Artist of the Month: Steep Canyon Rangers

In a state with no shortage of bluegrass bands, North Carolina’s Steep Canyon Rangers have always set themselves apart with compelling songwriting and a camaraderie that feels authentic, whether they’re up on stage headlining Merlefest or at a performing arts center supporting Steve Martin. (The band shared IBMA Entertainer off the Year honors with Martin in 2011.) These guys have integrity, sure, but they also have an adventurous spirit, a subtle sense of humor, and a keen perspective that reflects where they are in life.

On their upcoming album, Arm in Arm, bluegrass fans will find a lot to like, but so will those listeners who pay attention to songwriting. It happens to be the first time they’ve recorded an album outside of North Carolina, opting to work at Southern Ground studio in Nashville, and to produce the album with Brandon Bell. Some of the sonic textures may sound different, but the emotions in their music remain intact.

“We’re not trying to sound like a style or genre,” says Graham Sharp, the band’s banjo player, frequent songwriter, and occasional lead singer. “We’re not trying to fit into a certain mold. For a long time, we were a traditional bluegrass band, and that meant the themes would have to fit into that mold: work songs, heartbreak songs, train songs. But we’ve evolved to play any groove, any style, and it has opened us up to so many more possibilities.”

BGS will spotlight Steep Canyon Rangers as our Artist of the Month with back-to-back interviews with two of its founding band members, Woody Platt and Graham Sharp, conducted by noted North Carolina author and journalist David Menconi. (Read part one with Woody Platt here. Read part two with Graham Sharp here.) Arm in Arm arrives on October 16, but we’ve include a few of its early tracks below in our BGS Essentials Playlist for Steep Canyon Rangers.


Photo credit: David Simchock

LISTEN: Steep Canyon Rangers with Asheville Symphony, “Radio”

Artist: Steep Canyon Rangers with Asheville Symphony
Song: “Radio”
Album: Be Still Moses
Release Date: March 6, 2020
Label: Yep Roc Records

In Their Words: “We’ve been lucky to perform these songs with some great conductors over the last few years, but the opportunity to record them with our hometown symphony and the combination of [producer] Michael Selverne and [arranger] Michael Bearden was too good to pass up. They brought the arrangements to life and helped reimagine some of our older tunes. We’re so grateful for everyone’s efforts in making it happen. To hear the power and sweep of a full symphony behind these songs is truly amazing.” — Graham Sharp, Steep Canyon Rangers

“It was such a cool yet unusual experience to work as a band on a collection of songs we’ve recorded over the years and have performed live hundreds of times, by adding the ASO and producer Michael Selverne. This brought the songs to a new place with an entirely new life and sound. We also recorded with the band in a truly live setting to capture the energy of the performance.” — Woody Platt, Steep Canyon Rangers


Photo credit: David Simchock

Steep Canyon Rangers Salute Their State on ‘North Carolina Songbook’

Steep Canyon Rangers have been musical ambassadors of North Carolina for nearly 20 years, and during this year’s set at MerleFest, they presented a wide-ranging performance drawing on their home state’s diverse contributions to American music. That feel-good Sunday afternoon show is now available as an eight-song live album, North Carolina Songbook.

The collection covers inspirations from jazz musician Thelonious Monk, folk/blues hero Elizabeth Cotten, and enduring acoustic legends such as Doc Watson and Flatt & Scruggs. Replying by email, mandolin player Mike Guggino answered these first five questions, with singer/guitarist Woody Platt rounding up the remainder.

BGS: The music of North Carolina can be an overwhelming subject. What was the audition process, so to speak, when it came time to deciding which songs you wanted to include in your set?

Guggino: We all tried to come to the table with songs that we thought might work for the set. We knew we needed not only good songs, but also songs that worked well together to make the set flow. We needed the set to have some diversity, some highs and lows dynamically. We also wanted to feature different members of the band throughout the show.

These songs are familiar, of course, but how much did you rehearse the set list before singing at MerleFest?

We starting working on the tunes a few months before the show. We tried to incorporate many of the tunes into our shows leading up to MerleFest to get an idea of how they worked within the set.

Naturally it’s important to have Doc Watson and Rosa Lee Watson represented. How often did you cross paths with them, and what do you remember most about them?

We all started going to Merlefest in our college years and Doc would perform every year. Seeing him play live was always a highlight of the festival for us. His was some of the first bluegrass/Americana music many of us in the band were ever exposed to. We starting learning many of Doc’s tunes for our shows early on as a band. Many years later, Doc played our festival (Mountain Song Festival) in Brevard. He was one of the nicest musicians I have ever met. It was an honor to meet him and none of us will ever forget that experience!

“Don’t Let Your Deal Go Down” is a bluegrass staple. Do you remember how you all first heard that song?

