check out the photographs below – featuring artists and songwriters Cimafunk, Primera Linea, Sean Marshall, and Jobi Riccio – and make plans to join us in Utah for Park City Song Summit next year, August 14 to 16, 2025.

Cimafunk

Mario Alcauter: “Channeling Cimafunk’s vibe – bold, soulful, and effortlessly cool, just like those iconic shades. This is something I wanted to capture with the short time I had with him. His music isn’t just sound; it’s a whole aesthetic.”


Primera Linea




Mario Alcauter: “Photographing Primera Linea, I wanted to capture their raw, collective energy – young, grounded, and proud of their AfroCuban roots, fused with New Orleans funk. Each member brings their own style, yet together they stand as a united ‘First Line’ from Havana, ready to share their vibrant sound with the world. This shot shows their casual confidence and the pride they carry as they redefine tradition.”


Sean Marshall

Mario Alcauter: “Shot Sean Marshall by an ice machine – low-key and real, just like his blend of folk, indie, and country. His music is as honest and I wanted to capture that in this environment.”


Jobi Riccio

Mario Alcauter: “Capturing Jobi Riccio – authentic, grounded, and a bit rebellious, just like her music. Her songs weave together folk and Americana with a fresh, honest voice, and this outfit – bold stripes, red boots, and all – perfectly reflects that. I wanted this shot to feel like her sound: down-to-earth yet striking, with a personality all its own.”


Mario Alcauter is a Mexican photographer based in Utah who focuses on combining fashion and documentary-style images.

All photos: Mario Alcauter

Roots Music Festival Hires New Director of Diversity

DAVENPORT, IOWA – The Quad Cities Roots Festival announced today that it has hired its first-ever Director of Diversity, 55-year-old Karen Van der Sloot.

“I’m absolutely over the moon,” Van der Sloot said, stirring a pot of her famous chili in her suburban kitchen. “Diversity needs a facelift. Because every face is beautiful, especially when it’s smiling!”

While many DEI programs across the country have seen funding cut or been permanently shuttered, the Quad Cities Roots Music Festival is doubling down on its commitment to diversity with this groundbreaking hire.

“Karen is someone who makes everyone feel included. Even people who were already included feel more included because of Karen’s relentless inclusivity,” said a festival spokesperson.

Despite having no background in roots music or diversity initiatives, Van der Sloot believes her experience as a mother of four will offer a fresh perspective to a festival often criticized for its homogeneity.

“Listen, if you’ve ever tried to get a teenager to put down their phone and eat the same thing as the rest of the family, you know that’s the real diversity work,” she smiled. “I always say, ‘We tried democracy, but I’m not gonna make a whole new meal for one person who suddenly says they’re vegan. Mama bear don’t play that game!’”

Her vision for diversity in roots music? “Instead of diversity, I’ve been saying we need melange-ity – a little mix of everything. Like a good chili. Melange-ity means more than just one flavor. We need the full ‘thang’ – beans, hamburger, chili powder, maybe even a little corn if you’re feeling wild!”

For Van der Sloot, that even means getting a mix of ideas, like soliciting programming feedback from her assistant, Dr. Akilah Jessup-Moore. “Did you know she has a doctorate in ethnomusicology from Duke? Such a smart cookie.” Moore could not be reached for comment.

Festival Executive Director – and Karen’s husband – Kevin Van der Sloot also chimed in. “Karen’s been a real trooper. She’s thrown herself into this role 100%. Plus, I think she needed something to do after our oldest left for college.”

Though music acts are still being confirmed, festival headliners will include the Bettendorf Boys Choir, pop-reggae group UB40, and local favorites The Muddy Walters, a blues band comprised entirely of retired dentists.


Greg Hess is a comedy writer and performer in Los Angeles. His work has been featured in The American Bystander, The Onion, Shouts & Murmurs, Points in Case, and he cohosts the hit satirical podcast MEGA.

PHOTOS: North Carolina’s Earl Scruggs Music Festival is One-of-a-Kind

The 3rd Annual Earl Scruggs Music Festival was a smash hit! Held over Labor Day weekend at the stunning, luxurious grounds of the Tryon International Equestrian Center in Mill Spring, North Carolina – a short drive from Scruggs’ hometown of Shelby and the small crossroads of Flint Hill, where he was born and raised – the event featured bluegrass, old-time, country, and Americana made at the highest levels on three stages. Featuring brick-and-mortar restaurants, a shaded grandstand, dozens of vendors and boutiques, a large campground, posh tiny home cabin stays, and so much more, this is not your standard flatbed-trailer-in-a-hay-field festival. It’s so much more.

BGS was on hand at this year’s event to once again co-present a special tribute set, renamed The Scruggs Sessions and paying tribute to Flatt & Scruggs’ iconic live album, At Carnegie Hall! Festival hosts Jerry Douglas and the Earls of Leicester helmed the special show on the Foggy Mountain Stage, a crowd favorite in years past that formerly highlighted the Earl Scruggs Revue. This year, artists and bands like Shadowgrass, Wyatt Ellis, Lindsay Lou, Chris Jones & the Night Drivers, Twisted Pine, the Faux Paws, Old Crow Medicine Show, and more played selections from Flatt & Scruggs’ legendary performance at Carnegie Hall in 1962. The ESMF crowd delighted in note-for-note replications alongside brand new reimaginations of the album’s essential songs and tunes – complete with a rendering of “Martha White” that elicited plenty of raucous singing along.

Horse jumping demonstrations were held nearby the Legend’s Workshop Stage, where artists from the lineup told stories, shared songwriting pointers, talked about banjo techniques, and so much more. Fine spirits and wines were available for sale at the Spirits of Bluegrass stands and the Earl Scruggs Center – a fantastic museum focused on Scruggs that calls the former courthouse in Shelby its home – sold their Scruggs-ian wares and passed out hand fans to festival goers throughout the weekend.

It was a perfect festival to mark the 100th year since Scruggs’ birth, with artists, bands, and musicians from across the musical spectrum demonstrating the wide scope of the innovative banjo picker’s impact and legacy. On the Flint Hill Stage, headliners like Marty Stuart & His Fabulous Superlatives – featuring Chris Scruggs, who received multiple standing ovations from the audience – Mighty Poplar, Yonder Mountain String Band, Old Crow Medicine Show, and Tanya Tucker illustrated that bluegrass is certainly not a monolith. And, that traditional-leaning festivals such as ESMF can be just as expansive and broad as their more Americana-geared or rootsy competitors.

Though Friday and Saturday were blisteringly hot and Sunday saw more than one weather delay while lightning storms rolled out of the Appalachians and over the foothills, the crowds were resilient and energized and the festival showed, yet again, that this event is being built for the long haul. Conveniently located a short drive from Greenville, SC, Asheville and Charlotte, NC and a mere five hour drive from Nashville, ESMF is a must-visit destination festival where everything you could ever need – from banjos to horse jumping to wood-fired pizza to glamorous camping to high-quality interviews and workshops to international superstars – are all combined in one convenient, luxurious location.

Below, check out select photos from the 2024 edition of the Earl Scruggs Music Festival – and make plans to join us next year over Labor Day weekend in 2025! Tickets are on sale now.

Tickets for Earl Scruggs Music Festival 2025 are on sale now.


All photos courtesy of Earl Scruggs Music Festival and shot by Cora Wagoner and Jess Maples, as marked.
Lead Image: Tanya Tucker performs on the Flint Hill Stage, photo by Jess Maples.