Artist:Amistat Hometown: Rosenheim, Bavaria, Germany Latest Album:What We Are EP (releasing March 21)
Which artist has influenced you the most – and how?
The godfather of indie-folk, Ben Howard! When we first started out as Amistat playing and writing music back in 2012, his album Every Kingdom had just come out. It was the first time ever that we had heard a sound like his. His lyrics, melodies, especially the style of guitar tuning, and the way he used his guitar as a percussive element, captured us and had us mesmerized. It’s to this date the most inspiring piece of music we’ve ever come across and we listen to it on repeat, still.
What rituals do you have, either in the studio or before a show?
The last hour before going on stage is holy to us and very important for us to get in the zone. We meditate for about half an hour (individually), then Josef runs through his vocal warm up routine (15 minutes). We brush our teeth (most important!) and just before going on stage we have this ritual that the entire team meets backstage for a toast – it’s actually reciting an old Irish poem. Every day someone else gets to take the lead on it:
“There are good ships and wood ships, ships that sail the sea, but the best ships are friendships and may they always be.”
What’s the most difficult creative transformation you’ve ever undertaken?
We started out as buskers on the streets of Melbourne. We did that full time for about 7 years. After that time we felt like nothing is really changing and that in order to grow we needed to change something again. We moved to Brighton, England, and wanted to try busking there. After about three weeks and 24/7 of rain we decided to move to Berlin. There we had to kind of rethink the whole busking thing and came up with the idea of putting on small house shows in people’s living rooms. That’s what we did and lived of for about two years. Then COVID hit and everything kind of stopped. During that time we honed down on the social media content and it all grew from there.
What’s one question you wish interviewers would stop asking you?
“What’s it like being twins?”
If you didn’t work in music, what would you do instead?
Jan would be a golf professional, Josef would be soccer professional.
With a sound that’s like rain in the desert for fans of early rock and country, the Cactus Blossoms let their modern-classic vibe bloom on their latest album, Every Time I Think About You. But with pair of big shows to help celebrate the launch, this band is living very much in the present tense.
Made up of Minneapolis-based brothers Jack Torrey and Page Burkum, the duo’s new project arrives August 30 and once again captures the full, timeless magic of spacious melodies, tasteful twang, and tightly-wound harmony. That night, they’ll mark the release with a long-overdue debut at the Grand Ole Opry – where they ought to find a few like-minded fans of keeping music’s traditional cool factors alive – and then head home for a milestone gig in St. Paul.
After a trio of well-received albums and more than 10 years of riveting shows, it’s the perfect setup for a duo who seem totally at ease blurring the American roots timeline – and who promise they couldn’t fake it if they weren’t.
“I don’t think we’re very good at striving,” Torrey says, speaking from the verdant midsummer shores of Lake Superior on a much-needed break from the road. “I do think [this record] has a comfort level, especially since we’ve been able to start touring again, and really hit it. It’s been feeling like we’re a unit and we can kind of read each other’s minds a little bit.”
Speaking with BGS ahead of the release of Every Time I Think About You, Torrey and Burkum filled us in on what that telepathic bond helped create, and where it’s coming from.
A lot of Every Time I Think About You features the “modern-classic” sound you have both made a calling card – like it would sound fresh a few decades ago and today as well. But is that dangerous territory for a band? You don’t want to be pigeonholed as a throwback, right? So how do you walk the tightrope?
Jack Torrey: I think there’s an interesting aspect of that from our perspective. I got super into Bob Dylan and Hank Williams and I was singing songs by both of those guys way back, 18 years ago or whatever. Page was into Jimmie Rodgers and those other super old country things. We start singing together and it’s like if you harmonize on a Hank Williams song, it kind of starts to sound like an Everly Brothers song. You’re kind of accidentally falling into that and getting into territory that people went into 60 years ago – but it’s new for us and I think that has kind of kept happening. We’re not recreating or trying to do anything like listening to records and imitating it. It’s almost like we’re carving our own mini canyon, that resembles some of the other ones from the past.
Page Burkum: I was kind of thinking about this as a way of summing up our style and influences: The Band, The Traveling Wilburys. Those are like my four main food groups or something. I love where all those guys are coming from – a little Roy Orbison, a little Bob Dylan. They balance each other nicely. And I was thinking, when that’s your diet, you’re going to make something that comes out [like Every Time I Think About You]. … But we love other totally different kinds of music outside of that realm too, and I hope a little bit of that gets in there, too.
Where is the title track, “Every Time I Think About You,” coming from? It’s got that lovely, warm-and-fuzzy feel of a mid-century romance ballad to it, but maybe something more, too …
JT: That one is kind of a love song to losing a friend – it’s kind of a heartwarming grief, where you’re almost being consoled by the memory of someone. And that’s where that song came from. The way we wrote it, I just had a couple lines, and then Page jumped in and started singing the beginning of the chorus, and then I sang back the next line, “Every time I think about you …”
PB: Sometimes Jack and I have made fun of biopic movie scenes like in Walk the Line, where it’s like Johnny and June or whoever sit down with a guitar and they’re just writing a song in real time. Like, they sing one line and then pause dramatically, and then sing another line and then it cuts to them playing it for a thousand people or something. But in a funny way, that was kind of the closest to that. [Laughs]
JT: I was like, “I didn’t ask you to jump in and work on my song … but that’s pretty good idea. Let’s do it.”
The album kicks off with “Something’s Got a Hold On Me” – which almost has a Southern rock swagger to it. Where does that come from? Is that your Tom Petty influence showing?
PB: When I first had the idea for that one, the very original idea that set it off was actually a weird little piece of a Jimmie Rodgers song. So, I stole that line and that melody, which is about two notes or something, but it kind of inspired the whole song in a weird way. To me there’s some blend of Lead Belly and The Beatles or something in my mind, but then it ends up just sounding like a country-rock two step. That’s just what happens. It’s fun to roll with stuff. … I threw in another Jimmie Rodgers line, that “T for Texas, T for Tennessee,” to kind of keep that tribute going.
Oh that’s right, I should have known. Why did you end up finishing on “Out of My Mind (On Sunday)”? Is there a reason that seemed to wrap things up?
JT: It wasn’t a big dramatic decision, but it seemed like a nice bookend from “Something’s Got a Hold on Me” to end with being a bit of a crazy person. [Laughs]
PB: To me it actually kind of leaves the door wide open. I don’t know if you want to cap things off with the sweetest, most-concise thing you have, you know? There’s something about it that’s a little bit out there to me.
You’ll make your Grand Ole Opry debut the night this album drops. Then you’re having a big hometown party with show at Fitzgerald Theater in St. Paul [on September 13]. What does that mean to you?
PB: We’ve got one of our favorite local bands, Humbird, joining us for that [St. Paul] show, so that’ll be really cool. We’re trying to get some of our collaborators to be involved too, if we can spice it up with an extra ensemble beyond our regular band. So we’re trying to get a piano on stage or something. I mean, it’s a theater show, so it’s a little different. And it’s our first time playing our own show at this theater. It’s a really beautiful building and I never thought I’d play there when I was a kid.
JT: It’s where [A] Prairie Home Companion used to be back in the day. Page and I actually played there when we were first getting started, which was a special time. So it’s cool, and should be fun. Some people can come that don’t like to stand, since we play a lot of clubs. [Laughs]
Photo Credit: Aaron Rice
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