That was one of the first Flatt & Scruggs tunes we ever heard or tried to learn. I’ve always loved the ragtime-like chord changes in that tune. Also, Earl played it open and the tune is in F major. It definitely gives it a unique sound on the banjo. I think Graham played the heck out of that one on the record!

What were the conversations like as you were deciding what kind of arrangement you wanted to give “Stand by Me”

We all agreed we wanted to feature that beautiful string solo section in the middle. This required a few extra fiddlers to make it happen and it came off so nicely. Woody really sings it with a lot of passion and that is really what makes the song work, in my opinion. We didn’t end up straying too far from the original arrangement in the end. It’s a simple song and we didn’t want to overthink it.

True to its name, “I’ve Endured” has been around a while. What pulled you toward this song?

Platt: This song was a natural fit — not only was Ola Belle Reed a clawhammer banjo player from Grassy Creek in Ashe County, North Carolina, but this song and several of her others have been pulled into the bluegrass genre. We have heard several versions of “I’ve Endured” and we are proud to now have our own.

This album is coming out on vinyl on Record Store Day. Who is the biggest vinyl collector among you?

Everyone in the band has an interest in vinyl and has a nice collection. Without doing an exact count I’d have to say Graham [Sharp, on banjo] is the biggest collector.

“Sweet Baby James” is a highlight of this album. Who is the biggest fan of James Taylor in the band?

James is from Chapel Hill, North Carolina, where the band was originally formed. All of us have connections to his music in some way or another. I’d guess Barrett [Smith, on bass] is the biggest fan. He did a great job channeling James’s vibe and delivery on this version.

North Carolina Songbook provides a chance for you to share part of your state’s musical heritage with the world. What do you hope fans will take away from the experience of listening to this album?

The takeaway is North Carolina’s incredibly rich and diverse musical history! Also, we have recorded nearly 100% of our own original music throughout our career — so it’s fun to show a different side of the band and how we can interpret other songs and deliver them in the SCR style.

What lies ahead for the Steep Canyon Rangers in 2020?

We have a few new projects coming up in 2020. A collaboration with the Asheville Symphony will be released in early 2020. Later in the year we will be releasing a new project of all original SCR material. Other than that we plan to continue to tour and play theaters, clubs, and festivals all over the country and abroad. There will also be some touring with our banjo buddy Steve Martin.


Photo Credit: David Simchock

MIXTAPE: Woody Platt

WOODY PLATT‘s music is something of a dichotomy.    The sound of his band, The Steep Canyon Rangers, is tight and traditional bluegrass, while their lyrics belie much more contemporary topics (for an example of this, check out their tune with Steve Martin, Atheists Don’t Have No Songs).  Woody and the rest of the Steeps take to the stage with Steve this Saturday, September 1 at the Pantages Theatre in Hollywood, and the band is also hosting the upcoming bluegrass cruise, Mountain Song At Sea in February (The Sitch will be there too!).  Before their Southern California arrival, Woody filled us in on the top five songs he’s listening to right now for this month’s MIXTAPE.  

 

Artist: Blaze Foley
Track: Oh Darlin’
Album: Live from the Austin Outhouse

‘Blaze has a very warm yet rugged delivery in his voice and a great finger picking guitar style that accompanies this delivery. I heard this live recording several years back and it has been one of my favorites ever since.’

 

Artist: Doc Watson
Track: St James Infirmary

Album: Remembering Merle

‘This album was my first introduction to Doc and one that helped lead me to becoming a guitar player/singer. Several of the songs on this album were the first that i tried to sing in a bluegrass style. With the very sad loss of Doc this year—i have gone back to enjoy this album. ‘I hope Docs guitar is laying right by his side.’

 

Artist: Shannon Whitworth and Barrett Smith
Track: Corcovado

Album: Bring it on Home

‘This is a duet collaboration of cover songs by Shannon and Barrett-who are from western NC.  It is a new project and features beautiful vocals and tasteful guitar. On Corcovado Shannon sings with a classic sultry style and Barrett sings in smooth convincing Portuguese. This is a breathtaking version of the jazz standard.’

[Video not available.  Preview Shannon and Barrett’s version of Corcovado here]

 

Artist: Del McCoury
Track: 50 years of Del McCoury
Album: Eli Renfro

‘I love the Del McCoury band. They have been such great ambassadors for Bluegrass music and have influenced some many artists including me. Eli Renfro is a haunting song that features both Dels high tenor range and his deeper lead range. The melody is contagious.’

 

 

Artists: The Viceroys
Song: Fat Fish
Recording: The Viceroys at Studio One.

‘The Viceroys are a lesser know reggae group who recorded in the late 60’s through the early 80’s and although they are not too well known—they made some great recordings and had some major success in Jamaica.  I love roots style reggae and this recoding is just right.  It feels good and has a great groove.’